African polyphony and polyrhythm: musical structure and methodology
In this detailed study Simha Arom takes a new and original approach to the understanding of the complex and sophisticated patterns of polyphony and polyrhythm that characterise African music. Considering in particular the harp, sanza, xylophone and percussion music of Central Africa, Simha Arom deve...
Gespeichert in:
| Beteilige Person: | |
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| Weitere beteiligte Personen: | , , |
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Cambridge
Cambridge University Press
1991
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| Schlagwörter: | |
| Links: | https://doi.org/10.1017/CBO9780511518317 https://doi.org/10.1017/CBO9780511518317 https://doi.org/10.1017/CBO9780511518317 |
| Zusammenfassung: | In this detailed study Simha Arom takes a new and original approach to the understanding of the complex and sophisticated patterns of polyphony and polyrhythm that characterise African music. Considering in particular the harp, sanza, xylophone and percussion music of Central Africa, Simha Arom develops a rigorous method for the analysis of the music and for the recording and deciphering of the many strands of polyphony and polyrhythm. Through a systematic breakdown of the many layers of apparently improvised rhythm he reveals the essential structure which underlies this rich and complex music. Inspired also by linguistic techniques, Professor Arom regards the music very much as a grammatical system |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Umfang: | 1 online resource (xxviii, 668 pages) |
| ISBN: | 9780511518317 |
| DOI: | 10.1017/CBO9780511518317 |
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| 245 | 1 | 0 | |a African polyphony and polyrhythm |b musical structure and methodology |c Simha Arom ; translated from French by Martin Thom, Barbara Tuckett, and Raymond Boyd |
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| 505 | 8 | |a Bk. I. The music of the Central African Republic. General introduction -- The general features of traditional music -- Typology -- Bk. II. African polyphonic music. Introduction -- A classification of African polyphonies -- Previous studies: the present state of the subject -- Bk. III. Technical tools: methods of recording polyphonic music for transcription. The need for transcription -- The difficulties of transcription -- Earlier methods -- Towards a new method -- Theoretical assumptions -- Technical equipment: description and use -- From recording to transcription -- Checking the results -- Potentialities -- Anthropological validity -- Bk. IV. Theoretical tools. The notion of relevance: -- Description and analysis -- The question of transcription -- Bk. V. The organisation of time in African music. A brief survey of Western rhythmics -- Towards a precise terminology -- African rhythmics -- Bk. VI. Structural principles and their application. Typology -- Analytical notions -- Strict polyrhythmics -- Polyrhythmics as a way to polyphony: Hocket -- Polyphony produced by melodic instruments -- The association of polyphony and polyrhythmics -- Conclusion | |
| 520 | |a In this detailed study Simha Arom takes a new and original approach to the understanding of the complex and sophisticated patterns of polyphony and polyrhythm that characterise African music. Considering in particular the harp, sanza, xylophone and percussion music of Central Africa, Simha Arom develops a rigorous method for the analysis of the music and for the recording and deciphering of the many strands of polyphony and polyrhythm. Through a systematic breakdown of the many layers of apparently improvised rhythm he reveals the essential structure which underlies this rich and complex music. Inspired also by linguistic techniques, Professor Arom regards the music very much as a grammatical system | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Arom, Simha |
| author2 | Thom, Martin 1951- Tuckett, Barbara Boyd, Raymond |
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| author2_variant | m t mt b t bt r b rb |
| author_facet | Arom, Simha Thom, Martin 1951- Tuckett, Barbara Boyd, Raymond |
| author_role | aut |
| author_sort | Arom, Simha |
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| contents | Bk. I. The music of the Central African Republic. General introduction -- The general features of traditional music -- Typology -- Bk. II. African polyphonic music. Introduction -- A classification of African polyphonies -- Previous studies: the present state of the subject -- Bk. III. Technical tools: methods of recording polyphonic music for transcription. The need for transcription -- The difficulties of transcription -- Earlier methods -- Towards a new method -- Theoretical assumptions -- Technical equipment: description and use -- From recording to transcription -- Checking the results -- Potentialities -- Anthropological validity -- Bk. IV. Theoretical tools. The notion of relevance: -- Description and analysis -- The question of transcription -- Bk. V. The organisation of time in African music. A brief survey of Western rhythmics -- Towards a precise terminology -- African rhythmics -- Bk. VI. Structural principles and their application. Typology -- Analytical notions -- Strict polyrhythmics -- Polyrhythmics as a way to polyphony: Hocket -- Polyphony produced by melodic instruments -- The association of polyphony and polyrhythmics -- Conclusion |
| ctrlnum | (ZDB-20-CBO)CR9780511518317 (OCoLC)796778338 (DE-599)BVBBV043926991 |
| dewey-full | 781.2/84/0967 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.2/84/0967 |
| dewey-search | 781.2/84/0967 |
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| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9780511518317 |
