Memory, Metaphor, and Aby Warburg's Atlas of Images:
The work of German cultural theorist and art historian Aby Warburg (1866-1929) has had a lasting effect on how we think about images. This book is the first in English to focus on his last project, the encyclopedic Atlas of Images: Mnemosyne. Begun in earnest in 1927, and left unfinished at the time...
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Format: | Elektronisch E-Book |
Sprache: | Englisch |
Veröffentlicht: |
Ithaca, N.Y.
Cornell University Press
[2012]
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Schriftenreihe: | Signale: Modern German Letters, Cultures, and Thought
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Schlagwörter: | |
Links: | https://doi.org/10.7591/9780801464065 https://doi.org/10.7591/9780801464065 https://doi.org/10.7591/9780801464065 https://doi.org/10.7591/9780801464065 https://doi.org/10.7591/9780801464065 https://ebookcentral.proquest.com/lib/zikg/detail.action?docID=3138359 https://doi.org/10.7591/9780801464065 https://doi.org/10.7591/9780801464065 https://ebookcentral.proquest.com/lib/khifiit/detail.action?docID=3138359 https://doi.org/10.7591/9780801464065 |
Zusammenfassung: | The work of German cultural theorist and art historian Aby Warburg (1866-1929) has had a lasting effect on how we think about images. This book is the first in English to focus on his last project, the encyclopedic Atlas of Images: Mnemosyne. Begun in earnest in 1927, and left unfinished at the time of Warburg's death in 1929, the Atlas consisted of sixty-three large wooden panels covered with black cloth. On these panels Warburg carefully, intuitively arranged some thousand black-and-white photographs of classical and Renaissance art objects, as well as of astrological and astronomical images ranging from ancient Babylon to Weimar Germany. Here and there, he also included maps, manuscript pages, and contemporary images taken from newspapers. Trying through these constellations of images to make visible the many polarities that fueled antiquity's afterlife, Warburg envisioned the Atlas as a vital form of metaphoric thought.While the nondiscursive, frequently digressive character of the Atlas complicates any linear narrative of its themes and contents, Christopher D. Johnson traces several thematic sequences in the panels. By drawing on Warburg's published and unpublished writings and by attending to Warburg's cardinal idea that "pathos formulas" structure the West's cultural memory, Johnson maps numerous tensions between word and image in the Atlas. In addition to examining the work itself, he considers the literary, philosophical, and intellectual-historical implications of the Atlas. As Johnson demonstrates, the Atlas is not simply the culmination of Warburg's lifelong study of Renaissance culture but the ultimate expression of his now literal, now metaphoric search for syncretic solutions to the urgent problems posed by the history of art and culture |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017) |
Umfang: | 1 online resource (xv, 286 p.) |
ISBN: | 9780801464065 |
DOI: | 10.7591/9780801464065 |
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Datensatz im Suchindex
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author | Johnson, Christopher D. 1964- |
author_GND | (DE-588)1026052556 |
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discipline | Kunstgeschichte |
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geographic | Deutschland |
geographic_facet | Deutschland |
id | DE-604.BV044255477 |
illustrated | Not Illustrated |
indexdate | 2025-02-18T15:10:35Z |
institution | BVB |
isbn | 9780801464065 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029660501 |
oclc_num | 1165503070 |
open_access_boolean | |
owner | DE-859 DE-860 DE-473 DE-BY-UBG DE-11 DE-739 DE-1046 DE-1043 DE-858 DE-255 DE-Y3 |
owner_facet | DE-859 DE-860 DE-473 DE-BY-UBG DE-11 DE-739 DE-1046 DE-1043 DE-858 DE-255 DE-Y3 |
physical | 1 online resource (xv, 286 p.) |
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publishDate | 2012 |
publishDateSearch | 2012 |
publishDateSort | 2012 |
publisher | Cornell University Press |
record_format | marc |
series2 | Signale: Modern German Letters, Cultures, and Thought |
