Connecting art markets: Guilliam Forchondt's dealership in Antwerp (c. 1632-78) and the overseas paintings trade
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Hochschulschrift/Dissertation Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Leiden ; Boston
Brill
[2017]
|
| Schriftenreihe: | Studies in the history of collecting & art markets
volume 1 |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029410031&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | Based on Guilliam Forchondt's surviving business documentation in Antwerp and applying an aggregate and data-driven approach, 'Connecting Art Markets' focuses on the role of art dealers in mediating the supply and demand for art, behaving in particular ways as to influence the markets for artworks in which they were strategically invested. Van Ginhoven presents her findings on Guilliam Forchondt's workshop production volumes and transatlantic art trade flows, and evaluates the relationship between the production paintings in the Southern Netherlands, their local, regional and overseas distribution channels, and the markets for these works in Europe and the Americas during the seventeenth century |
| Umfang: | VIII, 288 Seiten Illustrationen, Diagramme |
| ISBN: | 9789004319745 |
Internformat
MARC
| LEADER | 00000nam a22000008cb4500 | ||
|---|---|---|---|
| 001 | BV044002131 | ||
| 003 | DE-604 | ||
| 005 | 20170425 | ||
| 007 | t| | ||
| 008 | 170117s2017 xx a||| m||| 00||| eng d | ||
| 020 | |a 9789004319745 |c Print (hbk.) |9 978-90-04-31974-5 | ||
| 035 | |a (OCoLC)973556038 | ||
| 035 | |a (DE-599)BVBBV044002131 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Y3 |a DE-Y2 |a DE-12 |a DE-255 |a DE-11 |a DE-188 |a DE-19 |a DE-83 | ||
| 050 | 0 | |a N8660.F665 | |
| 084 | |a LH 60100 |0 (DE-625)94169: |2 rvk | ||
| 084 | |a LO 13605 |0 (DE-625)102833:13305 |2 rvk | ||
| 100 | 1 | |a Ginhoven, Sandra van |e Verfasser |0 (DE-588)171875923 |4 aut | |
| 240 | 1 | 0 | |a Role of the Antwerp painter-dealer Guilliam Forchondt in the large-scale distribution of new imagery in Europe and the Americas during the seventeenth century |
| 245 | 1 | 0 | |a Connecting art markets |b Guilliam Forchondt's dealership in Antwerp (c. 1632-78) and the overseas paintings trade |c by Sandra van Ginhoven |
| 264 | 1 | |a Leiden ; Boston |b Brill |c [2017] | |
| 264 | 4 | |c © 2017 | |
| 300 | |a VIII, 288 Seiten |b Illustrationen, Diagramme | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Studies in the history of collecting & art markets |v volume 1 | |
| 502 | |b Dissertation |c Duke University |d 2015 |g überarbeitete Fassung | ||
| 520 | 3 | |a Based on Guilliam Forchondt's surviving business documentation in Antwerp and applying an aggregate and data-driven approach, 'Connecting Art Markets' focuses on the role of art dealers in mediating the supply and demand for art, behaving in particular ways as to influence the markets for artworks in which they were strategically invested. Van Ginhoven presents her findings on Guilliam Forchondt's workshop production volumes and transatlantic art trade flows, and evaluates the relationship between the production paintings in the Southern Netherlands, their local, regional and overseas distribution channels, and the markets for these works in Europe and the Americas during the seventeenth century | |
| 600 | 1 | 7 | |a Forchondt, Willem |d 1608-1678 |0 (DE-588)1019227176 |2 gnd |9 rswk-swf |
| 648 | 4 | |a Geschichte 1600-1700 | |
| 648 | 7 | |a Geschichte 1600-1678 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Geschichte | |
| 650 | 0 | 7 | |a Überseehandel |0 (DE-588)4131876-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Malerei |0 (DE-588)4037220-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunstmarkt |0 (DE-588)4120630-7 |2 gnd |9 rswk-swf |
| 651 | 4 | |a Belgien | |
| 653 | 1 | |a Forchondt, Guilliam / 1608-1678 | |
| 653 | 0 | |a Art dealers / Belgium / Antwerp / History / 17th century | |
| 653 | 0 | |a Painting / Marketing / History / 17th century | |
| 653 | 0 | |a Painting / Collectors and collecting / History / 17th century | |
| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Forchondt, Willem |d 1608-1678 |0 (DE-588)1019227176 |D p |
| 689 | 0 | 1 | |a Kunstmarkt |0 (DE-588)4120630-7 |D s |
| 689 | 0 | 2 | |a Überseehandel |0 (DE-588)4131876-6 |D s |
| 689 | 0 | 3 | |a Malerei |0 (DE-588)4037220-0 |D s |
| 689 | 0 | 4 | |a Geschichte 1600-1678 |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n e-book |z 978-90-04-33483-0 |
| 830 | 0 | |a Studies in the history of collecting & art markets |v volume 1 |w (DE-604)BV044029067 |9 1 | |
| 856 | 4 | 2 | |m Digitalisierung ZIKG München |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029410031&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 09032 |g 8 |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 09032 |g 492 |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 09032 |g 72 |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 09032 |g 493 |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 09032 |g 4 |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 09032 |g 46 |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 09032 |g 7 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-029410031 | |
Datensatz im Suchindex
| _version_ | 1819263130692222976 |
|---|---|
| adam_text | CONNECTING
ART
MARKETS
GUILLIAM
FORCHONDT S
DEALERSHIP IN ANTWERP
(C.
