Fashionable art:
Owing to digitization, globalization and mass culture, what is deemed 'desirable' and 'of the moment' in art has increasingly followed the patterns of fashion. While in the past artistic styles were always inflected with signs of their modernity, today biennales and art markets a...
Gespeichert in:
| Beteiligte Personen: | , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
London [u.a.]
Bloomsbury
2015
|
| Ausgabe: | 1. publ. |
| Schlagwörter: | |
| Links: | http://www.gbv.de/dms/bowker/toc/9780857851819.pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027831475&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Zusammenfassung: | Owing to digitization, globalization and mass culture, what is deemed 'desirable' and 'of the moment' in art has increasingly followed the patterns of fashion. While in the past artistic styles were always inflected with signs of their modernity, today biennales and art markets are defined by the next big thing, the next sensation, the next new idea. But how do opinions of what is 'good', 'progressive' and 'cutting edge' guide styles? What is it that makes works of art fashionable and commercial? Fashionable Art critically explores the relationships between art, commerce, taste and cultural value. Each chapter covers a major style or movement, from Chinese and Aboriginal art, Cubism and Pop Art to alternative identity and outsider art, exploring how contemporary art has been shaped since the 1970s. Drawing upon a variety of theoretical frameworks, from Adorno and Bourdieu to Simmel and Zizek, expert visual cultural scholars Geczy and Millner engage with both historical and contemporary debates on this lively topic.0Taking a complex view of the meaning of fashion as it relates to art, while also offering critiques of 'art as fashion', Fashionable Art is an original, key text that will be essential reading for students and scholars of art history, fashion studies and material culture |
| Beschreibung: | Includes bibliographical references and index 1. Impressionism: The Avant-Garde Imperative<br>2. Cubism: The Avant-Garde Made Academic<br>3. Expressionism and Abstraction: The Guarantee of Feeling<br>4. The Popularity of Pop and the Apotheosis of Kitsch<br>5. Povera and Grunge: Power to the Poor<br>6. Photography Becomes Photomedia<br>7. Identity Art<br>8. Chinese, 'Asian' and Aboriginal Art: Neo-Exoticism and Neo-Primitivism<br>9. YBA: Marketing the New<br>10. Interactivity, Inclusion and Immersion<br>11. The Art Market and Marketing ArtConclusion: Art and the Eternal Return |
| Umfang: | X, 184 S. Ill. 24 cm |
| ISBN: | 9780857851819 9780857851826 |
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| 500 | |a 1. Impressionism: The Avant-Garde Imperative<br>2. Cubism: The Avant-Garde Made Academic<br>3. Expressionism and Abstraction: The Guarantee of Feeling<br>4. The Popularity of Pop and the Apotheosis of Kitsch<br>5. Povera and Grunge: Power to the Poor<br>6. Photography Becomes Photomedia<br>7. Identity Art<br>8. Chinese, 'Asian' and Aboriginal Art: Neo-Exoticism and Neo-Primitivism<br>9. YBA: Marketing the New<br>10. Interactivity, Inclusion and Immersion<br>11. The Art Market and Marketing ArtConclusion: Art and the Eternal Return | ||
| 520 | |a Owing to digitization, globalization and mass culture, what is deemed 'desirable' and 'of the moment' in art has increasingly followed the patterns of fashion. While in the past artistic styles were always inflected with signs of their modernity, today biennales and art markets are defined by the next big thing, the next sensation, the next new idea. But how do opinions of what is 'good', 'progressive' and 'cutting edge' guide styles? What is it that makes works of art fashionable and commercial? Fashionable Art critically explores the relationships between art, commerce, taste and cultural value. Each chapter covers a major style or movement, from Chinese and Aboriginal art, Cubism and Pop Art to alternative identity and outsider art, exploring how contemporary art has been shaped since the 1970s. Drawing upon a variety of theoretical frameworks, from Adorno and Bourdieu to Simmel and Zizek, expert visual cultural scholars Geczy and Millner engage with both historical and contemporary debates on this lively topic.0Taking a complex view of the meaning of fashion as it relates to art, while also offering critiques of 'art as fashion', Fashionable Art is an original, key text that will be essential reading for students and scholars of art history, fashion studies and material culture | ||
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Datensatz im Suchindex
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| adam_text | Titel: Fashionable art
Autor: Geczy, Adam
Jahr: 2015
CONTENTS List of Illustrations ix Acknowledgements xi Introduction 1 1 WHAT IS FASHIONABLE ART? 15 2 THE ARTIST AS IMPRESARIO, THE ARTIST AS BRAND: FROM BAUDELAIRE TO BARNEY Pre-modernism 22 Dandies and the artist as the embodied work of art 25 The artist-hero 27 Artist as brand and go-between 28 The end of the critic, the rise of the agent-dealer 33 The artist as pure image: Matthew Barney 34 3 ‘LOOK AT ME I’M DIFFERENT!’: IDENTITY ART AND THE EXPECTATIONS OF RACE 39 Transorientalism 43 Basquiat: Martyr of the exotic 45 Global curating 47 4 EXOTICISM AT THE BRINK: CONTEMPORARY CHINESE AND ABORIGINAL ART 59 Aboriginal art and the dot 60 Contemporary Chinese art 66 5 LESS IS LESS: FORMLESSNESS 75 L informe 77 Postmodern anti-aesthetics 78 The critical value of formlessness 81
