Conversations of motherhood: South African women's writing across traditions
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Pietermaritzburg
Univ of Kwazulu-Natal Press
2015
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| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027914001&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027914001&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | X, 317 S. |
| ISBN: | 9781869142889 1869142888 |
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Datensatz im Suchindex
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Conversations of Motherhood
The subject of motherhood is interwoven with themes of survival, power and identity. It
is also at the heart of any consideration of women’s writing.
Ksenia Robbe comparatively explores seminal novels by South African authors,
written in English and Afrikaans from the 1970s to 2010, through the prism of motherhood.
Drawing on the work of theorist Mikhail Bakhtin, this book develops a transcultural
approach to the study of literature and literary culture in postcolonial multilingual societies.
Conversations of Motherhood offers striking rewards when comparatively pairing
Zoë Wicomb with Pamphilia Hlapa, Sindiwe Magona with Marlene van Niekerk, Ellen
Kuzwayo with Antjie Krog and Elsa Joubert with Wilma Stockenström.
‘An exciting achievement and an important contribution to the study of the
literatures and cultures of South Africa as well as to the field of interdisciplinary
postcolonial studies. Through the rhythm of Robbe's discursive text a beautiful
balance is found: theoretical complexity is combined with the lucidity of close
reading and arguments. Her choice of combinations is astute and enlightening.
Motherhood has never been read and analysed in this way before.’ — Professor
Ena Jansen, University of Amsterdam
‘A great pleasure to read. This book adopts a stimulating and productive way of
addressing the existing literature and will be welcomed by those who wish to read a
fresh and informative study of South African women's writing set within the fields of
gender and African studies.’ — Professor Eva Hunter, University of the Western Cape
Ksenia Robbe was trained at the universities of St Petersburg and Giessen. She is an
assistant professor at the Leiden University Centre for the Arts in Society where her research
focuses on the manifestations of contemporary South African culture as well as transnational
connections and comparisons of literature and art in different post-imperial contexts.
Contents
Acknowledgements ix
INTRODUCTION
Translocating Traditions: Women’s Writing, Motherhood and
the Politics of Reading South African Literatures 1
1 South African Women’s Writing and (Post)Colonial Imaginaries
of Motherhood 28
2 The Relations of Outsideness: Black Mothers/White Authors in
Die Stverfjare van Poppie Nongena and Die Kremetartekspedisie 68
3 The Powers of (Co)Authoring: Ambiguities of ‘Mother/
ChikLMaking’ in Mother to Mother and Agaat 116
4 Transformations in the ‘Great Time’: Daughters Writing ‘Back’
and ‘Forward’ in You Cant Get Lost in Cape Town and
A Daughters Legacy 173
5 Shared Events of Being: Mothers/Daughters of the
(Trans)nation in Call Me Woman and A Change of Tongue 228
CONCLUSION
Altering Genealogies: Transcultural Perspectives on South African
Women’s Writing 281
Select Bibliography 293
Index 308 |
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