The theatrical public sphere:
The concept of the public sphere, as first outlined by German philosopher Jürgen Habermas, refers to the right of all citizens to engage in debate on public issues on equal terms. In this book, Christopher B. Balme explores theatre's role in this crucial political and social function. He traces...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge, United Kingdom
Cambridge University Press
July 2014
|
| Subjects: | |
| Links: | https://doi.org/10.1017/CBO9781139051668 https://doi.org/10.1017/CBO9781139051668 https://doi.org/10.1017/CBO9781139051668 https://doi.org/10.1017/CBO9781139051668 |
| Summary: | The concept of the public sphere, as first outlined by German philosopher Jürgen Habermas, refers to the right of all citizens to engage in debate on public issues on equal terms. In this book, Christopher B. Balme explores theatre's role in this crucial political and social function. He traces its origins and argues that the theatrical public sphere invariably focuses attention on theatre as an institution between the shifting borders of the private and public, reasoned debate and agonistic intervention. Chapters explore this concept in a variety of contexts, including the debates that led to the closure of British theatres in 1642, theatre's use of media, controversies surrounding race, religion and blasphemy, and theatre's place in a new age of globalised aesthetics. Balme concludes by addressing the relationship of theatre today with the public sphere and whether theatre's transformation into an art form has made it increasingly irrelevant for contemporary society. |
| Item Description: | Literaturverzeichnis Seite 203-213 |
| Physical Description: | 1 Online-Ressource (XI, 220 Seiten) Illustrationen |
| ISBN: | 9781139051668 |
| DOI: | 10.1017/CBO9781139051668 |
Staff View
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV042904749 | ||
| 003 | DE-604 | ||
| 005 | 20200629 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 151002s2014 xx a||| o|||| 00||| eng d | ||
| 020 | |a 9781139051668 |c Online |9 978-1-139-05166-8 | ||
| 024 | 7 | |a 10.1017/CBO9781139051668 |2 doi | |
| 035 | |a (OCoLC)882957908 | ||
| 035 | |a (DE-599)BVBBV042904749 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-19 |a DE-473 |a DE-188 | ||
| 050 | 0 | |a PN2051 | |
| 082 | 0 | |a 792.01 |2 23 | |
| 084 | |a AP 67000 |0 (DE-625)7850: |2 rvk | ||
| 100 | 1 | |a Balme, Christopher |d 1957- |e Verfasser |0 (DE-588)143490001 |4 aut | |
| 245 | 1 | 0 | |a The theatrical public sphere |c Christopher B. Balme |
| 264 | 1 | |a Cambridge, United Kingdom |b Cambridge University Press |c July 2014 | |
| 300 | |a 1 Online-Ressource (XI, 220 Seiten) |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Literaturverzeichnis Seite 203-213 | ||
| 520 | |a The concept of the public sphere, as first outlined by German philosopher Jürgen Habermas, refers to the right of all citizens to engage in debate on public issues on equal terms. In this book, Christopher B. Balme explores theatre's role in this crucial political and social function. He traces its origins and argues that the theatrical public sphere invariably focuses attention on theatre as an institution between the shifting borders of the private and public, reasoned debate and agonistic intervention. Chapters explore this concept in a variety of contexts, including the debates that led to the closure of British theatres in 1642, theatre's use of media, controversies surrounding race, religion and blasphemy, and theatre's place in a new age of globalised aesthetics. Balme concludes by addressing the relationship of theatre today with the public sphere and whether theatre's transformation into an art form has made it increasingly irrelevant for contemporary society. | ||
| 650 | 4 | |a Theater and society | |
| 650 | 0 | 7 | |a Theater |0 (DE-588)4059702-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Öffentlichkeit |0 (DE-588)4043183-6 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Theater |0 (DE-588)4059702-7 |D s |
| 689 | 0 | 1 | |a Öffentlichkeit |0 (DE-588)4043183-6 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-107-00683-6 |w (DE-604)BV041950034 |
| 856 | 4 | 0 | |u https://doi.org/10.1017/CBO9781139051668 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-20-CBO | ||
| 912 | |a ebook | ||
| 940 | 1 | |q UBG_PDA_CBO | |
| 940 | 1 | |q UBM_Einzelkauf | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-028332765 | |
| 966 | e | |u https://doi.org/10.1017/CBO9781139051668 |l DE-188 |p ZDB-20-CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/CBO9781139051668 |l DE-473 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/CBO9781139051668 |l DE-19 |p ZDB-20-CBO |q UBM_Einzelkauf |x Verlag |3 Volltext | |
Record in the Search Index
| _version_ | 1818980906788978688 |
|---|---|
| any_adam_object | |
| author | Balme, Christopher 1957- |
| author_GND | (DE-588)143490001 |
| author_facet | Balme, Christopher 1957- |
| author_role | aut |
| author_sort | Balme, Christopher 1957- |
| author_variant | c b cb |
| building | Verbundindex |
| bvnumber | BV042904749 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN2051 |
| callnumber-raw | PN2051 |
| callnumber-search | PN2051 |
| callnumber-sort | PN 42051 |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 67000 |
| collection | ZDB-20-CBO ebook |
| ctrlnum | (OCoLC)882957908 (DE-599)BVBBV042904749 |
| dewey-full | 792.01 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.01 |
| dewey-search | 792.01 |