6 COME FLY WITH ME: PARTICIPATORY ART, INTERACTIVITY AND AUDIENCE INVOLVEMENT 91 Relational aesthetics 93 Critiques of relational aesthetics 98 Broadening out participatory practices: Community 103 New community arts? 107 7 VIDEO ART AND VIDEOPHILIA ns Activism and self: The 1970s and its fashion legacy 115 The language of video, the found image and appropriation: The fashion legacy of the 1980s 120 Installation and alternative spatial experiences: The 1990s and their fashion legacy 122 Video and the return of narrative 124 The postmedium condition: Aesthetics and participation 125 8 MINIMALISM: DONALD JUDD OR IKEA? 129 Classic Minimalism and its early critiques 132 From Minimalism to anti-aesthetics 136 Contemporary Minimalism as IKEA art 142 Contemporary Minimalism as experience design 144 Not so fashionable? Feminizing Minimalism, formlessness and embodied immediacy 146 9 INSIDE-OUT: OUTSIDER ARTISTS GO INSIDE 149 The fraud of Outsider Art 151 True nature, but packaged 1 55 Say nothing, say everything 158 Conclusion: Fashionable Art 163 Bibliography 166 Index 174 viii CONTENTS
2 24 25 32 35 46 51 53 63 69 70 OF ILLUSTRATIONS Andy Warhol. Portrait of Franz Liszt playing the piano. Incroyable et Merveilleuse, Horace Vernet, born 1789-died 1863. Damien Hirst, For the Love of God. Kanye West and Matthew Barney attend the ‘River of Fundament’ world premiere at BAM Harvey Theater on 12 February 2014 in New York City. Undiscovered Genius of the Mississippi Delta by Jean-Michel Basquiat is on display during a preview of Sotheby’s contemporary art evening sale in New York, 2 May 2014. Frank Gehry’s Guggenheim Museum, Louise Bourgeois’ Maman Iberdrola Tower and River Nervion at Bilbao, Spain. Shirin Neshat, NIDA, 2012, Ink on LE silver gelatin print 60 x 45 inches (152.4 x 114.3 cm). Turkey Tolson Tjupurrula, Tingari Men at Mitakutjirri, 2000, acrylic on linen. Zhang Huan, Skin, 1997, Beijing, China. Zhang Huan, Pilgrimage, Wind and Water, New York. Skin, 1997.
Figure 4.4 Zhang Huan, To Raise the Water Level in a Fishpond, Beijing, China, 1997. 70 Figure 5.1 Cindy Sherman, Untitled, 1987. 83 Figure 6.1 A general view of the Pringle of Scotland pop-up store: Liam Gillick on 1 December 2011 in Miami, Florida. 97 Figure 6.2 Xxxora attends the private view for Damien Hirst and Feliz Gonzalez-Torres’ Candy at Blain Southern on 15 October 2013 in London, England. 98 Figure 6.3 Martha Rosier, If You Lived Here ... 1989. 105 Figure 6.4 Angelica Mesiti, The Begin Again (video still), 2011, four video works site-specifically projected and live performance. 108 Figure 6.5 Tom Nicholson, After action for another library (installation detail), 2004. Tom Nicholson Photograph: Christian Capurro. 111 Figure 7.1 Tracey Moffatt, Love (still), 2001. 121 Figure 7.2 Soda_Jerk, The Time That Remains, 2012, two- channel projection on screens back-lit with fluorescents. 122 Figure 7.3 AES+F, The Feast of Trimalchio (still). © AES+F/ARS. 124 Figure 8.1 Richard Serra, Clara-Clara, 2008. 131 Figure 8.2 Eva Hesse (1936-70) works on a sculpture composed of rubber-dipped string and rope in her studio, New York City, New York, 1969. 135 Figure 8.3 Clay Ketter, Surface Habitat for Appliance, 1997. Clay Ketter/Sonnabend Gallery, New York/Bildkonst Upphovsrätt i Sverige. 142 Figure 9.1 José dos Santos, Installation detail, 2014. 151 Figure 9.2 Georg Baselitz’s exhibit at the Frac Picardie in Amiens, France, in February 2004. 152 x LIST OF ILLUSTRATIONS
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| id | DE-604.BV042395687 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T17:10:01Z |
| institution | BVB |
| isbn | 9780857851819 9780857851826 |
| language | English |
| lccn | 2014036562 |
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| spellingShingle | Geczy, Adam 1969- Millner, Jacqueline 19XX- Fashionable art Ästhetik Art and society Aesthetics Social values Wertwandel (DE-588)4117636-4 gnd Kunstbetrieb (DE-588)4208853-7 gnd Kunst (DE-588)4114333-4 gnd Geschmack Ästhetik (DE-588)4129848-2 gnd |
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| title | Fashionable art |
| title_auth | Fashionable art |
| title_exact_search | Fashionable art |
| title_full | Fashionable art Adam Geczy and Jacqueline Millner |
| title_fullStr | Fashionable art Adam Geczy and Jacqueline Millner |
| title_full_unstemmed | Fashionable art Adam Geczy and Jacqueline Millner |
| title_short | Fashionable art |
| title_sort | fashionable art |
| topic | Ästhetik Art and society Aesthetics Social values Wertwandel (DE-588)4117636-4 gnd Kunstbetrieb (DE-588)4208853-7 gnd Kunst (DE-588)4114333-4 gnd Geschmack Ästhetik (DE-588)4129848-2 gnd |
| topic_facet | Ästhetik Art and society Aesthetics Social values Wertwandel Kunstbetrieb Kunst Geschmack Ästhetik |
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