The miracle of analogy, or, The history of photography, part 1: = History of photography
Gespeichert in:
Beteilige Person: | |
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Format: | Elektronisch E-Book |
Sprache: | Englisch |
Veröffentlicht: |
Stanford, California
Stanford University Press
[2015]
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Schlagwörter: | |
Links: | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=933046 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=933046 |
Beschreibung: | Complete in two volumes Description based on online resource ; title from PDF title page (EBSCO; viewed on March 2, 2015) |
Umfang: | 1 online resource illustrations |
ISBN: | 9780804794008 0804794006 |
Internformat
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505 | 8 | |a The second coming -- Unstoppable development -- Water in the camera -- A kind of republic -- Je vous -- Posthumous presence | |
505 | 8 | |a The Miracle of Analogy is the first of a two-volume reconceptualization of photography. It argues that photography originates in what is seen, rather than in the human eye or the camera lens, and that it is the world's primary way of revealing itself to us. Neither an index, representation, nor copy, as conventional studies would have it, the photographic image is an analogy. This principle obtains at every level of its being: a photograph analogizes its referent, the negative from which it is generated, every other print that is struck from that negative, and all of its digital ""offspring."" | |
650 | 7 | |a COMPUTERS / Digital Media / Photography |2 bisacsh | |
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650 | 7 | |a TECHNOLOGY & ENGINEERING / Imaging Systems |2 bisacsh | |
650 | 7 | |a Photography |2 fast | |
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Datensatz im Suchindex
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any_adam_object | |
author | Silverman, Kaja |
author_facet | Silverman, Kaja |
author_role | aut |
author_sort | Silverman, Kaja |
author_variant | k s ks |
building | Verbundindex |
bvnumber | BV043959365 |
collection | ZDB-4-EBA |
contents | The second coming -- Unstoppable development -- Water in the camera -- A kind of republic -- Je vous -- Posthumous presence The Miracle of Analogy is the first of a two-volume reconceptualization of photography. It argues that photography originates in what is seen, rather than in the human eye or the camera lens, and that it is the world's primary way of revealing itself to us. Neither an index, representation, nor copy, as conventional studies would have it, the photographic image is an analogy. This principle obtains at every level of its being: a photograph analogizes its referent, the negative from which it is generated, every other print that is struck from that negative, and all of its digital ""offspring."" |
ctrlnum | (ZDB-4-EBA)ocn904131831 (OCoLC)904131831 (DE-599)BVBBV043959365 |
dewey-full | 770 |
dewey-hundreds | 700 - The arts |
dewey-ones | 770 - Photography, computer art, cinematography |
dewey-raw | 770 |
dewey-search | 770 |
dewey-sort | 3770 |
dewey-tens | 770 - Photography, computer art, cinematography |
discipline | Kunstgeschichte |
format | Electronic eBook |
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indexdate | 2024-12-20T17:49:48Z |
institution | BVB |
isbn | 9780804794008 0804794006 |
language | English |
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spelling | Silverman, Kaja Verfasser aut The miracle of analogy, or, The history of photography, part 1 = History of photography Kaja Silverman Miracle of analogy History of photography Stanford, California Stanford University Press [2015] © 2015 1 online resource illustrations txt rdacontent c rdamedia cr rdacarrier Complete in two volumes Description based on online resource ; title from PDF title page (EBSCO; viewed on March 2, 2015) The second coming -- Unstoppable development -- Water in the camera -- A kind of republic -- Je vous -- Posthumous presence The Miracle of Analogy is the first of a two-volume reconceptualization of photography. It argues that photography originates in what is seen, rather than in the human eye or the camera lens, and that it is the world's primary way of revealing itself to us. Neither an index, representation, nor copy, as conventional studies would have it, the photographic image is an analogy. This principle obtains at every level of its being: a photograph analogizes its referent, the negative from which it is generated, every other print that is struck from that negative, and all of its digital ""offspring."" COMPUTERS / Digital Media / Photography bisacsh PHOTOGRAPHY / Reference bisacsh TECHNOLOGY & ENGINEERING / Imaging Systems bisacsh Photography fast Geschichte Photography History Erscheint auch als Druck-Ausgabe Silverman, Kaja The Miracle of Analogy : or The History of Photography, Part 1 |
spellingShingle | Silverman, Kaja The miracle of analogy, or, The history of photography, part 1 = History of photography The second coming -- Unstoppable development -- Water in the camera -- A kind of republic -- Je vous -- Posthumous presence The Miracle of Analogy is the first of a two-volume reconceptualization of photography. It argues that photography originates in what is seen, rather than in the human eye or the camera lens, and that it is the world's primary way of revealing itself to us. Neither an index, representation, nor copy, as conventional studies would have it, the photographic image is an analogy. This principle obtains at every level of its being: a photograph analogizes its referent, the negative from which it is generated, every other print that is struck from that negative, and all of its digital ""offspring."" COMPUTERS / Digital Media / Photography bisacsh PHOTOGRAPHY / Reference bisacsh TECHNOLOGY & ENGINEERING / Imaging Systems bisacsh Photography fast Geschichte Photography History |
title | The miracle of analogy, or, The history of photography, part 1 = History of photography |
title_alt | Miracle of analogy History of photography |
title_auth | The miracle of analogy, or, The history of photography, part 1 = History of photography |
title_exact_search | The miracle of analogy, or, The history of photography, part 1 = History of photography |
title_full | The miracle of analogy, or, The history of photography, part 1 = History of photography Kaja Silverman |
title_fullStr | The miracle of analogy, or, The history of photography, part 1 = History of photography Kaja Silverman |
title_full_unstemmed | The miracle of analogy, or, The history of photography, part 1 = History of photography Kaja Silverman |
title_short | The miracle of analogy, or, The history of photography, part 1 |
title_sort | the miracle of analogy or the history of photography part 1 history of photography |
title_sub | = History of photography |
topic | COMPUTERS / Digital Media / Photography bisacsh PHOTOGRAPHY / Reference bisacsh TECHNOLOGY & ENGINEERING / Imaging Systems bisacsh Photography fast Geschichte Photography History |
topic_facet | COMPUTERS / Digital Media / Photography PHOTOGRAPHY / Reference TECHNOLOGY & ENGINEERING / Imaging Systems Photography Geschichte Photography History |
work_keys_str_mv | AT silvermankaja themiracleofanalogyorthehistoryofphotographypart1historyofphotography AT silvermankaja miracleofanalogy AT silvermankaja historyofphotography |