Toms, coons, mulattoes, mammies, and bucks: an interpretive history of Blacks in American films
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
[2016]
|
| Ausgabe: | Updated and expanded 5th edition, first published |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029008406&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029008406&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | XXVII, 509 Seiten Illustrationen 23 cm |
| ISBN: | 9780826429537 |
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| 505 | 8 | |a Preface Introduction 1. Black Beginnings: From Uncle Tom's Cabin to The Birth of a Nation 2. Into the 1920s: The Jesters 3. The 1930s: The Servants 4. The Interlude: Black-Market Cinema 5. The 1940s: The Entertainers, the New Negroes, and the Problem People 6. The 1950s: Black Stars 7. The 1960s: Problem People into Militants 8: The 1970s: Bucks and a Black Movie Boom 9. The 1980s: Black Superstars and the Era of Tan 10: The 1990s: New Stars, New Filmmakers, and a New African American Cinema 11: The 2000s: The New Millennium 12. The 2010s: The New Decades Index | |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
Illustrations xiv
Preface to the Fifth Edition xviii
Introduction xxii
1 BLACK BEGINNINGS: FROM UNCLE TOM’S
CABIN TO THE BIRTH OF A NATION t
The Tom 2
The Coon 4
The Tragic Mulatto 6
The Mammy 6
The Brutal Black Buck and The Birth of a Nation 7
2 INTO THE 1920s: THE JESTERS 15
3 THE 1930s: THE SERVANTS 29
High-Steppin’ Sir Stepin 32
Waiting on West and Serving Shirley 37
Mr. Bojangles: The Cool-Eyed Tom 40
Clarence Muse: The Inhibited, Humanized Tom Standing in a Corner by
Himself 45
Imitation of Life: Mother Knows Best 48
Iridescent Fredi: Black Girl in Search of a Black Role 51
Louise Beavers: The Black Guardian Angel 54
The Green Pastures 58
Rex Ingram: First of the Freed Black Men 60
Stepin’s Step-Chillun 62
Rochester: The Gentleman’s Gentleman 67
Hi-Hat Hattie 72
Gone with the Wind: Romanticizing Black Realities and the End of a
Tradition 76
Paul Robeson: The Black Colossus 82
4 THE INTERLUDE: BLACK-MARKET CINEMA 89
Oscar Micheaux 97
5 THE 1940s: THE ENTERTAINERS, THE NEW
NEGROES, AND THE PROBLEM PEOPLE 105
The Entertainers 106
Hazel Scott: Miss Proper Middle-Class Lady 109
Lena Horne: Black Beauty in Residence 112
Cabin in the Sky 115
Stormy Weather 118
Bits and Pieces of Black Action 119
Song of the South 121
The New Negroes: An Interim 122
The Problem People 128
Home of the Brave and the Postwar Good Sensitive Negro 129
Lost Boundaries ’ Tragic Mulattoes 132
Pinky s Tragic Mulatto and its Strong Black Woman 135
Intruder in the Dust and the Defiantly Proud Black Man 139
6 THE 1950s: BLACK STARS 143
Ethel Waters: Earth Mother for an Alienated Age 145
Dorothy Dandridge: Apotheosis of the Mulatto 149
Sidney Poitier: Hero for an Integrationist Age 158
Black Odds and Ends 165
7 THE 1960s: PROBLEM PEOPLE INTO MILITANTS 175
Steps Forward 176
Black Art Films 180
A Step Backward: Ossie Davis and Gone Are the Days 184
Along the Road, in Harlem, and on the Subway 185
Way Down in de New Ole South with Tom-Tom, Miss Bronze Barbie Doll,
and Ms. Militant Mammy 188
x
CONTENTS
A Man Called Adam and Sammy Davis, Jr.’s, Bid for Movie Stardom 192
Super Sidney of the 1960s 194
Jim Brown: Black Buck Hero for a Separatist Age 198
The New-Style Black Film 201
8 THE 1970s: BUCKS AND A BLACK MOVIE BOOM 209
Preludes 210
Melvin Van Peebles: The Black Movie Director as Folk Hero 212
Shaft: He’s a Badd Mother—Shut Your Mouth 216
Super Fly: Mixed Messages 217
Buckmania 218
The Jock as Movie Star 219
Lady Sings the Blues: Black Stars, Black Romance 221
Sounder 223
Sidney Strikes Again 226
Superbadd, Supermama 227
Sisters in Distress 228
Other Films, Other Voices 232
Richard Pryor: The Crazy Nigger as Conquering Hero 234
The l/Viz 239