1632-78)
AND
THE
OVERSEAS
PAINTINGS TRADE
BU
SANDRA VAN GINHOVEN
BRILL
LEIDEN
I
BOSTON
CONTENTS
ACKNOWLEDGMENTS
VII
LIST
OF ABBREVIATIONS
IX
INTRODUCTION
I
1
ART
DEALERS
AS CULTURAL
AGENTS:
THE
CASE
OF GUILLIAM
FORCHONDT
8
1.1
A MARKETS APPROACH TO EARLY
MODEM
EUROPEAN
AND
LATIN AMERICAN
ART
8
1.2
ART
DEALERS
IN EARLY
MODEM
ART
AND
MARKETS HISTORY
18
GUILLIAM
FORCHONDT
AS CASE
STUDY
19
2
THE
SOUTHERN
NETHERLANDS
FACTOR
IN THE
TRANSATLANTIC
PAINTINGS
TRADE 35
2.1
TRANSATLANTIC
ART
TRADE
THROUGH
SHIPPING DOCUMENTS 35
2.2
THE
TRANSATLANTIC
JOURNEY
AND
TRAFFIC 37
THE PLANNING
STAGE
38
THE TRANSATLANTIC
JOURNEY
39
TRANSATLANTIC TRAFIC
DURING THE
SEVENTEENTH CENTURY
40
FLEMISH MERCHANTS IN THE
AMERICAN
TRADE
43
2.3 TRANSATLANTIC
ART
TRADE
FLOWS, 1630-80 46
ARTWORKS IN THE
CARRERA
DE INDIAS
51
AGENTS IN THE
ART
TRADE
55
2.4 SELLING
PAINTINGS
FROM
THE
SOUTHERN
NETHERLANDS
IN THE
NEWWORLD 60
REACTIONS
IN MEXICO
AND
PERU TO THE
COMPETITION
66
3
THE FORCHONDT
BUSINESS MODEL
73
3.1 ANTWERP S
PAINTING
INDUSTRY
AND
GUILLIAM
FORCHONDT 73
3.2 THE
FORCHONDT
BUSINESS 76
VDUATION
AND
SCOPE
OF THE
BUSINESS
78
PRODUCTS,
PROCESSES
AND
PROJTS
82
3.3
MARKET
DYNAMICS
AND THE
CHANGING
STRUCTURE
OF THE
FIRM
106
THE
FAMI&
BUSINESS
106
CONTRACTING
AND
SUBCONH-ACTINGAMANGEMENTS
111
SUPPLIERS
117
AGENTS AND
BUYERS
V8
VI
CONTENTS
4
MARKETING PAINTINGS
THROUGH
THEIR
CHARACTERISTICS
124
4.1
ANTWERP
ART
PRODUCTION
FOR
EXPORTS
AND
BUYERS
PREFERENCES
124
4.2
PREFERENCES
FOR
PAINTINGS
BY GEOGRAPHICAL LOCATION
126
THE
SOUTHERN
NETHERLANDS
129
THE
DUTCH
REPUBLIC
131
FRANCE
133
VIENNA
AND
GERMAN
CITIES
135
THE
IBERIAN PENINSULA
AND
THE AMERICAS
139
5
THE
LONG-DISTANCE
COMMERCIAL
NETWORK
WITH
SPAIN
AND
THE
AMERICAS
145
5.1
EARLY
MODEM
COMMERCIAL
NETWORKS
IN THE
ART
TRADE
145
5.2
GUILLIAM FORCHONDT S COMMERCIAL
NETWORK
149
SCOPE AND
SCALE OF FORCHONDT S
COMMERCIAL RELATIONSHIPS
150
SHIPPING
AND
FINANCIAL
INTERMEDIARIES
FOR THE IBERIAN
PENINSULA
152
FORCHONDT S
ART TRADE
NETWORK
WITH
SPAIN
AND
THE
AMERICAS
157
6
DEALER
BEHAVIOR
IN SPAIN
AND
THE
AMERICAS
IP
6.1
FLEMISH
PAINTINGS
FOR
THE
IBERIAN
PENINSULA
AND
THE
NEW WORLD
175
6.2
PRODUCTION
AND
REPRODUCTION
OF PAINTINGS
182
6.3
DISSEMINATION
OF MULTIPLE
ORIGINALS
AND
ADAPTABILITY
OF
VISUAL
MOTIFS
193
6.4
PAINTERS, DEALERS
AND
THE
MARKET
FOR PAINTINGS
IN SEVILLE,
CADIZ,
MEXICO
AND
PERU
237
CONCLUSION
243
APPENDICES
247
BIBLIOGRAPHY
261
UNPUBLISHED
PRIMARY
SOURCES 261
PUBLISHED
PRIMARY
SOURCES
262
SECONDARY
SOURCES
263
INDEX
283
|
| any_adam_object | 1 |
| author | Ginhoven, Sandra van |
| author_GND | (DE-588)171875923 |
| author_facet | Ginhoven, Sandra van |
| author_role | aut |
| author_sort | Ginhoven, Sandra van |
| author_variant | s v g sv svg |
| building | Verbundindex |
| bvnumber | BV044002131 |
| callnumber-first | N - Fine Arts |
| callnumber-label | N8660 |
| callnumber-raw | N8660.F665 |
| callnumber-search | N8660.F665 |
| callnumber-sort | N 48660 F665 |
| callnumber-subject | N - Visual Arts |
| classification_rvk | LH 60100 LO 13605 |
| ctrlnum | (OCoLC)973556038 (DE-599)BVBBV044002131 |
| discipline | Kunstgeschichte |
| era | Geschichte 1600-1700 Geschichte 1600-1678 gnd |
| era_facet | Geschichte 1600-1700 Geschichte 1600-1678 |
| format | Thesis Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03823nam a22006978cb4500</leader><controlfield tag="001">BV044002131</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20170425 </controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">170117s2017 xx a||| m||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789004319745</subfield><subfield code="c">Print (hbk.)