Ishiuchi Miyako - postwar shadows:
A maverick in the history of photography, lshiuchi Miyako burst onto the photography scene in Tokyo in the mid-1970s, at a time when men dominated the field in Japan. Working prodigiously over the last forty years, she has created an impressive oeuvre and quietly influenced generations of photograph...
Gespeichert in:
| Weitere beteiligte Personen: | , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Los Angeles
The J. Paul Getty Museum
[2015]
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028477807&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Zusammenfassung: | A maverick in the history of photography, lshiuchi Miyako burst onto the photography scene in Tokyo in the mid-1970s, at a time when men dominated the field in Japan. Working prodigiously over the last forty years, she has created an impressive oeuvre and quietly influenced generations of photographers born in the postwar era. Recipient of the prestigious Hasselblad Award in 2014, lshiuchi ranks as one of the most significant photographers working in Japan today. Spurred by her contentious relationship with her hometown, Yokosuka - site of an important American naval base since 1945 - lshiuchi chose that city as her first serious photographic subject. Grainy, moody, and deeply personal, these early projects established her career. This choice of subject also defined the beginning of lshiuchi's extended exploration of American occupation and the shadows it cast over postwar Japan. lshiuchi has since addressed the theme of occupation both indirectly - through her photographs of scars, skin, and other markers of time on the human body - and, more explicitly, with her Images of garments and accessories once owned by victims of the atomic blast in Hiroshima.0Essays featured in this volume reveal the past as the wellspring of lshiuchi's work and the present moment as her principal subject. 0Exhibition: J. Paul Getty Museum, Los Angeles, USA (06.10.2015-21.02.2016) |
| Beschreibung: | Includes bibliographical references and index This publication is issued on the occasion of the exhibition Ishiuchi Miyako: Postwar Shadows, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from October 6, 2015, to February 21, 2016 |
| Umfang: | 192 Seiten 27 cm |
| ISBN: | 9781606064559 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV043053540 | ||
| 003 | DE-604 | ||
| 005 | 20240415 | ||
| 007 | t| | ||
| 008 | 151126s2015 xx |||| 00||| eng d | ||
| 010 | |a 2015002207 | ||
| 020 | |a 9781606064559 |9 978-1-60606-455-9 | ||
| 035 | |a (OCoLC)936585691 | ||
| 035 | |a (DE-599)BSZ445856726 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-255 | ||
| 050 | 0 | |a TR647 | |
| 082 | 0 | |a 770.952/1954 | |
| 084 | |a AP 94100 |0 (DE-625)8146: |2 rvk | ||
| 100 | 1 | |a Ishiuchi, Miyako |d 1947- |0 (DE-588)122302966 |4 pht | |
| 245 | 1 | 0 | |a Ishiuchi Miyako - postwar shadows |c Amanda Maddox ; with contributions by Itō Hiromi and Miryam Sas |
| 246 | 1 | 3 | |a Postwar shadows |
| 264 | 1 | |a Los Angeles |b The J. Paul Getty Museum |c [2015] | |
| 300 | |a 192 Seiten |c 27 cm | ||
| 336 | |b sti |2 rdacontent | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 500 | |a This publication is issued on the occasion of the exhibition Ishiuchi Miyako: Postwar Shadows, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from October 6, 2015, to February 21, 2016 | ||
| 505 | 8 | |a Against the grain: Ishiuchi Miyako and the Yokosuka trilogy / Amanda Maddox, S. 16<br>Miyako and women (including me) / Itō Hiromi, S. 78<br>Second skin / Miryam Sas | |
| 520 | |a A maverick in the history of photography, lshiuchi Miyako burst onto the photography scene in Tokyo in the mid-1970s, at a time when men dominated the field in Japan. Working prodigiously over the last forty years, she has created an impressive oeuvre and quietly influenced generations of photographers born in the postwar era. Recipient of the prestigious Hasselblad Award in 2014, lshiuchi ranks as one of the most significant photographers working in Japan today. Spurred by her contentious relationship with her hometown, Yokosuka - site of an important American naval base since 1945 - lshiuchi chose that city as her first serious photographic subject. Grainy, moody, and deeply personal, these early projects established her career. This choice of subject also defined the beginning of lshiuchi's extended exploration of American occupation and the shadows it cast over postwar Japan. lshiuchi has since addressed the theme of occupation both indirectly - through her photographs of scars, skin, and other markers of time on the human body - and, more explicitly, with her Images of garments and accessories once owned by victims of the atomic blast in Hiroshima.0Essays featured in this volume reveal the past as the wellspring of lshiuchi's work and the present moment as her principal subject. 