9 THE 1980s: BLACK SUPERSTARS AND THE
ERA OF TAN 241
Holding Up the Fort 242
Dramatic Possibilities 243
Buddy Buddy 245
Richard Pryor, Superstar: The Ups and Downs 249
Trading Places: Eddie Murphy 254
A Soldier’s Story 259
Say It with Music 260
Different Directions 262
Women: As Exotics and Non-Racials 262
A Controversy about Color 263
Whipping Whoopi 268
independents 270
Hollywood and the Race Theme 272
Burning History: The White Man’s Burden 272
CONTENTS xi
The Bird Doesn t Fly 274
Focusing on Apartheid 276
Bringing History to Light: Glory 279
Denzel Washington: On the Road to Stardom 281
Driving Miss Daisy: The Matter of Perspective 284
Morgan Freeman: The Long Journey to Get There 285
Other Films 287
Sidney Returns 288
Closing the Era on the Right Note 288
10 THE 1990s: NEW STARS, NEW FILMMAKERS, AND
A NEW AFRICAN AMERICAN CINEMA 293
The Good, the Bad, the Bonded, the Typed 295
Whoopi’s Back 297
An Emerging New African American Cinema 304
Charles Burnett: A New Career Direction 305
A Breakthrough Year 307
New Jack Movies 308
A Black New Wave 309
John Singleton s South Central 310
Rising from the Dust 314
More by Spike 314
Other New Directors and Films 327
Carl Franklin: Film Noir from Another Point of View 331
Actresses in Search of Roles 333
Waiting to Exhale: Reaching the Black Female Audience 335
Angela Bassett: Still Holding Her Breath 340
Whitney Houston: Pop Goddess Turned Movie Star 341
Post-Exhale Women 345
Oprah’s Opus: Beloved 351
Movies for the Smart Young Hip Crowd: love ¡ones and Love and
Basketball 354
New Actors 356
Eddie Murphy: All Grown Up, Looking for a Place to Go 363
Laurence Fishburne: From Child Actor to Leading Man 365
Wesley Snipes: Action Hero 367
Character Actors Turned Stars: Morgan Freeman and
Samuel L Jackson 372
xii CONTENTS
Denzel Washington: Leading Man, Occasional Romantic Hero,
Enduring Superstar 382
Throwbacks to the Past 386
11 THE NEW CENTURY, THE NEW MILLENNIUM:
OLD TYPES, NEW STARS, NEW FILMMAKERS,
RE-EXAMINATIONS OF THE PAST 389
Seems Like Oid Times, Old Types 391
Denzel Washington: Still at the Top Despite a Rogue Cop 394
Halle Berry Comes of Age 401
Royalty’s Rocky Reign: Queen Latifah 406
Chris Rock Trying to Rock the Boat 412
Crash and Hustle Flow 417
Music Stars In Pursuit of Movie Stardom 420
Outsiders Coming In: T. D. Jakes and Tyler Perry 423
Inter-Ethnic Casting 429
Oscar Time 437
Will Smith: Oscar Nominee, Megastar, Movie Disappointments 439
2006: Forest Whitaker, A Big Year 442
Big Dreams: Dreamgirls 444
Women on the Rise: New Roles 447
A Long Time In the Making 449
Count Ms Davis In 450
Precious and Lee Daniels’ Gothic Cinema of Excess 452
Directors, Veterans and Newcomers 455
Another Decade: Re-examining the Past 464
History, Slavery, and Plantation Dramas 467
Other Films: Other Re-examinations 472
Index 479
CONTENTS
This classic iconic study of black images m American motion pictures has been updated
and revised, as Donaid Bogle continues to enlighten us with his historical and social
reflections on the relationship between African Americans and Hollywood. He notes the
remarkable shifts that have come about in the new millennium when such filmmakers
as Steve McQueen (12 Years a Slam and Ava DuVernay i Selma) examined America s
turbulent racial history and the particular dilemma of black actresses in Hollywood,
including Halle Berry, Lupita Nyong o. Octavia Spencer. Jennifer Hudson, and Viola
Davis. Bogle also looks at the ongoing careers of such stars as Denzel Washington
and Will Smith and such directors as Spike Lee and John Singleton, observing that
questions of diversity in the film industry continue. From The Birth of a Nation, the
1934 Imitation of Life. Gone with the Wind, and Carmen Jones to Shaft. Do the Right
Thing, and Boyz N the Hoocl to Training Day. Dreamgirls. The Help. Django Unchainea.
