Vertov, Snow, Farocki: machine vision and the posthuman
Vertov, Snow, Farocki: Machine Vision and the Posthuman' begins with a comprehensive and original anthropological analysis of Vertov's film The Man With a Movie Camera. Tomas then explores the film's various aspects and contributions to media history and practice through detailed disc...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
New York
Bloomsbury
2013
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| Schlagwörter: | |
| Links: | https://doi.org/10.5040/9781628929157?locatt=label:secondary_bloomsburyCollections https://doi.org/10.5040/9781628929157 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=613463 |
| Zusammenfassung: | Vertov, Snow, Farocki: Machine Vision and the Posthuman' begins with a comprehensive and original anthropological analysis of Vertov's film The Man With a Movie Camera. Tomas then explores the film's various aspects and contributions to media history and practice through detailed discussions of selected case studies. The first concerns the way Snow's La Region Centrale and De La extend and/or develops important theoretical and technical aspects of Vertov's original film, in particular those aspects that have made the film so important in the history of cinema. The linkage between Vertov's film and the works discussed in the case studies will also serve to illustrate the historical and theoretical significance of a comparative approach of this kind, and illustrate the pertinence of adopting a 'relational approach' to the history of media |
| Umfang: | 1 Online-Ressource (293 Seiten) Illustrationen |
| ISBN: | 9781628929157 9781441163936 9781441172273 |
| DOI: | 10.5040/9781628929157 |
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| 505 | 8 | |a Introduction -- Threshold when a ritual process speaks of machine vision and cyborg prototypes: a film document, circa 1929 -- Manufacturing vision and the posthuman circa 1929: Kino-eye, The man with a movie camera, and the perceptual reconstruction of social identity -- Enigma of the central region. A microhistory of machine vision and posthuman consciousness, circa 1969-1972 -- Basic cultural, technical and formal filiations -- Toward a cosmic rite of passage: external & internal locations and a play of authorship -- Liminality, knowledge production, pedagogy -- From cosmic to posthuman rite of passage -- De La (1969-71): authorship, automation and the posthuman -- A comparative schematic analysis of the automated narrative and its mechanical logic in Vertov's The man with a movie camera (1929) and Michael Snow's De La (1969-1972) -- The public deployment of machine vision and the programmed materialization of the posthuman in collective social space -- Early twenty-first century video documents -- A posthuman future in the age of the algorithm: Farocki's documentation of the operational image and its culture of surveillance | |
| 520 | |a Vertov, Snow, Farocki: Machine Vision and the Posthuman' begins with a comprehensive and original anthropological analysis of Vertov's film The Man With a Movie Camera. Tomas then explores the film's various aspects and contributions to media history and practice through detailed discussions of selected case studies. The first concerns the way Snow's La Region Centrale and De La extend and/or develops important theoretical and technical aspects of Vertov's original film, in particular those aspects that have made the film so important in the history of cinema. The linkage between Vertov's film and the works discussed in the case studies will also serve to illustrate the historical and theoretical significance of a comparative approach of this kind, and illustrate the pertinence of adopting a 'relational approach' to the history of media | ||
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Datensatz im Suchindex
| _version_ | 1818981124014080000 |
|---|---|
| any_adam_object | |
| author | Tomas, David 1950- |
| author_GND | (DE-588)130410403 |
| author_facet | Tomas, David 1950- |
| author_role | aut |
| author_sort | Tomas, David 1950- |
| author_variant | d t dt |
| building | Verbundindex |
| bvnumber | BV043039590 |
| classification_rvk | AP 54200 |
| collection | ZDB-162-BFS ZDB-4-EBA |