| dewey-sort | 3792.01 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| doi_str_mv | 10.1017/CBO9781139051668 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02932nam a2200505 c 4500</leader><controlfield tag="001">BV042904749</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20200629 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">151002s2014 xx a||| o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781139051668</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-139-05166-8</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/CBO9781139051668</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)882957908</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV042904749</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-19</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PN2051</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">792.01</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 67000</subfield><subfield code="0">(DE-625)7850:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Balme, Christopher</subfield><subfield code="d">1957-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)143490001</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The theatrical public sphere</subfield><subfield code="c">Christopher B. Balme</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge, United Kingdom</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">July 2014</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (XI, 220 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Literaturverzeichnis Seite 203-213</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The concept of the public sphere, as first outlined by German philosopher Jürgen Habermas, refers to the right of all citizens to engage in debate on public issues on equal terms. In this book, Christopher B. Balme explores theatre's role in this crucial political and social function. He traces its origins and argues that the theatrical public sphere invariably focuses attention on theatre as an institution between the shifting borders of the private and public, reasoned debate and agonistic intervention. Chapters explore this concept in a variety of contexts, including the debates that led to the closure of British theatres in 1642, theatre's use of media, controversies surrounding race, religion and blasphemy, and theatre's place in a new age of globalised aesthetics. Balme concludes by addressing the relationship of theatre today with the public sphere and whether theatre's transformation into an art form has made it increasingly irrelevant for contemporary society.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Theater and society</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Öffentlichkeit</subfield><subfield code="0">(DE-588)4043183-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Öffentlichkeit</subfield><subfield code="0">(DE-588)4043183-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-107-00683-6</subfield><subfield code="w">(DE-604)BV041950034</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/CBO9781139051668</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ebook</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">UBG_PDA_CBO</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">UBM_Einzelkauf</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028332765</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9781139051668</subfield><subfield code="l">DE-188</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9781139051668</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9781139051668</subfield><subfield code="l">DE-19</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBM_Einzelkauf</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV042904749 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T17:22:52Z |
| institution | BVB |
| isbn | 9781139051668 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028332765 |
| oclc_num | 882957908 |
| open_access_boolean | |
| owner | DE-19 DE-BY-UBM DE-473 DE-BY-UBG DE-188 |
| owner_facet | DE-19 DE-BY-UBM DE-473 DE-BY-UBG DE-188 |
| physical | 1 Online-Ressource (XI, 220 Seiten) Illustrationen |
| psigel | ZDB-20-CBO ebook UBG_PDA_CBO UBM_Einzelkauf ZDB-20-CBO UBG_PDA_CBO ZDB-20-CBO UBM_Einzelkauf |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Cambridge University Press |
| record_format | marc |
| spelling | Balme, Christopher 1957- Verfasser (DE-588)143490001 aut The theatrical public sphere Christopher B. Balme Cambridge, United Kingdom Cambridge University Press July 2014 1 Online-Ressource (XI, 220 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Literaturverzeichnis Seite 203-213 The concept of the public sphere, as first outlined by German philosopher Jürgen Habermas, refers to the right of all citizens to engage in debate on public issues on equal terms. In this book, Christopher B. Balme explores theatre's role in this crucial political and social function. He traces its origins and argues that the theatrical public sphere invariably focuses attention on theatre as an institution between the shifting borders of the private and public, reasoned debate and agonistic intervention. Chapters explore this concept in a variety of contexts, including the debates that led to the closure of British theatres in 1642, theatre's use of media, controversies surrounding race, religion and blasphemy, and theatre's place in a new age of globalised aesthetics. Balme concludes by addressing the relationship of theatre today with the public sphere and whether theatre's transformation into an art form has made it increasingly irrelevant for contemporary society. Theater and society Theater (DE-588)4059702-7 gnd rswk-swf Öffentlichkeit (DE-588)4043183-6 gnd rswk-swf Theater (DE-588)4059702-7 s Öffentlichkeit (DE-588)4043183-6 s DE-604 Erscheint auch als Druck-Ausgabe 978-1-107-00683-6 (DE-604)BV041950034 https://doi.org/10.1017/CBO9781139051668 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Balme, Christopher 1957- The theatrical public sphere Theater and society Theater (DE-588)4059702-7 gnd Öffentlichkeit (DE-588)4043183-6 gnd |
| subject_GND | (DE-588)4059702-7 (DE-588)4043183-6 |
| title | The theatrical public sphere |
| title_auth | The theatrical public sphere |
| title_exact_search | The theatrical public sphere |
| title_full | The theatrical public sphere Christopher B. Balme |
| title_fullStr | The theatrical public sphere Christopher B. Balme |
| title_full_unstemmed | The theatrical public sphere Christopher B. Balme |
| title_short | The theatrical public sphere |
| title_sort | the theatrical public sphere |
| topic | Theater and society Theater (DE-588)4059702-7 gnd Öffentlichkeit (DE-588)4043183-6 gnd |
| topic_facet | Theater and society Theater Öffentlichkeit |
| url | https://doi.org/10.1017/CBO9781139051668 |
| work_keys_str_mv | AT balmechristopher thetheatricalpublicsphere |