Empiricism and the philosophy of film:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Paper |
| Sprache: | Englisch |
| Veröffentlicht: |
2004
|
| Beschreibung: | More on Sellars -- The wild Bunch: introduction -- Exemplae I: image metaphors -- Example 2: editing, visual perception, and realism -- Example 3: reading facial emotions |
| ISBN: | 3-901644-12-1 |
Internformat
MARC
| LEADER | 00000naa a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV043815691 | ||
| 003 | DE-604 | ||
| 005 | 20250210 | ||
| 007 | t| | ||
| 008 | 161007s2004 xx |||| 00||| eng d | ||
| 035 | |a (DE-599)BVBBV043815691 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-M472 | ||
| 100 | 1 | |a Freeland, Cynthia |d 1951- |0 (DE-588)141993375 |4 aut | |
| 245 | 1 | 0 | |a Empiricism and the philosophy of film |c Cynthia Freeland |
| 264 | 1 | |c 2004 | |
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a More on Sellars -- The wild Bunch: introduction -- Exemplae I: image metaphors -- Example 2: editing, visual perception, and realism -- Example 3: reading facial emotions | ||
| 773 | 1 | 8 | |g pages:187-202 |
| 773 | 0 | 8 | |t film denken - thinking film / hrsg. von Ludwig Nagl ... [Martin Arnold ...] |d Wien, 2004 |g Seiten 187-202 |w (DE-604)BV019863747 |z 3-901644-12-1 |
| 941 | |s 187-202 | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-029226819 | |
Datensatz im Suchindex
| _version_ | 1823683016624439296 |
|---|---|
| adam_text | |
| any_adam_object | |
| article_link | (DE-604)BV019863747 |
| author | Freeland, Cynthia 1951- |
| author_GND | (DE-588)141993375 |
| author_facet | Freeland, Cynthia 1951- |
| author_role | aut |
| author_sort | Freeland, Cynthia 1951- |
| author_variant | c f cf |
| building | Verbundindex |
| bvnumber | BV043815691 |
| ctrlnum | (DE-599)BVBBV043815691 |
| format | Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000naa a2200000 c 4500</leader><controlfield tag="001">BV043815691</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20250210</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">161007s2004 xx |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043815691</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-M472</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Freeland, Cynthia</subfield><subfield code="d">1951-</subfield><subfield code="0">(DE-588)141993375</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Empiricism and the philosophy of film</subfield><subfield code="c">Cynthia Freeland</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2004</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">More on Sellars -- The wild Bunch: introduction -- Exemplae I: image metaphors -- Example 2: editing, visual perception, and realism -- Example 3: reading facial emotions</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">pages:187-202</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">film denken - thinking film / hrsg. von Ludwig Nagl ... [Martin Arnold ...]</subfield><subfield code="d">Wien, 2004</subfield><subfield code="g">Seiten 187-202</subfield><subfield code="w">(DE-604)BV019863747</subfield><subfield code="z">3-901644-12-1</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="s">187-202</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029226819</subfield></datafield></record></collection> |
| id | DE-604.BV043815691 |
| illustrated | Not Illustrated |
| indexdate | 2025-02-10T15:00:54Z |
| institution | BVB |
| isbn | 3-901644-12-1 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029226819 |
| open_access_boolean | |
| owner | DE-M472 |
| owner_facet | DE-M472 |
| publishDate | 2004 |
| publishDateSearch | 2004 |
| publishDateSort | 2004 |
| record_format | marc |
| spelling | Freeland, Cynthia 1951- (DE-588)141993375 aut Empiricism and the philosophy of film Cynthia Freeland 2004 txt rdacontent n rdamedia nc rdacarrier More on Sellars -- The wild Bunch: introduction -- Exemplae I: image metaphors -- Example 2: editing, visual perception, and realism -- Example 3: reading facial emotions pages:187-202 film denken - thinking film / hrsg. von Ludwig Nagl ... [Martin Arnold ...] Wien, 2004 Seiten 187-202 (DE-604)BV019863747 3-901644-12-1 |
| spellingShingle | Freeland, Cynthia 1951- Empiricism and the philosophy of film |
| title | Empiricism and the philosophy of film |
| title_auth | Empiricism and the philosophy of film |
| title_exact_search | Empiricism and the philosophy of film |
| title_full | Empiricism and the philosophy of film Cynthia Freeland |
| title_fullStr | Empiricism and the philosophy of film Cynthia Freeland |
| title_full_unstemmed | Empiricism and the philosophy of film Cynthia Freeland |
| title_short | Empiricism and the philosophy of film |
| title_sort | empiricism and the philosophy of film |
| work_keys_str_mv | AT freelandcynthia empiricismandthephilosophyoffilm |