and Straight Outta Compton Donald Bogie compellmgly reveals the way in win
l
, p h
the images of blacks ¡n American movies have significantly changed-and also the
shocking way in which those images have often remained the same
|
| any_adam_object | 1 |
| author | Bogle, Donald 1944- |
| author_GND | (DE-588)110429222X |
| author_facet | Bogle, Donald 1944- |
| author_role | aut |
| author_sort | Bogle, Donald 1944- |
| author_variant | d b db |
| building | Verbundindex |
| bvnumber | BV043594093 |
| classification_rvk | AP 50300 |
| contents | Preface Introduction 1. Black Beginnings: From Uncle Tom's Cabin to The Birth of a Nation 2. Into the 1920s: The Jesters 3. The 1930s: The Servants 4. The Interlude: Black-Market Cinema 5. The 1940s: The Entertainers, the New Negroes, and the Problem People 6. The 1950s: Black Stars 7. The 1960s: Problem People into Militants 8: The 1970s: Bucks and a Black Movie Boom 9. The 1980s: Black Superstars and the Era of Tan 10: The 1990s: New Stars, New Filmmakers, and a New African American Cinema 11: The 2000s: The New Millennium 12. The 2010s: The New Decades Index |
| ctrlnum | (OCoLC)952151201 (DE-599)HBZHT018989835 |
| discipline | Allgemeines |
| edition | Updated and expanded 5th edition, first published |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| isbn | 9780826429537 |
| language | English |
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| spellingShingle | Bogle, Donald 1944- Toms, coons, mulattoes, mammies, and bucks an interpretive history of Blacks in American films Preface Introduction 1. Black Beginnings: From Uncle Tom's Cabin to The Birth of a Nation 2. Into the 1920s: The Jesters 3. The 1930s: The Servants 4. The Interlude: Black-Market Cinema 5. The 1940s: The Entertainers, the New Negroes, and the Problem People 6. The 1950s: Black Stars 7. The 1960s: Problem People into Militants 8: The 1970s: Bucks and a Black Movie Boom 9. The 1980s: Black Superstars and the Era of Tan 10: The 1990s: New Stars, New Filmmakers, and a New African American Cinema 11: The 2000s: The New Millennium 12. The 2010s: The New Decades Index Film (DE-588)4017102-4 gnd Schwarze Motiv (DE-588)4116434-9 gnd Geschichte (DE-588)4020517-4 gnd Schwarze (DE-588)4116433-7 gnd |
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| title | Toms, coons, mulattoes, mammies, and bucks an interpretive history of Blacks in American films |
| title_auth | Toms, coons, mulattoes, mammies, and bucks an interpretive history of Blacks in American films |
| title_exact_search | Toms, coons, mulattoes, mammies, and bucks an interpretive history of Blacks in American films |
| title_full | Toms, coons, mulattoes, mammies, and bucks an interpretive history of Blacks in American films Donald Bogle |
| title_fullStr | Toms, coons, mulattoes, mammies, and bucks an interpretive history of Blacks in American films Donald Bogle |
| title_full_unstemmed | Toms, coons, mulattoes, mammies, and bucks an interpretive history of Blacks in American films Donald Bogle |
| title_short | Toms, coons, mulattoes, mammies, and bucks |
| title_sort | toms coons mulattoes mammies and bucks an interpretive history of blacks in american films |
| title_sub | an interpretive history of Blacks in American films |
| topic | Film (DE-588)4017102-4 gnd Schwarze Motiv (DE-588)4116434-9 gnd Geschichte (DE-588)4020517-4 gnd Schwarze (DE-588)4116433-7 gnd |
| topic_facet | Film Schwarze Motiv Geschichte Schwarze USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029008406&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029008406&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT bogledonald tomscoonsmulattoesmammiesandbucksaninterpretivehistoryofblacksinamericanfilms |