The cognitive semiotics of film:
In The Cognitive Semiotics of Film, Warren Buckland argues that the conflict between cognitive film theory and contemporary film theory is unproductive. Examining and developing the work of 'cognitive film semiotics', a neglected branch of film theory that combines the insights of cognitiv...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2000
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| Schlagwörter: | |
| Links: | https://doi.org/10.1017/CBO9780511613142 https://doi.org/10.1017/CBO9780511613142 https://doi.org/10.1017/CBO9780511613142 https://doi.org/10.1017/CBO9780511613142 |
| Zusammenfassung: | In The Cognitive Semiotics of Film, Warren Buckland argues that the conflict between cognitive film theory and contemporary film theory is unproductive. Examining and developing the work of 'cognitive film semiotics', a neglected branch of film theory that combines the insights of cognitive science with those of linguistics and semiotics, he investigates Michel Colin's cognitive semantic theory of film; Francesco Casetti and Christian Metz's theories of film enunciation; Roger Odin's cognitive-pragmatic film theory; and Michel Colin and Dominique Chateau's cognitive studies of film syntax, which are viewed within the framework of Noam Chomsky's transformational generative grammar. Presenting a survey of cognitive film semiotics, this study also re-evaluates the film semiotics of the 1960s, highlights the weaknesses of American cognitive film theory, and challenges the move toward 'post-theory' in film studies |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Umfang: | 1 online resource (xi, 174 pages) |
| ISBN: | 9780511613142 |
| DOI: | 10.1017/CBO9780511613142 |
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| 520 | |a In The Cognitive Semiotics of Film, Warren Buckland argues that the conflict between cognitive film theory and contemporary film theory is unproductive. Examining and developing the work of 'cognitive film semiotics', a neglected branch of film theory that combines the insights of cognitive science with those of linguistics and semiotics, he investigates Michel Colin's cognitive semantic theory of film; Francesco Casetti and Christian Metz's theories of film enunciation; Roger Odin's cognitive-pragmatic film theory; and Michel Colin and Dominique Chateau's cognitive studies of film syntax, which are viewed within the framework of Noam Chomsky's transformational generative grammar. Presenting a survey of cognitive film semiotics, this study also re-evaluates the film semiotics of the 1960s, highlights the weaknesses of American cognitive film theory, and challenges the move toward 'post-theory' in film studies | ||
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Datensatz im Suchindex
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| author | Buckland, Warren 1966- |
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| dewey-full | 791.43/01/4 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/01/4 |
| dewey-search | 791.43/01/4 |
| dewey-sort | 3791.43 11 14 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| doi_str_mv | 10.1017/CBO9780511613142 |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-12-20T17:48:44Z |
| institution | BVB |
| isbn | 9780511613142 |
| language | English |
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| physical | 1 online resource (xi, 174 pages) |
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| spelling | Buckland, Warren 1966- Verfasser (DE-588)1026775191 aut The cognitive semiotics of film Warren Buckland Cambridge Cambridge University Press 2000 1 online resource (xi, 174 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 05 Oct 2015) In The Cognitive Semiotics of Film, Warren Buckland argues that the conflict between cognitive film theory and contemporary film theory is unproductive. Examining and developing the work of 'cognitive film semiotics', a neglected branch of film theory that combines the insights of cognitive science with those of linguistics and semiotics, he investigates Michel Colin's cognitive semantic theory of film; Francesco Casetti and Christian Metz's theories of film enunciation; Roger Odin's cognitive-pragmatic film theory; and Michel Colin and Dominique Chateau's cognitive studies of film syntax, which are viewed within the framework of Noam Chomsky's transformational generative grammar. Presenting a survey of cognitive film semiotics, this study also re-evaluates the film semiotics of the 1960s, highlights the weaknesses of American cognitive film theory, and challenges the move toward 'post-theory' in film studies Film Motion pictures / Semiotics Filmsemiotik (DE-588)4131553-4 gnd rswk-swf Filmsemiotik (DE-588)4131553-4 s 1\p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-521-78005-6 Erscheint auch als Druck-Ausgabe, Paperback 978-0-521-03715-0 https://doi.org/10.1017/CBO9780511613142 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Buckland, Warren 1966- The cognitive semiotics of film Film Motion pictures / Semiotics Filmsemiotik (DE-588)4131553-4 gnd |
| subject_GND | (DE-588)4131553-4 |
| title | The cognitive semiotics of film |
| title_auth | The cognitive semiotics of film |
| title_exact_search | The cognitive semiotics of film |
| title_full | The cognitive semiotics of film Warren Buckland |
| title_fullStr | The cognitive semiotics of film Warren Buckland |
| title_full_unstemmed | The cognitive semiotics of film Warren Buckland |
| title_short | The cognitive semiotics of film |
| title_sort | the cognitive semiotics of film |
| topic | Film Motion pictures / Semiotics Filmsemiotik (DE-588)4131553-4 gnd |
| topic_facet | Film Motion pictures / Semiotics Filmsemiotik |
| url | https://doi.org/10.1017/CBO9780511613142 |
| work_keys_str_mv | AT bucklandwarren thecognitivesemioticsoffilm |