John Cage and David Tudor: correspondence on interpretation and performance
John Cage is best known for his indeterminate music, which leaves a significant level of creative decision-making in the hands of the performer. But how much licence did Cage allow? Martin Iddon's book is the first volume to collect the complete extant correspondence between the composer and pi...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2013
|
| Schriftenreihe: | Music since 1900
|
| Schlagwörter: | |
| Links: | https://doi.org/10.1017/CBO9781139013727 https://doi.org/10.1017/CBO9781139013727 https://doi.org/10.1017/CBO9781139013727 |
| Zusammenfassung: | John Cage is best known for his indeterminate music, which leaves a significant level of creative decision-making in the hands of the performer. But how much licence did Cage allow? Martin Iddon's book is the first volume to collect the complete extant correspondence between the composer and pianist David Tudor, one of Cage's most provocative and significant musical collaborators. The book presents their partnership from working together in New York in the early 1950s, through periods on tour in Europe, until the late stages of their work from the 1960s onwards, carried out almost exclusively within the frame of the Merce Cunningham Dance Company. Tackling the question of how much creative flexibility Tudor was granted, Iddon includes detailed examples of the ways in which Tudor realised Cage's work, especially focusing on Music of Changes to Variations II, to show how composer and pianist influenced one another's methods and styles |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Umfang: | 1 online resource (xiii, 225 pages) |
| ISBN: | 9781139013727 |
| DOI: | 10.1017/CBO9781139013727 |
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| 520 | |a John Cage is best known for his indeterminate music, which leaves a significant level of creative decision-making in the hands of the performer. But how much licence did Cage allow? Martin Iddon's book is the first volume to collect the complete extant correspondence between the composer and pianist David Tudor, one of Cage's most provocative and significant musical collaborators. The book presents their partnership from working together in New York in the early 1950s, through periods on tour in Europe, until the late stages of their work from the 1960s onwards, carried out almost exclusively within the frame of the Merce Cunningham Dance Company. Tackling the question of how much creative flexibility Tudor was granted, Iddon includes detailed examples of the ways in which Tudor realised Cage's work, especially focusing on Music of Changes to Variations II, to show how composer and pianist influenced one another's methods and styles | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Iddon, Martin 1975- |
| author_facet | Iddon, Martin 1975- |
| author_role | aut |
| author_sort | Iddon, Martin 1975- |
| author_variant | m i mi |
| building | Verbundindex |
| bvnumber | BV043922239 |
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| contents | The music of chance -- Correspondence, 1951-1953 -- Determining the determinate -- Determining the indeterminate -- Correspondence, 1958-1962 -- (In)determining the indeterminate -- Correspondence, 1965-1989 -- 'Late' realizations -- Praxis and poiesis in indeterminate music |
| ctrlnum | (ZDB-20-CBO)CR9781139013727 (OCoLC)949926127 (DE-599)BVBBV043922239 |
| dewey-full | 780.92/2 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.92/2 |
| dewey-search | 780.92/2 |
| dewey-sort | 3780.92 12 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9781139013727 |
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| id | DE-604.BV043922239 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T17:48:40Z |
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| isbn | 9781139013727 |
| language | English |