0Exhibition: J. Paul Getty Museum, Los Angeles, USA (06.10.2015-21.02.2016) | ||
| 600 | 1 | 4 | |a Ishiuchi, Miyako 1947- / Exhibitions |
| 600 | 1 | 7 | |a Ishiuchi, Miyako |d 1947- |0 (DE-588)122302966 |2 gnd |9 rswk-swf |
| 648 | 4 | |a Geschichte 1900-2000 | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Documentary photography / Exhibitions | |
| 650 | 4 | |a Atomic bomb victims / Pictorial works / Exhibitions / Clothing / Japan / Hiroshima-shi | |
| 650 | 4 | |a Personal belongings / Pictorial works / Exhibitions / History / 20th century / Japan / Hiroshima-shi | |
| 651 | 4 | |a Hiroshima-shi (Japan) / Pictorial works / Exhibitions / History / Bombardment, 1945 | |
| 655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |2 gnd-content | |
| 655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x J. Paul Getty Museum |y 2015-10-06/2016-02-21 |z Los Angeles, Calif. |2 gnd-content | |
| 689 | 0 | 0 | |a Ishiuchi, Miyako |d 1947- |0 (DE-588)122302966 |D p |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Itō, Hiromi |d 1955- |0 (DE-588)120934027 |4 wat | |
| 700 | 1 | |a Maddox, Amanda |d 1948- |0 (DE-588)1033576603 |4 edt | |
| 700 | 1 | |a Sas, Miryam |0 (DE-588)1269179632 |4 wat | |
| 710 | 2 | |a J. Paul Getty Museum |0 (DE-588)19128-0 |4 isb | |
| 856 | 4 | 2 | |m HBZ Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028477807&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-028477807 | |
Datensatz im Suchindex
| _version_ | 1819320252368945152 |
|---|---|
| adam_text | Titel: Ishiuchi Miyako, Postwar shadows
Autor: Maddox, Amanda
Jahr: 2015
CONTENTS 7 FOREWORD 8 ACKNOWLEDGMENTS 11 NOTE TO.THE READER 14 INTRODUCTION AMANDA MADDOX 16 AGAINST THE GRAIN: ISHIUCHI MIYAKO AND THE YOKOSUKA TRILOGY AMANDA MADDOX 31 PLATES 1-38 78 MIYAKO AND WOMEN (INCLUDING ME) I TO HIROMI 87 PLATES 39-70 124 SECOND SKIN MIRYAM SAS 133 PLATES 71-102 171 PLATE LIST 177 CHRONOLOGY 188 ABOUT THE AUTHORS 189 INDEX
|
| any_adam_object | 1 |
| author2 | Ishiuchi, Miyako 1947- Maddox, Amanda 1948- |
| author2_role | pht edt |
| author2_variant | m i mi a m am |
| author_GND | (DE-588)122302966 (DE-588)120934027 (DE-588)1033576603 (DE-588)1269179632 |
| author_facet | Ishiuchi, Miyako 1947- Maddox, Amanda 1948- |
| building | Verbundindex |
| bvnumber | BV043053540 |
| callnumber-first | T - Technology |
| callnumber-label | TR647 |
| callnumber-raw | TR647 |
| callnumber-search | TR647 |
| callnumber-sort | TR 3647 |
| callnumber-subject | TR - Photography |
| classification_rvk | AP 94100 |
| contents | Against the grain: Ishiuchi Miyako and the Yokosuka trilogy / Amanda Maddox, S. 16<br>Miyako and women (including me) / Itō Hiromi, S. 78<br>Second skin / Miryam Sas |
| ctrlnum | (OCoLC)936585691 (DE-599)BSZ445856726 |
| dewey-full | 770.952/1954 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 770 - Photography, computer art, cinematography |
| dewey-raw | 770.952/1954 |
| dewey-search | 770.952/1954 |
| dewey-sort | 3770.952 41954 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte Allgemeines |
| era | Geschichte 1900-2000 |
