The rise of gospel blues: the music of Thomas Andrew Dorsey in the urban church
Gespeichert in:
Beteilige Person: | |
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Format: | Elektronisch E-Book |
Sprache: | Englisch |
Veröffentlicht: |
New York
Oxford University Press
1994, c1992
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Schlagwörter: | |
Links: | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=169747 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=169747 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=169747 |
Beschreibung: | Includes bibliographical references and index Thomas A. Dorsey, also known as 'Georgia Tom', had considerable success in the 1920's as a pianist, composer, and arranger for prominent blues singers including Ma Rainey. In the late 1930s, Dorsey became involved in African-American old-line Protestant churches, where his background in the blues greatly influenced his composing and singing. At first these 'respectable' Chicago churches rejected this new form, partially because of the unseemly reputation blues performance had, but more because of the excitement that gospel blues produced in the church congregation. A controversy developed between two conflicting visions; one segment idealized an institution that nurtured a distinct African-American religion and culture, the other saw the church as a means by which African Americans would assimilate into American Christianity and the dominant Anglo-American culture. However, by the end of the 1930s the former group prevailed by the power of the music. From that time on, gospel blues became a major force in African-American churches and religion |
Umfang: | 1 Online-Ressource (xxiii, 324 p.) |
ISBN: | 1280527544 142940597X 9781280527548 9781429405973 |
Internformat
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500 | |a Thomas A. Dorsey, also known as 'Georgia Tom', had considerable success in the 1920's as a pianist, composer, and arranger for prominent blues singers including Ma Rainey. In the late 1930s, Dorsey became involved in African-American old-line Protestant churches, where his background in the blues greatly influenced his composing and singing. At first these 'respectable' Chicago churches rejected this new form, partially because of the unseemly reputation blues performance had, but more because of the excitement that gospel blues produced in the church congregation. A controversy developed between two conflicting visions; one segment idealized an institution that nurtured a distinct African-American religion and culture, the other saw the church as a means by which African Americans would assimilate into American Christianity and the dominant Anglo-American culture. However, by the end of the 1930s the former group prevailed by the power of the music. From that time on, gospel blues became a major force in African-American churches and religion | ||
600 | 1 | 4 | |a Dorsey, Thomas Andrew |
600 | 1 | 7 | |a Dorsey, Thomas Andrew |2 fast |
600 | 1 | 4 | |a Dorsey, Thomas Andrew |
600 | 1 | 7 | |a Dorsey, Thomas Andrew |d 1899-1993 |0 (DE-588)11909343X |2 gnd |9 rswk-swf |
650 | 7 | |a MUSIC / Instruction & Study / Voice |2 bisacsh | |
650 | 7 | |a MUSIC / Printed Music / Piano-Vocal-Guitar |2 bisacsh | |
650 | 7 | |a BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians |2 bisacsh | |
650 | 7 | |a Gospel music |2 fast | |
650 | 4 | |a Gospel music |x History and criticism | |
655 | 7 | |0 (DE-588)4006804-3 |a Biografie |2 gnd-content | |
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Datensatz im Suchindex
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any_adam_object | |
author | Harris, Michael W. |
author_facet | Harris, Michael W. |
author_role | aut |
author_sort | Harris, Michael W. |
author_variant | m w h mw mwh |
building | Verbundindex |
bvnumber | BV043152018 |
collection | ZDB-4-EBA |
ctrlnum | (OCoLC)72679407 (DE-599)BVBBV043152018 |
dewey-full | 782.25 |
dewey-hundreds | 700 - The arts |
dewey-ones | 782 - Vocal music |
dewey-raw | 782.25 |
dewey-search | 782.25 |
dewey-sort | 3782.25 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Electronic eBook |
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institution | BVB |
isbn | 1280527544 142940597X 9781280527548 9781429405973 |
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spelling | Harris, Michael W. Verfasser aut The rise of gospel blues the music of Thomas Andrew Dorsey in the urban church Michael W. Harris New York Oxford University Press 1994, c1992 1 Online-Ressource (xxiii, 324 p.) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Thomas A. Dorsey, also known as 'Georgia Tom', had considerable success in the 1920's as a pianist, composer, and arranger for prominent blues singers including Ma Rainey. In the late 1930s, Dorsey became involved in African-American old-line Protestant churches, where his background in the blues greatly influenced his composing and singing. At first these 'respectable' Chicago churches rejected this new form, partially because of the unseemly reputation blues performance had, but more because of the excitement that gospel blues produced in the church congregation. A controversy developed between two conflicting visions; one segment idealized an institution that nurtured a distinct African-American religion and culture, the other saw the church as a means by which African Americans would assimilate into American Christianity and the dominant Anglo-American culture. However, by the end of the 1930s the former group prevailed by the power of the music. From that time on, gospel blues became a major force in African-American churches and religion Dorsey, Thomas Andrew Dorsey, Thomas Andrew fast Dorsey, Thomas Andrew 1899-1993 (DE-588)11909343X gnd rswk-swf MUSIC / Instruction & Study / Voice bisacsh MUSIC / Printed Music / Piano-Vocal-Guitar bisacsh BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians bisacsh Gospel music fast Gospel music History and criticism (DE-588)4006804-3 Biografie gnd-content Dorsey, Thomas Andrew 1899-1993 (DE-588)11909343X p 1\p DE-604 Erscheint auch als Druck-Ausgabe, Paperback 0-19-509057-8 Erscheint auch als Druck-Ausgabe, Paperback 978-0-19-509057-4 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=169747 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Harris, Michael W. The rise of gospel blues the music of Thomas Andrew Dorsey in the urban church Dorsey, Thomas Andrew Dorsey, Thomas Andrew fast Dorsey, Thomas Andrew 1899-1993 (DE-588)11909343X gnd MUSIC / Instruction & Study / Voice bisacsh MUSIC / Printed Music / Piano-Vocal-Guitar bisacsh BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians bisacsh Gospel music fast Gospel music History and criticism |
subject_GND | (DE-588)11909343X (DE-588)4006804-3 |
title | The rise of gospel blues the music of Thomas Andrew Dorsey in the urban church |
title_auth | The rise of gospel blues the music of Thomas Andrew Dorsey in the urban church |
title_exact_search | The rise of gospel blues the music of Thomas Andrew Dorsey in the urban church |
title_full | The rise of gospel blues the music of Thomas Andrew Dorsey in the urban church Michael W. Harris |
title_fullStr | The rise of gospel blues the music of Thomas Andrew Dorsey in the urban church Michael W. Harris |
title_full_unstemmed | The rise of gospel blues the music of Thomas Andrew Dorsey in the urban church Michael W. Harris |
title_short | The rise of gospel blues |
title_sort | the rise of gospel blues the music of thomas andrew dorsey in the urban church |
title_sub | the music of Thomas Andrew Dorsey in the urban church |
topic | Dorsey, Thomas Andrew Dorsey, Thomas Andrew fast Dorsey, Thomas Andrew 1899-1993 (DE-588)11909343X gnd MUSIC / Instruction & Study / Voice bisacsh MUSIC / Printed Music / Piano-Vocal-Guitar bisacsh BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians bisacsh Gospel music fast Gospel music History and criticism |
topic_facet | Dorsey, Thomas Andrew Dorsey, Thomas Andrew 1899-1993 MUSIC / Instruction & Study / Voice MUSIC / Printed Music / Piano-Vocal-Guitar BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians Gospel music Gospel music History and criticism Biografie |
url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=169747 |
work_keys_str_mv | AT harrismichaelw theriseofgospelbluesthemusicofthomasandrewdorseyintheurbanchurch |