Giacomo Puccini and his world:
Giacomo Puccini (1858-1924) is the world's most frequently performed operatic composer, yet he is only beginning to receive serious scholarly attention. In Giacomo Puccini and His World, an international roster of music specialists, several writing on Puccini for the first time, offers a variet...
Gespeichert in:
| Weitere beteiligte Personen: | , |
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| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Princeton ; Oxford
Princeton University Press
[2016]
|
| Schriftenreihe: | Bard music festival series
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029169028&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Zusammenfassung: | Giacomo Puccini (1858-1924) is the world's most frequently performed operatic composer, yet he is only beginning to receive serious scholarly attention. In Giacomo Puccini and His World, an international roster of music specialists, several writing on Puccini for the first time, offers a variety of new critical perspectives on the composer and his works. Containing discussions of all of Puccini's operas from Manon Lescaut (1893) to Turandot (1926), this volume aims to move beyond cliches of the composer as a Romantic epigone and to resituate him at the heart of early twentieth-century musical modernity. This collection's essays explore Puccini's engagement with spoken theater and operetta, and with new technologies like photography and cinema. Other essays consider the philosophical problems raised by "realist" opera, discuss the composer's place in a variety of cosmopolitan formations, and reevaluate Puccini's orientalism and his complex interactions with the Italian fascist state. A rich array of primary source material, including previously unpublished letters and documents, provides vital information on Puccini's interactions with singers, conductors, and stage directors, and on the early reception of the verismo movement. Excerpts from Fausto Torrefranca's notorious Giacomo Puccini and International Opera, perhaps the most vicious diatribe ever directed against the composer, appear here in English for the first time. The contributors are Micaela Baranello, Leon Botstein, Alessandra Campana, Delia Casadei, Ben Earle, Elaine Fitz Gibbon, Walter Frisch, Michele Girardi, Arthur Groos, Steven Huebner, Ellen Lockhart, Christopher Morris, Arman Schwartz, Emanuele Senici, and Alexandra Wilson |
| Beschreibung: | Includes bibliographical references and index |
| Umfang: | VIII, 350 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780691172859 9780691172866 |
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| 505 | 8 | |a Introduction: Puccini, his world, and ours / Emanuele Senici -- part 1. Essays. Realism and skepticism in Puccini's early operas / Arman Schwartz -- Madama Butterfly between east and west / Arthur Groos -- Laggiù nel Soledad: indexing and archiving the operatic west / Ellen Lockhart -- The swallow and the lark: La rondine and Viennese operetta / Micaela Baranello -- Puccini's things: materials and media in Il trittico / Alessandra Campana and Christopher Morris -- Puccini, fascism, and the case of Turandot / Ben Earle -- Music, language, and meaning in opera: Puccini and his contemporaries / Leon Botstein -- part 2. Documents. Puccini on his interpreters / introduction, translation, and commentary by Emanuele Senici -- The Verismo debate / introduction, translation, and commentary by Arman Schwartz -- Leoncavallo's Pagliacci and modern-realistic opera / by Hans Merian ; introduction by Walter Frisch, translation and notes by Elaine Fitz Gibbon -- Albert Carré's staging manual for Madama Butterfly (1906) / introduction by Michele Girardi, translation by Delia Casadei; staging manual translation by Steven Huebner -- Selections from Fausto Torrefranca's Giacomo Puccini and international opera / introduction by Alexandra Wilson, translation by Delia Casadei -- Index | |
| 520 | |a Giacomo Puccini (1858-1924) is the world's most frequently performed operatic composer, yet he is only beginning to receive serious scholarly attention. In Giacomo Puccini and His World, an international roster of music specialists, several writing on Puccini for the first time, offers a variety of new critical perspectives on the composer and his works. Containing discussions of all of Puccini's operas from Manon Lescaut (1893) to Turandot (1926), this volume aims to move beyond cliches of the composer as a Romantic epigone and to resituate him at the heart of early twentieth-century musical modernity. This collection's essays explore Puccini's engagement with spoken theater and operetta, and with new technologies like photography and cinema. Other essays consider the philosophical problems raised by "realist" opera, discuss the composer's place in a variety of cosmopolitan formations, and reevaluate Puccini's orientalism and his complex interactions with the Italian fascist state. A rich array of primary source material, including previously unpublished letters and documents, provides vital information on Puccini's interactions with singers, conductors, and stage directors, and on the early reception of the verismo movement. Excerpts from Fausto Torrefranca's notorious Giacomo Puccini and International Opera, perhaps the most vicious diatribe ever directed against the composer, appear here in English for the first time. The contributors are Micaela Baranello, Leon Botstein, Alessandra Campana, Delia Casadei, Ben Earle, Elaine Fitz Gibbon, Walter Frisch, Michele Girardi, Arthur Groos, Steven Huebner, Ellen Lockhart, Christopher Morris, Arman Schwartz, Emanuele Senici, and Alexandra Wilson | ||
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| adam_text | Contents
Acknowledgments vii
Permissions viii
Introduction: Puccini, His World, and Ours 1
EMANUELE SENICI .
