Opera Indigene: Re/presenting First Nations and Indigenous Cultures
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Farnham
Ashgate Pub.
2011
|
| Schriftenreihe: | Ashgate interdisciplinary studies in opera
|
| Schlagwörter: | |
| Links: | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=398093 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=398093 |
| Beschreibung: | Cover; Contents; List of Figures; List of Tables; List of Music Examples; Notes on Contributors; Series Editor's Preface; Acknowledgments; Introduction; Part I Critical and Comparative Contexts: Opera's Colonizing Force and Decolonizing Potential; 1 Orpheus Conquistador; 2 Decentering Opera: Early Twenty-First-Century Indigenous Production; 3 "Singing from The Margins": Postcolonial Themes in Voss and Waiting for the Barbarians; 4 Performativity, Mimesis, and Indigenous Opera; Part II Australian Perspectives 5 "To Didj or Not to Didj": Exploring Indigenous Representation in Australian Music Theater Works by Margaret Sutherland and An6 Giving Voice to the Un-voiced "Witch" and the "Heart of Nothingness": Moya Henderson's Lindy; 7 The Eighth Wonder: Explorations of Place and Voice; Part III Indianism in the Americas; 8 Indianismo in Brazilian Romantic Opera: Shifting Ideologies of National Foundation; 9 Native Songs, Indianist Styles, and the Processes of Music Idealization; 10 Composed and Produced in the American West, 1912-1913: Two Operatic Portrayals of First Nations Cultures Part IV Canadian Perspectives11 Assimilation, Integration and Individuation: The Evolution of First Nations Musical Citizenship in Canadian Opera; 12 "Too Much White Man In It": Aesthetic Colonization in Tzinquaw; 13 Peaceful Surface, Monstrous Depths: Barbara Pentland and Dorothy Livesay's The Lake; 14 The Politics of Genre: Exposing Historical Tensions in Harry Somers's Louis Riel; Part V New Creation and Collaborative Processes; 15 Creating Pimooteewin; 16 After McPhee: Evan Ziporyn's A House in Bali 17 West Coast First Peoples and The Magic Flute: Tracing the Journey of a Cross-Cultural Collaboration18 Pecan Summer: The Process of Making New Indigenous Opera in Australia; Bibliography; Index The representation of non-Western cultures in opera has long been a focus of critical inquiry, however, the diverse relationships between opera and First Nations and indigenous cultures have received less attention. Opera Indigene addresses the changing historical depictions of indigenous cultures in opera and the more contemporary hybridizations of the form by indigenous and First Nations artists. Drawing upon postcolonial theory, ethnomusicology, cultural geography and critical discourses on nationalism and multiculturalism, the collection brings together experts on opera and music in Canada Includes bibliographical references and index |
| Umfang: | 386 pages |
| ISBN: | 9781409424062 1409424065 0754669890 9780754669890 |
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| 500 | |a 5 "To Didj or Not to Didj": Exploring Indigenous Representation in Australian Music Theater Works by Margaret Sutherland and An6 Giving Voice to the Un-voiced "Witch" and the "Heart of Nothingness": Moya Henderson's Lindy; 7 The Eighth Wonder: Explorations of Place and Voice; Part III Indianism in the Americas; 8 Indianismo in Brazilian Romantic Opera: Shifting Ideologies of National Foundation; 9 Native Songs, Indianist Styles, and the Processes of Music Idealization; 10 Composed and Produced in the American West, 1912-1913: Two Operatic Portrayals of First Nations Cultures | ||
