Paris School Semiotics: Volume II: Practice
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Amsterdam
John Benjamins Publishing Company
1989
|
| Schlagwörter: | |
| Links: | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=416461 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=416461 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=416461 |
| Beschreibung: | Print version record. - II. 2. The Circulating Object |
| Umfang: | 1 online resource (241 pages) |
| ISBN: | 1283424576 9027278377 9781283424578 9789027278371 |
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| 505 | 8 | |a PARIS SCHOOL SEMIOTICS II. PRACTICE; Title page; Editorial page; Copyright page; Table of contents; Introduction; NOTES; Basil Soup or the Construction of an Object of Value; I. THE CULINARY RECIPE; II. OBJECT AND VALUE; III. THE STRATEGIC ARRANGEMENT; III. 1. The Vegetable Soup; III. 2. The Basil Sauce (Pistou); III. 3. The Programming; IV. SOME CONCLUSIONS; NOTE; Linguistic Meaning and Re-Interpretation. The Work, by Tom Pickard; INTRODUCTION; I. TEXTUAL STRUCTURES; 1. Preliminary Observations; 2. Groupings and Relationships; 3. Remarks; II. SEMIO-NARRATTVE STRUCTURES. | |
| 505 | 8 | |a 1. Marks and Form of Narrativity2. The Predicative Analysis; 3. The Transformational Analysis; 4. Narrativization; III. DISCURSIVE STRUCTURES; 1. Actorialization; 2. Enunciation/Veridiction; 3. Figurativization; 4. Manipulation; IV. RE-INTERPRETATION AND EXEGESIS; 1. Primary meaning: and after?; 2. Referenciation; 1. (Re- )contextualization; 2. Conflicts of values; 3. Symbolicity; 1. The psychoanalytical hypothesis; 2. A metalinguistic reading; NOTES; The Function of Admiration in the Esthetic of the XVIIth Century. The "Roman charity" scene in Poussin's La Manne; I. METHOD -- OBJECT OF STUDY. | |
| 505 | 8 | |a I.1. Uttered enunciation -- a point of access to the estheticI.2. "Roman charity"; I.3. Philological digression; II. ADMIRATION; II.1. "Admiration" according to Descartes and Malebranche; II.2. A passion sequence: curiosity -- "admiration" -- consideration; III. TOWARD A NARRATIVE ANALYSIS OF ENUNCIATION; III.1. "Admiration" in Enunciative Strategy; III.2. A Rhetoric of Manipulation; III.3. Human charity -- divine charity; III.4. Man-hu: what is that?; III.5. The story given by the enunciative process: the marvel -- the miracle -- the mystery; III.6. Classical esthetics -- Baroque esthetics | |
| 505 | 8 | |a APPENDIXEXTERNA; NOTES; REFERENCES; Sources; Studies; The Semiotics of the Plastic Arts and the Language of Advertising. Analysis of an Advertisement from the Campaign to Launch the "News" Brand Cigarette; I. INTRODUCTORY NOTE; II. ANALYSIS OF THE ADVERTISEMENTS SIGNIFIER; III. A STUDY OF THE SIGNIFIED OF THE ADVERTISEMENT; IV. THE PLASTIC DIMENSION AND THE SEMI-SYMBOLIC SYSTEM; V. THE OTHER ADVERTISEMENTS OF THE CAMPAIGN; VI. CONCLUSION; Public Opinion and its Spokesmen; I.A SEMIOTTC OBJECT; II. ADRAMATURGY; II.1. "Public Opinion" and "Political Class"; II.2. The Public | |
| 505 | 8 | |a II. 3. The Sharing of CompetenciesIII. WHAT IS THE USE OF OPINION?; III. 1. A Polyvalent Operator; III. 2. The Problematics of the Narrator; III. 3. Qualitative and Quantitative Points of View; IV. IDEOLOGICAL VARIATIONS; IV. 1. Following Public Opinion; IV. 2. Defying Opinion; IV. 3. Deceiving Public Opinion; IV. 4. Facing Opinion; V.A FUNCTIONAL SPECTACLE; V.1. The Authorized Enunciator; V.2. The Normalized Enunciatee; NOTES; On Demonstration. An Analysis of the Actantial Structure of Causing-to-Believe; I. INTRODUCTION; II. THE REALIZED PERFORMANCE; II. 1. Global Segmentation | |
| 650 | 7 | |a REFERENCE / Questions & Answers |2 bisacsh | |
| 700 | 1 | |a Collins, Frank |e Sonstige |4 oth | |
