Afterimage of empire: photography in nineteenth-century India
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Minneapolis
University of Minnesota Press
2012
|
| Schlagwörter: | |
| Links: | https://ebookcentral.proquest.com/lib/zikg/detail.action?docID=902543 https://ebookcentral.proquest.com/lib/khifiit/detail.action?docID=902543 |
| Beschreibung: | Includes bibliographical references and index " Afterimage of Empire provides a philosophical and historical account of early photography in India that focuses on how aesthetic experiments in colonial photography changed the nature of perception. Considering photographs from the Sepoy Revolt of 1857 along with landscape, portraiture, and famine photography, Zahid R. Chaudhary explores larger issues of truth, memory, and embodiment.Chaudhary scrutinizes the colonial context to understand the production of sense itself, proposing a new theory of interpreting the historical difference of aesthetic forms. In rereading colonial photographic images, he shows how the histories of colonialism became aesthetically, mimetically, and perceptually generative. He suggests that photography arrived in India not only as a technology of the colonial state but also as an instrument that eventually extended and transformed sight for photographers and the body politic, both British and Indian.Ultimately, Afterimage of Empire uncovers what the colonial history of the medium of photography can teach us about the making of the modern perceptual apparatus, the transformation of aesthetic experience, and the linkages between perception and meaning. "-- |
| Umfang: | 258 p., [12] p. of plates |
| ISBN: | 9780816677498 9780816679508 |
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| 500 | |a Includes bibliographical references and index | ||
| 500 | |a " Afterimage of Empire provides a philosophical and historical account of early photography in India that focuses on how aesthetic experiments in colonial photography changed the nature of perception. Considering photographs from the Sepoy Revolt of 1857 along with landscape, portraiture, and famine photography, Zahid R. Chaudhary explores larger issues of truth, memory, and embodiment.Chaudhary scrutinizes the colonial context to understand the production of sense itself, proposing a new theory of interpreting the historical difference of aesthetic forms. In rereading colonial photographic images, he shows how the histories of colonialism became aesthetically, mimetically, and perceptually generative. He suggests that photography arrived in India not only as a technology of the colonial state but also as an instrument that eventually extended and transformed sight for photographers and the body politic, both British and Indian.Ultimately, Afterimage of Empire uncovers what the colonial history of the medium of photography can teach us about the making of the modern perceptual apparatus, the transformation of aesthetic experience, and the linkages between perception and meaning. "-- | ||
| 505 | 0 | |a Machine generated contents note: Contents -- Introduction: Sensation and Photography1. Death and the Rhetoric of Photography: X Marks the Spot2. Anaesthesis and Violence: A Colonial History of Shock3. Armor and Aesthesis: The Picturesque in Difference4. Famine and the Reproduction of Affect: Pleas for SympathyCoda: Sensing the Past -- Acknowledgments -- Appendixes -- Translation of Proclamation Attributed to Nana Sahib -- Transcription and Translation of Farsi Inscriptions -- Notes -- Bibliography -- Index | |
| 648 | 4 | |a Geschichte 1800-1900 | |
| 648 | 7 | |a Geschichte 1857-1900 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Photography |z India |x History |y 19th century | |
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| 689 | 0 | 1 | |a Fotografie |0 (DE-588)4045895-7 |D s |
| 689 | 0 | 2 | |a Wahrnehmung |0 (DE-588)4064317-7 |D s |
| 689 | 0 | 3 | |a Geschichte 1857-1900 |A z |
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Datensatz im Suchindex
| _version_ | 1818982974666833920 |
|---|---|
| any_adam_object | |
| author | Chaudhary, Zahid R. |
| author_facet | Chaudhary, Zahid R. |
| author_role | aut |
| author_sort | Chaudhary, Zahid R. |
| author_variant | z r c zr zrc |
| building | Verbundindex |
| bvnumber | BV044164381 |
| collection | ZDB-30-PAD |
| contents | Machine generated contents note: Contents -- Introduction: Sensation and Photography1. Death and the Rhetoric of Photography: X Marks the Spot2. Anaesthesis and Violence: A Colonial History of Shock3. Armor and Aesthesis: The Picturesque in Difference4. Famine and the Reproduction of Affect: Pleas for SympathyCoda: Sensing the Past -- Acknowledgments -- Appendixes -- Translation of Proclamation Attributed to Nana Sahib -- Transcription and Translation of Farsi Inscriptions -- Notes -- Bibliography -- Index |
| ctrlnum | (ZDB-30-PAD)EBC902543 (ZDB-89-EBL)EBL902543 (OCoLC)792688062 (DE-599)BVBBV044164381 |
| dewey-full | 770.954 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 770 - Photography, computer art, cinematography |
| dewey-raw | 770.954 |
| dewey-search | 770.954 |
