Rimsky-Korsakov: letters to his family and friends
Gespeichert in:
| Beteiligte Personen: | , |
|---|---|
| Weitere beteiligte Personen: | , , , |
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Montclair, NJ
Amadeus Press
2015
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029362631&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029362631&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Beschreibung: | "This book is a combined translation of the two following books in Russian, both by Tatiana Rimsky-Korsakov: "N. A. Rimsky-Korsakov v semie (iz semeynoy perepiski)" - St. Petersburg: Kompozitor, 1999; and "Detstvo i unostʹ N. A. Rimskogo-Korsakova (iz semeynoy perepiski)" - St. Petersburg: Kompozitor, 1995"...Supplied by publisher. - Includes index |
| Umfang: | x, 406 Seiten Illustrationen |
| ISBN: | 9781574674545 |
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| 245 | 1 | 0 | |a Rimsky-Korsakov |b letters to his family and friends |c Tatiana Rimsky-Korsakov ; translated from the Russian by Lilia Timofeeva ; edited by Malcolm J. Crocker and Margarita Maksotskaya |
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| 500 | |a "This book is a combined translation of the two following books in Russian, both by Tatiana Rimsky-Korsakov: "N. A. Rimsky-Korsakov v semie (iz semeynoy perepiski)" - St. Petersburg: Kompozitor, 1999; and "Detstvo i unostʹ N. A. Rimskogo-Korsakova (iz semeynoy perepiski)" - St. Petersburg: Kompozitor, 1995"...Supplied by publisher. - Includes index | ||
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Datensatz im Suchindex
| _version_ | 1819360226575384576 |
|---|---|
| adam_text | Contents
Editor s Note................................................... vii
Preface.......................................................... ix
1. Beginnings............................................... 1
2. The Sailor.................................................. 35
3. Falling in Love............................................. 59
4. A Busy Musical Life, 1874—1881.............................. 79
5. The Snow Maiden, September 1881—June 1884 .................. 97
6. Transitions and Travels.................................... 113
7. Completing the Work of Others, 1884—1889 .................. 129
8. Recognition, 1888—1891 .................................... 145
9. “I Fell Out of Love with Music,” 1891—1892 ................ 167
10. Return to Musical Life...................................... 191
11. From Mozart and Salieri to Tsar Saltan, 1897—1899 .......... 211
12. Travels and Triumphs, 1899—1901............................. 233
13. “My Own Monastery—My Art,” 1901-1902 ....................... 255
14. The Last Russian Music...................................... 283
15. “Live and Love Living,” 1905-1906 .......................... 305
16. The Last Opera: The Golden Cockerel......................... 327
17. Final Days, September 1907—June 1908 ....................... 349
Epilogue........................................................ 369
Notes........................................................... 371
Index........................................................... 393
Index
Note: This index abbreviates the name of Nikolay Rimsky-Korsakov to RK and that of Nadezhda
Nikolayevna Rimsky-Korsakov (née Purgold) to NRK. Relationships of individuals to Nikolay
appear in parentheses.
Akhsharumov, Semeyon: bridegroom at RKs’
wedding, 71; married Sophia Purgold,
rented country house with the RKs, 87;
spent summer with the RKs and Molases,
102; celebrated RKs’ twenty-fifth wedding
anniversary, 211; death at 79, 355; 377nl0
Akhsharumova, Sophia (née Purgold)
(sister-in-law): receives letter from NRK,
87; 376n7, 377nl0
Alexander II, Tsar: assassination of, 101;
374n27
Alexander III, Tsar: coronation of, 117; RK
and Balakirev witness coronation, 119;
deletes Boris Godunov from Mariinsky
repertoire, 203
Alexandra Iosifovna, Grand Duchess: RK
receives congratulatory telegram from, 249
Almaz (Diamond, ship): RK assigned to
overseas voyage on clipper, 35—39; begins
voyage; unsafe design of, returns to
Libava, New York, Rio de Janeiro, 41-47;
ceremonial dinner on, 193; 374nl
Andreyev, Leonid Nikolayevich: The Darkness,
353; Seven HangedMeny 365; 392n2
Anna Karenina (Tolstoy): RK begins reading,
170-171
Antokolsky, Mark Matveyevich (sculptor):
attends RKs birthday, 180
Bach, Johann Sebastian, 24, 32, 82, 318
Balakirev, Mily Alekseevich: Kanille
introduces RK to, 24; Balakirev’s musical
group, 31-33; corresponds with RK on his
Almaz voyage, 36, 38—41; 43,45; RK
resumes participation in Balakirev circle,
48—50; conducts Sadko, 50, 51, 54; Song of
the Golden Fish, 56; nicknamed “Power,”
56, 58; plays overture to Maid of Pskov,
69; director of Free Music School by RK,
77-78; bankruptcy and ill-health, 78;
leaves world of music, 81-83; returns to
musical life; 84; 94; recommends
Glazunov to study with RK, 96; plays
Snow Maiden at Balakirev’s, 99; musical
life is resumed, 113; offered position of
general manager at Court Chapel, 117;
visits Archpriest Razumovsky, 119—21;
exhaustion; difficult to give up role as
mentor, 124-125; Kruglilov on, 129;
dissension with RK, 129; concert held in
his and RK’s honor, 134; 138; unpleasant
incident, 139; relations with RK
deteriorate, 147,148,154; decides to go to
Yaroslavl but stays in Peterhof, 158;
receives copy of RK’s First Symphony,
162; quarrel and estrangement, 162-165;
reception of Mlada, 165; RK refers to him
as “an insane person,” 173; cuts RK’s
salary, 175—176; negotiates with RK over
Chapel, 179-180; encourages RK to
resign from Chapel, 187; receives RKs
resignation, 189—190; 192—193; plans to
resign as Chapel director, 199,203;
publically snubs RK, 263—264; Stasov
criticism, 303; concert includes Balakirev
composition, 337; 373n22y 375nn9—10,
378nl, 379nl4,380n8,382n2, 385n9
Beethoven, Ludwig van, 8,20—21,23—24,
26-27,29,32, 81-82,149,171-173,
196-197,213,257,294,340,371n5
Belgard, A. V.: censorship of Cockerel
discussed, 359; reports to Telyakovsky all
394
Index
changes to Cockerel made, 362; receives
secret letter from Gershelmann about
Cockerel 363
Belsky, Vladimir Ivanovich (librettist for RK):
RK plays pieces from Sadko to, 200;
becomes librettist for RK, 200-201; writes
to RK from Vienna, 203; writes to RK
about Sadko, 207; writes to RK from
