Verfügbarkeit: Audio culture | Technische Universität München

Audio culture: readings in modern music

Gespeichert in:

Bibliographische Detailangaben
Weitere beteiligte Personen:	Cox, Christoph 1965- (HerausgeberIn), Warner, Daniel 1954- (HerausgeberIn)
Format:	Buch
Sprache:	Englisch
Veröffentlicht:	New York ; London ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2017
Ausgabe:	Revised edition
Schlagwörter:	Geschichte 1900-2000 Geschichte 1950-2004 Geschichte 1900-2006 Geschichte 1950-2017 Musik Music > 20th century > History and criticism Music > 21st century > History and criticism Musikhören Neue Musik Komposition > Musik Experimentelle Musik Elektronische Musik Aufsatzsammlung
Links:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029703082&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Beschreibung:	Includes bibliographical references and index
Umfang:	xviii, 646 Seiten
ISBN:	9781501318368 9781501318351

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Datensatz im Suchindex

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adam_text	Contents Acknowledgments ix Sources and Permissions x Introduction to the Revised Edition xiv Part 1 Theories I. Music and Its Others: Noise, Sound, Silence 5 Introduction 5 1 “Noise and Politics” Jacques Attali 7 2 “The Art of Noises: Futurist Manifesto” Luigi Russolo 11 3 “The Liberation of Sound” Edgard Varèse 17 4 “The Joys of Noise” Henry Cowell 23 5 “The Future of Music: Credo” John Cage 27 6 “The Music of the Environment” R. Murray Schafer 31 7 “The Gender of Sound” Anne Carson 43 8 “Queer Sound” Drew Daniel 61 9 “The Quiet of Blackness: Miles Davis and John Coltrane” Kevin Quashie 73 II. Modes of Listening 87 Introduction 87 10 “Visual and Acoustic Space” Marshall McLuhan 89 11 “Acousmatics” Pierre Schaeffer 95 12 “Profound Listening and Environmental Sound Matter” Francisco López 103 13 “Ambient Music” Brian Eno 109 14 “Auralizing the Sonosphere: A Vocabulary for Inner Sound and Sounding” Pauline Oliveros 113 15 “Perceptual Geography: Third Ear Music and Structure Borne Sound” Maryanne Amacher 117 16 “Hearing Essay” Evelyn Glennie 125 17 “The Aural Walk” Iain Chambers 129 18 “Ubiquitous Listening” Annahid Kassabian 135 19 “Forensic Listening” Lawrence Abu Hamdan 149 20 “Organizing the Silence” Ultra-red 155 Contents vi III. Music in the Age of Electronic Reproduction 169 Introduction 169 21 “The Prospects of Recording” Glenn Gould 173 22 “The Studio as Compositional Tool” Brian Eno 185 23 “Bettered by the Borrower: The Ethics of Musical Debt” John Oswald 189 24 “Plunderphonia” Chris Cutler 197 25 “Operating System for the Redesign of Sonic Reality” Kodwo Eshun 217 26 “Six File-Sharing Epiphanies” Kenneth Goldsmith 221 27 “Cultivating Activist Lives in Sound” Tara Rodgers 225 Part 2 Practices IV. The Open Work 239 Introduction 239 28 “Poetics of the Open Work” Umberto Eco 241 29 “Composition as Process: Indeterminacy” John Cage 251 30 “Every Sound You Can Imagine: On Graphic Scores” Christoph Cox 263 31 “Transformations and Developments of a Radical Aesthetic” Earle Brown 267 32 “The Game Pieces” John Zorn 275 33 “Introduction to Catalog of Works” Anthony Braxton 281 34 “Notes on Conduction” Lawrence “Butch” Morris 285 V. Experimental Musics 293 Introduction 293 35 “Towards (a Definition of) Experimental Music” Michael Nyman 295 36 “Introduction to Themes Variations” John Cage 309 37 “Generating and Organizing Variety in the Arts” Brian Eno 315 38 “Scratch Music Draft Constitution” Cornelius Cardew 325 39 “The Generation Game: Experimental Music and Digital Culture” David Toop 331 40 “The New Discipline” Jennifer Walshe 341 41 “Re-Invent: Experimental Music in China” Yan Jun 345 VI. Improvised Musics 355 Introduction 355 42 “Change of the Century” Ornette Coleman 357 43 “Notes (8 Pieces): Creative Music” Wadada Leo Smith 359 44 “Free Improvisation” Derek Bailey 367 45 “Little Bangs: A Nihilist Theory of Improvisation” Frederic Rzewski 379 Contents vii 46 “Improvised Music After 1950: Afrological and Eurological Perspectives” George