Real men don't sing: crooning in American culture
The crooner Rudy Vallée's soft, intimate, and sensual vocal delivery simultaneously captivated millions of adoring fans and drew harsh criticism from those threatened by his sensitive masculinity. Although Vallée and other crooners reflected the gender fluidity of late-1920s popular culture, th...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Hochschulschrift/Dissertation Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Durham ; London
Duke University Press
[2015]
|
| Schriftenreihe: | Refiguring American music
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028776772&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Zusammenfassung: | The crooner Rudy Vallée's soft, intimate, and sensual vocal delivery simultaneously captivated millions of adoring fans and drew harsh criticism from those threatened by his sensitive masculinity. Although Vallée and other crooners reflected the gender fluidity of late-1920s popular culture, their challenge to the Depression era's more conservative masculine norms led cultural authorities to stigmatize them as gender and sexual deviants. In Real Men Don't Sing Allison McCracken outlines crooning's history from its origins in minstrelsy through its development as the microphone sound most associated with white recording artists, band singers, and radio stars. She charts early crooners' rise and fall between 1925 and 1934, contrasting Rudy Vallée with Bing Crosby to demonstrate how attempts to contain crooners created and dictated standards of white masculinity for male singers. Unlike Vallée, Crosby survived the crooner backlash by adapting his voice and persona to adhere to white middle-class masculine norms. The effects of these norms are felt to this day, as critics continue to question the masculinity of youthful, romantic white male singers. Crooners, McCracken shows, not only were the first pop stars: their short-lived yet massive popularity fundamentally changed American culture |
| Beschreibung: | Includes bibliographical references and index |
| Umfang: | xiv, 429 Seiten Illustrationen |
| ISBN: | 9780822359173 9780822359364 |
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| 520 | |a The crooner Rudy Vallée's soft, intimate, and sensual vocal delivery simultaneously captivated millions of adoring fans and drew harsh criticism from those threatened by his sensitive masculinity. Although Vallée and other crooners reflected the gender fluidity of late-1920s popular culture, their challenge to the Depression era's more conservative masculine norms led cultural authorities to stigmatize them as gender and sexual deviants. In Real Men Don't Sing Allison McCracken outlines crooning's history from its origins in minstrelsy through its development as the microphone sound most associated with white recording artists, band singers, and radio stars. She charts early crooners' rise and fall between 1925 and 1934, contrasting Rudy Vallée with Bing Crosby to demonstrate how attempts to contain crooners created and dictated standards of white masculinity for male singers. Unlike Vallée, Crosby survived the crooner backlash by adapting his voice and persona to adhere to white middle-class masculine norms. The effects of these norms are felt to this day, as critics continue to question the masculinity of youthful, romantic white male singers. Crooners, McCracken shows, not only were the first pop stars: their short-lived yet massive popularity fundamentally changed American culture | ||
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CONTENTS
Acknowledgments
ix
Introduction
1
one Putting Over a Song:
Crooning, Performance, and Audience
in the Acoustic Era, 1880-1920
37
two Crooning Goes Electric:
Microphone Crooning and the Invention of the
Intimate Singing Aesthetic, 1921—1928
74
three Falling in Love with a Voice :
Rudy Vallée and His First Radio Fans, 1928
126
four “The Mouth of the Machine“:
The Creation of the Crooning Idol, 1929
160
five “A Supine Sinking into
the Primeval Ooze“: Crooning and
Its Discontents, 1929—1933
208
six “The Kind of Natural
That Worked”: The Crooner Redefined,
1932-1934 (and Beyond)
264
Conclusion
311
Notes
333
Bibliography
375
Index
411
i'
Bayerische ^
Staatsbibiiothek j
München J
i |
| any_adam_object | 1 |
| author | McCracken, Allison |