Munich about Mozart and Salieri, visit of
NRK, 212; 215,221; in Vetchasha,
223-224; attends RKs birthday parties,
229,263,356; writes libretto for Saltan,
231; attends premiere of Saltan in
Moscow, 245; guest of RK, 247; attends
performance of Servilia in RK’s home,
255; suggests plots for new RK operas,
257; hears Kashchey played by RK, 264,
265; composes libretto for Kitezh, 271;
Yastrebtsev joins Belsky in composing
libretto for Kitezh, 285; visits RK, 295;
hears acts 2 and 3 of Kitezh played by RK,
suggests musical joursfixes, 297; 298;
invited to Vetchasha by RK, 312; RK asks
him to write libretto for Stenka Razin,
318; sees off RK to Vienna, 327; invited
to write libretto for Cockerel, 336; receives
humorous greeting cards from RK, 337;
339, 341; editing libretto for Cockerel,
344—345; musical parties at RK’s home,
350-351; letter from RK about health,
352; involved in censorship problems over
Cockerel, 359; 387n7
Belyaev, Mitrofan Petrovich (publisher and
patron): musical evenings, hears
Glazunov’s first symphony, set up and
sponsored the Russian Symphony
Concerts, starts prizes, 132-133; quartet
composed in his honor, 133, agrees to
publish Borodins compositions, 134;
Scheherazade performed for first time at
concert he arranged, 137; meeting at
Borodin’s former apartment, 139;
organizes Russian Symphony Concerts in
Paris, 140; travels with RK to Paris, 141;
organizes a farewell party for RK, 148;
only one to visit RKs during their illness,
152; 154, visit by RK, 158; organizes
concert consisting only of RK’s
compositions, 162; involved in discussion
about Lyapunov’s Symphony, 163; attends
RK’s birthday parties, 180,229, 263;
orders portrait of RK by Repin, 181; hears
Christmas Eve at RKs home, 198; joins in
subscription for performance of Boris
Godunov, 204; 229; schedules banquet in
RK’s honor, 247; gives speech about
artistic significance of RK, 248; 263; death,
286; RK writes At the Tomb as tribute to
Belyaev as patron of Russian music, 287;
will and bequests, 321; 383n6, 389n
Berson, Kazimira Osipovna: sings trio
Dragonflies with RK’s daughters Nadya
and Sophia, 336; guest at RKs, 350; sings
romances at RKs, 351; sings arias at RKs,
353
Bessel, Vasily Vasilyevich (critic and music
publisher), 81,250,255,268,270; funeral
attended by RK, 340; 377nl3, 378nl
Bessel Publishing House: RK decides to
complete Musorgsky manuscripts and
submit them to, 102; 250, 378nl
Bilibin, Ivan Yakovlevich: makes illustrations
for edition of Saltan, 341; 359
Bilibin, V: author of comedy Good Manners,
253
Blaramberg, Pavel Ivanovich (Shostakovsky’s
friend): meets RK at Hermitage
restaurant, 92; 111, 378nl4
Blumenfeld, Felix Mikhailovich (pianist and
conductor): conducts orchestra with RK,
207; 241, attends RK’s fifty-eighth
birthday, 263; conducts Servilia, 271; plays
his own compositions, 281; accompanies
performance of Rachmaninov opera, 321;
sings, plays four hands with Glazunov,
322; accompanies Chaliapin singing The
Stone Guest, 337; 339; plays the prelude,
Wedding Procession,” and second act of
Cockerel, 353; 357; writes to RK in Paris,
363;380n22
Boris Godunov (Musorgsky): NRK studies,
67, 68; RK on, 115; Glazunov and Lyadov
play Glory” from, 161; RK editing, 174;
182,184; RK makes new orchestration of,
Index
395
202; Stasov on, 204,205; opening night,
205-206; 230; Laroche criticizes, 262;
298,355,363,377nl6
Borodin, Alexander Porfiryevich: first
meetings with RK, 48-49; extended visit
with RK, 52; dedicates comic piece to
NRK, 53; RK plays him pieces from Maid
of Pskov, 55; congratulates RK on
appointment to Conservatory, praises
NRK, 64; RKs visit, 69; borrows RKs
wind instrument collection, letter to
Misha, 76; supports RK concert choices,
82-83; composes simple polka, Liszt
praises Paraphrases, 86—87; sees RK off to
Moscow, 89-90, 92; correspondence with
NRK, 104; praises Snozu Maiden, 114;
comment about Balakirev, 125; composing
Prince Igor, 130, Belyaevs circle and
Fridays, string quartet for Belyaev, 133;
death, 134; Price Igor completed by RK,
134; memorial concert, 135, and service,
136; second anniversary of death, 138;
draft for Mlada, 139; 142, music liked in
Brussels, 150; rehearsals for Igor, 159,207;
on Mamontov, 210; Polovetsky March
played in Brussels, 239-240,267; comic
song, 290; performances, 339-340, 354;
374n30, 376nl3, 378nl, 383n7, 383nl0,
385n9
Borodina, Ekaterina Sergeyevna: sings folk
songs to RK, 83
Bukharova, A. V.: owns estate at Loubensk,
195; 294; RK visits, 316; leases house at
Loubensk, 343; RK negotiates sale of
dacha at Loubensk, 349; 353,390n7
Bulich, Sergey Konstantinovich (music
historian): on Sadko, 207; 339, 386n6
Catherine the Great, Empress, 198-199,201,
384n9
Chaliapin, Fyodor Ivanovich: in Boris
Godunov, 206; in Maid of Pskov, 214; sings
with Zabela at RKs, 215; Mozsart and
Salieri, with Rachmaninov accompanying,
226; sings RKs romance Herald, ariosos,
Song of Varangian Guest from Sadko,
230; guest with RK of Safonov, 261; 286;
appeals for reform, 300; performs
Rachmaninov s Avaricious Knight, 321;
musical evening at Stasov s, 335; hero of
night at RKs home, 337; sings his
romance The Prophet, 342; 376nl5
Chekhov, Anton Pavlovich: plays performed
at RKs party, 235; 236, 293; NRK reads
“The Steppe” to Andrey, 310; 353,
380nl4, 390n6, 390n4 (chap. 15)
Chopin, Frédéric, 24—26, 81,106,110,
171-172,174,213,257,265,281,382
Chuprynnikov, Mitrofan Mikhailovich
(tenor), 229, 255
Colonne, Edouard Juda: RK meets during
visit to Paris, 141; RKs frosty meeting
with Richard Strauss at home of, 342;
384nl2
Cui, César Antonovich: meets RK, 32;
correspondence with RK, 36, 38, 43, 45;
meets RK after voyage, 48; review of
Serbian Fantasy, 50; 51; musical evenings,
54; completes composition of Stone Guest,
56; Stone Guest approved by Theatre
Committee, 68; praises NRKs
compositions, 71; praises Maid of Pskov,
74; travels to Kronstadt for RK concert,
81; criticizes RKs choice of music,
reviews of RK concerts, 82, 83;
contributes to Paraphrases, 87; opera-
ballet, Mlada, 139; reception in Belgium,
153; RK anniversary speech, 161; attends
Saltan performance with RK, 252; music
described by RK, 267; Stasov’s anger, 303
Dargomizhsky, Alexander Sergeyevich: The
Triumph of Bacchus, 33; frequent guest at
Shestakovas, 49; introduction to RK and
thoughts about RK talent, 52; musical