| 500 | |a Part IV Canadian Perspectives11 Assimilation, Integration and Individuation: The Evolution of First Nations Musical Citizenship in Canadian Opera; 12 "Too Much White Man In It": Aesthetic Colonization in Tzinquaw; 13 Peaceful Surface, Monstrous Depths: Barbara Pentland and Dorothy Livesay's The Lake; 14 The Politics of Genre: Exposing Historical Tensions in Harry Somers's Louis Riel; Part V New Creation and Collaborative Processes; 15 Creating Pimooteewin; 16 After McPhee: Evan Ziporyn's A House in Bali | ||
| 500 | |a 17 West Coast First Peoples and The Magic Flute: Tracing the Journey of a Cross-Cultural Collaboration18 Pecan Summer: The Process of Making New Indigenous Opera in Australia; Bibliography; Index | ||
| 500 | |a The representation of non-Western cultures in opera has long been a focus of critical inquiry, however, the diverse relationships between opera and First Nations and indigenous cultures have received less attention. Opera Indigene addresses the changing historical depictions of indigenous cultures in opera and the more contemporary hybridizations of the form by indigenous and First Nations artists. Drawing upon postcolonial theory, ethnomusicology, cultural geography and critical discourses on nationalism and multiculturalism, the collection brings together experts on opera and music in Canada | ||
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Datensatz im Suchindex
| _version_ | 1818982311861944320 |
|---|---|
| any_adam_object | |
| author | Karantonis, Pamela |
| author_facet | Karantonis, Pamela |
| author_role | aut |
| author_sort | Karantonis, Pamela |
| author_variant | p k pk |
| building | Verbundindex |
| bvnumber | BV043786436 |
| collection | ZDB-4-EBA |
| ctrlnum | (ZDB-4-EBA)ocn710972896 (OCoLC)710972896 (DE-599)BVBBV043786436 |
| dewey-full | 782.1/089-DC22 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.1/089-dc22 |
| dewey-search | 782.1/089-dc22 |
| dewey-sort | 3782.1 289 DC 222 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-12-20T17:45:12Z |
| institution | BVB |
| isbn | 9781409424062 1409424065 0754669890 9780754669890 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029197495 |
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| physical | 386 pages |
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| publisher | Ashgate Pub. |
| record_format | marc |
| series2 | Ashgate interdisciplinary studies in opera |
| spelling | Karantonis, Pamela Verfasser aut Opera Indigene Re/presenting First Nations and Indigenous Cultures Farnham Ashgate Pub. 2011 386 pages txt rdacontent c rdamedia cr rdacarrier Ashgate interdisciplinary studies in opera Cover; Contents; List of Figures; List of Tables; List of Music Examples; Notes on Contributors; Series Editor's Preface; Acknowledgments; Introduction; Part I Critical and Comparative Contexts: Opera's Colonizing Force and Decolonizing Potential; 1 Orpheus Conquistador; 2 Decentering Opera: Early Twenty-First-Century Indigenous Production; 3 "Singing from The Margins": Postcolonial Themes in Voss and Waiting for the Barbarians; 4 Performativity, Mimesis, and Indigenous Opera; Part II Australian Perspectives 5 "To Didj or Not to Didj": Exploring Indigenous Representation in Australian Music Theater Works by Margaret Sutherland and An6 Giving Voice to the Un-voiced "Witch" and the "Heart of Nothingness": Moya Henderson's Lindy; 7 The Eighth Wonder: Explorations of Place and Voice; Part III Indianism in the Americas; 8 Indianismo in Brazilian Romantic Opera: Shifting Ideologies of National Foundation; 9 Native Songs, Indianist Styles, and the Processes of Music Idealization; 10 Composed and Produced in the American West, 1912-1913: Two Operatic Portrayals of First Nations Cultures Part IV Canadian Perspectives11 Assimilation, Integration and Individuation: The Evolution of First Nations Musical Citizenship in Canadian Opera; 12 "Too Much White Man In It": Aesthetic Colonization in Tzinquaw; 13 Peaceful