spelling | Johnson, Christopher D. 1964- Verfasser (DE-588)1026052556 aut Memory, Metaphor, and Aby Warburg's Atlas of Images Christopher D. Johnson Ithaca, N.Y. Cornell University Press [2012] © 2012 1 online resource (xv, 286 p.) txt rdacontent c rdamedia cr rdacarrier Signale: Modern German Letters, Cultures, and Thought Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017) The work of German cultural theorist and art historian Aby Warburg (1866-1929) has had a lasting effect on how we think about images. This book is the first in English to focus on his last project, the encyclopedic Atlas of Images: Mnemosyne. Begun in earnest in 1927, and left unfinished at the time of Warburg's death in 1929, the Atlas consisted of sixty-three large wooden panels covered with black cloth. On these panels Warburg carefully, intuitively arranged some thousand black-and-white photographs of classical and Renaissance art objects, as well as of astrological and astronomical images ranging from ancient Babylon to Weimar Germany. Here and there, he also included maps, manuscript pages, and contemporary images taken from newspapers. Trying through these constellations of images to make visible the many polarities that fueled antiquity's afterlife, Warburg envisioned the Atlas as a vital form of metaphoric thought.While the nondiscursive, frequently digressive character of the Atlas complicates any linear narrative of its themes and contents, Christopher D. Johnson traces several thematic sequences in the panels. By drawing on Warburg's published and unpublished writings and by attending to Warburg's cardinal idea that "pathos formulas" structure the West's cultural memory, Johnson maps numerous tensions between word and image in the Atlas. In addition to examining the work itself, he considers the literary, philosophical, and intellectual-historical implications of the Atlas. As Johnson demonstrates, the Atlas is not simply the culmination of Warburg's lifelong study of Renaissance culture but the ultimate expression of his now literal, now metaphoric search for syncretic solutions to the urgent problems posed by the history of art and culture Warburg, Aby Moritz 1866-1929 Mnemosyne (DE-588)4200085-3 gnd rswk-swf Cassirer, Ernst 1874-1945 Philosophie der symbolischen Formen (DE-588)4197911-4 gnd rswk-swf Geschichte 1900-2000 Geschichte Art criticism Germany History 20th century Art, Classical Influence Art, Renaissance Influence Metaphor in art Metapher (DE-588)4038935-2 gnd rswk-swf Deutschland Warburg, Aby Moritz 1866-1929 Mnemosyne (DE-588)4200085-3 u Metapher (DE-588)4038935-2 s 1\p DE-604 Cassirer, Ernst 1874-1945 Philosophie der symbolischen Formen (DE-588)4197911-4 u 2\p DE-604 https://doi.org/10.7591/9780801464065 URL des Erstveröffentlichers 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Johnson, Christopher D. 1964- Memory, Metaphor, and Aby Warburg's Atlas of Images Warburg, Aby Moritz 1866-1929 Mnemosyne (DE-588)4200085-3 gnd Cassirer, Ernst 1874-1945 Philosophie der symbolischen Formen (DE-588)4197911-4 gnd Geschichte Art criticism Germany History 20th century Art, Classical Influence Art, Renaissance Influence Metaphor in art Metapher (DE-588)4038935-2 gnd |
subject_GND | (DE-588)4200085-3 (DE-588)4197911-4 (DE-588)4038935-2 |
title | Memory, Metaphor, and Aby Warburg's Atlas of Images |
title_auth | Memory, Metaphor, and Aby Warburg's Atlas of Images |
title_exact_search | Memory, Metaphor, and Aby Warburg's Atlas of Images |
title_full | Memory, Metaphor, and Aby Warburg's Atlas of Images Christopher D. Johnson |
title_fullStr | Memory, Metaphor, and Aby Warburg's Atlas of Images Christopher D. Johnson |
title_full_unstemmed | Memory, Metaphor, and Aby Warburg's Atlas of Images Christopher D. Johnson |
title_short | Memory, Metaphor, and Aby Warburg's Atlas of Images |
title_sort | memory metaphor and aby warburg s atlas of images |
topic | Warburg, Aby Moritz 1866-1929 Mnemosyne (DE-588)4200085-3 gnd Cassirer, Ernst 1874-1945 Philosophie der symbolischen Formen (DE-588)4197911-4 gnd Geschichte Art criticism Germany History 20th century Art, Classical Influence Art, Renaissance Influence Metaphor in art Metapher (DE-588)4038935-2 gnd |
topic_facet | Warburg, Aby Moritz 1866-1929 Mnemosyne Cassirer, Ernst 1874-1945 Philosophie der symbolischen Formen Geschichte Art criticism Germany History 20th century Art, Classical Influence Art, Renaissance Influence Metaphor in art Metapher Deutschland |
url | https://doi.org/10.7591/9780801464065 |
work_keys_str_mv | AT johnsonchristopherd memorymetaphorandabywarburgsatlasofimages |