evenings at, 52-53; death, 54;
orchestration of The Stone Guest by RK,
54; performance of Stone Guest at
Purgolds’, 58; 82,134; Stasov on 204; RK
re-editing Stone Guest, 266—267; 373nl7,
375n9, 378nl
Debussy, Claude, 305, 312,342
Diaghilev, Sergey Pavlovich: assists with
staging of Boris Godunov in Paris and
396
Index
London, 206; arranges Russian Symphony
Concerts in Paris, 340; urges RK to go to
Paris for concerts, 342; staging Sadko in
Paris, 345; makes changes to Sadko
against RK’s wishes, 357; 387nl, 392n6
Dostoyevsky, Fyodor; RK reads from The
Brothers Karamazov, 93; 379nl8
Duncan, Isadora: Richter mimics, 322; RK
comments on mimicry of, 353
Esposito, Eugene (conductor of Mamontov’s
Private Opera), 215
Fel, Olga (early piano teacher of RK), 9
Fet, Afanasy Afanasyevich, 332
Findeisen, Nikolay Feodorovich (historian of
Russian music): writes RK suggesting
composition of opera Sadko, 197; receives
letter from Petrovsky, 247; attends RK
anniversary and escorts NRK, 250;
negative review of Pan Voevoda, 296
Free Music School: Balakirev conducts
concert at, 48; Uncle “Oh!” sponsor of,
51; RK becomes director of, 77;
Balakirev leaves position at, 78; RK
begins duties as director, 81; RK directs
concert at, 82; Kruglikov becomes
employee of, 95; 100, RK resigns positon
at, 113; twenty-fifth anniversary of, 134;
375nl0,382n2
Garcia-Mancilia (RK’s student), 338
Ge, Ekaterina (Zabela’s sister), 248
Gedeonov, Stepan Alexandrovich (director of
Hermitage and Imperial Theatres): drafts
of an opera-ballet Mlada are among his
papers, 139; 383nl0
Gilson, Paul (Belgian musician and
composer): RK visits in Brussels, 238;
388n3,388n4
Glazunov, Alexander Konstantinovich:
becomes RK private student aged 14, 96;
G’s First Symphony, attends Belyaev’s
Fridays, contributes to Belyaev’s quartet,
sorts out Borodins manuscripts after
death, 131—139; Stenka Razin played in
Paris, 141-143; letter from Stasov, 145;
reception of music in Belgium, 153-154;
“ladies’ man,” 156; helps RK complete
Igor, 159; attends RKs celebration for 25
years as composer, 161-162; RK visit to
summer house in Ozerki, music of
criticized by RK, plays Wagner for RK,
170—172; birthday visits to RK, 180,218,
322, 340; hears RK playing Christmas Eve,
198; supports Boris Godunov performance,
204—206; hears Zabela and Chaliapin,
215; visits RK on birthday and goes to
performance of Maid of Pskov, 218; and
Zabela, 229—230; Raymonda performed in
Paris, 239; gives toast at dinner for RK,
250; hears Servilia, 255; G’s variations
played by NRK, 257; letter from RK
about Kashchey, 259; attends RK’s
fifty-eighth birthday party, RK plays
Kashchey, G plays own works and Ein
Heldenleben, 263—264; attends opening
night of Servilia and RK dinner after,
271; designated as a manager of Belyaev’s
assets, 287; RK remark at recital at G’s
home, 289; responsible for Conservatory
examinations, agrees to orchestrate Kitezh,
291-292; G’s Fifth Symphony played by
NRK and Igor Stravinsky, 292; Zabela
performs G’s compositions, 298; conducts
Kashchey, 301, 303; resigns from
Conservatory, 305; elected director of
Conservatory, Glazunov raises question of
RK’s dismissal, 320; troubles at
Conservatory, 320,323, 325; 332; In
Remembrance of Stasov, 337; compositions
played, twenty-fifth anniversary of G s
creative work, 338; spends summer in
England, 345; 351, 356-357;
correspondence with RK 360; concern
about RK’s health, 361; visits RK, 362;
receives telegram about RK’s death, 368;
delivers speech at RK’s burial, 369;
376nl5, 380n9,382nl, 383n6, 383n7,
389nl
Glinka, Mikhail Ivanovich, 9,16-17,19,21,
23,29-30,59,90, 94,101,108,240,
373nl7
Gnedich, Pyotr Petrovich, 253
Index
397
Gnessin, Mikhail Fabianovich (RK student),
130; RK ill in his presence, 352; composer
of romances sung by Zabela, 354; 382n7
Gogol, Nikolay Vasilyevich: RK reading, 36;
NRK discusses Sorochintsy Fair and May
Night With. RK; 68,87,106; RK thinks of
composing opera on Christmas Eve of,
194; 198,199,202,241, 299, 321,379n23,
380nl5, 385nll
Goldenblum, Moriz Arnoldovich: conducts
Boris while RK plays tam-tam, 205
Golovin, Pavel (naval friend of Voin): takes
RK to theatre, 13; takes music to study
with his sister, 14; RK plays duet at home
of, 20
Grechaninov, Alexander Tikhonovich
(student of RK, composer), 272, 300,
389n9,389nl0
Haydn, Franz Joseph, 82,172, 340
Herzen, Alexander Ivanovich (Russian writer
and philosopher): RKs mothers concern
over, 38; 375n5
Insarova, Maria Nikolayevna (member of
Tsereteli opera group): sings part of
Marpha, 241; attends RKs birthday
celebration, 255
Jurgenson, Boris Petrovich (music publisher),
359; RK describes sad fate of Cockerel to,
366
Kanille, Fyodor Andreyevich (RKs music
teacher), 22-26,28; introduces RK to
Balakirev circle, 31-33; 36, 41
Khovanschina (Musorgsky): overture played
in Moscow, 90; RK works on completing,
115; 116; staged, 135; review, 160; 374n30
Kondratyev, Gennady Petrovich (general
director of Mariinsky), 178; strange
meeting with RK, 207; 385n8
Konstantin Konstantinovich, Grand Duke,
249
Kruglikov, Semyon Nikolayevich: Free Music
School, 83; becomes close friend of RK,
94-96; RK visits in Moscow, 97,119-120;
letter from RK from Stelevo, 98; visiting
Ostrovsky, 100; death of Musorgsky, 101;
letter from RK about leaving Free Music
School, 113; letter from RK with
discussion about Musorgsky, 115; 123;
letter from RK discussing Balakirev,
124—125; 126-127,129; worries about
RK, 131; death of Borodin, 136; letter
from Glazunov, 138; letter from RK
about Mlada,, 140; 142-143; 145,147;
complaints of RK, 153-155; 157,160,167;
RK reediting The Maid of Pskov, 173—174;
176-177,179; RKs parting from Chapel,
189—190; secret about new opera revealed
by RK, 194; 198-199; RK on Sadko, 201;
concern about RKs health, 207; mediator
on Sadko between Mamontov and RK,
209—210; RK complaint about Snow
Maiden staging, 215-217; 218; secret of
Tsars Bride, 220; in Vetchasha, 224-226;
227-229,233,242; dinner with RK in
Moscow, 245; 266; in Vichy, 267; 268,
270,289,291-292,296-297,299-300,
306,319,321,327,331-334,352,
354-355,361,363,365,368-369
Lapshin, Ivan Ivanovich, 290,339,356
Laroche, Herman Augustovich (music critic
and composer): negative review of Maid of
Pskov, 74; comment about by Tchaikovsky,
249; criticism of Boris Godunov, 262;
377nl3,377nl7
Lavrov, Nikolay Stepanovich, 141-142