| 700 | 1 | |a Collins, Frank H. |e Sonstige |4 oth | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Perron, Paul |t Paris School Semiotics : Volume II: Practice |
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Datensatz im Suchindex
| _version_ | 1818981110306045952 |
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| any_adam_object | |
| author | Perron, Paul |
| author_facet | Perron, Paul |
| author_role | aut |
| author_sort | Perron, Paul |
| author_variant | p p pp |
| building | Verbundindex |
| bvnumber | BV043032167 |
| collection | ZDB-4-EBA |
| contents | PARIS SCHOOL SEMIOTICS II. PRACTICE; Title page; Editorial page; Copyright page; Table of contents; Introduction; NOTES; Basil Soup or the Construction of an Object of Value; I. THE CULINARY RECIPE; II. OBJECT AND VALUE; III. THE STRATEGIC ARRANGEMENT; III. 1. The Vegetable Soup; III. 2. The Basil Sauce (Pistou); III. 3. The Programming; IV. SOME CONCLUSIONS; NOTE; Linguistic Meaning and Re-Interpretation. The Work, by Tom Pickard; INTRODUCTION; I. TEXTUAL STRUCTURES; 1. Preliminary Observations; 2. Groupings and Relationships; 3. Remarks; II. SEMIO-NARRATTVE STRUCTURES. 1. Marks and Form of Narrativity2. The Predicative Analysis; 3. The Transformational Analysis; 4. Narrativization; III. DISCURSIVE STRUCTURES; 1. Actorialization; 2. Enunciation/Veridiction; 3. Figurativization; 4. Manipulation; IV. RE-INTERPRETATION AND EXEGESIS; 1. Primary meaning: and after?; 2. Referenciation; 1. (Re- )contextualization; 2. Conflicts of values; 3. Symbolicity; 1. The psychoanalytical hypothesis; 2. A metalinguistic reading; NOTES; The Function of Admiration in the Esthetic of the XVIIth Century. The "Roman charity" scene in Poussin's La Manne; I. METHOD -- OBJECT OF STUDY. I.1. Uttered enunciation -- a point of access to the estheticI.2. "Roman charity"; I.3. Philological digression; II. ADMIRATION; II.1. "Admiration" according to Descartes and Malebranche; II.2. A passion sequence: curiosity -- "admiration" -- consideration; III. TOWARD A NARRATIVE ANALYSIS OF ENUNCIATION; III.1. "Admiration" in Enunciative Strategy; III.2. A Rhetoric of Manipulation; III.3. Human charity -- divine charity; III.4. Man-hu: what is that?; III.5. The story given by the enunciative process: the marvel -- the miracle -- the mystery; III.6. Classical esthetics -- Baroque esthetics APPENDIXEXTERNA; NOTES; REFERENCES; Sources; Studies; The Semiotics of the Plastic Arts and the Language of Advertising. Analysis of an Advertisement from the Campaign to Launch the "News" Brand Cigarette; I. INTRODUCTORY NOTE; II. ANALYSIS OF THE ADVERTISEMENTS SIGNIFIER; III. A STUDY OF THE SIGNIFIED OF THE ADVERTISEMENT; IV. THE PLASTIC DIMENSION AND THE SEMI-SYMBOLIC SYSTEM; V. THE OTHER ADVERTISEMENTS OF THE CAMPAIGN; VI. CONCLUSION; Public Opinion and its Spokesmen; I.A SEMIOTTC OBJECT; II. ADRAMATURGY; II.1. "Public Opinion" and "Political Class"; II.2. The Public II. 3. The Sharing of CompetenciesIII. WHAT IS THE USE OF OPINION?; III. 1. A Polyvalent Operator; III. 2. The Problematics of the Narrator; III. 3. Qualitative and Quantitative Points of View; IV. IDEOLOGICAL VARIATIONS; IV. 1. Following Public Opinion; IV. 2. Defying Opinion; IV. 3. Deceiving Public Opinion; IV. 4. Facing Opinion; V.A FUNCTIONAL SPECTACLE; V.1. The Authorized Enunciator; V.2. The Normalized Enunciatee; NOTES; On Demonstration. An Analysis of the Actantial Structure of Causing-to-Believe; I. INTRODUCTION; II. THE REALIZED PERFORMANCE; II. 1. Global Segmentation |
| ctrlnum | (OCoLC)769344130 (DE-599)BVBBV043032167 |
| dewey-full | 001.51/0944 |
| dewey-hundreds | 000 - Computer science, information, general works |
| dewey-ones | 001 - Knowledge |
| dewey-raw | 001.51/0944 |
| dewey-search | 001.51/0944 |
| dewey-sort | 11.51 3944 |
