Information:
This anthology provides the first art-historical reassessment of information-based art in relation to data structures and exhibition curation. It examines such landmark exhibitions as "Information" at The Museum of Modern Art, New York, in 1970, and the equally influential "Les Immaté...
Gespeichert in:
| Weitere beteiligte Personen: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Cambridge, Massachusetts
The MIT Press
2016
|
| Schriftenreihe: | Documents of contemporary art
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029216976&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029216976&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029216976&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
| Zusammenfassung: | This anthology provides the first art-historical reassessment of information-based art in relation to data structures and exhibition curation. It examines such landmark exhibitions as "Information" at The Museum of Modern Art, New York, in 1970, and the equally influential "Les Immatériaux," initiated by the philosopher Jean-François Lyotard at the Centre Pompidou, Paris, in 1984. It reexamines work by artists of the 1960s to early 1980s, from Les Levine and N. E. Thing Co. to General Idea and Jenny Holzer, whose prescient grasp of information’s significance resonates today. It also reinscribes into the narrative of art history technologically critical artworks that for years have circulated within new media festivals rather than in galleries. While information science draws distinctions between "information," signals, and data, artists from the 1960s to the present have questioned the validity and value of such boundaries. Artists have investigated information’s materiality, in signs, records, and traces; its immateriality, in hidden codes, structures, and flows; its embodiment, in instructions, social interaction, and political agency; its overload, or uncontrollable excess, challenging utopian notions of networked society; its potential for misinformation and disinformation, subliminally altering our perceptions; and its post-digital unruliness, unsettling fixed notions of history and place. |
| Beschreibung: | Includes bibliographical references (pages 228-232) and index |
| Umfang: | 237 Seiten 21 cm |
| ISBN: | 9780854882489 9780262529341 |
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| 245 | 1 | 0 | |a Information |c edited by Sarah Cook ; writers include James Bridle, Matthew Fuller, Francesca Gallo, Lizzie Homersham, Antony Hudek, Eduardo Kac, Friedrich Kittler, Arthur and Marilouise Kroker, Scott Lash, Alessandro Ludovico, Jean-Francois Lyotard, Charu Maithani, Suhail Malik, Armin Medosch, Srinivas Aditya Mopidevi, Craig Saper, Jorinde Seijdel, Tom Sherman, Felix Stalder, McKenzie Wark, Benjamin Weil. |
| 264 | 1 | |a Cambridge, Massachusetts |b The MIT Press |c 2016 | |
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| 500 | |a Includes bibliographical references (pages 228-232) and index | ||
| 505 | 8 | |a Artists surveyed include: David Askewold, Iain Baxter, Guy Bleus, Heath Bunting, CAMP (Shaina Anand & Ashok Sukumaran), Ami Clarke, Richard Cochrane, Rod Dickinson, Hans Haacke, Graham Harwood, Jenny Holzer, Joseph Kosuth, Christine Kozlov, Steve Lambert and the Yes Men, Oliver Laric, Les Levine, Laszlo Moholy-Nagy, Muntadas, Erhan Muratoglu, Raqs Media Collective, Erica Scourti, Stelarc, Thomson & Craighead, Angie Waller, Stephen Willats, Young-Hae Chang Heavy Industries, Elizabeth Vander Zaag. | |
| 520 | |a This anthology provides the first art-historical reassessment of information-based art in relation to data structures and exhibition curation. It examines such landmark exhibitions as "Information" at The Museum of Modern Art, New York, in 1970, and the equally influential "Les Immatériaux," initiated by the philosopher Jean-François Lyotard at the Centre Pompidou, Paris, in 1984. It reexamines work by artists of the 1960s to early 1980s, from Les Levine and N. E. Thing Co. to General Idea and Jenny Holzer, whose prescient grasp of information’s significance resonates today. It also reinscribes into the narrative of art history technologically critical artworks that for years have circulated within new media festivals rather than in galleries. While information science draws distinctions between "information," signals, and data, artists from the 1960s to the present have questioned the validity and value of such boundaries. Artists have investigated information’s materiality, in signs, records, and traces; its immateriality, in hidden codes, structures, and flows; its embodiment, in instructions, social interaction, and political agency; its overload, or uncontrollable excess, challenging utopian notions of networked society; its potential for misinformation and disinformation, subliminally altering our perceptions; and its post-digital unruliness, unsettling fixed notions of history and place. | ||
