Cubism and Futurism: spiritual machines and the cinematic effect
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Waterloo, Ontario
Wilfrid Laurier University Press
[2018]
|
| Schriftenreihe: | Film & media studies
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029455656&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | Cubism and futurism' were closely related movements that vied with each other in the economy of renown. Perception, dynamism, and the dynamism of perceptionthese were the issues that passed back and forth between the two. Cubism, Futurism, and Technologies of the Spirit: Spiritual Machines and the Cinematic Effect shows how movement became, in the traditional visual arts, a central factor with the advent of the cinema: gone were the days when an artwork strived merely to lift experience out the realm of change and flow. The cinema at this time was understood as an electric art, akin to X-rays, coloured light, and sonic energy. In this book, celebrated filmmaker and author Bruce Elder connects the dynamism that the cinema made an essential feature of the new artwork to the new science of electromagnetism. Cubism is a movement on the cusp of the transition from the Cartesian world of standardized Cartesian coordinates and interchangeable machine parts to a Galvanic world of continuities and flows. In contrast, futurism embraced completely the emerging electromagnetic view of reality |
| Umfang: | XV, 667 Seiten |
| ISBN: | 9781771122450 |
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Datensatz im Suchindex
| _version_ | 1819357753691340800 |
|---|---|
| adam_text | CI)BISM-FI)TI)RISM
SPIRITUAL MACHINES 22 CINEMATIC EFFECT
R . BRUCE ELDER
WILFRID LAURIER
UNIVERSITY PRESS
CONTENTS
ACKNOWLEDGEMENTS
* XI
INTRODUCTION
*
1
MODERNISM AND THE VISUAL ARTS * 35
MODERNISM AND ABSTRACTION *38
THE ATTRIBUTES OF AESTHETIC EXPERIENCE * 44
OPTICAL EXPERIENCE AND THE HIGHER NOESIS * 47
PRODUCING FACTS * 51
PRIMORDIAL EXPERIENCE: A NON-REFLEXIVE, PRE-OBJECTIVE
AWARENESS * 65
THE INFLUENCE OF EMMANUEL KANT * 70
BASIC THEMES IN CUBISM AND FUTURISM * 85
THE SENSES*DISCONNECTION FROM REALITY * 85
TIME, REALITY, AND MEANING * 89
ABSOLUTE SPACE, RELATIVE SPACE * 103
NERVES *114
NOTES *119
VTL
VIIICONTENTS
2 I
DUDLEY MURPHY, FERNAND LEGER, AND
BALLET
MECANIQUE
: VORTICISM, CUBISM, COLLAGE, AND LEGER*S
NEW REALISM * 139
THE NEW VISION * 139
PROSTHETICS FOR THE SENSES: RECONCILING TWO DESCRIPTIONS OF THE
WORLD * 151
CUBISM AND THE CRISIS OF VISION * 155
CUBISM AND
PASSAGE
* 162
UNDERSTANDING SIMULTANEITY, UNDERSTANDING INSTANTANEITY * 167
CUBIST PAINTING BETWEEN STRUCTURE AND REPRESENTATION * 170
THE TRANSITIONAL PHASE: TOWARDS SYNTHETIC CUBISM * 172
CUBIST COLLAGE AND
PAPIER COLLE
* 176
SYNTHETIC CUBISM * 183
BERGSON*S IMPORTANCE FOR CUBISM * 190
LEGER AND SYNTHETIC CUBISM * 199
PROCEEDING FROM SYNTHETIC CUBISM: FERNAND LEGER AND THE NEW
REALISM * 200
LEGER: CUBISM, QUASI-CUBISM, AND NON-CUBISM * 202
LEGER, THE OBJECT, AND THE HUMAN BODY * 206
LEGER AND THE *ALL-OVER* FORM * 208
LEGER*S NEW REALISM * 211
LEGER AND THE THEORY OF CONTRASTS * 213
THE IDEA OF THE NEW HUMAN AND ITS CONTRIBUTION TO LEGER*S
EVOLUTION * 219
EQUIVALENT TO LIFE: PLASTICALLY ORGANIZED INTENSITY * 221
LEGER AND PURISM * 228
TOWARDS THE CINEMA: A MONTAGE OF PRE-EXISTING ELEMENTS * 235
BALLET MECANIQUE
AND THE MECHANICAL BALLET: RHYTHM IN BALLET
MECANIQUE
* 236
DIVERSITY IN BALLET MECANIQUE
* 268
ANOTHER APPEAL OF THE CINEMA * 270
CUBISM, AFRICAN AMERICAN ART, AND INFINITE PLASTICITY * 273
CENDRARS AND LEGER ON LANGUAGE AND CINEMA * 275
LEGER*S COLLABORATORS * 281
ANOTHER KEY COLLABORATOR: GEORGE ANTHEIL * 291
POUND*S ANTHEIL: PARALLELS BETWEEN THE FILM
BALLET MECANIQUE
AND
ANTHEIL*S THEORY OF COMPOSITION * 296
POUND, ANTHEIL, VORTICISM, AND HARMONY * 302