</subfield><subfield code="9">978-90-04-31974-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)973556038</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044002131</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-Y2</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-188</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-83</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">N8660.F665</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 60100</subfield><subfield code="0">(DE-625)94169:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LO 13605</subfield><subfield code="0">(DE-625)102833:13305</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Ginhoven, Sandra van</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)171875923</subfield><subfield code="4">aut</subfield></datafield><datafield tag="240" ind1="1" ind2="0"><subfield code="a">Role of the Antwerp painter-dealer Guilliam Forchondt in the large-scale distribution of new imagery in Europe and the Americas during the seventeenth century</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Connecting art markets</subfield><subfield code="b">Guilliam Forchondt's dealership in Antwerp (c. 1632-78) and the overseas paintings trade</subfield><subfield code="c">by Sandra van Ginhoven</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Leiden ; Boston</subfield><subfield code="b">Brill</subfield><subfield code="c">[2017]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">VIII, 288 Seiten</subfield><subfield code="b">Illustrationen, Diagramme</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Studies in the history of collecting & art markets</subfield><subfield code="v">volume 1</subfield></datafield><datafield tag="502" ind1=" " ind2=" "><subfield code="b">Dissertation</subfield><subfield code="c">Duke University</subfield><subfield code="d">2015</subfield><subfield code="g">überarbeitete Fassung</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Based on Guilliam Forchondt's surviving business documentation in Antwerp and applying an aggregate and data-driven approach, 'Connecting Art Markets' focuses on the role of art dealers in mediating the supply and demand for art, behaving in particular ways as to influence the markets for artworks in which they were strategically invested. Van Ginhoven presents her findings on Guilliam Forchondt's workshop production volumes and transatlantic art trade flows, and evaluates the relationship between the production paintings in the Southern Netherlands, their local, regional and overseas distribution channels, and the markets for these works in Europe and the Americas during the seventeenth century</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Forchondt, Willem</subfield><subfield code="d">1608-1678</subfield><subfield code="0">(DE-588)1019227176</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1600-1700</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1600-1678</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Überseehandel</subfield><subfield code="0">(DE-588)4131876-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Malerei</subfield><subfield code="0">(DE-588)4037220-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstmarkt</subfield><subfield code="0">(DE-588)4120630-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Belgien</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Forchondt, Guilliam / 1608-1678</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art dealers / Belgium / Antwerp / History / 17th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Painting / Marketing / History / 17th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Painting / Collectors and collecting / History / 17th century</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Forchondt, Willem</subfield><subfield code="d">1608-1678</subfield><subfield code="0">(DE-588)1019227176</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Kunstmarkt</subfield><subfield code="0">(DE-588)4120630-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Überseehandel</subfield><subfield code="0">(DE-588)4131876-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Malerei</subfield><subfield code="0">(DE-588)4037220-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 1600-1678</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">e-book</subfield><subfield code="z">978-90-04-33483-0</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Studies in the history of collecting & art markets</subfield><subfield code="v">volume 1</subfield><subfield code="w">(DE-604)BV044029067</subfield><subfield