Introduction to documentary:
Gespeichert in:
Beteilige Person: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | Englisch |
Veröffentlicht: |
Bloomington
Indiana University Press
2010
|
Ausgabe: | Second edition |
Schlagwörter: | |
Links: | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=349480 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=349480 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=349480 |
Beschreibung: | Description based on print version record |
Umfang: | 1 online resource (xviii, 341 pages) illustrations |
ISBN: | 025300487X 0253222605 0253355567 9780253004871 9780253222602 9780253355560 |
Internformat
MARC
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100 | 1 | |a Nichols, Bill |d 1942- |e Verfasser |0 (DE-588)1013612752 |4 aut | |
245 | 1 | 0 | |a Introduction to documentary |c Bill Nichols |
250 | |a Second edition | ||
264 | 1 | |a Bloomington |b Indiana University Press |c 2010 | |
264 | 4 | |c © 2010 | |
300 | |a 1 online resource (xviii, 341 pages) |b illustrations | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a Description based on print version record | ||
505 | 8 | |a Introduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentary films a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentaries? categories, models, and the expository and poetic modes of documentary film -- How can we describe the observational, participatory, reflexive, and performative modes of documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary? | |
650 | 7 | |a LANGUAGE ARTS & DISCIPLINES / Journalism |2 bisacsh | |
650 | 7 | |a Documentary films |2 fast | |
650 | 4 | |a Documentary films |x History and criticism | |
650 | 0 | 7 | |a Dokumentarfilm |0 (DE-588)4012653-5 |2 gnd |9 rswk-swf |
655 | 7 | |0 (DE-588)4151278-9 |a Einführung |2 gnd-content | |
689 | 0 | 0 | |a Dokumentarfilm |0 (DE-588)4012653-5 |D s |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Nichols, Bill, 1942- |t Introduction to documentary |
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Datensatz im Suchindex
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any_adam_object | |
author | Nichols, Bill 1942- |
author_GND | (DE-588)1013612752 |
author_facet | Nichols, Bill 1942- |
author_role | aut |
author_sort | Nichols, Bill 1942- |
author_variant | b n bn |
building | Verbundindex |
bvnumber | BV043032090 |
collection | ZDB-4-EBA |
contents | Introduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentary films a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentaries? categories, models, and the expository and poetic modes of documentary film -- How can we describe the observational, participatory, reflexive, and performative modes of documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary? |
ctrlnum | (OCoLC)695998458 (DE-599)BVBBV043032090 |
dewey-full | 070.1/8 |
dewey-hundreds | 000 - Computer science, information, general works |
dewey-ones | 070 - Documentary, educational, news media; journalism |
dewey-raw | 070.1/8 |
dewey-search | 070.1/8 |
dewey-sort | 270.1 18 |
dewey-tens | 070 - Documentary, educational, news media; journalism |
discipline | Allgemeines |
edition | Second edition |
format | Electronic eBook |
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genre_facet | Einführung |
id | DE-604.BV043032090 |
illustrated | Illustrated |
indexdate | 2024-12-20T17:26:06Z |
institution | BVB |
isbn | 025300487X 0253222605 0253355567 9780253004871 9780253222602 9780253355560 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028456741 |
oclc_num | 695998458 |
open_access_boolean | |
owner | DE-1046 DE-1047 |
owner_facet | DE-1046 DE-1047 |
physical | 1 online resource (xviii, 341 pages) illustrations |
psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
publishDate | 2010 |
publishDateSearch | 2010 |
publishDateSort | 2010 |
publisher | Indiana University Press |
record_format | marc |
spelling | Nichols, Bill 1942- Verfasser (DE-588)1013612752 aut Introduction to documentary Bill Nichols Second edition Bloomington Indiana University Press 2010 © 2010 1 online resource (xviii, 341 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Description based on print version record Introduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentary films a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentaries? categories, models, and the expository and poetic modes of documentary film -- How can we describe the observational, participatory, reflexive, and performative modes of documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary? LANGUAGE ARTS & DISCIPLINES / Journalism bisacsh Documentary films fast Documentary films History and criticism Dokumentarfilm (DE-588)4012653-5 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Dokumentarfilm (DE-588)4012653-5 s DE-604 Erscheint auch als Druck-Ausgabe Nichols, Bill, 1942- Introduction to documentary http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=349480 Aggregator Volltext |
spellingShingle | Nichols, Bill 1942- Introduction to documentary Introduction -- How can we define documentary film? -- Why are ethical issues central to documentary filmmaking? -- What gives documentary films a voice of their own? -- What makes documentaries engaging and persuasive? -- How did documentary filmmaking get started? -- How can we differentiate among documentaries? categories, models, and the expository and poetic modes of documentary film -- How can we describe the observational, participatory, reflexive, and performative modes of documentary film? -- How have documentaries addressed social and political issues? -- How can we write effectively about documentary? LANGUAGE ARTS & DISCIPLINES / Journalism bisacsh Documentary films fast Documentary films History and criticism Dokumentarfilm (DE-588)4012653-5 gnd |
subject_GND | (DE-588)4012653-5 (DE-588)4151278-9 |
title | Introduction to documentary |
title_auth | Introduction to documentary |
title_exact_search | Introduction to documentary |
title_full | Introduction to documentary Bill Nichols |
title_fullStr | Introduction to documentary Bill Nichols |
title_full_unstemmed | Introduction to documentary Bill Nichols |
title_short | Introduction to documentary |
title_sort | introduction to documentary |
topic | LANGUAGE ARTS & DISCIPLINES / Journalism bisacsh Documentary films fast Documentary films History and criticism Dokumentarfilm (DE-588)4012653-5 gnd |
topic_facet | LANGUAGE ARTS & DISCIPLINES / Journalism Documentary films Documentary films History and criticism Dokumentarfilm Einführung |
url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=349480 |
work_keys_str_mv | AT nicholsbill introductiontodocumentary |