Callimachus in context: from Plato to the Augustan poets
"Scholarly reception has bequeathed two Callimachuses: the Roman version is a poet of elegant non-heroic poetry (usually erotic elegy), represented by a handful of intertexts with a recurring set of images - slender Muse, instructing divinity, small voice, pure waters; the Greek version emphasi...
Gespeichert in:
Beteiligte Personen: | , |
---|---|
Format: | Buch |
Sprache: | Englisch |
Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2015
|
Ausgabe: | 1. paperback ed. |
Schlagwörter: | |
Zusammenfassung: | "Scholarly reception has bequeathed two Callimachuses: the Roman version is a poet of elegant non-heroic poetry (usually erotic elegy), represented by a handful of intertexts with a recurring set of images - slender Muse, instructing divinity, small voice, pure waters; the Greek version emphasizes a learned scholar who includes literary criticism within his poetry, an encomiast of the Ptolemies, a poet of the book whose narratives are often understood as metapoetic. This study does not dismiss these Callimachuses, but situates them within a series of interlocking historical and intellectual contexts in order better to understand how they arose. In this narrative of his poetics and poetic reception four main sources of creative opportunism are identified: Callimachus' reactions to philosophers and literary critics as arbiters of poetic authority, the potential of the text as a venue for performance, awareness of Alexandria as a new place, and finally, his attraction for Roman poets"-- |
Beschreibung: | Includes bibliographical references and index Machine generated contents note: Introduction: setting the scene; 1. Literary quarrels; 2. Performing the text; 3. Changing places; 4. In my end is my beginning; Conclusion; Appendix: the Aetia |
Umfang: | XII, 328 S. Kt. |
ISBN: | 9781107470644 9781107008571 1107008573 |
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245 | 1 | 0 | |a Callimachus in context |b from Plato to the Augustan poets |c Benjamin Acosta-Hughes and Susan A. Stephens |
250 | |a 1. paperback ed. | ||
264 | 1 | |a Cambridge [u.a.] |b Cambridge Univ. Press |c 2015 | |
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336 | |b txt |2 rdacontent | ||
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338 | |b nc |2 rdacarrier | ||
500 | |a Includes bibliographical references and index | ||
500 | |a Machine generated contents note: Introduction: setting the scene; 1. Literary quarrels; 2. Performing the text; 3. Changing places; 4. In my end is my beginning; Conclusion; Appendix: the Aetia | ||
520 | |a "Scholarly reception has bequeathed two Callimachuses: the Roman version is a poet of elegant non-heroic poetry (usually erotic elegy), represented by a handful of intertexts with a recurring set of images - slender Muse, instructing divinity, small voice, pure waters; the Greek version emphasizes a learned scholar who includes literary criticism within his poetry, an encomiast of the Ptolemies, a poet of the book whose narratives are often understood as metapoetic. This study does not dismiss these Callimachuses, but situates them within a series of interlocking historical and intellectual contexts in order better to understand how they arose. In this narrative of his poetics and poetic reception four main sources of creative opportunism are identified: Callimachus' reactions to philosophers and literary critics as arbiters of poetic authority, the potential of the text as a venue for performance, awareness of Alexandria as a new place, and finally, his attraction for Roman poets"-- | ||
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Datensatz im Suchindex
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any_adam_object | |
author | Acosta-Hughes, Benjamin 1960- Stephens, Susan A. 1945- |
author_GND | (DE-588)141137940 (DE-588)141593180 |
author_facet | Acosta-Hughes, Benjamin 1960- Stephens, Susan A. 1945- |
author_role | aut aut |
author_sort | Acosta-Hughes, Benjamin 1960- |
author_variant | b a h bah s a s sa sas |
building | Verbundindex |
bvnumber | BV042691602 |
classification_rvk | FH 40203 |
ctrlnum | (OCoLC)913869601 (DE-599)BVBBV042691602 |
dewey-full | 811/.01 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 811 - American poetry in English |
dewey-raw | 811/.01 |