| era_facet | Geschichte 1900-2000 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04166nam a2200577 c 4500</leader><controlfield tag="001">BV043053540</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240415 </controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">151126s2015 xx |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2015002207</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781606064559</subfield><subfield code="9">978-1-60606-455-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)936585691</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BSZ445856726</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">TR647</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">770.952/1954</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 94100</subfield><subfield code="0">(DE-625)8146:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Ishiuchi, Miyako</subfield><subfield code="d">1947-</subfield><subfield code="0">(DE-588)122302966</subfield><subfield code="4">pht</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Ishiuchi Miyako - postwar shadows</subfield><subfield code="c">Amanda Maddox ; with contributions by Itō Hiromi and Miryam Sas</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Postwar shadows</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Los Angeles</subfield><subfield code="b">The J. Paul Getty Museum</subfield><subfield code="c">[2015]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">192 Seiten</subfield><subfield code="c">27 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">This publication is issued on the occasion of the exhibition Ishiuchi Miyako: Postwar Shadows, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from October 6, 2015, to February 21, 2016</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Against the grain: Ishiuchi Miyako and the Yokosuka trilogy / Amanda Maddox, S. 16<br>Miyako and women (including me) / Itō Hiromi, S. 78<br>Second skin / Miryam Sas</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">A maverick in the history of photography, lshiuchi Miyako burst onto the photography scene in Tokyo in the mid-1970s, at a time when men dominated the field in Japan. Working prodigiously over the last forty years, she has created an impressive oeuvre and quietly influenced generations of photographers born in the postwar era. Recipient of the prestigious Hasselblad Award in 2014, lshiuchi ranks as one of the most significant photographers working in Japan today. Spurred by her contentious relationship with her hometown, Yokosuka - site of an important American naval base since 1945 - lshiuchi chose that city as her first serious photographic subject. Grainy, moody, and deeply personal, these early projects established her career. This choice of subject also defined the beginning of lshiuchi's extended exploration of American occupation and the shadows it cast over postwar Japan. lshiuchi has since addressed the theme of occupation both indirectly - through her photographs of scars, skin, and other markers of time on the human body - and, more explicitly, with her Images of garments and accessories once owned by victims of the atomic blast in Hiroshima.0Essays featured in this volume reveal the past as the wellspring of lshiuchi's work and the present moment as her principal subject. 0Exhibition: J. Paul Getty Museum, Los Angeles, USA (06.10.2015-21.02.2016)</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Ishiuchi, Miyako 1947- / Exhibitions</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Ishiuchi, Miyako</subfield><subfield code="d">1947-</subfield><subfield code="0">(DE-588)122302966</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1900-2000</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Documentary photography / Exhibitions</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Atomic bomb victims / Pictorial works / Exhibitions / Clothing / Japan / Hiroshima-shi</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Personal belongings / Pictorial works / Exhibitions / History / 20th century / Japan / Hiroshima-shi</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Hiroshima-shi (Japan) / Pictorial works / Exhibitions / History / Bombardment, 1945</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4135467-9</subfield><subfield code="a">Ausstellungskatalog</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4135467-9</subfield><subfield code="a">Ausstellungskatalog</subfield><subfield code="x">J. Paul Getty Museum</subfield><subfield code="y">2015-10-06/2016-02-21</subfield><subfield code="z">Los Angeles, Calif.