Word and image in Japanese cinema:
Word and Image in Japanese Cinema examines the complex relationship between the temporal order of linguistic narrative and the spatiality of visual spectacle, a dynamic that has played an important role in much of Japanese film. The tension between the controlling order of words and the liberating f...
Gespeichert in:
Weitere beteiligte Personen: | , |
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Format: | Elektronisch E-Book |
Sprache: | Englisch |
Veröffentlicht: |
Cambridge
Cambridge University Press
2001
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Schlagwörter: | |
Links: | https://doi.org/10.1017/CBO9780511570292 https://doi.org/10.1017/CBO9780511570292 https://doi.org/10.1017/CBO9780511570292 |
Zusammenfassung: | Word and Image in Japanese Cinema examines the complex relationship between the temporal order of linguistic narrative and the spatiality of visual spectacle, a dynamic that has played an important role in much of Japanese film. The tension between the controlling order of words and the liberating fragmentation of images has been an important force that has shaped modern culture in Japan and that has also determined the evolution of its cinema. In exploring the rift between word and image, the essays in this volume clarify the cultural imperatives that Japanese cinema reflects, as well as the ways in which the dialectic of word and image has informed the understanding and critical reception of Japanese cinema in the West |
Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
Umfang: | 1 online resource (xxvii, 388 pages) |
ISBN: | 9780511570292 |
DOI: | 10.1017/CBO9780511570292 |
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505 | 8 | |a Foreword: outside views of the Japanese film / Donald Richie -- Introduction / Carole Cavanaugh and Dennis Washburn -- The word before the image: criticism, the screenplay, and the regulation of meaning in prewar Japanese film culture / Aaron Gerow -- The cinematic art of Higuchi Ichiyô's Takekurabe (Comparing Heights, 1895-1896) / Janet A. Walker -- Once more and Gosho's romanticism in the early occupation period / Arthur Nolletti, Jr.-- The taunt of the gods: reflections on Woman in the dunes / Linda C. Ehrlich and Antonio Santos -- Adapting The Makioka sisters / Kathe Geist -- In the show house of modernity: exhaustive listing in Itami Jûzô's Tanpopo / Charles Shirô Inouye -- Where's mama? The sobbing Yakuza of Hasegawa Shin / Alan Tansman -- Saving the children: films by the most "casual" of directors, Shimizu Hiroshi / Keiko I. McDonald -- Ishihara Yûjirô: youth, celebrity, and the male body in late-1950s Japan / Michael Raine -- Otoko wa tsurai yo: nostalgia or parodic realism? / Richard Torrance -- A working ideology for Hiroshima: Imamura Shôhei's Black rain / Carole Cavanaugh -- Piss and run: or how Ozu does a number on SCAP / Edward Fowler -- In the realm of the censors: cultural boundaries and the poetics of the forbidden / Leger Grindon -- The arrest of time: the mythic transgressions of Vengeance is mine / Dennis Washburn -- The frenzy of metamorphosis: the body in Japanese pornographic animation / Susan J. Napier | |
520 | |a Word and Image in Japanese Cinema examines the complex relationship between the temporal order of linguistic narrative and the spatiality of visual spectacle, a dynamic that has played an important role in much of Japanese film. The tension between the controlling order of words and the liberating fragmentation of images has been an important force that has shaped modern culture in Japan and that has also determined the evolution of its cinema. In exploring the rift between word and image, the essays in this volume clarify the cultural imperatives that Japanese cinema reflects, as well as the ways in which the dialectic of word and image has informed the understanding and critical reception of Japanese cinema in the West | ||
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Datensatz im Suchindex
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---|---|
any_adam_object | |
author2 | Washburn, Dennis C. 1954- Cavanaugh, Carole |
author2_role | edt edt |
author2_variant | d c w dc dcw c c cc |
author_facet | Washburn, Dennis C. 1954- Cavanaugh, Carole |
building | Verbundindex |
bvnumber | BV043926182 |
classification_rvk | AP 59763 |
collection | ZDB-20-CBO |
contents | Foreword: outside views of the Japanese film / Donald Richie -- Introduction / Carole Cavanaugh and Dennis Washburn -- The word before the image: criticism, the screenplay, and the regulation of meaning in prewar Japanese film culture / Aaron Gerow -- The cinematic art of Higuchi Ichiyô's Takekurabe (Comparing Heights, 1895-1896) / Janet A. Walker -- Once more and Gosho's romanticism in the early occupation period / Arthur Nolletti, Jr.-- The taunt of the gods: reflections on Woman in the dunes / Linda C. Ehrlich and Antonio Santos -- Adapting The Makioka sisters / Kathe Geist -- In the show house of modernity: exhaustive listing in Itami Jûzô's Tanpopo / Charles Shirô Inouye -- Where's mama? The sobbing Yakuza of Hasegawa Shin / Alan Tansman -- Saving the children: films by the most "casual" of directors, Shimizu Hiroshi / Keiko I. McDonald -- Ishihara Yûjirô: youth, celebrity, and the male body in late-1950s Japan / Michael Raine -- Otoko wa tsurai yo: nostalgia or parodic realism? / Richard Torrance -- A working ideology for Hiroshima: Imamura Shôhei's Black rain / Carole Cavanaugh -- Piss and run: or how Ozu does a number on SCAP / Edward Fowler -- In the realm of the censors: cultural boundaries and the poetics of the forbidden / Leger Grindon -- The arrest of time: the mythic transgressions of Vengeance is mine / Dennis Washburn -- The frenzy of metamorphosis: the body in Japanese pornographic animation / Susan J. Napier |