| contents | Introduction -- Threshold when a ritual process speaks of machine vision and cyborg prototypes: a film document, circa 1929 -- Manufacturing vision and the posthuman circa 1929: Kino-eye, The man with a movie camera, and the perceptual reconstruction of social identity -- Enigma of the central region. A microhistory of machine vision and posthuman consciousness, circa 1969-1972 -- Basic cultural, technical and formal filiations -- Toward a cosmic rite of passage: external & internal locations and a play of authorship -- Liminality, knowledge production, pedagogy -- From cosmic to posthuman rite of passage -- De La (1969-71): authorship, automation and the posthuman -- A comparative schematic analysis of the automated narrative and its mechanical logic in Vertov's The man with a movie camera (1929) and Michael Snow's De La (1969-1972) -- The public deployment of machine vision and the programmed materialization of the posthuman in collective social space -- Early twenty-first century video documents -- A posthuman future in the age of the algorithm: Farocki's documentation of the operational image and its culture of surveillance |
| ctrlnum | (OCoLC)855504313 (DE-599)BVBBV043039590 |
| dewey-full | 791.4372 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4372 |
| dewey-search | 791.4372 |
| dewey-sort | 3791.4372 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| doi_str_mv | 10.5040/9781628929157 |
| format | Electronic eBook |
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| id | DE-604.BV043039590 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T17:26:19Z |
| institution | BVB |
| isbn | 9781628929157 9781441163936 9781441172273 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028464237 |
| oclc_num | 855504313 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 DE-19 DE-BY-UBM DE-703 |
| owner_facet | DE-1046 DE-1047 DE-19 DE-BY-UBM DE-703 |
| physical | 1 Online-Ressource (293 Seiten) Illustrationen |
| psigel | ZDB-162-BFS ZDB-4-EBA ZDB-162-BFS_2000/2013 FAW_PDA_EBA ZDB-162-BFS ZDB-162-BFS_2000/2013 |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Bloomsbury |
| record_format | marc |
| spelling | Tomas, David 1950- Verfasser (DE-588)130410403 aut Vertov, Snow, Farocki machine vision and the posthuman David Tomas New York Bloomsbury 2013 1 Online-Ressource (293 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Introduction -- Threshold when a ritual process speaks of machine vision and cyborg prototypes: a film document, circa 1929 -- Manufacturing vision and the posthuman circa 1929: Kino-eye, The man with a movie camera, and the perceptual reconstruction of social identity -- Enigma of the central region. A microhistory of machine vision and posthuman consciousness, circa 1969-1972 -- Basic cultural, technical and formal filiations -- Toward a cosmic rite of passage: external & internal locations and a play of authorship -- Liminality, knowledge production, pedagogy -- From cosmic to posthuman rite of passage -- De La (1969-71): authorship, automation and the posthuman -- A comparative schematic analysis of the automated narrative and its mechanical logic in Vertov's The man with a movie camera (1929) and Michael Snow's De La (1969-1972) -- The public deployment of machine vision and the programmed materialization of the posthuman in collective social space -- Early twenty-first century video documents -- A posthuman future in the age of the algorithm: Farocki's documentation of the operational image and its culture of surveillance Vertov, Snow, Farocki: Machine Vision and the Posthuman' begins with a comprehensive and original anthropological analysis of Vertov's film The Man With a Movie Camera. Tomas then explores the film's various aspects and contributions to media history and practice through detailed discussions of selected case studies. The first concerns the way Snow's La Region Centrale and De La extend and/or develops important theoretical and technical aspects of Vertov's original film, in particular those aspects that have made the film so important in the history of cinema. The linkage between Vertov's film and the works discussed in the case studies will also serve to illustrate the historical and theoretical significance of a comparative approach of this kind, and illustrate the pertinence of adopting a 'relational approach' to the history of media Snow, Michael / 1929- fast Vertov, Dziga / 1896-1954 fast Vertov, Dziga 1896-1954 Criticism and interpretation Snow, Michael 1929- Criticism and interpretation Snow, Michael 1928-2023 (DE-588)119251639 gnd rswk-swf Farocki, Harun 1944-2014 (DE-588)119157152 gnd rswk-swf Vertov, Dziga 1896-1954 (DE-588)118804294 gnd rswk-swf Chelovek s kinoapparatom (Motion picture) ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh Chelovek s kinoapparatom (Motion picture) fast Experimental films fast Film installations (Art) fast Video installations (Art) fast Experimental films History and criticism Video installations (Art) History and criticism Film installations (Art) History and criticism Experimentalfilm (DE-588)4153359-8 gnd rswk-swf Medientheorie (DE-588)7610872-7 gnd rswk-swf Videokunst (DE-588)4188229-5 gnd rswk-swf Vertov, Dziga 1896-1954 (DE-588)118804294 p Snow, Michael 1928-2023 (DE-588)119251639 p Farocki, Harun 1944-2014 (DE-588)119157152 