PART I: ESSAYS
Realism and Skepticism in Puccini’s Early Operas 29
ARMAN SCHWARTZ
Madama Butterfly Between East and West 49
ARTHUR GROOS
Laggiu nel Soledad: 85
Indexing and Archiving the Operatic West
ELLEN LOCKHART
The Swallow and the Lark: 111
La rondine and Viennese Operetta
MICAELA BARANELLO
Puccini’s Things: Materials and Media in II trittico 133
ALESSANDRA CAMPANA AND CHRISTOPHER MORRIS
Puccini, Fascism, and the Case of Turandot 159
BEN EARLE
Music, Language, and Meaning in Opera: 183
Puccini and His Contemporaries
LEON BOTSTEIN
PART II: DOCUMENTS
Puccini on His Interpreters 229
INTRODUCTION, TRANSLATION, AND COMMENTARY
BY EMANUELE SENICI
The Verismo Debate 261
INTRODUCTION, TRANSLATION, AND COMMENTARY
BY ARMAN SCHWARTZ
Leoncavallo’s Pagliacci and Modern-Realistic Opera 273
by Hans Merian
INTRODUCTION BY WALTER FRISCH,
TRANSLATION AND NOTES BY ELAINE FITZ GIBBON
Albert Carre’s Staging Manual for Madama Butterfly (1906) 291
INTRODUCTION BY MICHELE GIRARDI, TRANSLATION BY DELIA CASADEI;
STAGING MANUAL TRANSLATION BY STEVEN HUEBNER
Selections from Fausto Torrefranca’s 323
Giacomo Puccini and International Opera
INTRODUCTION BY ALEXANDRA WILSON,
TRANSLATION BY DELIA CASADEI
Index 337
Notes on Contributors
347
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| contents | Introduction: Puccini, his world, and ours / Emanuele Senici -- part 1. Essays. Realism and skepticism in Puccini's early operas / Arman Schwartz -- Madama Butterfly between east and west / Arthur Groos -- Laggiù nel Soledad: indexing and archiving the operatic west / Ellen Lockhart -- The swallow and the lark: La rondine and Viennese operetta / Micaela Baranello -- Puccini's things: materials and media in Il trittico / Alessandra Campana and Christopher Morris -- Puccini, fascism, and the case of Turandot / Ben Earle -- Music, language, and meaning in opera: Puccini and his contemporaries / Leon Botstein -- part 2. Documents. Puccini on his interpreters / introduction, translation, and commentary by Emanuele Senici -- The Verismo debate / introduction, translation, and commentary by Arman Schwartz -- Leoncavallo's Pagliacci and modern-realistic opera / by Hans Merian ; introduction by Walter Frisch, translation and notes by Elaine Fitz Gibbon -- Albert Carré's staging manual for Madama Butterfly (1906) / introduction by Michele Girardi, translation by Delia Casadei; staging manual translation by Steven Huebner -- Selections from Fausto Torrefranca's Giacomo Puccini and international opera / introduction by Alexandra Wilson, translation by Delia Casadei -- Index |
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| spellingShingle | Giacomo Puccini and his world Introduction: Puccini, his world, and ours / Emanuele Senici -- part 1. Essays. Realism and skepticism in Puccini's early operas / Arman Schwartz -- Madama Butterfly between east and west / Arthur Groos -- Laggiù nel Soledad: indexing and archiving the operatic west / Ellen Lockhart -- The swallow and the lark: La rondine and Viennese operetta / Micaela Baranello -- Puccini's things: materials and media in Il trittico / Alessandra Campana and Christopher Morris -- Puccini, fascism, and the case of Turandot / Ben Earle -- Music, language, and meaning in opera: Puccini and his contemporaries / Leon Botstein -- part 2. Documents. Puccini on his interpreters / introduction, translation, and commentary by Emanuele Senici -- The Verismo debate / introduction, translation, and commentary by Arman Schwartz -- Leoncavallo's Pagliacci and modern-realistic opera / by Hans Merian ; introduction by Walter Frisch, translation and notes by Elaine Fitz Gibbon -- Albert Carré's staging manual for Madama Butterfly (1906) / introduction by Michele Girardi, translation by Delia Casadei; staging manual translation by Steven Huebner -- Selections from Fausto Torrefranca's Giacomo Puccini and international opera / introduction by Alexandra Wilson, translation by Delia Casadei -- Index Puccini, Giacomo / 1858-1924 Puccini, Giacomo 1858-1924 (DE-588)118596942 gnd Oper (DE-588)4043582-9 gnd |
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| title | Giacomo Puccini and his world |
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| title_exact_search | Giacomo Puccini and his world |
| title_full | Giacomo Puccini and his world edited by Arman Schwartz and Emanuele Senici |
| title_fullStr | Giacomo Puccini and his world edited by Arman Schwartz and Emanuele Senici |
| title_full_unstemmed | Giacomo Puccini and his world edited by Arman Schwartz and Emanuele Senici |
| title_short | Giacomo Puccini and his world |
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