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| spelling | Arom, Simha Verfasser aut Polyphonies et polyrythmies instrumentales d'Afrique centrale African polyphony and polyrhythm musical structure and methodology Simha Arom ; translated from French by Martin Thom, Barbara Tuckett, and Raymond Boyd African Polyphony & Polyrhythm Cambridge Cambridge University Press 1991 1 online resource (xxviii, 668 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Bk. I. The music of the Central African Republic. General introduction -- The general features of traditional music -- Typology -- Bk. II. African polyphonic music. Introduction -- A classification of African polyphonies -- Previous studies: the present state of the subject -- Bk. III. Technical tools: methods of recording polyphonic music for transcription. The need for transcription -- The difficulties of transcription -- Earlier methods -- Towards a new method -- Theoretical assumptions -- Technical equipment: description and use -- From recording to transcription -- Checking the results -- Potentialities -- Anthropological validity -- Bk. IV. Theoretical tools. The notion of relevance: -- Description and analysis -- The question of transcription -- Bk. V. The organisation of time in African music. A brief survey of Western rhythmics -- Towards a precise terminology -- African rhythmics -- Bk. VI. Structural principles and their application. Typology -- Analytical notions -- Strict polyrhythmics -- Polyrhythmics as a way to polyphony: Hocket -- Polyphony produced by melodic instruments -- The association of polyphony and polyrhythmics -- Conclusion In this detailed study Simha Arom takes a new and original approach to the understanding of the complex and sophisticated patterns of polyphony and polyrhythm that characterise African music. Considering in particular the harp, sanza, xylophone and percussion music of Central Africa, Simha Arom develops a rigorous method for the analysis of the music and for the recording and deciphering of the many strands of polyphony and polyrhythm. Through a systematic breakdown of the many layers of apparently improvised rhythm he reveals the essential structure which underlies this rich and complex music. Inspired also by linguistic techniques, Professor Arom regards the music very much as a grammatical system Musik Music / Africa, Central / History and criticism Counterpoint Musical meter and rhythm Polyrhythmus (DE-588)4792216-3 gnd rswk-swf Polyfonie (DE-588)4175288-0 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Afrika (DE-588)4000695-5 gnd rswk-swf Afrika (DE-588)4000695-5 g Polyfonie (DE-588)4175288-0 s Musik (DE-588)4040802-4 s 1\p DE-604 Polyrhythmus (DE-588)4792216-3 s 2\p DE-604 Thom, Martin 1951- trl Tuckett, Barbara trl Boyd, Raymond trl Erscheint auch als Druckausgabe 978-0-521-24160-1 Erscheint auch als Druckausgabe 978-0-521-61601-0 https://doi.org/10.1017/CBO9780511518317 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Arom, Simha African polyphony and polyrhythm musical structure and methodology Bk. I. The music of the Central African Republic. General introduction -- The general features of traditional music -- Typology -- Bk. II. African polyphonic music. Introduction -- A classification of African polyphonies -- Previous studies: the present state of the subject -- Bk. III. Technical tools: methods of recording polyphonic music for transcription. The need for transcription -- The difficulties of transcription -- Earlier methods -- Towards a new method -- Theoretical assumptions -- Technical equipment: description and use -- From recording to transcription -- Checking the results -- Potentialities -- Anthropological validity -- Bk. IV. Theoretical tools. The notion of relevance: -- Description and analysis -- The question of transcription -- Bk. V. The organisation of time in African music. A brief survey of Western rhythmics -- Towards a precise terminology -- African rhythmics -- Bk. VI. Structural principles and their application. Typology -- Analytical notions -- Strict polyrhythmics -- Polyrhythmics as a way to polyphony: Hocket -- Polyphony produced by melodic instruments -- The association of polyphony and polyrhythmics -- Conclusion Musik Music / Africa, Central / History and criticism Counterpoint Musical meter and rhythm Polyrhythmus (DE-588)4792216-3 gnd Polyfonie (DE-588)4175288-0 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4792216-3 (DE-588)4175288-0 (DE-588)4040802-4 (DE-588)4000695-5 |
| title | African polyphony and polyrhythm musical structure and methodology |
| title_alt | Polyphonies et polyrythmies instrumentales d'Afrique centrale African Polyphony & Polyrhythm |
| title_auth | African polyphony and polyrhythm musical structure and methodology |
| title_exact_search | African polyphony and polyrhythm musical structure and methodology |
| title_full | African polyphony and polyrhythm musical structure and methodology Simha Arom ; translated from French by Martin Thom, Barbara Tuckett, and Raymond Boyd |
| title_fullStr | African polyphony and polyrhythm musical structure and methodology Simha Arom ; translated from French by Martin Thom, Barbara Tuckett, and Raymond Boyd |
| title_full_unstemmed | African polyphony and polyrhythm musical structure and methodology Simha Arom ; translated from French by Martin Thom, Barbara Tuckett, and Raymond Boyd |
| title_short | African polyphony and polyrhythm |
| title_sort | african polyphony and polyrhythm musical structure and methodology |
| title_sub | musical structure and methodology |
| topic | Musik Music / Africa, Central / History and criticism Counterpoint Musical meter and rhythm Polyrhythmus (DE-588)4792216-3 gnd Polyfonie (DE-588)4175288-0 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Musik Music / Africa, Central / History and criticism Counterpoint Musical meter and rhythm Polyrhythmus Polyfonie Afrika |
| url | https://doi.org/10.1017/CBO9780511518317 |
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