A MECHANICAL BALLET: MUSIC, FILM, AND FILM MUSIC * 310
SHOT ANALYSIS OF BALLET MECANIQUE
* 318
CONCLUSION * 318
NOTES * 321
CONTENTS
IX
FUTURISM 375
FUTURISM AND NEW ITALIAN CULTURE * 379
FUTURISM: THE VIOLENCE OF THE NEW REPLACING THE OLD * 381
PAINTING BECOMES A FUTURIST SYNTHETIC ART * 385
SPEED + ELECTRICITY + COLLECTIVE CONSCIOUSNESS = FUTURISM * 400
FUTURISM, SYMBOLISM, UNANIMISM, AND BERGSON * 404
UNIVERSAL DYNAMISM AND PERCEPTION * 408
THE INFLUENCE OF BERGSON * 414
THE CINEMATIC CONDITION OF FUTURISM * 419
FUTURISM*S OCCULT NEW MAN * 423
FUTURISM, ELECTROMAGNETISM, AND THE ISSUE OF HOMOLOGIES * 458
THE FUTURIST THEORY OF PERCEPTION * 468
THE FUTURISTS, UNIVERSAL RELATIONS, AND SPACE * 476
BERGSON, SYMBOLISM, UNANIMISM, AND PRIMORDIAL EXPERIENCE * 479
THE
SERATA FUTURISTA
AND THE VARIETY THEATRE * 504
THE FUTURISTS*DYNAMIC VIEW OF REALITY AND FUTURIST DYNAMISM * 513
THE
SERATA FUTURISTA
AND THE CINEMA * 518
FUTURIST PAINTING AND SONIC ART * 528
FUTURISM AND THE CINEMA * 538
ARNALDO GINNA, BRUNO CORRA, AND SYNAESTHETIC CINEMA * 552
FUTURISM AND THE ANTI-ANTHROPOCENTRIC ASPIRATION * 568
IN LIEU OF A CONCLUSION * 575
NOTES * 582
INDEX
* 643
APPENDIX: A SHOT ANALYSIS OF BALLET MECANIQUE
* ONLINE AT
HTTPS://WWW.WLUPRESS.WLU.CA/BOOKS/C/CUBISM-AND-FUTURISM
BIBLIOGRAPHY
* ONLINE AT HTTPS://WWW.WLUPRESS.WLU.CA/BOOKS/C/
CUBISM-AND-FUTURISM
|
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| author | Elder, R. Bruce 1947- |
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| discipline | Kunstgeschichte |
| format | Book |
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| id | DE-604.BV044048808 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T17:52:18Z |
| institution | BVB |
| isbn | 9781771122450 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029455656 |
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| owner_facet | DE-Y3 DE-20 DE-12 DE-255 |
| physical | XV, 667 Seiten |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Wilfrid Laurier University Press |
| record_format | marc |
| series2 | Film & media studies |
| spellingShingle | Elder, R. Bruce 1947- Cubism and Futurism spiritual machines and the cinematic effect Murphy, Dudley 1897-1968 (DE-588)132419149 gnd Léger, Fernand 1881-1955 (DE-588)118570994 gnd Film (DE-588)4017102-4 gnd Kubismus (DE-588)4165855-3 gnd Vortizismus (DE-588)4132792-5 gnd Futurismus (DE-588)4019036-5 gnd |
| subject_GND | (DE-588)132419149 (DE-588)118570994 (DE-588)4017102-4 (DE-588)4165855-3 (DE-588)4132792-5 (DE-588)4019036-5 |
| title | Cubism and Futurism spiritual machines and the cinematic effect |
| title_auth | Cubism and Futurism spiritual machines and the cinematic effect |
| title_exact_search | Cubism and Futurism spiritual machines and the cinematic effect |
| title_full | Cubism and Futurism spiritual machines and the cinematic effect R. Bruce Elder |
| title_fullStr | Cubism and Futurism spiritual machines and the cinematic effect R. Bruce Elder |
| title_full_unstemmed | Cubism and Futurism spiritual machines and the cinematic effect R. Bruce Elder |
| title_short | Cubism and Futurism |
| title_sort | cubism and futurism spiritual machines and the cinematic effect |
| title_sub | spiritual machines and the cinematic effect |
| topic | Murphy, Dudley 1897-1968 (DE-588)132419149 gnd Léger, Fernand 1881-1955 (DE-588)118570994 gnd Film (DE-588)4017102-4 gnd Kubismus (DE-588)4165855-3 gnd Vortizismus (DE-588)4132792-5 gnd Futurismus (DE-588)4019036-5 gnd |
| topic_facet | Murphy, Dudley 1897-1968 Léger, Fernand 1881-1955 Film Kubismus Vortizismus Futurismus |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029455656&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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