Marco Bellocchio: the cinematic I in the political sphere
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Toronto ; Buffalo
University of Toronto Press
[2009]
|
| Schriftenreihe: | Toronto Italian studies
|
| Schlagwörter: | |
| Links: | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=682796 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=682796 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=682796 |
| Beschreibung: | Description based on print version record |
| Umfang: | 1 online resource (x, 226 pages) |
| ISBN: | 0802096514 0802097103 1442698543 9780802096517 9780802097101 9781442698543 |
Internformat
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| 505 | 8 | |a Auteur and autobiography. Constructing an auteur ; Bobbio and My mother's smile : autobiography in Bellocchio's cinema -- Bellocchio's political cinema in the sixties and seventies. The problems of Impegno in the era of postmodernism ; The nature of Bellocchio's Impegno ; The militant documentaries, Nel nome del padre, and Marcia trionfale : contestation, Impegno, and collectivity -- The dreaming "I" : inferiority and Massimo Fagioli's model of the unconscious. Massimo Fagioli and group therapy ; Massimo Fagioli's model of the unconscious ; Screening the "I" : styles of inferiority ; Conclusion -- Bellocchio's political cinema from the eighties to the present. Italian terrorism : Buongiorno, notte ; Vincere : the stripped self ; Conclusion -- The rebel "I" : patriarchy and parents. The woman as rebel : politics and patriarchy ; Rebellion in the name of the father and the family : I pugni in tasca, Il Principe di Homburg, and L'orda di religione ; Conclusion -- Tradition and its discontents. Adaptations and citations : Pirandello, Manzoni, and the overturning of the father-text ; Conclusion : private cinema in a public sphere | |
| 600 | 1 | 4 | |a Bellocchio, Marco / 1939- / Critique et interprétation |
| 600 | 1 | 7 | |a Bellocchio, Marco / 1939- |2 fast |
| 600 | 1 | 4 | |a Bellocchio, Marco |d 1939- |x Criticism and interpretation |
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Datensatz im Suchindex
| _version_ | 1820975130334986240 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Brook, Clodagh J. |
| author_facet | Brook, Clodagh J. |
| author_role | aut |
| author_sort | Brook, Clodagh J. |
| author_variant | c j b cj cjb |
| building | Verbundindex |
| bvnumber | BV043035993 |
| collection | ZDB-4-EBA |
| contents | Auteur and autobiography. Constructing an auteur ; Bobbio and My mother's smile : autobiography in Bellocchio's cinema -- Bellocchio's political cinema in the sixties and seventies. The problems of Impegno in the era of postmodernism ; The nature of Bellocchio's Impegno ; The militant documentaries, Nel nome del padre, and Marcia trionfale : contestation, Impegno, and collectivity -- The dreaming "I" : inferiority and Massimo Fagioli's model of the unconscious. Massimo Fagioli and group therapy ; Massimo Fagioli's model of the unconscious ; Screening the "I" : styles of inferiority ; Conclusion -- Bellocchio's political cinema from the eighties to the present. Italian terrorism : Buongiorno, notte ; Vincere : the stripped self ; Conclusion -- The rebel "I" : patriarchy and parents. The woman as rebel : politics and patriarchy ; Rebellion in the name of the father and the family : I pugni in tasca, Il Principe di Homburg, and L'orda di religione ; Conclusion -- Tradition and its discontents. Adaptations and citations : Pirandello, Manzoni, and the overturning of the father-text ; Conclusion : private cinema in a public sphere |
| ctrlnum | (OCoLC)875279580 (DE-599)BVBBV043035993 |
| dewey-full | 791.4302/33092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4302/33092 |
| dewey-search | 791.4302/33092 |
| dewey-sort | 3791.4302 533092 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte 1965- gnd |
| era_facet | Geschichte 1965- |
| format | Electronic eBook |
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| geographic_facet | Italien |
| id | DE-604.BV043035993 |
| illustrated | Not Illustrated |
| indexdate | 2025-01-11T17:40:12Z |
| institution | BVB |
| isbn | 0802096514 0802097103 1442698543 9780802096517 9780802097101 9781442698543 |
| language | English |
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| publishDate | 2009 |
| publishDateSearch | 2010 |
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| publisher | University of Toronto Press |
