That's all folks?: ecocritical readings of American animated features
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Lincoln [Neb.]
University of Nebraska Press
c2011
|
| Subjects: | |
| Links: | https://ebookcentral.proquest.com/lib/zikg/detail.action?docID=915035 https://ebookcentral.proquest.com/lib/khifiit/detail.action?docID=915035 |
| Item Description: | Includes bibliographical references (p. 265-275), filmography and index "Although some credit the environmental movement of the 1970s, with its profound impact on children's television programs and movies, for paving the way for later eco-films, the history of environmental expression in animated film reaches much further back in American history, as That's All Folks? makes clear. Countering the view that the contemporary environmental movement--and the cartoons it influenced--came to life in the 1960s, Robin L. Murray and Joseph K. Heumann reveal how environmentalism was already a growing concern in animated films of the 1930s, 1940s, and 1950s. From Felix the Cat cartoons to Disney's beloved Bambi to Pixar's Wall-E and James Cameron's Avatar, this volume shows how animated features with environmental themes are moneymakers on multiple levels--particularly as broad-based family entertainment and conveyors of consumer products. Only Ralph Bakshi's X-rated Fritz the Cat and R-rated Heavy Traffic and Coonskin, with their violent, dystopic representation of urban environments, avoid this total immersion in an anti-environmental consumer market. Showing us enviro-toons in their cultural and historical contexts, this book offers fresh insights into the changing perceptions of the relationship between humans and the environment and a new understanding of environmental and animated cinema"--Provided by publisher |
| Physical Description: | ix, 283 p. |
| ISBN: | 9780803239647 |
Staff View
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| 500 | |a "Although some credit the environmental movement of the 1970s, with its profound impact on children's television programs and movies, for paving the way for later eco-films, the history of environmental expression in animated film reaches much further back in American history, as That's All Folks? makes clear. Countering the view that the contemporary environmental movement--and the cartoons it influenced--came to life in the 1960s, Robin L. Murray and Joseph K. Heumann reveal how environmentalism was already a growing concern in animated films of the 1930s, 1940s, and 1950s. From Felix the Cat cartoons to Disney's beloved Bambi to Pixar's Wall-E and James Cameron's Avatar, this volume shows how animated features with environmental themes are moneymakers on multiple levels--particularly as broad-based family entertainment and conveyors of consumer products. Only Ralph Bakshi's X-rated Fritz the Cat and R-rated Heavy Traffic and Coonskin, with their violent, dystopic representation of urban environments, avoid this total immersion in an anti-environmental consumer market. Showing us enviro-toons in their cultural and historical contexts, this book offers fresh insights into the changing perceptions of the relationship between humans and the environment and a new understanding of environmental and animated cinema"--Provided by publisher | ||
| 505 | 0 | |a Introduction: A foundation for contemporary enviro-toons -- Bambi and Mr. Bug Goes to Town: nature with or without us -- Animal liberation in the 1940s and 1950s: what Disney does for the animal rights movement -- The UPA and the environment: a modernist look at urban nature -- Animation and live action: a demonstration of interdependence? -- Rankin/Bass Studios, nature, and the supernatural: where technology serves and destroys -- Disney in the 1960s and 1970s: blurring boundaries between human and nonhuman nature -- Dinosaurs return: evolution outplays Disney's binaries -- DreamWorks and human and nonhuman ecology: escape or interdependence in Over the Hedge and Bee Movie -- Pixar and the case of WALL-E: moving between environmental adaptation and sentimental nostalgia -- The Simpsons Movie, Happy Feet, and Avatar: the continuing influence of human, organismic, economic, and chaotic approaches to ecology -- Conclusion: Animation's movement to green? | |
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Record in the Search Index
| _version_ | 1818982975909396480 |
|---|---|
| any_adam_object | |
| author | Murray, Robin L. |
| author_facet | Murray, Robin L. |
| author_role | aut |
| author_sort | Murray, Robin L. |
| author_variant | r l m rl rlm |
| building | Verbundindex |
| bvnumber | BV044165171 |
| classification_rvk | AP 48600 |
| collection | ZDB-30-PAD |
| contents | Introduction: A foundation for contemporary enviro-toons -- Bambi and Mr. Bug Goes to Town: nature with or without us -- Animal liberation in the 1940s and 1950s: what Disney does for the animal rights movement -- The UPA and the environment: a modernist look at urban nature -- Animation and live action: a demonstration of interdependence? -- Rankin/Bass Studios, nature, and the supernatural: where technology serves and destroys -- Disney in the 1960s and 1970s: blurring boundaries between human and nonhuman nature -- Dinosaurs return: evolution outplays Disney's binaries -- DreamWorks and human and nonhuman ecology: escape or interdependence in Over the Hedge and Bee Movie -- Pixar and the case of WALL-E: moving between environmental adaptation and sentimental nostalgia -- The Simpsons Movie, Happy Feet, and Avatar: the continuing influence of human, organismic, economic, and chaotic approaches to ecology -- Conclusion: Animation's movement to green? |
| ctrlnum | (ZDB-30-PAD)EBC915035 (ZDB-89-EBL)EBL915035 (OCoLC)793511402 (DE-599)BVBBV044165171 |
| dewey-full | 791.43/34 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/34 |
| dewey-search | 791.43/34 |
| dewey-sort | 3791.43 234 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte 1930-2011 gnd |
| era_facet | Geschichte 1930-2011 |
| format | Electronic eBook |
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| id | DE-604.BV044165171 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T17:55:46Z |
