Händel und Shakespeare: Zur Ästhetik der Tonkunst
Handel enjoyed considerable popularity at the end of the eighteenth century, when his music was performed in London, Berlin, Leipzig, Vienna and Breslau. However, interest in him had waned by the mid-nineteenth century, when it was rekindled by a small group of music-lovers including Georg Gervinus...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Cambridge
Cambridge University Press
1868
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| Schriftenreihe: | Cambridge library collection. Music
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| Schlagwörter: | |
| Links: | https://doi.org/10.1017/CBO9780511694042 https://doi.org/10.1017/CBO9780511694042 https://doi.org/10.1017/CBO9780511694042 |
| Zusammenfassung: | Handel enjoyed considerable popularity at the end of the eighteenth century, when his music was performed in London, Berlin, Leipzig, Vienna and Breslau. However, interest in him had waned by the mid-nineteenth century, when it was rekindled by a small group of music-lovers including Georg Gervinus (1805–71), a historian of literature based in Heidelberg. Gervinus lobbied for a Handel memorial in Halle, was a founder of the first German Handel society in 1856, and in 1858 published Händel und Shakespeare, which drew parallels between his favourite writer and favourite composer. In it, after two long chapters on music history and aesthetics, he compared their intellectual development and attributed the similarities between them to their shared Germanic roots. Although the book was not a great success in its day, it marked an important turning point in European Handel studies, and is still referred to today |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 05 Oct 2015) |
| Umfang: | 1 online resource (520 pages) |
| ISBN: | 9780511694042 |
| DOI: | 10.1017/CBO9780511694042 |
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Datensatz im Suchindex
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| spelling | Gervinus, Georg Gottfried 1805-1871 Verfasser (DE-588)118538918 aut Händel und Shakespeare Zur Ästhetik der Tonkunst Georg Gottfried Gervinus Cambridge Cambridge University Press 1868 1 online resource (520 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge library collection. Music Title from publisher's bibliographic system (viewed on 05 Oct 2015) Handel enjoyed considerable popularity at the end of the eighteenth century, when his music was performed in London, Berlin, Leipzig, Vienna and Breslau. However, interest in him had waned by the mid-nineteenth century, when it was rekindled by a small group of music-lovers including Georg Gervinus (1805–71), a historian of literature based in Heidelberg. Gervinus lobbied for a Handel memorial in Halle, was a founder of the first German Handel society in 1856, and in 1858 published Händel und Shakespeare, which drew parallels between his favourite writer and favourite composer. In it, after two long chapters on music history and aesthetics, he compared their intellectual development and attributed the similarities between them to their shared Germanic roots. Although the book was not a great success in its day, it marked an important turning point in European Handel studies, and is still referred to today 1\p (DE-588)1071854844 Fiktionale Darstellung gnd-content Erscheint auch als Druckausgabe 978-1-108-00463-3 https://doi.org/10.1017/CBO9780511694042 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Gervinus, Georg Gottfried 1805-1871 Händel und Shakespeare Zur Ästhetik der Tonkunst |
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| title | Händel und Shakespeare Zur Ästhetik der Tonkunst |
| title_auth | Händel und Shakespeare Zur Ästhetik der Tonkunst |
| title_exact_search | Händel und Shakespeare Zur Ästhetik der Tonkunst |
| title_full | Händel und Shakespeare Zur Ästhetik der Tonkunst Georg Gottfried Gervinus |
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| title_full_unstemmed | Händel und Shakespeare Zur Ästhetik der Tonkunst Georg Gottfried Gervinus |
| title_short | Händel und Shakespeare |
| title_sort | handel und shakespeare zur asthetik der tonkunst |
| title_sub | Zur Ästhetik der Tonkunst |
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