Plays:
A cofounder of the Provincetown Players - the group that acted as midwife to the American theatre - Susan Glaspell (1876–1948) can also lay claim to be a major figure in her own right. Her early plays were in many respects as challenging and original as those with which O'Neill made his debut....
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Weitere beteiligte Personen: | |
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Cambridge
Cambridge University Press
1987
|
| Schriftenreihe: | British and American playwrights, 1750-1920
|
| Schlagwörter: | |
| Links: | https://doi.org/10.1017/CBO9781139165969 https://doi.org/10.1017/CBO9781139165969 https://doi.org/10.1017/CBO9781139165969 |
| Zusammenfassung: | A cofounder of the Provincetown Players - the group that acted as midwife to the American theatre - Susan Glaspell (1876–1948) can also lay claim to be a major figure in her own right. Her early plays were in many respects as challenging and original as those with which O'Neill made his debut. Her concern with language as subject, with character as an expression of social role, with plot as a mechanism that may ensnare rather than locate the self, mode her very much a modern. In Trifles (1916) she developed a feminist critique of social role. In The Outside (1917) she staged a debate between the life force and a perverse celebration of death. In both plays silence becomes an eloquent expression of meaning. The Verge (1921) is an experimental work of considerable proportions, more daring in many ways than anything attempted by O'Neill. Though Inheritors (1921) is far more conventional it touched a contemporary nerve, questioning the nature and reality of American pieties. Long known only for a single play, Susan Glaspell now emerges as a significant figure in the history of American drama, a woman of genuine creative daring |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Umfang: | 1 online resource (vii, 161 pages) |
| ISBN: | 9781139165969 |
| DOI: | 10.1017/CBO9781139165969 |
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| 500 | |a Title from publisher's bibliographic system (viewed on 05 Oct 2015) | ||
| 520 | |a A cofounder of the Provincetown Players - the group that acted as midwife to the American theatre - Susan Glaspell (1876–1948) can also lay claim to be a major figure in her own right. Her early plays were in many respects as challenging and original as those with which O'Neill made his debut. Her concern with language as subject, with character as an expression of social role, with plot as a mechanism that may ensnare rather than locate the self, mode her very much a modern. In Trifles (1916) she developed a feminist critique of social role. In The Outside (1917) she staged a debate between the life force and a perverse celebration of death. In both plays silence becomes an eloquent expression of meaning. The Verge (1921) is an experimental work of considerable proportions, more daring in many ways than anything attempted by O'Neill. Though Inheritors (1921) is far more conventional it touched a contemporary nerve, questioning the nature and reality of American pieties. Long known only for a single play, Susan Glaspell now emerges as a significant figure in the history of American drama, a woman of genuine creative daring | ||
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Datensatz im Suchindex
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| author | Glaspell, Susan 1876-1948 |
| author2 | Bigsby, Christopher W. E. 1941- |
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| author_facet | Glaspell, Susan 1876-1948 Bigsby, Christopher W. E. 1941- |
| author_role | aut |
| author_sort | Glaspell, Susan 1876-1948 |
| author_variant | s g sg |
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| dewey-full | 812/.52 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 812 - American drama in English |
| dewey-raw | 812/.52 |
| dewey-search | 812/.52 |
| dewey-sort | 3812 252 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.1017/CBO9781139165969 |
| format | Electronic eBook |
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| id | DE-604.BV043919785 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T17:48:36Z |
| institution | BVB |
| isbn | 9781139165969 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029328868 |
| oclc_num | 967400916 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG |
| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 online resource (vii, 161 pages) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
| publishDate | 1987 |
| publishDateSearch | 1987 |
| publishDateSort | 1987 |
| publisher | Cambridge University Press |
| record_format | marc |
| series2 | British and American playwrights, 1750-1920 |
| spelling | Glaspell, Susan 1876-1948 Verfasser (DE-588)11853968X aut Plays Plays by Susan Glaspell ; edited with an introduction by C.W.E. Bigsby ; additional textual notes by Christine Dymkowski Cambridge Cambridge University Press 1987 1 online resource (vii, 161 pages) txt rdacontent c rdamedia cr rdacarrier British and American playwrights, 1750-1920 Title from publisher's bibliographic system (viewed on 05 Oct 2015) A cofounder of the Provincetown Players - the group that acted as midwife to the American theatre - Susan Glaspell (1876–1948) can also lay claim to be a major figure in her own right. Her early plays were in many respects as challenging and original as those with which O'Neill made his debut. Her concern with language as subject, with character as an expression of social role, with plot as a mechanism that may ensnare rather than locate the self, mode her very much a modern. In Trifles (1916) she developed a feminist critique of social role. In The Outside (1917) she staged a debate between the life force and a perverse celebration of death. In both plays silence becomes an eloquent expression of meaning. The Verge (1921) is an experimental work of considerable proportions, more daring in many ways than anything attempted by O'Neill. Though Inheritors (1921) is far more conventional it touched a contemporary nerve, questioning the nature and reality of American pieties. Long known only for a single play, Susan Glaspell now emerges as a significant figure in the history of American drama, a woman of genuine creative daring American drama Bigsby, Christopher W. E. 1941- (DE-588)129281352 edt Dymkowski, Christine 1950- Sonstige (DE-588)1058386719 oth Erscheint auch als Druckausgabe 978-0-521-30945-5 Erscheint auch als Druckausgabe 978-0-521-31204-2 https://doi.org/10.1017/CBO9781139165969 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Glaspell, Susan 1876-1948 Plays American drama |
| title | Plays |
| title_alt | Plays |
| title_auth | Plays |
| title_exact_search | Plays |
| title_full | Plays by Susan Glaspell ; edited with an introduction by C.W.E. Bigsby ; additional textual notes by Christine Dymkowski |
| title_fullStr | Plays by Susan Glaspell ; edited with an introduction by C.W.E. Bigsby ; additional textual notes by Christine Dymkowski |
| title_full_unstemmed | Plays by Susan Glaspell ; edited with an introduction by C.W.E. Bigsby ; additional textual notes by Christine Dymkowski |
| title_short | Plays |
| title_sort | plays |
| topic | American drama |
| topic_facet | American drama |
| url | https://doi.org/10.1017/CBO9781139165969 |
| work_keys_str_mv | AT glaspellsusan plays AT bigsbychristopherwe plays AT dymkowskichristine plays |