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| spelling | Brook, Clodagh J. Verfasser aut Marco Bellocchio the cinematic I in the political sphere Clodagh J. Brook Toronto ; Buffalo University of Toronto Press [2009] © 2009 1 online resource (x, 226 pages) txt rdacontent c rdamedia cr rdacarrier Toronto Italian studies Description based on print version record Auteur and autobiography. Constructing an auteur ; Bobbio and My mother's smile : autobiography in Bellocchio's cinema -- Bellocchio's political cinema in the sixties and seventies. The problems of Impegno in the era of postmodernism ; The nature of Bellocchio's Impegno ; The militant documentaries, Nel nome del padre, and Marcia trionfale : contestation, Impegno, and collectivity -- The dreaming "I" : inferiority and Massimo Fagioli's model of the unconscious. Massimo Fagioli and group therapy ; Massimo Fagioli's model of the unconscious ; Screening the "I" : styles of inferiority ; Conclusion -- Bellocchio's political cinema from the eighties to the present. Italian terrorism : Buongiorno, notte ; Vincere : the stripped self ; Conclusion -- The rebel "I" : patriarchy and parents. The woman as rebel : politics and patriarchy ; Rebellion in the name of the father and the family : I pugni in tasca, Il Principe di Homburg, and L'orda di religione ; Conclusion -- Tradition and its discontents. Adaptations and citations : Pirandello, Manzoni, and the overturning of the father-text ; Conclusion : private cinema in a public sphere Bellocchio, Marco / 1939- / Critique et interprétation Bellocchio, Marco / 1939- fast Bellocchio, Marco 1939- Criticism and interpretation Bellocchio, Marco 1939- (DE-588)121062023 gnd rswk-swf Geschichte 1965- gnd rswk-swf PERFORMING ARTS / Reference bisacsh Film (DE-588)4017102-4 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Italien (DE-588)4027833-5 g Film (DE-588)4017102-4 s Geschichte 1965- z 1\p DE-604 Bellocchio, Marco 1939- (DE-588)121062023 p 2\p DE-604 Erscheint auch als Druck-Ausgabe Brook, Clodagh J . Marco Bellocchio http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=682796 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Brook, Clodagh J. Marco Bellocchio the cinematic I in the political sphere Auteur and autobiography. Constructing an auteur ; Bobbio and My mother's smile : autobiography in Bellocchio's cinema -- Bellocchio's political cinema in the sixties and seventies. The problems of Impegno in the era of postmodernism ; The nature of Bellocchio's Impegno ; The militant documentaries, Nel nome del padre, and Marcia trionfale : contestation, Impegno, and collectivity -- The dreaming "I" : inferiority and Massimo Fagioli's model of the unconscious. Massimo Fagioli and group therapy ; Massimo Fagioli's model of the unconscious ; Screening the "I" : styles of inferiority ; Conclusion -- Bellocchio's political cinema from the eighties to the present. Italian terrorism : Buongiorno, notte ; Vincere : the stripped self ; Conclusion -- The rebel "I" : patriarchy and parents. The woman as rebel : politics and patriarchy ; Rebellion in the name of the father and the family : I pugni in tasca, Il Principe di Homburg, and L'orda di religione ; Conclusion -- Tradition and its discontents. Adaptations and citations : Pirandello, Manzoni, and the overturning of the father-text ; Conclusion : private cinema in a public sphere Bellocchio, Marco / 1939- / Critique et interprétation Bellocchio, Marco / 1939- fast Bellocchio, Marco 1939- Criticism and interpretation Bellocchio, Marco 1939- (DE-588)121062023 gnd PERFORMING ARTS / Reference bisacsh Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)121062023 (DE-588)4017102-4 (DE-588)4027833-5 |
| title | Marco Bellocchio the cinematic I in the political sphere |
| title_auth | Marco Bellocchio the cinematic I in the political sphere |
| title_exact_search | Marco Bellocchio the cinematic I in the political sphere |
| title_full | Marco Bellocchio the cinematic I in the political sphere Clodagh J. Brook |
| title_fullStr | Marco Bellocchio the cinematic I in the political sphere Clodagh J. Brook |
| title_full_unstemmed | Marco Bellocchio the cinematic I in the political sphere Clodagh J. Brook |
| title_short | Marco Bellocchio |
| title_sort | marco bellocchio the cinematic i in the political sphere |
| title_sub | the cinematic I in the political sphere |
| topic | Bellocchio, Marco / 1939- / Critique et interprétation Bellocchio, Marco / 1939- fast Bellocchio, Marco 1939- Criticism and interpretation Bellocchio, Marco 1939- (DE-588)121062023 gnd PERFORMING ARTS / Reference bisacsh Film (DE-588)4017102-4 gnd |
| topic_facet | Bellocchio, Marco / 1939- / Critique et interprétation Bellocchio, Marco / 1939- Bellocchio, Marco 1939- Criticism and interpretation Bellocchio, Marco 1939- PERFORMING ARTS / Reference Film Italien |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=682796 |
| work_keys_str_mv | AT brookclodaghj marcobellocchiothecinematiciinthepoliticalsphere |