Lentovsky, Mikhail Valentinovich, 244
Lifefor the Tsar; A (Glinka): RK finds printed
music for, 9; RK hears performance for
first time, 16-17; RK tries to reconstruct
orchestration for, going to see another
performance, 19; buys music for four
hands, 21; wants to buy full score, 23;
hears another performance, forms chorus
at college for, 29—30; scenes from
performed in Moscow, 90; 373nl7
Lipayev, Ivan Vasilyevich, 252
Liszt, Franz, 26,49; letter of appreciation to
RK, 87; 104,149,172,281,305, 378n21,
380nl7,381nl, 382n2
398
Index
Litvin, Feliia Vasilyevna (dramatic soprano):
mimicked by Richter, 322, 356; 391nl3,
392n5
Lodyzhensky, Nikolay Nikolayevich (Russian
composer and diplomat): member of
Balakirev circle, meets RK, 48; invites RK
to stay at estate at Makovnytsy, 52; plays
piano at Purgold dinners, 53; 56, 67,
375n9
Loubensk (estate), 195; NRK falls in love
with, 293-295; 316, 342, 344-346,
349-350; RK dies at, 363-368, 370;
390n7
Lyadov, Anatoly Konstantinovich (student of
RK and composer): lazy behavior,
graduates with high honors, 84;
collaborates in Paraphrases, 87; plays music
with NRK, 89; sees RK off to Moscow,
90; sees Dostoyevsky read from Brothers
Karamazov, 93—94; attends Belyaev’s
Fridays, helps compose string quartet for
Belyaev, 133; commemoration for
Borodin, suggests Mlada as opera plot for
RK, 139; callous attitude to RK family
illnesses, 154; plays “Glory” with
Glazunov, 161; composes fanfare with
Glazunov, 162; musical evening at RKs,
180; hears opera Christmas Eve in RK’s
home, 198; Boris Godunov performed,
206; performance of Maid of Pskov, 215;
at RKs’ fifty-fifth anniversary, 229; sees
Zabela off to Moscow, 230; Vrubel toast
and joke, 248; presentation of Servilia,
255; 257,263-265,284,287,297,299,
303,305,312,337-338,340-341,351,
356-357, 360-362, 380n20, 382nl
Lyapunov, Sergey Mikhailovich: letter from
Stasov about RK’s laziness, 131;
publication of his symphony discussed by
RK and Balakirev, 163; 375nl0, 382n2
Mamontov, Savva Ivanovich: dinner with
RK, 178; 206; Moscow Private Opera
company, 209,209,214—216, 225,229,
233,235,242,245,251,252,261,271,
272,277,297, 335, 386n7; company
performs Sadko, 210,212, 214; company
performs Snow Maiden, 214—216; 225,
226,229,233,235; 242,245, 261, 271,
277
Maria Alexandrovna, Empress, 374
Maria Fyodorovna, Empress, 254
Mariinsky Theatre, 29, 66, 71, 73, 96,101,
114,139,160,167,171,174,176,178,
194,198,199,201, 203,205,206,229,
240,254,255,260,264,271,286,318,
320-322,337-339,344, 351, 354, 372,
376,377,385,387
Mendelssohn, Felix, 20,21,26, 40, 322, 382
Mey, Lev Abramovich, 217,220,237,247
“Mighty Handful” (Moguchaya Kuchka),
179,233, 385n9
Mironov, Nikolay Dmitriyevich, 255, 263,
280,322,327
Mitusov, Stepan Stepanovich, 231,235,263,
273,290,357, 369, 389nl4
Mozart, Wolfgang Amadeus, 7,23,26, 36,
45,211,212,378n2
Musorgsky, Modest Petrovich: first
acquaintance with RK at Balakirev’s, 32;
frequent meetings continued, 48; 50;
about RK’s talent, 51; group of songs
Detskaya {The Nursery), 53; publication of
Seminarist {Seminarian) in Germany with
help of Purgold sisters, 54; nickname
“Cruel Tiger,” 56; visiting Purgolds with
RK, 56, 62; dinner at Shestakova’s, 58;
rents apartment with RK, 65; Boris
Godunov and Sorochintsy Fair, 68; witness
at RK’s wedding, 71; new apartment, 72;
concert at Free Music School, 83; part of
Boyar Scheloga in RK’s Maid of Pskov, 85;
performance of Maid of Pskov in Moscow,
90; illness and death, 101; RK completing
and editing Khovanschina, 115—116; 125;
performance of Khovanschina in 1886,
131; 134; Mlada, 139; Dupon about music
of, 153; 161; RK editing of Boris Godunov,
174; destiny of Boris, 203—206; 210;
Laroche’s criticism of Boris, 262; RK on
music of, 267; Marriage, 321; 337,
374n27, 376nl3, 376n6 (chap. 3), 377nl6,
378nl, 380n9, 383nl0, 385n9, 388nl,
392n6
Index
399
Napravnik, Eduard Frantsevich (conductor
and composer): conducts The Maid of
Pskov, 73; RK substitutes for him, 248;
377nl6
Naval College, St. Petersburg, 2,3,5, 7,10,
15,17,24, 30,32,33,35
Nikisch, Arthur, 104, 342, 380nl6
Nikolay II, Tsar, 203,206-207,254
Novodevichy Convent (The New Maiden),
368, 370,392n7
Ossovsky, Alexander Vyacheslavovich,
290-291,295,297,302,350,351
Ostrovsky, Alexander Nikolayevich, 97,100,
247, 379nl, 380n3,381n23
Pargolovo, 55,62,65, 71,72,75,80, 84,203,
376nl5
Petrovsky, Yevgény Maximovich, 246,247,
257,264,290
political unrest: student demonstrations, St.
Petersburg (1899), 232; RK backs student
protests (1905), 299-301; letter from
peasants to RK, 302-303; impact of
unrest on RK’s Conservatory position,
300—303; 305; Potemkin mutiny, 310
Prince Igor (Borodin): composition of, 130;
completion for publication by RK,
134—136; RK attends rehearsals for, 159;
played to her children by NRK, 196; RK
conducts Polovetsky March from in Paris,
240; Richard Strauss criticism, 343;
374n30
Purgold, Alexandra Nikolayevna (NRK’s
sister), 51-56,58, 61-63,65
Purgold, Nikolay (NRK’s deceased father),
51,71,378n5
Purgold, Vladimir (NRK’s Uncle “Oh!”),
51-53,71, 80,102,378n5
Pushkin, Alexander Sergeyevich, 4,36, 40,
94,101,200,211,212,228-231,263,321,
336,341,342,356,359,363,373nl7,
376nl5,381nl
Rachmaninov, Sergey Vasilyevich:
accompanies Chaliapin singing Mozart
and Salieri, 226,227; accompanies
Chaliapin, 245; chats during performance
of Saltan conducts Pan Voevoda, 296;
signs appeal from Moscow musicians,
300; conducts Pan Voevoda in Moscow,
319; The Avaricious Knight performed at
RKs in 1906, 321; 351,353,381nl,
389nl0
Repin, Ilya Yefimovich, 94,179,181,181,
184-186,207,209,210,379nl9
Richter, Nikolay Ivanovich, 231, 235,252,
273,290,298, 322,335,353, 356, 357,
360,361
Rimsky-Korsakov, Andrey Petrovich (father):
career, 3-4; advice to RK, 31; death, 34
Rimskaya-Korsakova (née Purgold),
Nadezhda (NRK): appearance, 53; at the
Purgold family’s musical evenings, 52—57;
interest in RK, 55-57, 60-62; self-
criticism, 57; courtship, 66—71; marriage
to RK, 71; on Dostoyevsky, 93; Balakirev’s
criticism of, 125; in Moscow (1888), 146;
analyzes RK’s music, 243-244; takes
Andrey to Germany for treatment, 307;
on German health resorts, 309—310, 314;
lifelong support of RK, 311; dies in 1919,
370
Rimsky-Korsakov, Nikolay Andreyevich
(RK): birth, 5; childhood, 6; early musical
education, 7—8; first music teacher, 9;
accepted to Music College, 10; early love