Surface, Monstrous Depths: Barbara Pentland and Dorothy Livesay's The Lake; 14 The Politics of Genre: Exposing Historical Tensions in Harry Somers's Louis Riel; Part V New Creation and Collaborative Processes; 15 Creating Pimooteewin; 16 After McPhee: Evan Ziporyn's A House in Bali 17 West Coast First Peoples and The Magic Flute: Tracing the Journey of a Cross-Cultural Collaboration18 Pecan Summer: The Process of Making New Indigenous Opera in Australia; Bibliography; Index The representation of non-Western cultures in opera has long been a focus of critical inquiry, however, the diverse relationships between opera and First Nations and indigenous cultures have received less attention. Opera Indigene addresses the changing historical depictions of indigenous cultures in opera and the more contemporary hybridizations of the form by indigenous and First Nations artists. Drawing upon postcolonial theory, ethnomusicology, cultural geography and critical discourses on nationalism and multiculturalism, the collection brings together experts on opera and music in Canada Includes bibliographical references and index Fine Arts MUSIC / Genres & Styles / Opera bisacsh Indigenous peoples in opera fast Indigenous peoples in opera Kolonialismus Motiv (DE-588)4164710-5 gnd rswk-swf Indigenes Volk Motiv (DE-588)4236450-4 gnd rswk-swf Kulturaustausch (DE-588)4165964-8 gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf Amerika (DE-588)4001670-5 gnd rswk-swf Kanada (DE-588)4029456-0 gnd rswk-swf Australien (DE-588)4003900-6 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Australien (DE-588)4003900-6 g Amerika (DE-588)4001670-5 g Kanada (DE-588)4029456-0 g Oper (DE-588)4043582-9 s Indigenes Volk Motiv (DE-588)4236450-4 s Kolonialismus Motiv (DE-588)4164710-5 s 2\p DE-604 Kulturaustausch (DE-588)4165964-8 s 3\p DE-604 Robinson, Dylan Sonstige oth 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Karantonis, Pamela Opera Indigene Re/presenting First Nations and Indigenous Cultures Fine Arts MUSIC / Genres & Styles / Opera bisacsh Indigenous peoples in opera fast Indigenous peoples in opera Kolonialismus Motiv (DE-588)4164710-5 gnd Indigenes Volk Motiv (DE-588)4236450-4 gnd Kulturaustausch (DE-588)4165964-8 gnd Oper (DE-588)4043582-9 gnd |
| subject_GND | (DE-588)4164710-5 (DE-588)4236450-4 (DE-588)4165964-8 (DE-588)4043582-9 (DE-588)4001670-5 (DE-588)4029456-0 (DE-588)4003900-6 (DE-588)4143413-4 |
| title | Opera Indigene Re/presenting First Nations and Indigenous Cultures |
| title_auth | Opera Indigene Re/presenting First Nations and Indigenous Cultures |
| title_exact_search | Opera Indigene Re/presenting First Nations and Indigenous Cultures |
| title_full | Opera Indigene Re/presenting First Nations and Indigenous Cultures |
| title_fullStr | Opera Indigene Re/presenting First Nations and Indigenous Cultures |
| title_full_unstemmed | Opera Indigene Re/presenting First Nations and Indigenous Cultures |
| title_short | Opera Indigene |
| title_sort | opera indigene re presenting first nations and indigenous cultures |
| title_sub | Re/presenting First Nations and Indigenous Cultures |
| topic | Fine Arts MUSIC / Genres & Styles / Opera bisacsh Indigenous peoples in opera fast Indigenous peoples in opera Kolonialismus Motiv (DE-588)4164710-5 gnd Indigenes Volk Motiv (DE-588)4236450-4 gnd Kulturaustausch (DE-588)4165964-8 gnd Oper (DE-588)4043582-9 gnd |
| topic_facet | Fine Arts MUSIC / Genres & Styles / Opera Indigenous peoples in opera Kolonialismus Motiv Indigenes Volk Motiv Kulturaustausch Oper Amerika Kanada Australien Aufsatzsammlung |
| work_keys_str_mv | AT karantonispamela operaindigenerepresentingfirstnationsandindigenouscultures AT robinsondylan operaindigenerepresentingfirstnationsandindigenouscultures |