Beethoven's theatrical quartets: opp. 59, 74, and 95
Beethoven's middle-period quartets, Opp. 59, 74 and 95, are pieces that engage deeply with the aesthetic ideas of their time. In the first full contextual study of these works, Nancy November celebrates their uniqueness, exploring their reception history and early performance. In detailed analy...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Cambridge, United Kingdom
Cambridge University Press
2013
|
| Schriftenreihe: | Music in context
|
| Schlagwörter: | |
| Links: | https://doi.org/10.1017/CBO9781139548915 https://doi.org/10.1017/CBO9781139548915 https://doi.org/10.1017/CBO9781139548915 https://doi.org/10.1017/CBO9781139548915 |
| Zusammenfassung: | Beethoven's middle-period quartets, Opp. 59, 74 and 95, are pieces that engage deeply with the aesthetic ideas of their time. In the first full contextual study of these works, Nancy November celebrates their uniqueness, exploring their reception history and early performance. In detailed analyses, she explores ways in which the quartets have both reflected and shaped the very idea of chamber music and offers a new historical understanding of the works' physical, visual, social and ideological aspects. In the process, November provides a fresh critique of three key paradigms in current Beethoven studies: the focus on his late period; the emphasis on 'heroic' style in discussions of the middle period; and the idea of string quartets as 'pure', 'autonomous' artworks, cut off from social moorings. Importantly, this study shows that the quartets encompass a new lyric and theatrical impetus, which is an essential part of their unique, explorative character |
| Umfang: | 1 Online-Ressource (xiii, 282 Seiten) |
| ISBN: | 9781139548915 |
| DOI: | 10.1017/CBO9781139548915 |
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| 520 | |a Beethoven's middle-period quartets, Opp. 59, 74 and 95, are pieces that engage deeply with the aesthetic ideas of their time. In the first full contextual study of these works, Nancy November celebrates their uniqueness, exploring their reception history and early performance. In detailed analyses, she explores ways in which the quartets have both reflected and shaped the very idea of chamber music and offers a new historical understanding of the works' physical, visual, social and ideological aspects. In the process, November provides a fresh critique of three key paradigms in current Beethoven studies: the focus on his late period; the emphasis on 'heroic' style in discussions of the middle period; and the idea of string quartets as 'pure', 'autonomous' artworks, cut off from social moorings. Importantly, this study shows that the quartets encompass a new lyric and theatrical impetus, which is an essential part of their unique, explorative character | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | November, Nancy ca. 20./21. Jh |
| author_GND | (DE-588)1062825268 |
| author_facet | November, Nancy ca. 20./21. Jh |
| author_role | aut |
| author_sort | November, Nancy ca. 20./21. Jh |
| author_variant | n n nn |
| building | Verbundindex |
| bvnumber | BV043920816 |
| classification_rvk | LP 63210 |
| collection | ZDB-20-CBO |
| contents | Setting the scene : theories, practices, and the early nineteenth-century string quartet -- Curtain up : performing the middle-period quartets in Beethoven's time -- 'Not generally comprehensible' : op. 59, no. 1 and the drama of becoming -- 'With much feeling' : song, sensibility, and rhapsody in op. 59, no. 2 -- 'Helden-Quartett' : genre, innovation, and 'heroic' voices in op. 59, no. 3 -- 'Freudvoll und leidvoll' : songful impetus and dualistic voice in the 'Harp' quartet -- 'The quick-witted brevity of the genuine dramatist' : op. 95 and the idea of the fragment -- A tale of heroic emancipation? Reception narratives for the middle-period quartets |
| ctrlnum | (ZDB-20-CBO)CR9781139548915 (OCoLC)949923892 (DE-599)BVBBV043920816 |
| dewey-full | 785/.7194092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 785 - Ensembles with one instrument per part |
| dewey-raw | 785/.7194092 |
| dewey-search | 785/.7194092 |
| dewey-sort | 3785 77194092 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/CBO9781139548915 |
| format | Electronic eBook |
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| id | DE-604.BV043920816 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T17:48:38Z |
| institution | BVB |
| isbn | 9781139548915 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029329899 |
| oclc_num | 949923892 |
