Knowing Poetry: Verse in Medieval France from the "Rose" to the "Rhétoriqueurs"
In the later Middle Ages, many writers claimed that prose is superior to verse as a vehicle of knowledge because it presents the truth in an unvarnished form, without the distortions of meter and rhyme. Beginning in the thirteenth century, works of verse narrative from the early Middle Ages were rec...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Ithaca, N.Y.
Cornell University Press
[2011]
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| Schlagwörter: | |
| Links: | https://doi.org/10.7591/9780801460586 https://doi.org/10.7591/9780801460586 https://doi.org/10.7591/9780801460586 https://doi.org/10.7591/9780801460586 https://doi.org/10.7591/9780801460586 https://doi.org/10.7591/9780801460586 https://doi.org/10.7591/9780801460586 https://doi.org/10.7591/9780801460586 |
| Zusammenfassung: | In the later Middle Ages, many writers claimed that prose is superior to verse as a vehicle of knowledge because it presents the truth in an unvarnished form, without the distortions of meter and rhyme. Beginning in the thirteenth century, works of verse narrative from the early Middle Ages were recast in prose, as if prose had become the literary norm. Instead of dying out, however, verse took on new vitality. In France verse texts were produced, in both French and Occitan, with the explicit intention of transmitting encyclopedic, political, philosophical, moral, historical, and other forms of knowledge.In Knowing Poetry, Adrian Armstrong and Sarah Kay explore why and how verse continued to be used to transmit and shape knowledge in France. They cover the period between Jean de Meun's Roman de la rose (c. 1270) and the major work of Jean Bouchet, the last of the grands rhétoriqueurs (c. 1530). The authors find that the advent of prose led to a new relationship between poetry and knowledge in which poetry serves as a medium for serious reflection and self-reflection on subjectivity, embodiment, and time. They propose that three major works-the Roman de la rose, the Ovide moralisé, and Boethius' Consolation of Philosophy-form a single influential matrix linking poetry and intellectual inquiry, metaphysical insights, and eroticized knowledge. The trio of thought-world-contingency, poetically represented by Philosophy, Nature, and Fortune, grounds poetic exploration of reality, poetry, and community |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017) |
| Umfang: | 1 online resource |
| ISBN: | 9780801460586 |
| DOI: | 10.7591/9780801460586 |
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| 520 | |a In the later Middle Ages, many writers claimed that prose is superior to verse as a vehicle of knowledge because it presents the truth in an unvarnished form, without the distortions of meter and rhyme. Beginning in the thirteenth century, works of verse narrative from the early Middle Ages were recast in prose, as if prose had become the literary norm. Instead of dying out, however, verse took on new vitality. In France verse texts were produced, in both French and Occitan, with the explicit intention of transmitting encyclopedic, political, philosophical, moral, historical, and other forms of knowledge.In Knowing Poetry, Adrian Armstrong and Sarah Kay explore why and how verse continued to be used to transmit and shape knowledge in France. They cover the period between Jean de Meun's Roman de la rose (c. 1270) and the major work of Jean Bouchet, the last of the grands rhétoriqueurs (c. 1530). The authors find that the advent of prose led to a new relationship between poetry and knowledge in which poetry serves as a medium for serious reflection and self-reflection on subjectivity, embodiment, and time. They propose that three major works-the Roman de la rose, the Ovide moralisé, and Boethius' Consolation of Philosophy-form a single influential matrix linking poetry and intellectual inquiry, metaphysical insights, and eroticized knowledge. The trio of thought-world-contingency, poetically represented by Philosophy, Nature, and Fortune, grounds poetic exploration of reality, poetry, and community | ||
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| discipline | Romanistik |
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| era | Geschichte 1270-1530 gnd |