of opera, 13—14; sails on the Prokhor with
Voin, 17-18; second voyage, 21; joins
Balakirev’s musical circle, 32; engagement,
69; wedding, 71; twenty-fifth anniversary
celebrated, 160-161; turns to philosophy
and aesthetics, 175,182,193; typical
schedule (1883), 126; (1893), 178; writes
memoirs, 180; thirty-fifth anniversary
celebrated, 249-254; daily routine in later
life, 287-289
RK, character: bad temper, 84; as a father,
87-88; appearance of, 113; work habits,
117,130—131,175,204, and passim
playfulness, 131; “swinish behavior,” 194;
described by Petrovsky, 247; character and
temperament, self-criticism, 260; “desire
to contradict,” 262
400
Index
RK, health: smoking, 138; depression, 167,
175; exhaustion, 176; multiple sclerosis,
177,184,189,199; heart condition, 355;
angina, 359
RK, income: pension, 190; Yastrebtsev
estimates, 344
RK, official positions: Inspector of Military
Bands, Department of the Navy, 74—75,
80, 81; retires (1883), 126; Director of
Free Music School, 77,100,113—114;
teaching at the Chapel and Conservatory,
129—130,134,143; resigns, 192; returns to
Conservatory, 320
RK, opinions: on astronomy and the stars, 11,
19, 111, 225, 332; on ballet, 19; on Glinka,
23; on musical life of foreigners, 41, 42;
on life at sea, 43—44, 46; on New York
musical life, 45; on his lack of formal
musical training, 63-64; on his “Russian
music,” 157; on aging, 228,236,268—269,
286; on Richard Strauss, 239; on Chopin
and Polish folk music, 265; on composing,
269; on life and death, 313
RK, portrait: by Repin, 181; by Vasily Serov,
218,358
RK, religious belief: inspired by “heathen
pantheism,” 97-98; celebrates “pagan joy,”
137; critical of Christian doctrine, 137,
154,173; religion and despotism “part of
the old order,” 334
RK, travels: on Prokhor, 17,18,21,27; on
Almaz, 35—47; London, 38—39; United
States, 44-45; Rio de Janeiro, 46; Crimea,
80, 111; Constantinople, 112; Caucasus,
with NRK (1886), 132; Paris, with NRK,
141; Brussels, Antwerp (1890), 148—151;
Brussels (1900), 237
RK, works
—Books:
Fundamentals of Orchestration : RK
begins work on, 312; RK continues
work on, 317—318; RK completes, 362
My Musical Lifer. RK writing, 307—309,
332; completes, 334; NRK edits and
publishes in 1909, 370; 390n7
—Chamber works:
String Quartet (1897), 212
Trio for violin, violoncello, and piano
(1897), 212
—Operas:
Christmas Eve (1894—1895): Gogol,
194; Vetchasha, 197; completion of,
198; Tsar and Mariinsky Theatre,
199; Imperial Theatres, 201—202;
Vsevolozhsky, 206; Nikolay II, 207;
Bolshoi Theatre, 229; NRK on, 243;
Russian Historical Concerts, 341;
343
Golden Cockerel The (1906—1907):
composition begins, 336—338; RK
plays first act, 340—341; composition
of Act 2, 344-351; Blumenfeld plays
Prelude and Act 2, 353; editing opera
for publication, 355; Zabela sings aria
from Act 2, 357; Steinberg plays Act
2, 360; censorship and withdrawal of
opera from repertoire, 360—364
Kashchey the Immortal (1901—1902):
first drafts, 257; Sophia (daughter)
assists composing libretto, 257; RK
continues composition, 259; RK
plays opera to friends, 264; Bessel
sends score to RK, 268; approved for
staging at Moscow Private Opera,
dress rehearsal, 271—272; opening
night, 284,298; plot parallels student
mood during demonstrations,
301-302; 387n3
Legend of the Invisible City ofKitezh and
the Maiden Fevronia., The (1903—1904):
first ideas for, 257; conception for
opera, 271; Belsky’s libretto, 271;
composition of libretto begins, 283;
composition continues and draft
completed, 290—292; orchestration
started and completed, 295—298;
fourth act, 317; to be produced at
Mariinsky, 322—323; RK’s self-
criticism of, 332; rehearsals, 337; first
performance at Mariinsky, 339; RK
attends performance at Mariinsky,
349, last performance at Mariinsky,
351, performance at Bolshoi in
Moscow, 354
Index
Maid of Pskov, The (1868—1872 [1st
version], 1876-1877 [2nd version],
1891—1892 [3rd version]): RK works
on composition, 55; Olgas part from,
62; NRK takes active part in
composition, 55, 64—66; approved for
staging at Mariinsky, 66; overture, 69;
permitted to include Ivan the
Terrible on stage, 71; rehearsals and
opening night, 73; criticism of, 74;
Cui’s praise of, 76; revised version
includes prologue, 84—85; Moscow
concert success, 90; overture, 91;
praise for, 94; score, 106; editing, 125;
chorus “Glorifying” from, 161; third
version, 167; 170; revision of, 174;
203; performance in Theatre of
Solodovnikov, 309; Mamontov’s
admiration for, 210; performance by
Mamontov’s group in St. Petersburg,
214-215; RK attends performance,
218; RK and wife attend
performance with prologue, 229;
performed by Bolshoi in Moscow,
260,286; performed by Mariinsky,
298; performance banned by police,
302; 376nl, 376n3, 377nl5
May Night (1878-1879): first thoughts,
68; work and completion, 87, 94;
acceptance for staging at Mariinsky
Theatre and opening night, 96-97;
125; Russian Musical Society, 178;
performance at Molas home, 194;
Belsky, 201; Mamontovs tour, 214; in
Frankfurt am Main, 241
Mlada (1889-1890), 138; Borodin on,
139,140; Stasov, 142; completion of,
143; first introduction of, 145;
orchestration of, 150; 151,155-159;
Balakirev on, 165; 167,170; rehearsals
at Mariinsky Theatre, 171; 173;
opening night at Mariinsky Theatre,
174; Tchaikovsky on, 176; Mariinsky
Theatre, 178; 180,196; Vsevolozhksy,
206; 243,248; Russian Musical
Society, 261; Yastrebtsev, 298; Russian
Historical Concerts, 342; 383nl0
401
Mozart and Salieri (1897): composition
and first performance, 211-212;
Chaliapin singing, 226; Mamontov,
227; opening night at Mamontov’s
Theatre, 228; Vrubel, 229; 262;
Mariinsky Theatre, 320-321;
Chaliapin, 337; 359
Pan Voevoda (1902-1903): Yastrebtsev
and RK discussion and beginning of
composition of, 265-266; Kruglikov
on and nearly completed, 270; NRK
on, 277; orchestration of, 284;
opening night produced by Tsereteli
and held at the Grand Hall of the
Conservatory, 296; Bolshoi Theatre
and review in Russian Musical
Gazette, Rachmaninov, 296; Audrey
Rimsky-Korsakov on, 297;
Rachmaninov and Bolshoi Theatre,
319; 378nl0,388n6
Sadko (1895—96): Findeisen proposal
on, 197; RK first drafts on, 199-202;
offer to stage in the Imperial Theatre,
206—207; Kruglikov suggests staging
at Mamontov’s Opera, 209-210; first
performance Mamontov s Opera in
Moscow, 212; Mamontov tour in St.
