Late eighteenth-century music and visual culture:
Gespeichert in:
| Weitere beteiligte Personen: | , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Turnhout
Brepols
[2017]
|
| Schriftenreihe: | Music and visual cultures
volume 1 |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029804570&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | The late eighteenth century witnessed a flourishing exchange between music and visual art which was expressed in the creative as well as commercial cultures of the time. Nevertheless, there has been relatively little research to actively consider and thoroughly examine the symbiotic relationship between looking and listening during the period. In this volume, nine prominent scholars employ a set of interdisciplinary methodological tools in order to come to a comprehensive understanding of the rich tapestry of eighteenth-century musical taste, performance, consumption and aesthetics. While the link between visual material and musicological study lies at the heart of the research presented in this collection of essays, the importance of the textual element, as it denoted the process of thinking about music and the various ways in which that was symbolically and often literally visualized in writing and print culture, is also closely examined. |
| Umfang: | V, 231 Seiten Illustrationen, Faksimiles, Diagramme, Notenbeispiele |
| ISBN: | 9782503546292 2503546293 |
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| 520 | 3 | |a The late eighteenth century witnessed a flourishing exchange between music and visual art which was expressed in the creative as well as commercial cultures of the time. Nevertheless, there has been relatively little research to actively consider and thoroughly examine the symbiotic relationship between looking and listening during the period. In this volume, nine prominent scholars employ a set of interdisciplinary methodological tools in order to come to a comprehensive understanding of the rich tapestry of eighteenth-century musical taste, performance, consumption and aesthetics. While the link between visual material and musicological study lies at the heart of the research presented in this collection of essays, the importance of the textual element, as it denoted the process of thinking about music and the various ways in which that was symbolically and often literally visualized in writing and print culture, is also closely examined. | |
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Datensatz im Suchindex
| _version_ | 1819321132191318016 |
|---|---|
| adam_text | Contents
Introduction......................................................................... 1
Cliff Eisen and Alan Davison
1. Charles Burneys Wunderkammer of Ancient Instruments in his General History of Music— 5
Zdravko Blazekovic
2. John Browns Dissertation (1763) on Poetry and Music: An Eighteenth-Century
View on Music s Role in the Rise and Fall of Civilization........................ 55
Alan Davison
3. Developing an Eye for Harmony: Rubens in Mozarts Education....................... 71
Thomas Tolley
4. Gothic Musical Scenes and the Image of Performance............................... Ill
Annette Richards
5. The Visual Traces of a Discourse of Ineffability:
Late Eighteenth-Century German Published Writings on Music....................... 123
Keith Chapin
6. Marketing Ploys, Monuments, and Music Paratexts:
Reading the Tide Pages of Early Mozart Editions.................................. 155
Nancy November
7. Musical Allegories in the Printed Edition of the Mascara Real: New Iconographic
Models in Catalonian Engravings of the Second Half of the Eighteenth Century..... 173
Vanessa Esteve Marull
8. Authenticity and Likeness in Mozart Portraiture................................. 185
Cliff Eisen
9. Imaging Beethoven............................................................... 201
Simon Shaw Miller
Index............................................................................... 223
V
|
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| author2 | Eisen, Cliff 1952- Davison, Alan ca. 20. Jh |
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| discipline | Kunstgeschichte |
| era | Geschichte 1760-1800 gnd |
| era_facet | Geschichte 1760-1800 |
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| illustrated | Illustrated |
| indexdate | 2024-12-20T18:02:08Z |
| institution | BVB |
| isbn | 9782503546292 2503546293 |
| language | English |
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| publishDate | 2017 |
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| publisher | Brepols |
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| series | Music and visual cultures |
| series2 | Music and visual cultures |
| spellingShingle | Late eighteenth-century music and visual culture Music and visual cultures Wiener Klassik (DE-588)4189851-5 gnd Ästhetik (DE-588)4000626-8 gnd Musikalische Ikonographie (DE-588)4114653-0 gnd |
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| title | Late eighteenth-century music and visual culture |
| title_auth | Late eighteenth-century music and visual culture |
| title_exact_search | Late eighteenth-century music and visual culture |
| title_full | Late eighteenth-century music and visual culture edited by Cliff Eisen & Alan Davison |
| title_fullStr | Late eighteenth-century music and visual culture edited by Cliff Eisen & Alan Davison |
| title_full_unstemmed | Late eighteenth-century music and visual culture edited by Cliff Eisen & Alan Davison |
| title_short | Late eighteenth-century music and visual culture |
| title_sort | late eighteenth century music and visual culture |
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| topic_facet | Wiener Klassik Ästhetik Musikalische Ikonographie Aufsatzsammlung |
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