Transformations in persons and paint: visual theology, historical images, and the modern viewer
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Hochschulschrift/Dissertation Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Turnhout
Brepols Publishers
[2015]
|
| Schriftenreihe: | Arts and the sacred
1 |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028759856&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | 299 Seiten Illustrationen |
| ISBN: | 9782503565545 |
Internformat
MARC
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
Contents................................................................................3
List of Plates..........................................................................7
Acknowledgements . ................................................................ 13
Introduction...........................................................................15
Chapter One: How should theologians look at pictures?. ..............................19
Why is a theological hermeneutic for images needed?. ........................... 19
Text and image: applying textual hermeneutics to images.............................20
Drawing on methodologies from other disciplines.....................................24
i. Reader criticism and multiple layers of meaning.............................24
ii. Reception studies...........................................................28
iii. Cultural history and the period eye.........................................29
Sacred space........................................................................31
Sacred space and the theological interpretation of art...........................31
Christian sacred space...........................................................33
Florentine sacred space, belief, and identity....................................35
Empty space......................................................................36
Tripartite space.................................................................37
A suggested methodology for the theological interpretation of images...............38
Introduction to the frescoes.................................................. 40
Chapter Two: Leap of Faith: the Bardi Chapel, Santa Croce. .
The cycle..................................
Interpretations . . .
The scenes. . .
i. Renunciation of Worldly Goods, . .
ii. Approval of the Rule by Innocent III
iii. Apparition at Arles............
iv. Trial Before the Sultan........
. . 43
. . 43
, . 47
50
50
51
52
54
v. Funeral of St Francis and Verification of the Stigmata ..................... 56
vi. Visions of Brother Agostino and Bishop Guido........................... 56
vii. Stigmatization of St Francis.................................................57
Further considerations...............................................................59
Spatial factors within the Bardi compositions.....................................59
Conclusions.........................................................................61
Chapter Three: Thresholds of Revelation: the Baroncelli Chapel, Santa Croce.............65
The cycle.............................................................................65
Interpretations.......................................................................68
Standard interpretations...........................................................68
Annunciation, revelation, and light................................................68
Influence of Fra Simone Fidati.....................................................70
Christ’s ancestry..................................................................71
Architecture, depth, figures, and characters.......................................72
The scenes............................................................................73
Left wall..........................................................................73
i. Scenes of Joachim and Anne: Expulsion of Joachim, Joachims Dream,
Meeting at the Golden Gate.....................................................73
ii. The early life of the Virgin: Birth, Presentation, Marriage...................74
iii. Altar wall annunciations: Annunciation to the Virgin and Visitation,
Annunciation to the Shepherds, Nativity, The Christ Child Appears to the
Magi as a Star, Adoration of the Magi..........................................76
Further considerations................................................................77
Paucity of theological interpretation..............................................77
Light as a medium for annunciation and revelation..................................78
Image and word.....................................................................79
Transformation and journeying......................................................80
Places and liminality..............................................................80
Proximity and distance.............................................................84
Conclusions...........................................................................84
Chapter Four: Spiritual Transformation in Person and Paint: the Brancacci Chapel,
Santa Maria del Carmine.......................................................87
The cycle................................................................ 89
Interpretations.......................................................... 90
Brancacci, Carmelite, and local concerns .............................. 90
History of salvation. ...................................... 91
Theological themes..................................................... 92
Spiritual transformation ........................................ 93
Earthly and divine vision.............................................. 94
Pro-papal policy.........................................................96
The scenes......................................................... 96
i. Temptation and Expulsion.......................................... 96
ii. Tribute Money................................................... 97
iii. Chairing at Antioch.................................................99
iv. St Peter Healing with his Shadow....................................99
Further considerations....................................................100
Conclusions...............................................................106
Chapter Five: Inhabiting Vocation: the Convent of San Marco ....
The frescoes........................................................
Interpretations.....................................................
i. Interpretations: scholastic exegesis, Georges Didi-Huberman
Didi-Hubermans key terms...................................
The scholastic and humanist approaches...............
Examples...................................................
In summary.................................................
ii. Interpretations: corporate memory of a golden age, William Hood
Art and architecture...........................................
Framing. . .
The frescoes
900999999909999
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In summary........................
iii. Interpretations: innovative humanism, John Spike.......
The frescoes............................................
Pseudo-Dionysius as a source for the dormitory programme
In summary .
0009999999
Conflicting interpretations?.............
Further considerations...................
Integration, incorporation, incarnation
Kenotic and generative spaces.........
Conclusions..............................
109
112
116
116
117
121
124
129
130
132
132
134
140
141
142
143
146
147
149
149
152
154
Chapter Six: Covenants and Connections: the Sassetti Chapel, Santa Trinita....157
The cycle.......................
Interpretations ................
Varied interpretations.......
Classical and Christian elements
Composition and istoria.....
Portraiture..................
Peace. ...............
Florence as the New Rome
Birth, death, and resurrection.
Judgement. . .
Ricordanze. . .
The Scenes ....