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| dewey-full | 782.421640811 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.421640811 |
| dewey-search | 782.421640811 |
| dewey-sort | 3782.421640811 |
| dewey-tens | 780 - Music |
| discipline | Anglistik / Amerikanistik Musikwissenschaft |
| era | Geschichte 1921-1940 gnd |
| era_facet | Geschichte 1921-1940 |
| format | Thesis Book |
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| spelling | McCracken, Allison Verfasser (DE-588)1088452248 aut Real men don't sing crooning in American culture Allison McCracken Durham ; London Duke University Press [2015] © 2015 xiv, 429 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Refiguring American music Includes bibliographical references and index Dissertation University of Iowa 2000 Überarbeitete Fassung der Dissertation The crooner Rudy Vallée's soft, intimate, and sensual vocal delivery simultaneously captivated millions of adoring fans and drew harsh criticism from those threatened by his sensitive masculinity. Although Vallée and other crooners reflected the gender fluidity of late-1920s popular culture, their challenge to the Depression era's more conservative masculine norms led cultural authorities to stigmatize them as gender and sexual deviants. In Real Men Don't Sing Allison McCracken outlines crooning's history from its origins in minstrelsy through its development as the microphone sound most associated with white recording artists, band singers, and radio stars. She charts early crooners' rise and fall between 1925 and 1934, contrasting Rudy Vallée with Bing Crosby to demonstrate how attempts to contain crooners created and dictated standards of white masculinity for male singers. Unlike Vallée, Crosby survived the crooner backlash by adapting his voice and persona to adhere to white middle-class masculine norms. The effects of these norms are felt to this day, as critics continue to question the masculinity of youthful, romantic white male singers. Crooners, McCracken shows, not only were the first pop stars: their short-lived yet massive popularity fundamentally changed American culture Crosby, Bing 1903-1977 (DE-588)118677411 gnd rswk-swf Vallée, Rudy 1901-1986 (DE-588)119472015 gnd rswk-swf Geschichte 1921-1940 gnd rswk-swf Crooning Male singers United States Popular music United States 1921-1930 History and criticism Popular music United States 1931-1940 History and criticism Männlichkeit (DE-588)4123701-8 gnd rswk-swf Schlagersänger (DE-588)4432401-7 gnd rswk-swf Crooning (DE-588)1292589388 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content USA (DE-588)4078704-7 g Popmusik (DE-588)4046781-8 s Schlagersänger (DE-588)4432401-7 s Männlichkeit (DE-588)4123701-8 s Crooning (DE-588)1292589388 s Geschichte 1921-1940 z DE-604 Vallée, Rudy 1901-1986 (DE-588)119472015 p Crosby, Bing 1903-1977 (DE-588)118677411 p Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028776772&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Real men don't sing crooning in American culture |
| title_auth | Real men don't sing crooning in American culture |
| title_exact_search | Real men don't sing crooning in American culture |
| title_full | Real men don't sing crooning in American culture Allison McCracken |
| title_fullStr | Real men don't sing crooning in American culture Allison McCracken |
| title_full_unstemmed | Real men don't sing crooning in American culture Allison McCracken |
| title_short | Real men don't sing |
| title_sort | real men don t sing crooning in american culture |
| title_sub | crooning in American culture |
| topic | Crosby, Bing 1903-1977 (DE-588)118677411 gnd Vallée, Rudy 1901-1986 (DE-588)119472015 gnd Crooning Male singers United States Popular music United States 1921-1930 History and criticism Popular music United States 1931-1940 History and criticism Männlichkeit (DE-588)4123701-8 gnd Schlagersänger (DE-588)4432401-7 gnd Crooning (DE-588)1292589388 gnd Popmusik (DE-588)4046781-8 gnd |
| topic_facet | Crosby, Bing 1903-1977 Vallée, Rudy 1901-1986 Crooning Male singers United States Popular music United States 1921-1930 History and criticism Popular music United States 1931-1940 History and criticism Männlichkeit Schlagersänger Popmusik USA Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028776772&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT mccrackenallison realmendontsingcrooninginamericanculture |