E. Lewis 385 47 “Improvisation: Terms and Conditions” Vijaylyer 399 48 “Going Fragile” Mattin 403 49 “27 Questions For a Start... And Some Answers to Begin With” Trio Sowari et al 407 VII. Minimalisms 417 Introduction 417 50 “Thankless Attempts at a Definition of Minimalism” Kyle Gann 419 51 “Basic Concepts of Minimal Music” Wim Mertem 425 52 “Music as a Gradual Process” Steve Reich 431 53 “Conversation with Richard Kostelanetz” La Monte Young and Marian Zazeela 435 54 “LYssophobia: On Four Violins” Tony Conrad 449 55 “Rap, Minimalism and Structures of Time in Late Twentieth-Century Culture” Susan McClary 455 56 “Draw a Straight Line and Follow It: Minimalism in Contemporary Electronic Dance Music” Philip Sherburne 465 VIII. DJ Culture 479 Introduction 479 57 “Production-Reproduction: Potentialities of the Phonograph” László Moholy-Nagy 481 58 “Détournement as Negation and Prelude” Situationist International 485 59 “The Invisible Generation” William S. Burroughs 489 60 “Algorithms: Erasures and the Art of Memory” Paul D. Miller 497 61 “Replicant: On Dub” David Toop 505 62 “Post-Rock” Simon Reynolds 509 63 “A Few Notes on Production and Playback” Marina Rosenfeld 513 IX. Electronic Music and Electrònica 519 Introduction 519 64 “Introductory Remarks to a Program of Works Produced at the Columbia-Princeton Electronic Music Center” Jacques Barzun 521 65 “Electronic and Instrumental Music” Karlheinz Stockhausen 525 66 “Stockhausen vs the Technocrats” Karlheinz Stockhausen et al 537 67 “The Mysterious Power of the Infinitesimal” Eliane Radigue 543 Contents viii 68 “The Aesthetics of Failure: ‘Post-Digital’ Tendencies in Contemporary Computer Music” Kim Cascone 547 69 “Laptop Intimacy and Platform Politics” Holly Herndon 555 Chronology 561 Selected Discography 573 Selected Bibliography 583 Glossary 605 Notes to Quotations 615 Index 621
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lccn	017005304
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oclc_num	999196263
open_access_boolean
owner	DE-B170 DE-12 DE-11
owner_facet	DE-B170 DE-12 DE-11
physical	xviii, 646 Seiten
publishDate	2017
publishDateSearch	2017
publishDateSort	2017
publisher	Bloomsbury Academic
record_format	marc
spellingShingle	Audio culture readings in modern music Musik Music 20th century History and criticism Music 21st century History and criticism Musikhören (DE-588)4075127-2 gnd Neue Musik (DE-588)4428235-7 gnd Musik (DE-588)4040802-4 gnd Komposition Musik (DE-588)4133320-2 gnd Experimentelle Musik (DE-588)4153365-3 gnd Elektronische Musik (DE-588)4014355-7 gnd
subject_GND	(DE-588)4075127-2 (DE-588)4428235-7 (DE-588)4040802-4 (DE-588)4133320-2 (DE-588)4153365-3 (DE-588)4014355-7 (DE-588)4143413-4
title	Audio culture readings in modern music
title_auth	Audio culture readings in modern music
title_exact_search	Audio culture readings in modern music
title_full	Audio culture readings in modern music edited by Christoph Cox and Daniel Warner
title_fullStr	Audio culture readings in modern music edited by Christoph Cox and Daniel Warner
title_full_unstemmed	Audio culture readings in modern music edited by Christoph Cox and Daniel Warner
title_short	Audio culture
title_sort	audio culture readings in modern music
title_sub	readings in modern music
topic	Musik Music 20th century History and criticism Music 21st century History and criticism Musikhören (DE-588)4075127-2 gnd Neue Musik (DE-588)4428235-7 gnd Musik (DE-588)4040802-4 gnd Komposition Musik (DE-588)4133320-2 gnd Experimentelle Musik (DE-588)4153365-3 gnd Elektronische Musik (DE-588)4014355-7 gnd
topic_facet	Musik Music 20th century History and criticism Music 21st century History and criticism Musikhören Neue Musik Komposition Musik Experimentelle Musik Elektronische Musik Aufsatzsammlung
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029703082&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT coxchristoph audioculturereadingsinmodernmusic AT warnerdaniel audioculturereadingsinmodernmusic

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Inhaltsverzeichnis