9 0 9 9 9 9
159
161
161
162
163
164
165
166
167
168
168
170
i. Vision of Augustus on the Capitoline Hill, David, and the Sibyls ......... 170
ii. Renunciation of Worldly Goods and Stigmatization. ................ 170
iii. Confirmation of the Rule . ........................................171
iv. Raising of the Roman Notary’s Son . ................................172
v. Donor portraits.....................................................172
vi. Trial Before the Sultan, and Funeral of St Francis and Verification of the Stigmata 173
Further considerations.............................................................174
Gaps in art historical interpretations..........................................174
Francis as the link within a web of spiritual connections.......................175
Franciscus alter Christus or Francis as mediator................................179
Technical lessons from the Brancacci Chapel.....................................180
Foreground and background.......................................................181
Connections as covenants........................................................182
Conclusions........................................................................184
Chapter Seven: A Transformative Deesis: the Tornabuoni Chapel, Santa Maria Novella 187
The cycle..........................................................................189
Interpretations....................................................................191
Narrative skill.................................................................191
Patronage.......................................................................194
The portraits...................................................................195
The settings....................................................................198
Further considerations.............................................................199
Two compositional strategies....................................................199
The Virgin and the Baptist......................................................201
The scenes.........................................................................204
i. Expulsion of Joachim.......................................................204
ii. The Birth, Presentation, and Marriage of the Virgin........................206
iii. Adoration of the Magi, and Massacre of the Innocents.......................207
iv. Dormition and Assumption of the Virgin, and Coronation of the Virgin.....208
v. Annunciation to Zachariah..................................................208
vi. Tire Visitation, Birth of the Baptist, Naming of the Baptist, Baptist Preaching,
Baptism of Christ, and Feast of Flerod......................................210
Conclusions........................................................................210
Conclusion.......................................................................... 213
Bibliography..........................................................................217
Index ................................................................................229
Plates ....................................................................... 237
|
| any_adam_object | 1 |
| author | Reddaway, Chloë R. |
| author_GND | (DE-588)1109897375 |
| author_facet | Reddaway, Chloë R. |
| author_role | aut |
| author_sort | Reddaway, Chloë R. |
| author_variant | c r r cr crr |
| building | Verbundindex |
| bvnumber | BV043339908 |
| classification_rvk | LN 83220 LN 84604 |
| ctrlnum | (OCoLC)951241303 (DE-599)BVBBV043339908 |
| discipline | Kunstgeschichte |
| era | Geschichte 1300-1500 gnd |
| era_facet | Geschichte 1300-1500 |
| format | Thesis Book |
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| geographic | Santa Trinita Florenz Cappella Sassetti (DE-588)4297016-7 gnd Santa Maria del Carmine Florenz Brancacci-Kapelle (DE-588)4245600-9 gnd Santa Croce Florenz Baroncelli-Kapelle (DE-588)7617522-4 gnd Santa Croce Florenz Bardi-Kapelle (DE-588)4278401-3 gnd Santa Maria Novella Florenz Cappella Maggiore (DE-588)4685772-2 gnd Florenz (DE-588)4017581-9 gnd |
| geographic_facet | Santa Trinita Florenz Cappella Sassetti Santa Maria del Carmine Florenz Brancacci-Kapelle Santa Croce Florenz Baroncelli-Kapelle Santa Croce Florenz Bardi-Kapelle Santa Maria Novella Florenz Cappella Maggiore Florenz |
| id | DE-604.BV043339908 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T17:34:03Z |
| institution | BVB |
| isbn | 9782503565545 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028759856 |
| oclc_num | 951241303 |
| open_access_boolean | |
| owner | DE-29 DE-188 DE-11 DE-Y3 DE-739 DE-12 DE-255 DE-Y2 DE-B220 DE-19 DE-BY-UBM |
| owner_facet | DE-29 DE-188 DE-11 DE-Y3 DE-739 DE-12 DE-255 DE-Y2 DE-B220 DE-19 DE-BY-UBM |
| physical | 299 Seiten Illustrationen |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Brepols Publishers |
| record_format | marc |
| series | Arts and the sacred |
| series2 | Arts and the sacred |
| spellingShingle | Reddaway, Chloë R. Transformations in persons and paint visual theology, historical images, and the modern viewer Arts and the sacred Kloster San Marco Florenz (DE-588)4139609-1 gnd Christliche Kunst (DE-588)4010109-5 gnd Rezeption (DE-588)4049716-1 gnd Theologie (DE-588)4059758-1 gnd Wandmalerei (DE-588)4064542-3 gnd |
| subject_GND | (DE-588)4139609-1 (DE-588)4010109-5 (DE-588)4049716-1 (DE-588)4059758-1 (DE-588)4064542-3 (DE-588)4297016-7 (DE-588)4245600-9 (DE-588)7617522-4 (DE-588)4278401-3 (DE-588)4685772-2 (DE-588)4017581-9 (DE-588)4113937-9 |
| title | Transformations in persons and paint visual theology, historical images, and the modern viewer |
| title_auth | Transformations in persons and paint visual theology, historical images, and the modern viewer |
| title_exact_search | Transformations in persons and paint visual theology, historical images, and the modern viewer |
| title_full | Transformations in persons and paint visual theology, historical images, and the modern viewer Chloë R. Reddaway |
| title_fullStr | Transformations in persons and paint visual theology, historical images, and the modern viewer Chloë R. Reddaway |
| title_full_unstemmed | Transformations in persons and paint visual theology, historical images, and the modern viewer Chloë R. Reddaway |
| title_short | Transformations in persons and paint |
| title_sort | transformations in persons and paint visual theology historical images and the modern viewer |
| title_sub | visual theology, historical images, and the modern viewer |
| topic | Kloster San Marco Florenz (DE-588)4139609-1 gnd Christliche Kunst (DE-588)4010109-5 gnd Rezeption (DE-588)4049716-1 gnd Theologie (DE-588)4059758-1 gnd Wandmalerei (DE-588)4064542-3 gnd |
| topic_facet | Kloster San Marco Florenz Christliche Kunst Rezeption Theologie Wandmalerei Santa Trinita Florenz Cappella Sassetti Santa Maria del Carmine Florenz Brancacci-Kapelle Santa Croce Florenz Baroncelli-Kapelle Santa Croce Florenz Bardi-Kapelle Santa Maria Novella Florenz Cappella Maggiore Florenz Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028759856&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV048466476 |
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