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| spelling | November, Nancy ca. 20./21. Jh. Verfasser (DE-588)1062825268 aut Beethoven's theatrical quartets opp. 59, 74, and 95 Nancy November Cambridge, United Kingdom Cambridge University Press 2013 1 Online-Ressource (xiii, 282 Seiten) txt rdacontent c rdamedia cr rdacarrier Music in context Setting the scene : theories, practices, and the early nineteenth-century string quartet -- Curtain up : performing the middle-period quartets in Beethoven's time -- 'Not generally comprehensible' : op. 59, no. 1 and the drama of becoming -- 'With much feeling' : song, sensibility, and rhapsody in op. 59, no. 2 -- 'Helden-Quartett' : genre, innovation, and 'heroic' voices in op. 59, no. 3 -- 'Freudvoll und leidvoll' : songful impetus and dualistic voice in the 'Harp' quartet -- 'The quick-witted brevity of the genuine dramatist' : op. 95 and the idea of the fragment -- A tale of heroic emancipation? Reception narratives for the middle-period quartets Beethoven's middle-period quartets, Opp. 59, 74 and 95, are pieces that engage deeply with the aesthetic ideas of their time. In the first full contextual study of these works, Nancy November celebrates their uniqueness, exploring their reception history and early performance. In detailed analyses, she explores ways in which the quartets have both reflected and shaped the very idea of chamber music and offers a new historical understanding of the works' physical, visual, social and ideological aspects. In the process, November provides a fresh critique of three key paradigms in current Beethoven studies: the focus on his late period; the emphasis on 'heroic' style in discussions of the middle period; and the idea of string quartets as 'pure', 'autonomous' artworks, cut off from social moorings. Importantly, this study shows that the quartets encompass a new lyric and theatrical impetus, which is an essential part of their unique, explorative character Beethoven, Ludwig van / 1770-1827 / Quartets / violins (2), viola, cello Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd rswk-swf Musik String quartets / Analysis, appreciation Music / Philosophy and aesthetics Streichquartett (DE-588)4058023-4 gnd rswk-swf Beethoven, Ludwig van 1770-1827 (DE-588)118508288 p Streichquartett (DE-588)4058023-4 s 1\p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-107-03545-4 https://doi.org/10.1017/CBO9781139548915 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | November, Nancy ca. 20./21. Jh Beethoven's theatrical quartets opp. 59, 74, and 95 Setting the scene : theories, practices, and the early nineteenth-century string quartet -- Curtain up : performing the middle-period quartets in Beethoven's time -- 'Not generally comprehensible' : op. 59, no. 1 and the drama of becoming -- 'With much feeling' : song, sensibility, and rhapsody in op. 59, no. 2 -- 'Helden-Quartett' : genre, innovation, and 'heroic' voices in op. 59, no. 3 -- 'Freudvoll und leidvoll' : songful impetus and dualistic voice in the 'Harp' quartet -- 'The quick-witted brevity of the genuine dramatist' : op. 95 and the idea of the fragment -- A tale of heroic emancipation? Reception narratives for the middle-period quartets Beethoven, Ludwig van / 1770-1827 / Quartets / violins (2), viola, cello Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd Musik String quartets / Analysis, appreciation Music / Philosophy and aesthetics Streichquartett (DE-588)4058023-4 gnd |
| subject_GND | (DE-588)118508288 (DE-588)4058023-4 |
| title | Beethoven's theatrical quartets opp. 59, 74, and 95 |
| title_auth | Beethoven's theatrical quartets opp. 59, 74, and 95 |
| title_exact_search | Beethoven's theatrical quartets opp. 59, 74, and 95 |
| title_full | Beethoven's theatrical quartets opp. 59, 74, and 95 Nancy November |
| title_fullStr | Beethoven's theatrical quartets opp. 59, 74, and 95 Nancy November |
| title_full_unstemmed | Beethoven's theatrical quartets opp. 59, 74, and 95 Nancy November |
| title_short | Beethoven's theatrical quartets |
| title_sort | beethoven s theatrical quartets opp 59 74 and 95 |
| title_sub | opp. 59, 74, and 95 |
| topic | Beethoven, Ludwig van / 1770-1827 / Quartets / violins (2), viola, cello Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd Musik String quartets / Analysis, appreciation Music / Philosophy and aesthetics Streichquartett (DE-588)4058023-4 gnd |
| topic_facet | Beethoven, Ludwig van / 1770-1827 / Quartets / violins (2), viola, cello Beethoven, Ludwig van 1770-1827 Musik String quartets / Analysis, appreciation Music / Philosophy and aesthetics Streichquartett |
| url | https://doi.org/10.1017/CBO9781139548915 |
| work_keys_str_mv | AT novembernancy beethovenstheatricalquartetsopp5974and95 |