p Experimentalfilm (DE-588)4153359-8 s Videokunst (DE-588)4188229-5 s Medientheorie (DE-588)7610872-7 s 1\p DE-604 Erscheint auch als Druck-Ausgabe, Festeinband 978-1-4411-6915-0 Erscheint auch als Druck-Ausgabe, Broschur 978-1-5013-0729-4 https://doi.org/10.5040/9781628929157 Verlag URL des Erstveröffentlichers Volltext http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=613463 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Tomas, David 1950- Vertov, Snow, Farocki machine vision and the posthuman Introduction -- Threshold when a ritual process speaks of machine vision and cyborg prototypes: a film document, circa 1929 -- Manufacturing vision and the posthuman circa 1929: Kino-eye, The man with a movie camera, and the perceptual reconstruction of social identity -- Enigma of the central region. A microhistory of machine vision and posthuman consciousness, circa 1969-1972 -- Basic cultural, technical and formal filiations -- Toward a cosmic rite of passage: external & internal locations and a play of authorship -- Liminality, knowledge production, pedagogy -- From cosmic to posthuman rite of passage -- De La (1969-71): authorship, automation and the posthuman -- A comparative schematic analysis of the automated narrative and its mechanical logic in Vertov's The man with a movie camera (1929) and Michael Snow's De La (1969-1972) -- The public deployment of machine vision and the programmed materialization of the posthuman in collective social space -- Early twenty-first century video documents -- A posthuman future in the age of the algorithm: Farocki's documentation of the operational image and its culture of surveillance Snow, Michael / 1929- fast Vertov, Dziga / 1896-1954 fast Vertov, Dziga 1896-1954 Criticism and interpretation Snow, Michael 1929- Criticism and interpretation Snow, Michael 1928-2023 (DE-588)119251639 gnd Farocki, Harun 1944-2014 (DE-588)119157152 gnd Vertov, Dziga 1896-1954 (DE-588)118804294 gnd Chelovek s kinoapparatom (Motion picture) ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh Chelovek s kinoapparatom (Motion picture) fast Experimental films fast Film installations (Art) fast Video installations (Art) fast Experimental films History and criticism Video installations (Art) History and criticism Film installations (Art) History and criticism Experimentalfilm (DE-588)4153359-8 gnd Medientheorie (DE-588)7610872-7 gnd Videokunst (DE-588)4188229-5 gnd |
| subject_GND | (DE-588)119251639 (DE-588)119157152 (DE-588)118804294 (DE-588)4153359-8 (DE-588)7610872-7 (DE-588)4188229-5 |
| title | Vertov, Snow, Farocki machine vision and the posthuman |
| title_auth | Vertov, Snow, Farocki machine vision and the posthuman |
| title_exact_search | Vertov, Snow, Farocki machine vision and the posthuman |
| title_full | Vertov, Snow, Farocki machine vision and the posthuman David Tomas |
| title_fullStr | Vertov, Snow, Farocki machine vision and the posthuman David Tomas |
| title_full_unstemmed | Vertov, Snow, Farocki machine vision and the posthuman David Tomas |
| title_short | Vertov, Snow, Farocki |
| title_sort | vertov snow farocki machine vision and the posthuman |
| title_sub | machine vision and the posthuman |
| topic | Snow, Michael / 1929- fast Vertov, Dziga / 1896-1954 fast Vertov, Dziga 1896-1954 Criticism and interpretation Snow, Michael 1929- Criticism and interpretation Snow, Michael 1928-2023 (DE-588)119251639 gnd Farocki, Harun 1944-2014 (DE-588)119157152 gnd Vertov, Dziga 1896-1954 (DE-588)118804294 gnd Chelovek s kinoapparatom (Motion picture) ART / Film & Video bisacsh PERFORMING ARTS / Film & Video / Reference bisacsh Chelovek s kinoapparatom (Motion picture) fast Experimental films fast Film installations (Art) fast Video installations (Art) fast Experimental films History and criticism Video installations (Art) History and criticism Film installations (Art) History and criticism Experimentalfilm (DE-588)4153359-8 gnd Medientheorie (DE-588)7610872-7 gnd Videokunst (DE-588)4188229-5 gnd |
| topic_facet | Snow, Michael / 1929- Vertov, Dziga / 1896-1954 Vertov, Dziga 1896-1954 Criticism and interpretation Snow, Michael 1929- Criticism and interpretation Snow, Michael 1928-2023 Farocki, Harun 1944-2014 Vertov, Dziga 1896-1954 Chelovek s kinoapparatom (Motion picture) ART / Film & Video PERFORMING ARTS / Film & Video / Reference Experimental films Film installations (Art) Video installations (Art) Experimental films History and criticism Video installations (Art) History and criticism Film installations (Art) History and criticism Experimentalfilm Medientheorie Videokunst |
| url | https://doi.org/10.5040/9781628929157 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=613463 |
| work_keys_str_mv | AT tomasdavid vertovsnowfarockimachinevisionandtheposthuman |