ctrlnum | (ZDB-20-CBO)CR9780511570292 (OCoLC)967415456 (DE-599)BVBBV043926182 |
dewey-full | 791.43/0952 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43/0952 |
dewey-search | 791.43/0952 |
dewey-sort | 3791.43 3952 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
doi_str_mv | 10.1017/CBO9780511570292 |
format | Electronic eBook |
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spelling | Word and image in Japanese cinema edited by Dennis Washburn, Carole Cavanaugh Word & Image in Japanese Cinema Cambridge Cambridge University Press 2001 1 online resource (xxvii, 388 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) Foreword: outside views of the Japanese film / Donald Richie -- Introduction / Carole Cavanaugh and Dennis Washburn -- The word before the image: criticism, the screenplay, and the regulation of meaning in prewar Japanese film culture / Aaron Gerow -- The cinematic art of Higuchi Ichiyô's Takekurabe (Comparing Heights, 1895-1896) / Janet A. Walker -- Once more and Gosho's romanticism in the early occupation period / Arthur Nolletti, Jr.-- The taunt of the gods: reflections on Woman in the dunes / Linda C. Ehrlich and Antonio Santos -- Adapting The Makioka sisters / Kathe Geist -- In the show house of modernity: exhaustive listing in Itami Jûzô's Tanpopo / Charles Shirô Inouye -- Where's mama? The sobbing Yakuza of Hasegawa Shin / Alan Tansman -- Saving the children: films by the most "casual" of directors, Shimizu Hiroshi / Keiko I. McDonald -- Ishihara Yûjirô: youth, celebrity, and the male body in late-1950s Japan / Michael Raine -- Otoko wa tsurai yo: nostalgia or parodic realism? / Richard Torrance -- A working ideology for Hiroshima: Imamura Shôhei's Black rain / Carole Cavanaugh -- Piss and run: or how Ozu does a number on SCAP / Edward Fowler -- In the realm of the censors: cultural boundaries and the poetics of the forbidden / Leger Grindon -- The arrest of time: the mythic transgressions of Vengeance is mine / Dennis Washburn -- The frenzy of metamorphosis: the body in Japanese pornographic animation / Susan J. Napier Word and Image in Japanese Cinema examines the complex relationship between the temporal order of linguistic narrative and the spatiality of visual spectacle, a dynamic that has played an important role in much of Japanese film. The tension between the controlling order of words and the liberating fragmentation of images has been an important force that has shaped modern culture in Japan and that has also determined the evolution of its cinema. In exploring the rift between word and image, the essays in this volume clarify the cultural imperatives that Japanese cinema reflects, as well as the ways in which the dialectic of word and image has informed the understanding and critical reception of Japanese cinema in the West Film Motion pictures / Japan Film (DE-588)4017102-4 gnd rswk-swf Japan (DE-588)4028495-5 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Japan (DE-588)4028495-5 g Film (DE-588)4017102-4 s 2\p DE-604 Washburn, Dennis C. 1954- edt Cavanaugh, Carole edt Erscheint auch als Druckausgabe 978-0-521-77182-5 Erscheint auch als Druckausgabe 978-0-521-77741-4 https://doi.org/10.1017/CBO9780511570292 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Word and image in Japanese cinema Foreword: outside views of the Japanese film / Donald Richie -- Introduction / Carole Cavanaugh and Dennis Washburn -- The word before the image: criticism, the screenplay, and the regulation of meaning in prewar Japanese film culture / Aaron Gerow -- The cinematic art of Higuchi Ichiyô's Takekurabe (Comparing Heights, 1895-1896) / Janet A. Walker -- Once more and Gosho's romanticism in the early occupation period / Arthur Nolletti, Jr.-- The taunt of the gods: reflections on Woman in the dunes / Linda C. Ehrlich and Antonio Santos -- Adapting The Makioka sisters / Kathe Geist -- In the show house of modernity: exhaustive listing in Itami Jûzô's Tanpopo / Charles Shirô Inouye -- Where's mama? The sobbing Yakuza of Hasegawa Shin / Alan Tansman -- Saving the children: films by the most "casual" of directors, Shimizu Hiroshi / Keiko I. McDonald -- Ishihara Yûjirô: youth, celebrity, and the male body in late-1950s Japan / Michael Raine -- Otoko wa tsurai yo: nostalgia or parodic realism? / Richard Torrance -- A working ideology for Hiroshima: Imamura Shôhei's Black rain / Carole Cavanaugh -- Piss and run: or how Ozu does a number on SCAP / Edward Fowler -- In the realm of the censors: cultural boundaries and the poetics of the forbidden / Leger Grindon -- The arrest of time: the mythic transgressions of Vengeance is mine / Dennis Washburn -- The frenzy of metamorphosis: the body in Japanese pornographic animation / Susan J. Napier Film Motion pictures / Japan Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)4017102-4 (DE-588)4028495-5 (DE-588)4143413-4 |
title | Word and image in Japanese cinema |
title_alt | Word & Image in Japanese Cinema |
title_auth | Word and image in Japanese cinema |
title_exact_search | Word and image in Japanese cinema |
title_full | Word and image in Japanese cinema edited by Dennis Washburn, Carole Cavanaugh |
title_fullStr | Word and image in Japanese cinema edited by Dennis Washburn, Carole Cavanaugh |
title_full_unstemmed | Word and image in Japanese cinema edited by Dennis Washburn, Carole Cavanaugh |
title_short | Word and image in Japanese cinema |
title_sort | word and image in japanese cinema |
topic | Film Motion pictures / Japan Film (DE-588)4017102-4 gnd |
topic_facet | Film Motion pictures / Japan Japan Aufsatzsammlung |
url | https://doi.org/10.1017/CBO9780511570292 |
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