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Datensatz im Suchindex
| _version_ | 1819331746800336896 |
|---|---|
| adam_text | INTRODUCTION//12
INFORMATION AS MATTER//26
THE INFORMATIONAL MILIEU//74
INFORMATION S MODALITIES//108
TOO MUCH INFORMATION//146
WHAT INFORMATION WANTS//198
BIOGRAPHICAL NOTES//228
BIBLIOGRAPHY//230
INDEX//233
ACKNOWLEDGEMENTS//239
INFORMATION AS MATTER
Eduardo Kac Aspects of the Aesthetics of
Telecommunications, 1992//28
Robin Mansell The Information Society, 2009//39
Craig Saper Fluxus as a Laboratory, 1998//43
Ursula Anna Frohne Art In-Formation: American Art
under the Impact of New Media Culture, 2013//53
David Askevold On Projects of the 1970s, 2011//60
David Tomas The Dilemma of Categories and the
Overdetermination of a Business Practice: N.E. Thing
Co., 2010//62
Elizabeth R. Shaw ‘Information’Press Release, 1970//66
Les Levine Information Fall-out, 1971//70
THE INFORMATIONAL MILIEU
Antony Hudek From Over- to Sub-Exposure:
The Anamnesis of ‘Les Immateriaux’, 2009//76
Jorinde Seijdel The Exhibition as Emulator, 1999//82
Francesca Gallo Contemporary Art as ‘Immateriaux’,
Yesterday and Today, 2015//85
Tom Sherman Primary Devices, 1988//91
Peter Schjeldahl Jenny Holzer at the Guggenheim,
1990//98
Basak Senova Congestion in the Data Flow: Erhan
Muratoglu, I/O Inteiface O2006//100
Charu Maithani Error/Glitch/Noise: Observations on
Aesthetic Forms of Failure, 2013//I02
Thomson 8c Craighead Beacon, 2005-//107
INFORMATION’S MODALITIES
Felix Stalder Information Economy, 2005//110
Scott Lash Involuntary Flows and Involuntary Memory:
In Conversation with Arjun Mulder, 2003//113
Stephen Willats One Thing Leads to Another, 1996//118
Stephen Willats Moving between the Past-Present-
Future, 1997//118
Tom Sherman I Get Tired, 2001//120
Elizabeth Vander Zaag Nicetalky: In Conversation
with Poolside,2002//121
Stephen Wilson Visualizing Net Activity: Stelarc,
2002//125
Matthew Fuller Break the Law of Information: Notes
on Search Engines and Na 2003//127
Srinivas Aditya Mopidevi So and Digital
Constellations, 2016//133
Erica Scourti A Life in Ad Words,Algorithms and Data
Exhaust: In Conversation with Marc Garrett,
2013//141
TOO MUCH INFORMATION
Guy Bleus Communication: 44 Statements, 1995//148
Eric Gidney The Artist’s Use of Telecommunications,
1984//149
Robert Adrian X The World in 24 Hours, 1982//154
Heath Bunting In Conversation with Sarah Cook,
2003//156
Armin Medosch The Economy of Art in the Information
Age, 1998//159
Arthur Marilouise Kroker Hacking the Xerox
Alphabet, 1996//160
Alessandro Ludovico Consume without a Screen,
2011//161
McKenzie Wark A Hacker Manifesto, 2004//162
James Bridle On Wikipedia, Cultural Patrimony and
Historiography, 2010//166
Suhail Malik Information and Knowledge, 2005//169
Friedrich Kittler In Conversation with Sarah Cook,
2000//172
Muntadas In Conversation with Gianfranco Mantegna,
1992//174
Benjamin Weil Muntadas: On Translation: The Internet
Project, 2002//176
Mongrel/Harwood National Heritage Turns to InfoWar,
1998//178
Veran Matic Civil Networking in a Hostile Environment,
2000//181
Hernani Dimantas Linkania: The Hyperconnected
Multitude, 2005//186
Steve Lambert and the Yes Men On The New York Times
‘special edition’, 2008//189
Sheyma Buali Digital, Aesthetic, Ephemeral: A Brief
Look at Image and Narrative, 2014//190
Lizzie Homersham Ami Clarke and Richard Cochrane:
‘Low Animal Spirits’, 2014//195
WHAT INFORMATION WANTS
Christine Kozlov Information: No Theory, 1970//200
International Necronautical Society Calling All Agents,
2004//200
Felix Stalder A New Public Sphere, 2010//202
C5 1:1, 2002//204
Julian Oliver The Graph as Landscape: Reflections
on Making Packet-Garden, 2008//206
Cheryl L’Hirondelle Treaty Card, 2004//209
Marina Grzinic A Hole in the Brain of the Machine,
2000//211
Steve Dietz The Database Imaginary: Memory_Archive.
Database, version 4.0, 2007//213
Young-Hae Chang Heavy Industries The Goal is to
Transform a Given Zone: In Conversation with
Perspektive, 2002//221
Angie Waller Ebay Longing: Project Notes, 2004//222
Oliver Laric In Conversation with Domenico Quaranta,
2010//223
Steve Rushton and Rod Dickinson Closed Circuit,
2012//225
While information science draws distinctions
between ‘information5, signals and data, artists from the
1960s onward have questioned the validity and value of
such boundaries. Artists have investigated information’s
materiality, in signs, records and traces; its immateriality,
in hidden codes, structures and flows; its embodiment, in
instructions, social interaction and political agency; its
overload, or uncontrollable excess, challenging utopian
notions of networked society; its potential for misinformation
and disinformation, subliminally altering our perceptions;
and its post-digital unruliness, unsettling fixed notions of
history and place.