| dewey-tens | 000 - Computer science, information, general works |
| discipline | Allgemeines |
| format | Electronic eBook |
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| isbn | 1283424576 9027278377 9781283424578 9789027278371 |
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| spelling | Perron, Paul Verfasser aut Paris School Semiotics Volume II: Practice Amsterdam John Benjamins Publishing Company 1989 1 online resource (241 pages) txt rdacontent c rdamedia cr rdacarrier Print version record. - II. 2. The Circulating Object PARIS SCHOOL SEMIOTICS II. PRACTICE; Title page; Editorial page; Copyright page; Table of contents; Introduction; NOTES; Basil Soup or the Construction of an Object of Value; I. THE CULINARY RECIPE; II. OBJECT AND VALUE; III. THE STRATEGIC ARRANGEMENT; III. 1. The Vegetable Soup; III. 2. The Basil Sauce (Pistou); III. 3. The Programming; IV. SOME CONCLUSIONS; NOTE; Linguistic Meaning and Re-Interpretation. The Work, by Tom Pickard; INTRODUCTION; I. TEXTUAL STRUCTURES; 1. Preliminary Observations; 2. Groupings and Relationships; 3. Remarks; II. SEMIO-NARRATTVE STRUCTURES. 1. Marks and Form of Narrativity2. The Predicative Analysis; 3. The Transformational Analysis; 4. Narrativization; III. DISCURSIVE STRUCTURES; 1. Actorialization; 2. Enunciation/Veridiction; 3. Figurativization; 4. Manipulation; IV. RE-INTERPRETATION AND EXEGESIS; 1. Primary meaning: and after?; 2. Referenciation; 1. (Re- )contextualization; 2. Conflicts of values; 3. Symbolicity; 1. The psychoanalytical hypothesis; 2. A metalinguistic reading; NOTES; The Function of Admiration in the Esthetic of the XVIIth Century. The "Roman charity" scene in Poussin's La Manne; I. METHOD -- OBJECT OF STUDY. I.1. Uttered enunciation -- a point of access to the estheticI.2. "Roman charity"; I.3. Philological digression; II. ADMIRATION; II.1. "Admiration" according to Descartes and Malebranche; II.2. A passion sequence: curiosity -- "admiration" -- consideration; III. TOWARD A NARRATIVE ANALYSIS OF ENUNCIATION; III.1. "Admiration" in Enunciative Strategy; III.2. A Rhetoric of Manipulation; III.3. Human charity -- divine charity; III.4. Man-hu: what is that?; III.5. The story given by the enunciative process: the marvel -- the miracle -- the mystery; III.6. Classical esthetics -- Baroque esthetics APPENDIXEXTERNA; NOTES; REFERENCES; Sources; Studies; The Semiotics of the Plastic Arts and the Language of Advertising. Analysis of an Advertisement from the Campaign to Launch the "News" Brand Cigarette; I. INTRODUCTORY NOTE; II. ANALYSIS OF THE ADVERTISEMENTS SIGNIFIER; III. A STUDY OF THE SIGNIFIED OF THE ADVERTISEMENT; IV. THE PLASTIC DIMENSION AND THE SEMI-SYMBOLIC SYSTEM; V. THE OTHER ADVERTISEMENTS OF THE CAMPAIGN; VI. CONCLUSION; Public Opinion and its Spokesmen; I.A SEMIOTTC OBJECT; II. ADRAMATURGY; II.1. "Public Opinion" and "Political Class"; II.2. The Public II. 3. The Sharing of CompetenciesIII. WHAT IS THE USE OF OPINION?; III. 1. A Polyvalent Operator; III. 2. The Problematics of the Narrator; III. 3. Qualitative and Quantitative Points of View; IV. IDEOLOGICAL VARIATIONS; IV. 1. Following Public Opinion; IV. 2. Defying Opinion; IV. 3. Deceiving Public Opinion; IV. 4. Facing Opinion; V.A FUNCTIONAL SPECTACLE; V.1. The Authorized Enunciator; V.2. The Normalized Enunciatee; NOTES; On Demonstration. An Analysis of the Actantial Structure of Causing-to-Believe; I. INTRODUCTION; II. THE REALIZED PERFORMANCE; II. 1. Global Segmentation REFERENCE / Questions & Answers bisacsh Collins, Frank Sonstige oth Collins, Frank H. Sonstige oth Erscheint auch als Druck-Ausgabe Perron, Paul Paris School Semiotics : Volume II: Practice http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=416461 Aggregator Volltext |