code="9">1</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung ZIKG München</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029410031&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09032</subfield><subfield code="g">8</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09032</subfield><subfield code="g">492</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09032</subfield><subfield code="g">72</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09032</subfield><subfield code="g">493</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09032</subfield><subfield code="g">4</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09032</subfield><subfield code="g">46</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09032</subfield><subfield code="g">7</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029410031</subfield></datafield></record></collection> |
| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | Belgien |
| geographic_facet | Belgien |
| id | DE-604.BV044002131 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T17:50:57Z |
| institution | BVB |
| isbn | 9789004319745 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029410031 |
| oclc_num | 973556038 |
| open_access_boolean | |
| owner | DE-Y3 DE-Y2 DE-12 DE-255 DE-11 DE-188 DE-19 DE-BY-UBM DE-83 |
| owner_facet | DE-Y3 DE-Y2 DE-12 DE-255 DE-11 DE-188 DE-19 DE-BY-UBM DE-83 |
| physical | VIII, 288 Seiten Illustrationen, Diagramme |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Brill |
| record_format | marc |
| series | Studies in the history of collecting & art markets |
| series2 | Studies in the history of collecting & art markets |
| spellingShingle | Ginhoven, Sandra van Connecting art markets Guilliam Forchondt's dealership in Antwerp (c. 1632-78) and the overseas paintings trade Studies in the history of collecting & art markets Forchondt, Willem 1608-1678 (DE-588)1019227176 gnd Geschichte Überseehandel (DE-588)4131876-6 gnd Malerei (DE-588)4037220-0 gnd Kunstmarkt (DE-588)4120630-7 gnd |
| subject_GND | (DE-588)1019227176 (DE-588)4131876-6 (DE-588)4037220-0 (DE-588)4120630-7 (DE-588)4113937-9 |
| title | Connecting art markets Guilliam Forchondt's dealership in Antwerp (c. 1632-78) and the overseas paintings trade |
| title_alt | Role of the Antwerp painter-dealer Guilliam Forchondt in the large-scale distribution of new imagery in Europe and the Americas during the seventeenth century |
| title_auth | Connecting art markets Guilliam Forchondt's dealership in Antwerp (c. 1632-78) and the overseas paintings trade |
| title_exact_search | Connecting art markets Guilliam Forchondt's dealership in Antwerp (c. 1632-78) and the overseas paintings trade |
| title_full | Connecting art markets Guilliam Forchondt's dealership in Antwerp (c. 1632-78) and the overseas paintings trade by Sandra van Ginhoven |
| title_fullStr | Connecting art markets Guilliam Forchondt's dealership in Antwerp (c. 1632-78) and the overseas paintings trade by Sandra van Ginhoven |
| title_full_unstemmed | Connecting art markets Guilliam Forchondt's dealership in Antwerp (c. 1632-78) and the overseas paintings trade by Sandra van Ginhoven |
| title_short | Connecting art markets |
| title_sort | connecting art markets guilliam forchondt s dealership in antwerp c 1632 78 and the overseas paintings trade |
| title_sub | Guilliam Forchondt's dealership in Antwerp (c. 1632-78) and the overseas paintings trade |
| topic | Forchondt, Willem 1608-1678 (DE-588)1019227176 gnd Geschichte Überseehandel (DE-588)4131876-6 gnd Malerei (DE-588)4037220-0 gnd Kunstmarkt (DE-588)4120630-7 gnd |
| topic_facet | Forchondt, Willem 1608-1678 Geschichte Überseehandel Malerei Kunstmarkt Belgien Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029410031&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV044029067 |
| work_keys_str_mv | AT ginhovensandravan roleoftheantwerppainterdealerguilliamforchondtinthelargescaledistributionofnewimageryineuropeandtheamericasduringtheseventeenthcentury AT ginhovensandravan connectingartmarketsguilliamforchondtsdealershipinantwerpc163278andtheoverseaspaintingstrade |