Adapted brains and imaginary worlds: cognitive science and the literature of the Renaissance
"The literary discipline is based on principles of structure and language, is concerned with interpreting the emotions in characters comprising humanity in all its variety reacting to the provocations of their imaginary worlds, and encompasses our cognitive and affective reactions to those repr...
Gespeichert in:
Beteilige Person: | |
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Format: | Buch |
Sprache: | Englisch |
Veröffentlicht: |
Montreal & Kingston ; London ; Chicago
McGill-Queen's University Press
2016
|
Schlagwörter: | |
Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028869631&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028869631&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
Zusammenfassung: | "The literary discipline is based on principles of structure and language, is concerned with interpreting the emotions in characters comprising humanity in all its variety reacting to the provocations of their imaginary worlds, and encompasses our cognitive and affective reactions to those representations. So much of what we take from reading, though, is not linked to language: linguistic prompts merely set in motion the associations, memories, and images through which we generate meaning and emotionalize experience. Reading, if it is to understand how and why our minds complete fictive worlds, must take an interest in what the emotions are, where they originate, and what they are for. The cognitive sciences offer valuable perspectives on the feeling brain, perspectives which reveal much about the emotions of imaginary persons and the feelings they arouse in readers. This work aims to connect textual interpretation and brain science. In so doing, it furthers the understanding of literary experience and opens up new approaches to literature in general through philosophical insights into the human brain. Each of the book's eleven chapters sets out to bring a relevant cognitive perspective into the spotlight: memory, the emotions, the self, intentionality, laughter, crying, conversion experience, the psychology of suspense, criminal deviancy, binary ethics--the narrative brain in perceptual and imaginative modes--by analyzing these experiences and emotions in relevant works of Renaissance literature. The texts are both minor but characteristic and canonical, from The Dialogue of Solomon and Marcolphus and The Moral Philosophy of Doni, to Spenser's Faerie Queene and Shakespeare's Measure for Measure."-- |
Umfang: | viii, 484 Seiten |
ISBN: | 9780773546806 9780773546813 |
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520 | |a "The literary discipline is based on principles of structure and language, is concerned with interpreting the emotions in characters comprising humanity in all its variety reacting to the provocations of their imaginary worlds, and encompasses our cognitive and affective reactions to those representations. So much of what we take from reading, though, is not linked to language: linguistic prompts merely set in motion the associations, memories, and images through which we generate meaning and emotionalize experience. Reading, if it is to understand how and why our minds complete fictive worlds, must take an interest in what the emotions are, where they originate, and what they are for. The cognitive sciences offer valuable perspectives on the feeling brain, perspectives which reveal much about the emotions of imaginary persons and the feelings they arouse in readers. This work aims to connect textual interpretation and brain science. In so doing, it furthers the understanding of literary experience and opens up new approaches to literature in general through philosophical insights into the human brain. Each of the book's eleven chapters sets out to bring a relevant cognitive perspective into the spotlight: memory, the emotions, the self, intentionality, laughter, crying, conversion experience, the psychology of suspense, criminal deviancy, binary ethics--the narrative brain in perceptual and imaginative modes--by analyzing these experiences and emotions in relevant works of Renaissance literature. The texts are both minor but characteristic and canonical, from The Dialogue of Solomon and Marcolphus and The Moral Philosophy of Doni, to Spenser's Faerie Queene and Shakespeare's Measure for Measure."-- | ||
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Datensatz im Suchindex
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adam_text | CONTENTS
Acknowledgments ix
Introduction 3
1 On the Obsessions of Selfhood: Doctor Faustus and the
Dramatization of Consciousness 4 6
2 The Biogenesis of Ethics and the Challenge of Shakespeare’s
Measure for Measure 78
3 On the Emotional Intentionality of Criminal Protagonists:
The Yorkshire Tragedy 113
4 On the Systemic Properties of Recollection: Emboxed Narratives
and the Limits of Memory in Edmund Spenser’s The Faerie
Queene and Thomas North’s The Moral Philosophy ofDoni 143
5 Crying and the Ambiguity of Shakespeare’s AIVs Well
That Ends Well 184
6 Toward a Cognitive Theory of Proverbs: The Dialogue of
Solomon and Marcolphus 208
7 Romance and the Universality of Human Nature: Heliodorus,
Aethiopica and Robert Greene, Menaphon 236
8 Suspense____ 263
9 Laughter’s Shortfall: The Aesthetics of Renaissance
Tragicomedy, The Witch of Edmonton and The History of
James the Fourth 289
10 Cognition, Conversion, and the Patterns of Religious Experience:
Francesco Petrarch’s Familiar L, IV.i 318
11 Folk Psychology and Theory of Mind: John Marston’s
The Fawn 3 3 5
Notes 363
Bibliography 445
Index 473
In Adapted Brains and Imaginary Worlds, Donald Beecher explores the characteristics
and idiosyncrasies of the brain as they affect the study of fiction. He builds upon
insights from the cognitive sciences to explain how we actualize imaginary persons,
read the clues to their intentional states, assess their representations of selfhood,
and empathize with their felt experiences in imaginary environments. He consid-
ers how our own faculty of memory, in all its selective particularity and planned
oblivion, becomes an increasingly significant dimension of the critical act, and how
our own emotions become aggressive readers of literary experience, culminating in
states which define the genres of literature.