Information is one of a series documenting major themes
and ideas in contemporary art
|
| any_adam_object | 1 |
| author2 | Cook, Sarah 1974- |
| author2_role | edt |
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| author_facet | Cook, Sarah 1974- |
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| contents | Artists surveyed include: David Askewold, Iain Baxter, Guy Bleus, Heath Bunting, CAMP (Shaina Anand & Ashok Sukumaran), Ami Clarke, Richard Cochrane, Rod Dickinson, Hans Haacke, Graham Harwood, Jenny Holzer, Joseph Kosuth, Christine Kozlov, Steve Lambert and the Yes Men, Oliver Laric, Les Levine, Laszlo Moholy-Nagy, Muntadas, Erhan Muratoglu, Raqs Media Collective, Erica Scourti, Stelarc, Thomson & Craighead, Angie Waller, Stephen Willats, Young-Hae Chang Heavy Industries, Elizabeth Vander Zaag. |
| ctrlnum | (OCoLC)946746332 (DE-599)GBV856285579 |
| dewey-full | 709.04 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.04 |
| dewey-search | 709.04 |
| dewey-sort | 3709.04 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte Allgemeines |
| era | Geschichte 1970-2015 gnd |
| era_facet | Geschichte 1970-2015 |
| format | Book |
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| indexdate | 2024-12-20T17:45:39Z |
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| owner | DE-255 DE-355 DE-BY-UBR DE-11 |
| owner_facet | DE-255 DE-355 DE-BY-UBR DE-11 |
| physical | 237 Seiten 21 cm |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | The MIT Press |
| record_format | marc |
| series2 | Documents of contemporary art |
| spellingShingle | Information Artists surveyed include: David Askewold, Iain Baxter, Guy Bleus, Heath Bunting, CAMP (Shaina Anand & Ashok Sukumaran), Ami Clarke, Richard Cochrane, Rod Dickinson, Hans Haacke, Graham Harwood, Jenny Holzer, Joseph Kosuth, Christine Kozlov, Steve Lambert and the Yes Men, Oliver Laric, Les Levine, Laszlo Moholy-Nagy, Muntadas, Erhan Muratoglu, Raqs Media Collective, Erica Scourti, Stelarc, Thomson & Craighead, Angie Waller, Stephen Willats, Young-Hae Chang Heavy Industries, Elizabeth Vander Zaag. Information behavior Art, Modern 20th century Themes, motives Art, Modern 21st century Themes, motives Kunst (DE-588)4114333-4 gnd Information (DE-588)4026899-8 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4026899-8 (DE-588)4143413-4 |
| title | Information |
| title_auth | Information |
| title_exact_search | Information |
| title_full | Information edited by Sarah Cook ; writers include James Bridle, Matthew Fuller, Francesca Gallo, Lizzie Homersham, Antony Hudek, Eduardo Kac, Friedrich Kittler, Arthur and Marilouise Kroker, Scott Lash, Alessandro Ludovico, Jean-Francois Lyotard, Charu Maithani, Suhail Malik, Armin Medosch, Srinivas Aditya Mopidevi, Craig Saper, Jorinde Seijdel, Tom Sherman, Felix Stalder, McKenzie Wark, Benjamin Weil. |
| title_fullStr | Information edited by Sarah Cook ; writers include James Bridle, Matthew Fuller, Francesca Gallo, Lizzie Homersham, Antony Hudek, Eduardo Kac, Friedrich Kittler, Arthur and Marilouise Kroker, Scott Lash, Alessandro Ludovico, Jean-Francois Lyotard, Charu Maithani, Suhail Malik, Armin Medosch, Srinivas Aditya Mopidevi, Craig Saper, Jorinde Seijdel, Tom Sherman, Felix Stalder, McKenzie Wark, Benjamin Weil. |
| title_full_unstemmed | Information edited by Sarah Cook ; writers include James Bridle, Matthew Fuller, Francesca Gallo, Lizzie Homersham, Antony Hudek, Eduardo Kac, Friedrich Kittler, Arthur and Marilouise Kroker, Scott Lash, Alessandro Ludovico, Jean-Francois Lyotard, Charu Maithani, Suhail Malik, Armin Medosch, Srinivas Aditya Mopidevi, Craig Saper, Jorinde Seijdel, Tom Sherman, Felix Stalder, McKenzie Wark, Benjamin Weil. |
| title_short | Information |
| title_sort | information |
| topic | Information behavior Art, Modern 20th century Themes, motives Art, Modern 21st century Themes, motives Kunst (DE-588)4114333-4 gnd Information (DE-588)4026899-8 gnd |
| topic_facet | Information behavior Art, Modern 20th century Themes, motives Art, Modern 21st century Themes, motives Kunst Information Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029216976&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029216976&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029216976&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT cooksarah information AT bridlejames information AT whitechapelartgallery information |