Petersburg in 1898 with, 214; RK on,
217; 226,228; Mamontov’s second
tour in St. Petersburg in 1899 with,
229; Chaliapin sings Song of the
Varangian Guest from, 230; 234;
concert at the Théâtre de la Monnaie,
240; concert in the Hall of the
Assembly of the Nobility, 248; Stasov
on, 248; Moscow Private Opera, 249;
251-252; rehearsals at Mariinsky
Theatre, 254; 276, 298; Bolshoi
Theatre begins rehearsing, 322;
Public House production of, 335;
opening night at Bolshoi Theatre,
336-337; conducted by Nikisch, 342;
Diaghilev wants to stage in Paris,
345; 374n30,375nl2, 386n8, 387n3,
388n6, 388n8
Servilia (1900-1901), 237,242,246;
Mey, 247; Zabela, 255; orchestration
402
Index
of, 257; 263,264; opening night at
Mariinsky Theatre, 271; 296; Andrey
Rimsky-Korsakov on, 297
Snow Maiden, The (1880-81, rev. 1895):
97-101; first performance and
introduction at Balakirev’s, 99;
Ostrovsky on, 100; 106; in the
Crimea, 111; opening night at
Mariinsky Theatre, 114; Borodin on,
114; Kruglikov and Balakirev on,
125; 126; Stasov, 161; 163,176—178;
opening night at Bolshoi Theatre,
177; RK on, 177-178,197; in RK
apartment, 198; Belsky, 201;
Solodovnikov, 209; Kruglikov on,
210; Mamontovs tour, 214; RK as a
conductor of, 215; performance at
Mariinsky Theatre, 229; NRK, 243;
Bolshoi Theatre, 249; performance at
Bolshoi Theatre, 252; Yastrebtsev,
254; 272,276,282; Yastrebtsev, 298;
RK on, 312; revival at Mariinsky
Theatre, 318, 320; Russian Historical
Concerts, 342; Carré, Paris Opéra-
Comique, 346; Paris, 355; Opéra-
Comique, 358; Tcherepnin on, 358;
Opéra-Comique, 363; Paris, 366;
379nl, 380nl9, 385n8, 386n8,387n3,
388n5, 388n8
Tale of Tsar Saltan, The (1899—1900):
first ideas for plot, 230; RK absorbed
with composition of, 231; RK
exhausted after hard work on, 236;
RK refuses to play, 241; Moscow
Private Opera begins rehearsals,
242—243; RK criticizes, 243; RK
objects to use of mechanical
bumblebee, 244; dress rehearsal and
premiere performance, 245; Moscow
Private Performance in RK’s honor,
249; 252; Yastrebtsev comments, 298;
Zimin Theatre in Moscow
performance, 337; Bilibin’s
illustrations, 341; Russian Historical
Concerts includes suite from, 342;
performance in Russian Concerts in
Paris, 354; 387n3,388n8
Tsars Bride, The (1898): RK begins
composition, 217; RK completely
occupied with composition, 220;
composition proceeds, RK plays to
Kruglikov, Zabela sings arias,
224-229; rehearsals and opening
night at Private Opera Theatre,
NRK’s dislike of, performance at
Solodovnikov Theatre, 233—236;
performance in St. Petersburg, 239;
Zabela sings part of Marpha, 241;
RK attends performance in Moscow,
244; RK discusses with NRK, 245;
Zabela sings Marpha at Russian
Musical Society concert in Moscow,
248; performed at Mariinsky, season
ticket holders cold to performance,
260—261; RK discusses with NRK
again, 272; income from
performance, 281; 378nl0, 387n3
Vera Scheloga, the Boyars Wife (1878):
prologue to The Maid of Pskov, 84-85;
Mamontov, 227,229; Bolshoi
Theatre, 260; Mariinsky Theatre, 286
—Orchestral works:
Capriccio espagnol (1887), 135; first
rehearsals, 135; Tchaikovsky on, 136;
Moscow concert, 146; 150,152
Fairy Tale, The (1881): started on
composing, 94; finished composing
and first performance with RK as a
conductor, 101; concert in the
Nobility’s Assembly Rooms, 115
Fantasy on Russian Themes first drafts,
133
Fantasy on Serbian Themes publishes in
1867, 50; Musorgsky comments on,
51; performed in Moscow, 90-91;
378nl2
Overture on Three Russian Themes
(1867), 50
Piano Concerto (1882—1883): Belyaev’s
concert, 162
Russian Easter Festival Overture (1888),
136,162
Russian Overture (1866, rev. 1879—
1880), 5; Musorgsky on, 51
Index
403
Sadko (orchestral piece from opera,
1867, rev. 1869,1891-1892): began
composition; first performance
conducted by Balakirev and first
recognition, 50-52; 83, 90, 94,162,
174,197,375nl2,388n6
Scheherazade (1888): first thoughts on,
136-137; first performance, 138;
Théâtre de la Monnaie, 240; 353
Symphony No. 1, Op. 1 (1861-1865, rev.
1884): Balakirev’s recognition, first
movement finished, 32; Scherzo, 33;
finale, 36; Andante, 39, 44,51; first
performance, 48; 160-162,252—253
Symphony No. 2,Antar (1868):
published, 51—52; 94; performed in
Germany, 104; performed in Paris,
142; performed in St. Petersburg,
162; Chaliapin sings arioso from,
230; 353
Symphony No. 3, 52,73,77
—Vocal works:
Butterflyy The (song written by youthful
RK),9
Dragonflies (1897, trio), 212
I Still Can Feel My Dear Friend
(1897-1898, romance), 229
Maid of SvityaZy The (1897, cantata), 212
Nenastny den potukh ( The Rainy Day
Has Faded, 1897, romance), 211
Nymphy The (1898, romance), 211,228,
229,336,353,387nl
Pan (1897, duet), 212
romances, 50,52,56,126,167,
211-212,229,255,290,303,336,
347,351,354
Song of Songs (1897, duet), 212
To My Song, 55
RK and NRK, children:
Rimsky-Korsakov, Mikhail Nikolayevich
(Misha, 1873-1951), 76,110,118,146,
168,182,200,276
Rimskaya-Korsakova, Sophia Nikolayevna
(Sonya, 1875-1943), 82, 88,182,257,
273,278
Rimsky-Korsakov, Audrey Nikolayevich
(Andryusha, 1878-1940), 87,153,155,
177,186,200,209,232,241; doctorate
in physics, 280-281
Rimsky-Korsakov, Vladimir Nikolayevich
(Volodya, 1882-1970), 114,171,186;
law school, 266; escapes military
service, 324—325; 349
Rimskaya-Korsakova, Nadezhda
Nikolayevna (Nadya, 1884—1971), 127,
146,147,159, 355
Rimskaya-Korsakova, Maria Nikolayevna
(Masha, 1888-1892), 136,146,147,
160,167,171,177; in Crimea,
180-189,220,223,259
Rimsky-Korsakov, Slava Nikolayevich
(Slavchik, 1889-1890), 147,160,259
RK family travels: Caucasus (1886), 132;
Paris (1888), 141; Riva, Lake Garda, RK
family stays at (1906), 329-330,335
RK household, servants: 79, 89, 96,156,226,
231
Rimskaya-Korsakova, Sophia Vasilyevna (née
Skaryatina) (mother, 1802—1890), 3, 4,
157-158; advice to RK, 38; death and
bequests, 159
Rimsky-Korsakov, Voin Andreyevich (brother,
1822-1871): career, 3-5; marriage, 27;
opposes RK’s absorption in music, 28,30;
rear admiral, 48; principal of St. Petersburg
Naval Academy; dies 1871, 66, 68
Rossini, Gioachino, 7,16,26,29,156,157,
372nl4
Rubinstein, Anton Grigoryevich (pianist,
composer, and conductor), 44,161,198,
375n8,378nl, 379nl, 390nl
Rubinstein, Nikolay Grigoryevich (pianist,
brother of Anton Rubinstein), 305,350,
389nl0, 390nl
Ruslan and Lyudmila (Glinka), 21,23,29, 59,
94,101,108,240
Russian Musical Society, 32,50,52, 83,101,
145,178,193,205,206,248-250,252,
261,300-303,305,306,320,325
Russian Symphony Concerts, 133,140,192,
227,242,247,287,305,340
Safonov, Vasily Ilich, 178,248,252,261,
385n7
404
Index
Schumann, Robert, 24, 32,106,172,281,
294, 382n2
Scriabin, Alexander Nikolayevich, 342, 357,
389nl0
Scriabina, Vera Ivanovna, 342, 357
Sekar-Rozhansky, Anton Vladislavovich, 234,
235,244
Serov, Alexander Nilolayevich (composer,
1820-1871), 50,59, 376nl3,383nl0
Serov, Valentin Alexandrovich (painter,
1865-1911), 209,218,229, 358, 386n8
Shestakova, Lyudmila Ivanonva (née Glinka),
49,51,53-55,58,65, 84,90,134,158,
162,170,171,176,191,194,198,204,