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| spelling | Iddon, Martin 1975- Verfasser aut John Cage and David Tudor correspondence on interpretation and performance Martin Iddon John Cage & David Tudor Cambridge Cambridge University Press 2013 1 online resource (xiii, 225 pages) txt rdacontent c rdamedia cr rdacarrier Music since 1900 Title from publisher's bibliographic system (viewed on 05 Oct 2015) The music of chance -- Correspondence, 1951-1953 -- Determining the determinate -- Determining the indeterminate -- Correspondence, 1958-1962 -- (In)determining the indeterminate -- Correspondence, 1965-1989 -- 'Late' realizations -- Praxis and poiesis in indeterminate music John Cage is best known for his indeterminate music, which leaves a significant level of creative decision-making in the hands of the performer. But how much licence did Cage allow? Martin Iddon's book is the first volume to collect the complete extant correspondence between the composer and pianist David Tudor, one of Cage's most provocative and significant musical collaborators. The book presents their partnership from working together in New York in the early 1950s, through periods on tour in Europe, until the late stages of their work from the 1960s onwards, carried out almost exclusively within the frame of the Merce Cunningham Dance Company. Tackling the question of how much creative flexibility Tudor was granted, Iddon includes detailed examples of the ways in which Tudor realised Cage's work, especially focusing on Music of Changes to Variations II, to show how composer and pianist influenced one another's methods and styles Cage, John / Criticism and interpretation Tudor, David / 1926-1996 Cage, John / Performances Cage, John / Correspondence Tudor, David / 1926-1996 / Correspondence Cage, John 1912-1992 (DE-588)118518291 gnd rswk-swf Tudor, David 1926-1996 (DE-588)11938941X gnd rswk-swf Composers / Correspondence Pianists / Correspondence 1\p (DE-588)4146609-3 Briefsammlung 1926-1996 gnd-content Cage, John 1912-1992 (DE-588)118518291 p Tudor, David 1926-1996 (DE-588)11938941X p 2\p DE-604 Cage, John Sonstige oth Tudor, David 1926-1996 Sonstige oth Erscheint auch als Druckausgabe 978-1-107-01432-9 Erscheint auch als Druckausgabe 978-1-107-50780-7 https://doi.org/10.1017/CBO9781139013727 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Iddon, Martin 1975- John Cage and David Tudor correspondence on interpretation and performance The music of chance -- Correspondence, 1951-1953 -- Determining the determinate -- Determining the indeterminate -- Correspondence, 1958-1962 -- (In)determining the indeterminate -- Correspondence, 1965-1989 -- 'Late' realizations -- Praxis and poiesis in indeterminate music Cage, John / Criticism and interpretation Tudor, David / 1926-1996 Cage, John / Performances Cage, John / Correspondence Tudor, David / 1926-1996 / Correspondence Cage, John 1912-1992 (DE-588)118518291 gnd Tudor, David 1926-1996 (DE-588)11938941X gnd Composers / Correspondence Pianists / Correspondence |
| subject_GND | (DE-588)118518291 (DE-588)11938941X (DE-588)4146609-3 |
| title | John Cage and David Tudor correspondence on interpretation and performance |
| title_alt | John Cage & David Tudor |
| title_auth | John Cage and David Tudor correspondence on interpretation and performance |
| title_exact_search | John Cage and David Tudor correspondence on interpretation and performance |
| title_full | John Cage and David Tudor correspondence on interpretation and performance Martin Iddon |
| title_fullStr | John Cage and David Tudor correspondence on interpretation and performance Martin Iddon |
| title_full_unstemmed | John Cage and David Tudor correspondence on interpretation and performance Martin Iddon |
| title_short | John Cage and David Tudor |
| title_sort | john cage and david tudor correspondence on interpretation and performance |
| title_sub | correspondence on interpretation and performance |
| topic | Cage, John / Criticism and interpretation Tudor, David / 1926-1996 Cage, John / Performances Cage, John / Correspondence Tudor, David / 1926-1996 / Correspondence Cage, John 1912-1992 (DE-588)118518291 gnd Tudor, David 1926-1996 (DE-588)11938941X gnd Composers / Correspondence Pianists / Correspondence |
| topic_facet | Cage, John / Criticism and interpretation Tudor, David / 1926-1996 Cage, John / Performances Cage, John / Correspondence Tudor, David / 1926-1996 / Correspondence Cage, John 1912-1992 Tudor, David 1926-1996 Composers / Correspondence Pianists / Correspondence Briefsammlung 1926-1996 |
| url | https://doi.org/10.1017/CBO9781139013727 |
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