</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Ishiuchi, Miyako</subfield><subfield code="d">1947-</subfield><subfield code="0">(DE-588)122302966</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Itō, Hiromi</subfield><subfield code="d">1955-</subfield><subfield code="0">(DE-588)120934027</subfield><subfield code="4">wat</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Maddox, Amanda</subfield><subfield code="d">1948-</subfield><subfield code="0">(DE-588)1033576603</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Sas, Miryam</subfield><subfield code="0">(DE-588)1269179632</subfield><subfield code="4">wat</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">J. Paul Getty Museum</subfield><subfield code="0">(DE-588)19128-0</subfield><subfield code="4">isb</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">HBZ Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028477807&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028477807</subfield></datafield></record></collection> |
| genre | (DE-588)4135467-9 Ausstellungskatalog gnd-content (DE-588)4135467-9 Ausstellungskatalog J. Paul Getty Museum 2015-10-06/2016-02-21 Los Angeles, Calif. gnd-content |
| genre_facet | Ausstellungskatalog Ausstellungskatalog J. Paul Getty Museum 2015-10-06/2016-02-21 Los Angeles, Calif. |
| geographic | Hiroshima-shi (Japan) / Pictorial works / Exhibitions / History / Bombardment, 1945 |
| geographic_facet | Hiroshima-shi (Japan) / Pictorial works / Exhibitions / History / Bombardment, 1945 |
| id | DE-604.BV043053540 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T17:26:41Z |
| institution | BVB |
| institution_GND | (DE-588)19128-0 |
| isbn | 9781606064559 |
| language | English |
| lccn | 2015002207 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028477807 |
| oclc_num | 936585691 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 192 Seiten 27 cm |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | The J. Paul Getty Museum |
| record_format | marc |
| spellingShingle | Ishiuchi Miyako - postwar shadows Against the grain: Ishiuchi Miyako and the Yokosuka trilogy / Amanda Maddox, S. 16<br>Miyako and women (including me) / Itō Hiromi, S. 78<br>Second skin / Miryam Sas Ishiuchi, Miyako 1947- / Exhibitions Ishiuchi, Miyako 1947- (DE-588)122302966 gnd Geschichte Documentary photography / Exhibitions Atomic bomb victims / Pictorial works / Exhibitions / Clothing / Japan / Hiroshima-shi Personal belongings / Pictorial works / Exhibitions / History / 20th century / Japan / Hiroshima-shi |
| subject_GND | (DE-588)122302966 (DE-588)4135467-9 |
| title | Ishiuchi Miyako - postwar shadows |
| title_alt | Postwar shadows |
| title_auth | Ishiuchi Miyako - postwar shadows |
| title_exact_search | Ishiuchi Miyako - postwar shadows |
| title_full | Ishiuchi Miyako - postwar shadows Amanda Maddox ; with contributions by Itō Hiromi and Miryam Sas |
| title_fullStr | Ishiuchi Miyako - postwar shadows Amanda Maddox ; with contributions by Itō Hiromi and Miryam Sas |
| title_full_unstemmed | Ishiuchi Miyako - postwar shadows Amanda Maddox ; with contributions by Itō Hiromi and Miryam Sas |
| title_short | Ishiuchi Miyako - postwar shadows |
| title_sort | ishiuchi miyako postwar shadows |
| topic | Ishiuchi, Miyako 1947- / Exhibitions Ishiuchi, Miyako 1947- (DE-588)122302966 gnd Geschichte Documentary photography / Exhibitions Atomic bomb victims / Pictorial works / Exhibitions / Clothing / Japan / Hiroshima-shi Personal belongings / Pictorial works / Exhibitions / History / 20th century / Japan / Hiroshima-shi |
| topic_facet | Ishiuchi, Miyako 1947- / Exhibitions Ishiuchi, Miyako 1947- Geschichte Documentary photography / Exhibitions Atomic bomb victims / Pictorial works / Exhibitions / Clothing / Japan / Hiroshima-shi Personal belongings / Pictorial works / Exhibitions / History / 20th century / Japan / Hiroshima-shi Hiroshima-shi (Japan) / Pictorial works / Exhibitions / History / Bombardment, 1945 Ausstellungskatalog Ausstellungskatalog J. Paul Getty Museum 2015-10-06/2016-02-21 Los Angeles, Calif. |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028477807&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT ishiuchimiyako ishiuchimiyakopostwarshadows AT itohiromi ishiuchimiyakopostwarshadows AT maddoxamanda ishiuchimiyakopostwarshadows AT sasmiryam ishiuchimiyakopostwarshadows AT jpaulgettymuseum ishiuchimiyakopostwarshadows AT ishiuchimiyako postwarshadows AT itohiromi postwarshadows AT maddoxamanda postwarshadows AT sasmiryam postwarshadows AT jpaulgettymuseum postwarshadows |