Beecher illustrates his points with examples from major works of the Renaissance
period, including Dr Faustus, The Faerie Queene, Measure for Measure, The Yorkshire
Tragedy, Menaphon, The Dialogue of Solomon and Marcolphus, and The Moral Philoso-
phy of DonL In this volume, studies in the science of mind come into their own in
explaining the architectures of the brain that shape such emergent properties as
empathy, suspense, curiosity, the formation of communities, gossip, rationalization,
confabulation, and so much more that pertains to the behaviour of characters, the
orientation of readers, and the construction of meaning.
Discussing a breadth of topics — from the mysteries of the criminal mind to the psy-
chology of tears — Adapted Brains and Imaginary Worlds is the most comprehensive
work available on the study of fictional worlds and their relation to the constitution
of the human brain.
|
any_adam_object | 1 |
author | Beecher, Donald 1942- |
author_GND | (DE-588)103975926 |
author_facet | Beecher, Donald 1942- |
author_role | aut |
author_sort | Beecher, Donald 1942- |
author_variant | d b db |
building | Verbundindex |
bvnumber | BV043452249 |
classification_rvk | HI 1140 |
contents | Includes bibliographical references and index |
ctrlnum | (OCoLC)923568423 (DE-599)BVBBV043452249 |
dewey-full | 820.9353 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 820 - English & Old English literatures |
dewey-raw | 820.9353 |
dewey-search | 820.9353 |
dewey-sort | 3820.9353 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
era | Geschichte 1550-1650 gnd |
era_facet | Geschichte 1550-1650 |
format | Book |
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id | DE-604.BV043452249 |
illustrated | Not Illustrated |
indexdate | 2024-12-20T17:36:45Z |
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isbn | 9780773546806 9780773546813 |
language | English |
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owner_facet | DE-12 DE-384 DE-20 DE-19 DE-BY-UBM |
physical | viii, 484 Seiten |
publishDate | 2016 |
publishDateSearch | 2016 |
publishDateSort | 2016 |
publisher | McGill-Queen's University Press |
record_format | marc |
spellingShingle | Beecher, Donald 1942- Adapted brains and imaginary worlds cognitive science and the literature of the Renaissance Includes bibliographical references and index English literature / Early modern, 1500-1700 / History and criticism Cognition in literature Emotions in literature Memory in literature Self in literature Cognitive science Cognition in literature fast Cognitive science fast Emotions in literature fast English literature / Early modern fast Memory in literature fast Self in literature fast Renaissance (DE-588)4049450-0 gnd Literatur (DE-588)4035964-5 gnd Englisch (DE-588)4014777-0 gnd Fiktion (DE-588)4192723-0 gnd Kognitionswissenschaft (DE-588)4193780-6 gnd |
subject_GND | (DE-588)4049450-0 (DE-588)4035964-5 (DE-588)4014777-0 (DE-588)4192723-0 (DE-588)4193780-6 |
title | Adapted brains and imaginary worlds cognitive science and the literature of the Renaissance |
title_auth | Adapted brains and imaginary worlds cognitive science and the literature of the Renaissance |
title_exact_search | Adapted brains and imaginary worlds cognitive science and the literature of the Renaissance |
title_full | Adapted brains and imaginary worlds cognitive science and the literature of the Renaissance Donald Beecher |
title_fullStr | Adapted brains and imaginary worlds cognitive science and the literature of the Renaissance Donald Beecher |
title_full_unstemmed | Adapted brains and imaginary worlds cognitive science and the literature of the Renaissance Donald Beecher |
title_short | Adapted brains and imaginary worlds |
title_sort | adapted brains and imaginary worlds cognitive science and the literature of the renaissance |
title_sub | cognitive science and the literature of the Renaissance |
topic | English literature / Early modern, 1500-1700 / History and criticism Cognition in literature Emotions in literature Memory in literature Self in literature Cognitive science Cognition in literature fast Cognitive science fast Emotions in literature fast English literature / Early modern fast Memory in literature fast Self in literature fast Renaissance (DE-588)4049450-0 gnd Literatur (DE-588)4035964-5 gnd Englisch (DE-588)4014777-0 gnd Fiktion (DE-588)4192723-0 gnd Kognitionswissenschaft (DE-588)4193780-6 gnd |
topic_facet | English literature / Early modern, 1500-1700 / History and criticism Cognition in literature Emotions in literature Memory in literature Self in literature Cognitive science English literature / Early modern Renaissance Literatur Englisch Fiktion Kognitionswissenschaft |
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