321
Shtrup, Nikolay Martynovich, 192,194,198
Siloti, Alexander Ilyich, 305, 351, 352, 353,
390nl
Sokolov, Nikolay Aleksandrovich, 130,138,
171,175,180,191,263
Spengler, Alexander Eduardovich, 283,359,
389nl
St. Petersburg Conservatory, 39, 63, 75,179,
205,206,214,249,253, 306,320,321,
323-325,335,337,338,340,352,368,
370,372nll, 377nl7,378nl, 382nl,
382n2,387n3,389nl4,390nl0, 391n5
Stasov, Vladimir Vasilyevich: first meeting
with RK, 32; meets RK after voyage, 48;
birthday party, 49; suggests RK write
orchestral piece Sadko, 50; calls Purgold
sisters “musical lasses,” 51; part of ad hoc
quartet, 53; musical gatherings, letter to
RK about his composition, 54; writes to
NRK about RK’s romance, 55; “Bach”
nickname, calls group of composers “the
Gang,” 56; attends preview of Maid of
Pskovy 65; writes to Medvedeva, 72; writes
to NRK, 77; letter from RK about trip to
Crimea, 80; praises concert with Russian
music, 83; calls Borodins polka “Tati-
Tati,” 86; 90; told RK will review and edit
Musorgsky’s work, 101; sends books to
RK, 104; daughter Sophia Fortunato, 111;
complains to Kruglikov about Chapel,
126; complains about RKs laziness, 131;
performance of Glazunov’s First
Symphony, 132; Belyaevs patronage,
attends Belyaevs Fridays, 133; writes to
NRK about RK, 135; commemoration of
Borodin, RK decides to compose Mlada,
gets old libretto for RK, 139; writes to
Kruglikov about RKs composing, 142; bet
with RK he would become director, 143;
writes to Glazunov, 145; writes about
RKs trip to Brussels, 148; letter from RK
about family illnesses, 154; describes
Balakirev’s behavior to his brother, 158;
describes RK family losses to Kruglikov,
160; describes and gives speech at RK
anniversary event, 161,162; views
described as odd or awkward by RK, 185;
writes to Kruglikov about RK leaving
Chapel, 190; writes to RK about
composing two operas at once, 197; hears
Christmas Eve, 198; letter from NRK
about family illnesses, 202; corresponds
with NRK about summer houses, 203;
annoyed with RK about Boris Godunov,
204; changes opinion about Boris, 205;
207; joins group to visit Tolstoy, 213;
becomes frightened leaving Tolstoy’s
home, 214; 215; visits RK on his
birthdays, 218,229,263; writes that RK is
composing again, 220; receives telegram
from Chaliapin about Salieri, 228; hears
Chaliapin singing at musical evening,
suggests opera plot based on Tsar Saltan,
230; compares RK to Sadko, 248; writes
to his sister about the excessive number of
RK anniversary celebrations, 251;
comment about RK’s ability to compose
recitatives, 262; 267; birthday forgotten by
RKs, 273; toasts RK’s health at dinner,
281-282; RK says Glazunov is the last
among us composing Russian music, 289;
outrage at behavior of Balakirev and Cui,
303; death of two young relatives,
concerns about own death, 313; musical
evening at RKs in 1906, 321; musical
evening at Stasov’s home with RK and
NRK, last handshake with RK, suffers
second stroke, 335; death, 336; Zabela
sings Stasov’s favorite romance composed
Index
405
by RK, 337; 377n20, 374n30, 375n9,
376nl5, 377n20, 379nl5, 380n9,382n3,
385n9, 386n8, 389nll
Steinberg, Maximilian Osseyevkh (son-in-
law, husband of RK’s daughter Nadezhda),
321,322,333,336,339,349-357,360
Strauss, Richard: RK studies score of Don
Quixote with Gilson, they say it s an awful
cacophony that just proves Strauss is
wretched, 238; conducts Don Quixote in
Paris, 239; 240; Glazunov and Lyadov
play Ein Heldenleben, 264; RK makes fun
of TillEulenspiegel, 272; 273; RK finds his
music new and confusing, 312; at
Colonnes home, RK and Strauss barely
speak to each other, 342; says, “we are not
children any more,” 343; Guriy Stravinsky
mocks romances of, 353
Stravinsky, Fyodor, 205,266
Stravinsky, Guriy Fyodorovich, 322,350,
352-354,356,357
Stravinsky, Igor Fyodorovich: becomes a
student of RK, meets Volodya in
Heidelberg, 266; attends RKs birthday
party, 281; 290,292,298, 321, 339,341,
350, 352,354,356,357,362,387nl
Taneyev, Sergey Ivanovich, 120,228,240,
272,297, 300,382n2, 389nl0
Tchaikovsky, Modest Ilyich: RK writes to
Modest about his work in the
Conservatory, 206
Tchaikovsky, Pyotr Ilyich: visits RK, 73;
extravagant review of RKs work, 83; 102;
RK not satisfied with harmony textbook
of, 127; visits RK on his birthday, 134,
attends performance of Capriccio
espagnoly 136; visits RK at Grand Hotel
Moscow, 146; opinion of Mlada, 176;
death of, 192; RK conducts compositions
of, 192; The Voevoda performed, 248; 305;
lullaby “Hush, Baby, Hush,” 322; 337,
350,354, 373n22, 374n27, 374n30,
376nl3,377nl3, 377nl6, 377nl7, 378nl,
379nl, 380n9,381nl, 384nl2, 385n7,
386nl,388nl0, 389n9, 389nl0, 390nl,
391n4
Tcherepnin, Nikolay Nikolayevich, 339, 340,
351,358,391n5
Tikhvin, 1-13,15,16,18-20,24,25,27-34,
38,48,50, 83,138,157,159,254,287,
288; father s funeral at, 323; nostalgia for,
347; 351, 369,370,371nl
Tikhvin Cemetery, 101,336, 380n9
Tikhvin Convent, 34,137, 371nl, 391nl4
Tolstoy, Lev Nikolayevich, 212; RK and
NRK visit, 213; comments on their visit,
214; 381nl
Tolstoy, Pheophil Matveyevich, 64,103,
376n5
Troitskaya, Irina Vladimirovna
(grandaughter), 292, 389n4
Troitsky, Vladimir Petrovich, 235,255,263,
273,282, 347
Tsereteli, A. A., 239,241, 255
Tyumenev, Ilia Fedorovich, 79, 87,101,114,
155,217,265,296,378nl0
Verstovsky, Alexey Nikolayevich, 7,19,
371n5, 373nl7
Vetchasha estate, 194—197,199, 200, 219,
220,223-225,227,231,291-293,295,
296,306-307,309-318,329,331,343,
366, 370
Vrubel, Mikhail Aleksandrovich, 209,212,
215,229,233,246,248,252,255,386n8,
387n3
Vsevolozhsky, Ivan Alexandrovich, 202-204,
206-207
Wagner, Richard: RK on, 276; 26,29, 81,
149,151,172,270,290,324,376nl3,
378n21, 384nl2,384n4 (chap. 9), 391nl3
Yastrebtsev, Vasily Vasilievich: first
introduction and meeting with RK at his
home, 161; autumn 1891 frequent guest
and description of first visit, 174; after
performance of Miada, 176; encounter
with RK after Masha’s death, 189; guest
at RKs new apartment with Shtrup, 192;
on Balakirev, 193; visit with Shtrup and
Trofimov, 194; at Vetchasha, 197;
presentation of Christmas Eve at RKs with
406
Index
Belyaev, Glazunov, Lyadov, Molas, Shtrup,
Stasov, 198; on composition of Sadko, 199;
Christmas Eve, 202; The Maid of Pskov,
204; Shestakova, 204; about Stasov, 205;
after Boris Godunov performance at
Mariinsky, 206; RK about staging Sadko,
207; attending the RKs’ twenty-fifth
wedding anniversary at Smychkovo, 211;
RK about Tolstoy, 213; 213—214; after
first performance of Sadko, 214; about RK
conducting The Snovo Maiden, 215; about
first performance of The Snozu Maiden at
Mariinsky Theatre, 229; attending RK’s
fifty-fifth birthday party, 229; Zabela, 230;
secret of composing a new opera, 231;
memoirs of Saltan premiere in Moscow,
233; arriving in Moscow with Belsky to
attend Saltan premiere, 245; description
of first performance of Saltan, 245;
suggesting new plots for operas, 247;
meeting of the Association of Music
Teachers, 249; visit to RK on 1 January
1901,253; after Sadko opening night at
the Mariinsky, 254; surprise of the ninth