| institution | BVB |
| isbn | 9780803239647 |
| language | English |
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| physical | ix, 283 p. |
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| publisher | University of Nebraska Press |
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| spelling | Murray, Robin L. Verfasser aut That's all folks? ecocritical readings of American animated features Robin L. Murray and Joseph K. Heumann Lincoln [Neb.] University of Nebraska Press c2011 ix, 283 p. txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references (p. 265-275), filmography and index "Although some credit the environmental movement of the 1970s, with its profound impact on children's television programs and movies, for paving the way for later eco-films, the history of environmental expression in animated film reaches much further back in American history, as That's All Folks? makes clear. Countering the view that the contemporary environmental movement--and the cartoons it influenced--came to life in the 1960s, Robin L. Murray and Joseph K. Heumann reveal how environmentalism was already a growing concern in animated films of the 1930s, 1940s, and 1950s. From Felix the Cat cartoons to Disney's beloved Bambi to Pixar's Wall-E and James Cameron's Avatar, this volume shows how animated features with environmental themes are moneymakers on multiple levels--particularly as broad-based family entertainment and conveyors of consumer products. Only Ralph Bakshi's X-rated Fritz the Cat and R-rated Heavy Traffic and Coonskin, with their violent, dystopic representation of urban environments, avoid this total immersion in an anti-environmental consumer market. Showing us enviro-toons in their cultural and historical contexts, this book offers fresh insights into the changing perceptions of the relationship between humans and the environment and a new understanding of environmental and animated cinema"--Provided by publisher Introduction: A foundation for contemporary enviro-toons -- Bambi and Mr. Bug Goes to Town: nature with or without us -- Animal liberation in the 1940s and 1950s: what Disney does for the animal rights movement -- The UPA and the environment: a modernist look at urban nature -- Animation and live action: a demonstration of interdependence? -- Rankin/Bass Studios, nature, and the supernatural: where technology serves and destroys -- Disney in the 1960s and 1970s: blurring boundaries between human and nonhuman nature -- Dinosaurs return: evolution outplays Disney's binaries -- DreamWorks and human and nonhuman ecology: escape or interdependence in Over the Hedge and Bee Movie -- Pixar and the case of WALL-E: moving between environmental adaptation and sentimental nostalgia -- The Simpsons Movie, Happy Feet, and Avatar: the continuing influence of human, organismic, economic, and chaotic approaches to ecology -- Conclusion: Animation's movement to green? Geschichte 1930-2011 gnd rswk-swf Environmentalism in motion pictures Animated films Zeichentrickfilm (DE-588)4190578-7 gnd rswk-swf Umwelt Motiv (DE-588)4121809-7 gnd rswk-swf Ökologische Bewegung (DE-588)4115439-3 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Zeichentrickfilm (DE-588)4190578-7 s Umwelt Motiv (DE-588)4121809-7 s Ökologische Bewegung (DE-588)4115439-3 s Geschichte 1930-2011 z 1\p DE-604 Heumann, Joseph K. Sonstige oth Erscheint auch als Druck-Ausgabe, Hardcover 978-0-8032-3512-0 Erscheint auch als Druck-Ausgabe, Hardcover 0-8032-3512-7 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Murray, Robin L. That's all folks? ecocritical readings of American animated features Introduction: A foundation for contemporary enviro-toons -- Bambi and Mr. Bug Goes to Town: nature with or without us -- Animal liberation in the 1940s and 1950s: what Disney does for the animal rights movement -- The UPA and the environment: a modernist look at urban nature -- Animation and live action: a demonstration of interdependence? -- Rankin/Bass Studios, nature, and the supernatural: where technology serves and destroys -- Disney in the 1960s and 1970s: blurring boundaries between human and nonhuman nature -- Dinosaurs return: evolution outplays Disney's binaries -- DreamWorks and human and nonhuman ecology: escape or interdependence in Over the Hedge and Bee Movie -- Pixar and the case of WALL-E: moving between environmental adaptation and sentimental nostalgia -- The Simpsons Movie, Happy Feet, and Avatar: the continuing influence of human, organismic, economic, and chaotic approaches to ecology -- Conclusion: Animation's movement to green? Environmentalism in motion pictures Animated films Zeichentrickfilm (DE-588)4190578-7 gnd Umwelt Motiv (DE-588)4121809-7 gnd Ökologische Bewegung (DE-588)4115439-3 gnd |
| subject_GND | (DE-588)4190578-7 (DE-588)4121809-7 (DE-588)4115439-3 (DE-588)4078704-7 |
| title | That's all folks? ecocritical readings of American animated features |
| title_auth | That's all folks? ecocritical readings of American animated features |
| title_exact_search | That's all folks? ecocritical readings of American animated features |
| title_full | That's all folks? ecocritical readings of American animated features Robin L. Murray and Joseph K. Heumann |
| title_fullStr | That's all folks? ecocritical readings of American animated features Robin L. Murray and Joseph K. Heumann |
| title_full_unstemmed | That's all folks? ecocritical readings of American animated features Robin L. Murray and Joseph K. Heumann |
| title_short | That's all folks? |
| title_sort | that s all folks ecocritical readings of american animated features |
| title_sub | ecocritical readings of American animated features |
| topic | Environmentalism in motion pictures Animated films Zeichentrickfilm (DE-588)4190578-7 gnd Umwelt Motiv (DE-588)4121809-7 gnd Ökologische Bewegung (DE-588)4115439-3 gnd |
| topic_facet | Environmentalism in motion pictures Animated films Zeichentrickfilm Umwelt Motiv Ökologische Bewegung USA |
| work_keys_str_mv | AT murrayrobinl thatsallfolksecocriticalreadingsofamericananimatedfeatures AT heumannjosephk thatsallfolksecocriticalreadingsofamericananimatedfeatures |