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| spelling | Armstrong, Adrian 1968- Verfasser (DE-588)1016952112 aut Knowing Poetry Verse in Medieval France from the "Rose" to the "Rhétoriqueurs" Sarah Kay, Adrian Armstrong Ithaca, N.Y. Cornell University Press [2011] © 2011 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017) In the later Middle Ages, many writers claimed that prose is superior to verse as a vehicle of knowledge because it presents the truth in an unvarnished form, without the distortions of meter and rhyme. Beginning in the thirteenth century, works of verse narrative from the early Middle Ages were recast in prose, as if prose had become the literary norm. Instead of dying out, however, verse took on new vitality. In France verse texts were produced, in both French and Occitan, with the explicit intention of transmitting encyclopedic, political, philosophical, moral, historical, and other forms of knowledge.In Knowing Poetry, Adrian Armstrong and Sarah Kay explore why and how verse continued to be used to transmit and shape knowledge in France. They cover the period between Jean de Meun's Roman de la rose (c. 1270) and the major work of Jean Bouchet, the last of the grands rhétoriqueurs (c. 1530). The authors find that the advent of prose led to a new relationship between poetry and knowledge in which poetry serves as a medium for serious reflection and self-reflection on subjectivity, embodiment, and time. They propose that three major works-the Roman de la rose, the Ovide moralisé, and Boethius' Consolation of Philosophy-form a single influential matrix linking poetry and intellectual inquiry, metaphysical insights, and eroticized knowledge. The trio of thought-world-contingency, poetically represented by Philosophy, Nature, and Fortune, grounds poetic exploration of reality, poetry, and community In English Geschichte 1270-1530 gnd rswk-swf French poetry To 1500 History and criticism Knowledge, Theory of, in literature Lyrik (DE-588)4036774-5 gnd rswk-swf Mittelfranzösisch (DE-588)4120259-4 gnd rswk-swf Wissensvermittlung (DE-588)4190121-6 gnd rswk-swf Altfranzösisch (DE-588)4001516-6 gnd rswk-swf Altfranzösisch (DE-588)4001516-6 s Mittelfranzösisch (DE-588)4120259-4 s Lyrik (DE-588)4036774-5 s Wissensvermittlung (DE-588)4190121-6 s Geschichte 1270-1530 z 1\p DE-604 Kay, Sarah 1948- Sonstige (DE-588)1014224373 oth https://doi.org/10.7591/9780801460586 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Armstrong, Adrian 1968- Knowing Poetry Verse in Medieval France from the "Rose" to the "Rhétoriqueurs" French poetry To 1500 History and criticism Knowledge, Theory of, in literature Lyrik (DE-588)4036774-5 gnd Mittelfranzösisch (DE-588)4120259-4 gnd Wissensvermittlung (DE-588)4190121-6 gnd Altfranzösisch (DE-588)4001516-6 gnd |
| subject_GND | (DE-588)4036774-5 (DE-588)4120259-4 (DE-588)4190121-6 (DE-588)4001516-6 |
| title | Knowing Poetry Verse in Medieval France from the "Rose" to the "Rhétoriqueurs" |
| title_auth | Knowing Poetry Verse in Medieval France from the "Rose" to the "Rhétoriqueurs" |
| title_exact_search | Knowing Poetry Verse in Medieval France from the "Rose" to the "Rhétoriqueurs" |
| title_full | Knowing Poetry Verse in Medieval France from the "Rose" to the "Rhétoriqueurs" Sarah Kay, Adrian Armstrong |
| title_fullStr | Knowing Poetry Verse in Medieval France from the "Rose" to the "Rhétoriqueurs" Sarah Kay, Adrian Armstrong |
| title_full_unstemmed | Knowing Poetry Verse in Medieval France from the "Rose" to the "Rhétoriqueurs" Sarah Kay, Adrian Armstrong |
| title_short | Knowing Poetry |
| title_sort | knowing poetry verse in medieval france from the rose to the rhetoriqueurs |
| title_sub | Verse in Medieval France from the "Rose" to the "Rhétoriqueurs" |
| topic | French poetry To 1500 History and criticism Knowledge, Theory of, in literature Lyrik (DE-588)4036774-5 gnd Mittelfranzösisch (DE-588)4120259-4 gnd Wissensvermittlung (DE-588)4190121-6 gnd Altfranzösisch (DE-588)4001516-6 gnd |
| topic_facet | French poetry To 1500 History and criticism Knowledge, Theory of, in literature Lyrik Mittelfranzösisch Wissensvermittlung Altfranzösisch |
| url | https://doi.org/10.7591/9780801460586 |
| work_keys_str_mv | AT armstrongadrian knowingpoetryverseinmedievalfrancefromtherosetotherhetoriqueurs AT kaysarah knowingpoetryverseinmedievalfrancefromtherosetotherhetoriqueurs |