opera, Servilia, 255; 257; arriving at
Krapachukha, 260; in Aloscow to attend
concert of Russian Musical Society, 261;
talk about life with RK on a rail journey,
262; RK’s thirty-sixth anniversary of
musical career, 262; RK fifty-eighth
anniversary in 1902, 263; RK about the
end of relationship with Bakakirev, 264;
score of Kashchey, 264; discussion with
RK about domestic politics in Russia,
265; dinner at RKs with Belsky,
Blumenfeld, and Glazunov, 271; birthday
party at RKs, 281; 283; arriving at
Krapachukha and secret revealed about
Pan Voevoda, 284; giving advice on
musical part of Kitezh, 285; 286; describes
musical evening at RKs home, 290; at
Vetchasha, 292; on promotion of RK to
rank of distinguished professor, 294; RK
playing second and third acts of Kitezh,
297; excitement about Kitezh, 298;
performance of Kashchey at
Komissarzhevskaya, 301; 302; letter to RK
to Vetchasha, 306; RK writes about his
Memoirs, 312; in Vetchasha in July 1905,
316—317; RK’s intention to leave the
Conservatory, 321; evening at RKs in
February 1905, 322; plan to visit Tikhvin,
323; 326—327; RK from Vienna, 333;
334—335; death of Stasov, 336; evening at
RKs with Chaliapin, 337; 338, opening
night of Kitezh at Mariinsky Theatre, 339;
after the performance of Cockerel, 341;
visit of RK after his return from Paris,
342; memoirs of RK’s salary, 344; at
Loubensk, 346—347; visit of 23 September
1907, 349; visit in October 1907, 350;
performance of Kitezh at the Mariinsky
Theatre on 30 November 1907,351;
Christmas at RKs with Stravinsky
brothers, 352; 353; death of
Akhsharumov, 355; “musical Wednesday”
with Richter and Steinberg, 356; after
attending third Russian Symphony
Concert, 357; last meetings with RK,
360-365; 385n5
Yastrebtseva, Alina Andreyevna, 161,254, 262
Zabela-Vrubel, Nadezhda Ivanovna, 211,
212; letter to RK, 214—216; RK seeks
advice of on manuscript, 227—228; RK
dedicates song to, 229; 226—230,233—234,
236,241,246,248,255,290, 298, 322,
336, 339,350, 353, 354, 357, 387n3
Bayerische
Staatsbibliothek
München
|
| any_adam_object | 1 |
| author | Rimskij-Korsakov, Nikolaj 1844-1908 Rimskaja-Korsakova, Tatʹjana V. 1915-2006 |
| author2 | Timofeeva, Lilia Crocker, Malcolm J. 1938- Maksotskaya, Margarita Rimskaja-Korsakova, Tatʹjana V. Rimskaja-Korsakova, Tatʹjana V. |
| author2_role | trl edt edt |
| author2_variant | l t lt m j c mj mjc m m mm t v r k tvr tvrk t v r k tvr tvrk |
| author_GND | (DE-588)118601067 (DE-588)141091622 (DE-588)142607673 |
| author_facet | Rimskij-Korsakov, Nikolaj 1844-1908 Rimskaja-Korsakova, Tatʹjana V. 1915-2006 Timofeeva, Lilia Crocker, Malcolm J. 1938- Maksotskaya, Margarita Rimskaja-Korsakova, Tatʹjana V. Rimskaja-Korsakova, Tatʹjana V. |
| author_role | aut aut |
| author_sort | Rimskij-Korsakov, Nikolaj 1844-1908 |
| author_variant | n r k nrk t v r k tvr tvrk |
| building | Verbundindex |
| bvnumber | BV043953826 |
| callnumber-first | M - Music |
| callnumber-label | ML410 |
| callnumber-raw | ML410.R52 |
| callnumber-search | ML410.R52 |
| callnumber-sort | ML 3410 R52 |
| callnumber-subject | ML - Literature on Music |
| ctrlnum | (OCoLC)969534317 (DE-599)BVBBV043953826 |
| dewey-full | 780.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.92 |
| dewey-search | 780.92 |
| dewey-sort | 3780.92 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Book |
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| genre | (DE-588)4006804-3 Biografie gnd-content (DE-588)4146609-3 Briefsammlung gnd-content |
| genre_facet | Biografie Briefsammlung |
| geographic | Russland |
| geographic_facet | Russland |
| id | DE-604.BV043953826 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T17:49:39Z |
| institution | BVB |
| isbn | 9781574674545 |
| language | English |
| lccn | 015016228 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029362631 |
| oclc_num | 969534317 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | x, 406 Seiten Illustrationen |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Amadeus Press |
| record_format | marc |
| spellingShingle | Rimskij-Korsakov, Nikolaj 1844-1908 Rimskaja-Korsakova, Tatʹjana V. 1915-2006 Rimsky-Korsakov letters to his family and friends Rimsky-Korsakov, Nikolay 1844-1908 Rimsky-Korsakov, Nikolay 1844-1908 Family Rimsky-Korsakov, Nikolay 1844-1908 Friends and associates Rimsky-Korsakov, Nikolay 1844-1908 Correspondence Rimskij-Korsakov Familie (DE-588)119503883 gnd Rimskij-Korsakov, Nikolaj 1844-1908 (DE-588)118601067 gnd Composers Russia Biography Composers Russia Correspondence Brief (DE-588)4008240-4 gnd |
| subject_GND | (DE-588)119503883 (DE-588)118601067 (DE-588)4008240-4 (DE-588)4006804-3 (DE-588)4146609-3 |
| title | Rimsky-Korsakov letters to his family and friends |
| title_alt | Detstvo i i︠u︡nostʹ N.A. Rimskogo-Korsakova N. A. Rimsky-Korsakov v semie (iz semeynoy perepiski) |
| title_auth | Rimsky-Korsakov letters to his family and friends |
| title_exact_search | Rimsky-Korsakov letters to his family and friends |
| title_full | Rimsky-Korsakov letters to his family and friends Tatiana Rimsky-Korsakov ; translated from the Russian by Lilia Timofeeva ; edited by Malcolm J. Crocker and Margarita Maksotskaya |
| title_fullStr | Rimsky-Korsakov letters to his family and friends Tatiana Rimsky-Korsakov ; translated from the Russian by Lilia Timofeeva ; edited by Malcolm J. Crocker and Margarita Maksotskaya |
| title_full_unstemmed | Rimsky-Korsakov letters to his family and friends Tatiana Rimsky-Korsakov ; translated from the Russian by Lilia Timofeeva ; edited by Malcolm J. Crocker and Margarita Maksotskaya |
| title_short | Rimsky-Korsakov |
| title_sort | rimsky korsakov letters to his family and friends |
| title_sub | letters to his family and friends |
| topic | Rimsky-Korsakov, Nikolay 1844-1908 Rimsky-Korsakov, Nikolay 1844-1908 Family Rimsky-Korsakov, Nikolay 1844-1908 Friends and associates Rimsky-Korsakov, Nikolay 1844-1908 Correspondence Rimskij-Korsakov Familie (DE-588)119503883 gnd Rimskij-Korsakov, Nikolaj 1844-1908 (DE-588)118601067 gnd Composers Russia Biography Composers Russia Correspondence Brief (DE-588)4008240-4 gnd |
| topic_facet | Rimsky-Korsakov, Nikolay 1844-1908 Rimsky-Korsakov, Nikolay 1844-1908 Family Rimsky-Korsakov, Nikolay 1844-1908 Friends and associates Rimsky-Korsakov, Nikolay 1844-1908 Correspondence Rimskij-Korsakov Familie Rimskij-Korsakov, Nikolaj 1844-1908 Composers Russia Biography Composers Russia Correspondence Brief Russland Biografie Briefsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029362631&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029362631&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT rimskijkorsakovnikolaj rimskykorsakovletterstohisfamilyandfriends AT rimskajakorsakovatatʹjanav rimskykorsakovletterstohisfamilyandfriends AT timofeevalilia rimskykorsakovletterstohisfamilyandfriends AT crockermalcolmj rimskykorsakovletterstohisfamilyandfriends AT maksotskayamargarita rimskykorsakovletterstohisfamilyandfriends |