dewey-search | 811/.01 |
dewey-sort | 3811 11 |
dewey-tens | 810 - American literature in English |
discipline | Anglistik / Amerikanistik Philologie / Byzantinistik / Neulatein |
edition | 1. paperback ed. |
format | Book |
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id | DE-604.BV042691602 |
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indexdate | 2024-12-20T17:17:30Z |
institution | BVB |
isbn | 9781107470644 9781107008571 1107008573 |
language | English |
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physical | XII, 328 S. Kt. |
publishDate | 2015 |
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publisher | Cambridge Univ. Press |
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spelling | Acosta-Hughes, Benjamin 1960- Verfasser (DE-588)141137940 aut Callimachus in context from Plato to the Augustan poets Benjamin Acosta-Hughes and Susan A. Stephens 1. paperback ed. Cambridge [u.a.] Cambridge Univ. Press 2015 XII, 328 S. Kt. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Machine generated contents note: Introduction: setting the scene; 1. Literary quarrels; 2. Performing the text; 3. Changing places; 4. In my end is my beginning; Conclusion; Appendix: the Aetia "Scholarly reception has bequeathed two Callimachuses: the Roman version is a poet of elegant non-heroic poetry (usually erotic elegy), represented by a handful of intertexts with a recurring set of images - slender Muse, instructing divinity, small voice, pure waters; the Greek version emphasizes a learned scholar who includes literary criticism within his poetry, an encomiast of the Ptolemies, a poet of the book whose narratives are often understood as metapoetic. This study does not dismiss these Callimachuses, but situates them within a series of interlocking historical and intellectual contexts in order better to understand how they arose. In this narrative of his poetics and poetic reception four main sources of creative opportunism are identified: Callimachus' reactions to philosophers and literary critics as arbiters of poetic authority, the potential of the text as a venue for performance, awareness of Alexandria as a new place, and finally, his attraction for Roman poets"-- Callimachus / Criticism and interpretation Callimachus / Appreciation / Rome Callimachus ca. v300-v240 (DE-588)118518488 gnd rswk-swf Aesthetics, Ancient LITERARY COLLECTIONS / Ancient, Classical & Medieval bisacsh Rezeption (DE-588)4049716-1 gnd rswk-swf Alexandria (Egypt) / Intellectual life Rom Callimachus ca. v300-v240 (DE-588)118518488 p Rezeption (DE-588)4049716-1 s DE-604 Stephens, Susan A. 1945- Verfasser (DE-588)141593180 aut |
spellingShingle | Acosta-Hughes, Benjamin 1960- Stephens, Susan A. 1945- Callimachus in context from Plato to the Augustan poets Callimachus / Criticism and interpretation Callimachus / Appreciation / Rome Callimachus ca. v300-v240 (DE-588)118518488 gnd Aesthetics, Ancient LITERARY COLLECTIONS / Ancient, Classical & Medieval bisacsh Rezeption (DE-588)4049716-1 gnd |
subject_GND | (DE-588)118518488 (DE-588)4049716-1 |
title | Callimachus in context from Plato to the Augustan poets |
title_auth | Callimachus in context from Plato to the Augustan poets |
title_exact_search | Callimachus in context from Plato to the Augustan poets |
title_full | Callimachus in context from Plato to the Augustan poets Benjamin Acosta-Hughes and Susan A. Stephens |
title_fullStr | Callimachus in context from Plato to the Augustan poets Benjamin Acosta-Hughes and Susan A. Stephens |
title_full_unstemmed | Callimachus in context from Plato to the Augustan poets Benjamin Acosta-Hughes and Susan A. Stephens |
title_short | Callimachus in context |
title_sort | callimachus in context from plato to the augustan poets |
title_sub | from Plato to the Augustan poets |
topic | Callimachus / Criticism and interpretation Callimachus / Appreciation / Rome Callimachus ca. v300-v240 (DE-588)118518488 gnd Aesthetics, Ancient LITERARY COLLECTIONS / Ancient, Classical & Medieval bisacsh Rezeption (DE-588)4049716-1 gnd |
topic_facet | Callimachus / Criticism and interpretation Callimachus / Appreciation / Rome Callimachus ca. v300-v240 Aesthetics, Ancient LITERARY COLLECTIONS / Ancient, Classical & Medieval Rezeption Alexandria (Egypt) / Intellectual life Rom |
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