| spellingShingle | Perron, Paul Paris School Semiotics Volume II: Practice PARIS SCHOOL SEMIOTICS II. PRACTICE; Title page; Editorial page; Copyright page; Table of contents; Introduction; NOTES; Basil Soup or the Construction of an Object of Value; I. THE CULINARY RECIPE; II. OBJECT AND VALUE; III. THE STRATEGIC ARRANGEMENT; III. 1. The Vegetable Soup; III. 2. The Basil Sauce (Pistou); III. 3. The Programming; IV. SOME CONCLUSIONS; NOTE; Linguistic Meaning and Re-Interpretation. The Work, by Tom Pickard; INTRODUCTION; I. TEXTUAL STRUCTURES; 1. Preliminary Observations; 2. Groupings and Relationships; 3. Remarks; II. SEMIO-NARRATTVE STRUCTURES. 1. Marks and Form of Narrativity2. The Predicative Analysis; 3. The Transformational Analysis; 4. Narrativization; III. DISCURSIVE STRUCTURES; 1. Actorialization; 2. Enunciation/Veridiction; 3. Figurativization; 4. Manipulation; IV. RE-INTERPRETATION AND EXEGESIS; 1. Primary meaning: and after?; 2. Referenciation; 1. (Re- )contextualization; 2. Conflicts of values; 3. Symbolicity; 1. The psychoanalytical hypothesis; 2. A metalinguistic reading; NOTES; The Function of Admiration in the Esthetic of the XVIIth Century. The "Roman charity" scene in Poussin's La Manne; I. METHOD -- OBJECT OF STUDY. I.1. Uttered enunciation -- a point of access to the estheticI.2. "Roman charity"; I.3. Philological digression; II. ADMIRATION; II.1. "Admiration" according to Descartes and Malebranche; II.2. A passion sequence: curiosity -- "admiration" -- consideration; III. TOWARD A NARRATIVE ANALYSIS OF ENUNCIATION; III.1. "Admiration" in Enunciative Strategy; III.2. A Rhetoric of Manipulation; III.3. Human charity -- divine charity; III.4. Man-hu: what is that?; III.5. The story given by the enunciative process: the marvel -- the miracle -- the mystery; III.6. Classical esthetics -- Baroque esthetics APPENDIXEXTERNA; NOTES; REFERENCES; Sources; Studies; The Semiotics of the Plastic Arts and the Language of Advertising. Analysis of an Advertisement from the Campaign to Launch the "News" Brand Cigarette; I. INTRODUCTORY NOTE; II. ANALYSIS OF THE ADVERTISEMENTS SIGNIFIER; III. A STUDY OF THE SIGNIFIED OF THE ADVERTISEMENT; IV. THE PLASTIC DIMENSION AND THE SEMI-SYMBOLIC SYSTEM; V. THE OTHER ADVERTISEMENTS OF THE CAMPAIGN; VI. CONCLUSION; Public Opinion and its Spokesmen; I.A SEMIOTTC OBJECT; II. ADRAMATURGY; II.1. "Public Opinion" and "Political Class"; II.2. The Public II. 3. The Sharing of CompetenciesIII. WHAT IS THE USE OF OPINION?; III. 1. A Polyvalent Operator; III. 2. The Problematics of the Narrator; III. 3. Qualitative and Quantitative Points of View; IV. IDEOLOGICAL VARIATIONS; IV. 1. Following Public Opinion; IV. 2. Defying Opinion; IV. 3. Deceiving Public Opinion; IV. 4. Facing Opinion; V.A FUNCTIONAL SPECTACLE; V.1. The Authorized Enunciator; V.2. The Normalized Enunciatee; NOTES; On Demonstration. An Analysis of the Actantial Structure of Causing-to-Believe; I. INTRODUCTION; II. THE REALIZED PERFORMANCE; II. 1. Global Segmentation REFERENCE / Questions & Answers bisacsh |
| title | Paris School Semiotics Volume II: Practice |
| title_auth | Paris School Semiotics Volume II: Practice |
| title_exact_search | Paris School Semiotics Volume II: Practice |
| title_full | Paris School Semiotics Volume II: Practice |
| title_fullStr | Paris School Semiotics Volume II: Practice |
| title_full_unstemmed | Paris School Semiotics Volume II: Practice |
| title_short | Paris School Semiotics |
| title_sort | paris school semiotics volume ii practice |
| title_sub | Volume II: Practice |
| topic | REFERENCE / Questions & Answers bisacsh |
| topic_facet | REFERENCE / Questions & Answers |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=416461 |
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