| dewey-sort | 3770.954 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte |
| era | Geschichte 1800-1900 Geschichte 1857-1900 gnd |
| era_facet | Geschichte 1800-1900 Geschichte 1857-1900 |
| format | Electronic eBook |
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| geographic_facet | Indien Britisch-Indien |
| id | DE-604.BV044164381 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T17:55:44Z |
| institution | BVB |
| isbn | 9780816677498 9780816679508 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029571226 |
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| physical | 258 p., [12] p. of plates |
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| publishDate | 2012 |
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| publisher | University of Minnesota Press |
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| spelling | Chaudhary, Zahid R. Verfasser aut Afterimage of empire photography in nineteenth-century India Zahid R. Chaudhary Minneapolis University of Minnesota Press 2012 258 p., [12] p. of plates txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index " Afterimage of Empire provides a philosophical and historical account of early photography in India that focuses on how aesthetic experiments in colonial photography changed the nature of perception. Considering photographs from the Sepoy Revolt of 1857 along with landscape, portraiture, and famine photography, Zahid R. Chaudhary explores larger issues of truth, memory, and embodiment.Chaudhary scrutinizes the colonial context to understand the production of sense itself, proposing a new theory of interpreting the historical difference of aesthetic forms. In rereading colonial photographic images, he shows how the histories of colonialism became aesthetically, mimetically, and perceptually generative. He suggests that photography arrived in India not only as a technology of the colonial state but also as an instrument that eventually extended and transformed sight for photographers and the body politic, both British and Indian.Ultimately, Afterimage of Empire uncovers what the colonial history of the medium of photography can teach us about the making of the modern perceptual apparatus, the transformation of aesthetic experience, and the linkages between perception and meaning. "-- Machine generated contents note: Contents -- Introduction: Sensation and Photography1. Death and the Rhetoric of Photography: X Marks the Spot2. Anaesthesis and Violence: A Colonial History of Shock3. Armor and Aesthesis: The Picturesque in Difference4. Famine and the Reproduction of Affect: Pleas for SympathyCoda: Sensing the Past -- Acknowledgments -- Appendixes -- Translation of Proclamation Attributed to Nana Sahib -- Transcription and Translation of Farsi Inscriptions -- Notes -- Bibliography -- Index Geschichte 1800-1900 Geschichte 1857-1900 gnd rswk-swf Geschichte Photography India History 19th century Fotografie (DE-588)4045895-7 gnd rswk-swf Wahrnehmung (DE-588)4064317-7 gnd rswk-swf Indien Britisch-Indien (DE-588)132398-2 gnd rswk-swf Britisch-Indien (DE-588)132398-2 g Fotografie (DE-588)4045895-7 s Wahrnehmung (DE-588)4064317-7 s Geschichte 1857-1900 z 1\p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-8166-7748-1 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Chaudhary, Zahid R. Afterimage of empire photography in nineteenth-century India Machine generated contents note: Contents -- Introduction: Sensation and Photography1. Death and the Rhetoric of Photography: X Marks the Spot2. Anaesthesis and Violence: A Colonial History of Shock3. Armor and Aesthesis: The Picturesque in Difference4. Famine and the Reproduction of Affect: Pleas for SympathyCoda: Sensing the Past -- Acknowledgments -- Appendixes -- Translation of Proclamation Attributed to Nana Sahib -- Transcription and Translation of Farsi Inscriptions -- Notes -- Bibliography -- Index Geschichte Photography India History 19th century Fotografie (DE-588)4045895-7 gnd Wahrnehmung (DE-588)4064317-7 gnd |
| subject_GND | (DE-588)4045895-7 (DE-588)4064317-7 (DE-588)132398-2 |
| title | Afterimage of empire photography in nineteenth-century India |
| title_auth | Afterimage of empire photography in nineteenth-century India |
| title_exact_search | Afterimage of empire photography in nineteenth-century India |
| title_full | Afterimage of empire photography in nineteenth-century India Zahid R. Chaudhary |
| title_fullStr | Afterimage of empire photography in nineteenth-century India Zahid R. Chaudhary |
| title_full_unstemmed | Afterimage of empire photography in nineteenth-century India Zahid R. Chaudhary |
| title_short | Afterimage of empire |
| title_sort | afterimage of empire photography in nineteenth century india |
| title_sub | photography in nineteenth-century India |
| topic | Geschichte Photography India History 19th century Fotografie (DE-588)4045895-7 gnd Wahrnehmung (DE-588)4064317-7 gnd |
| topic_facet | Geschichte Photography India History 19th century Fotografie Wahrnehmung Indien Britisch-Indien |
| work_keys_str_mv | AT chaudharyzahidr afterimageofempirephotographyinnineteenthcenturyindia |