Guide to copyright in France: business internet and litigation
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Alphen aan den Rijn
Kluwer Law International
2015
|
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027813257&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | XXXVIII, 233 S. |
| ISBN: | 9789041152879 9041152873 |
Internformat
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| 245 | 1 | 0 | |a Guide to copyright in France |b business internet and litigation |c Brad Spitz |
| 264 | 1 | |a Alphen aan den Rijn |b Kluwer Law International |c 2015 | |
| 300 | |a XXXVIII, 233 S. | ||
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Datensatz im Suchindex
| _version_ | 1819258439198572544 |
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| adam_text | TABLE OF CONTENTS
ABOUT THE AUTHOR XIX
LIST OF ABBREVIATIONS XXI
ENGLISH-FRENCH DICTIONARY XXIII
FRENCH-ENGLISH DICTIONARY XXXI
INTRODUCTION 1
I ACCESS TO INFORMATION ON FRENCH LEGISLATION AND CASE LAW 1
[A] LEGISLATION 1
[B] FRENCH CASE LAW 2
II ACCESS TO INFORMATION ON BUSINESS PRACTICES 3
[A] INFORMATION FROM THE COLLECTING SOCIETIES 3
[1] MUSIC PUBLISHING (SACEM) 3
[2] AUDIOVISUAL WORKS, PERFORMANCE ARTS, AND ILLUSTRATION 4
[A] SACD 4
[B] SCAM 4
[3] GRAPHIC ARTS AND PHOTOGRAPHS 4
[A] ADAGP 4
[B] SAIF 5
[4] PERFORMERS RIGHTS 5
[A] ADAMI 5
[B] SPEDIDAM S
[5] PRODUCERS RIGHTS 5
[A] SCPP 5
[B] SPPF 6
[C] SCPA 6
[6] REMUNERATION RIGHTS 6
[A] SPRE 6
TABLE OF CONTENTS
[B] COPIE FRANCE 7
[C] CFC 7
III INFORMATION FROM THE PUBLIC ADMINISTRATIVE ORGANISATIONS 7
[A] CNC AND THE PUBLIC REGISTRY FOR FILMS AND AUDIOVISUAL WORKS
( RPCA ) 7
[B] HADOPI 8
[C] CSPLA 8
[D] CSA 8
CHAPTER 1
SUBSISTENCE OF COPYRIGHT AND NEIGHBOURING RIGHTS 11
§1.01 SUBSISTENCE OF COPYRIGHT 11
[A] FORMALITIES 11
[1] NO FORMALITIES IN COPYRIGHT LAW 11
[2] LEGAL DEPOSIT 11
[A] GENERAL RULES 11
[B] COMPUTER PROGRAMS AND DATABASES 12
[C] INTERNET: WEBSITES, NEWSLETTERS AND STREAMING MEDIA 12
[D] FILMS 12
[B] CONDITION FOR PROTECTION: ORIGINALITY 13
[1] THE GENERAL RULE: A WORK IS ORIGINAL IF THE CREATOR
HAS MADE ARBITRARY CHOICES 13
[2] THE MAIN TYPES OF WORKS PROTECTED BY COPYRIGHT 14
[A] LITERARY, SCIENTIFIC AND TECHNICAL WRITINGS 14
[B] MUSICAL WORKS 15
[C] PHOTOGRAPHS 15
[D] AUDIOVISUAL WORKS 16
[E] ARCHITECTURAL WORKS 16
[F] ADAPTATIONS AND TRANSLATIONS 17
[G] PLAYS: SCENOGRAPHY AND STAGEPLAY 17
[H] CONCEPTUAL ART 17
[I] WORKS OF APPLIED ART, CLOTHING AND FASHION 18
[J] NO COPYRIGHT PROTECTION FOR PERFUME 18
[K] VIDEO GAMES AND MULTIMEDIA WORKS 18
[1] WEBSITES 19
[M] COMPILATIONS, ANTHOLOGIES, DATABASES 19
[I] COMPILATIONS AND ANTHOLOGIES 19
[II] DATABASES 19
[N] COMPUTER PROGRAMS AND SOFTWARE PRODUCTS 20
[I] THE COMPUTER PROGRAM 20
[II] THE USER S GUIDE 21
[III] THE FUNCTIONALITY OF COMPUTER PROGRAMS 21
[IV] GRAPHIC USER INTERFACE 21
[O] THE TITLE OF A WORK 22
VI
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[I] CASE LAW IS UNPREDICTABLE 22
[II] RECOMMENDATION 22
[3] ORIGINALITY AND EVIDENCE BEFORE THE FRENCH COURTS 23
[A] THE RULES 23
[B] REALITY BITES (BEFORE THE LOWER COURTS) 23
[C] RECOMMENDATIONS TO TAKE INTO ACCOUNT BEFORE
STARTING A COPYRIGHT INFRINGEMENT CASE IN FRANCE 24
§1.02 SUBSISTENCE OF NEIGHBOURING RIGHTS 25
[A] PERFORMERS 25
FL] DEFINITION 25
[2] SECONDARY ROLES 25
[3] TELEVISION PROGRAMMES: PARTICIPANTS AND PRESENTERS
ARE NOT PERFORMERS 25
[B] PHONOGRAM PRODUCERS 26
[1] DEFINITION OF PRODUCER 26
[2] DEFINITION OF PHONOGRAMS 26
[C] VIDEOGRAM PRODUCERS 27
[1] DEFINITION OF PRODUCER 27
[2] DEFINITION OF VIDEOGRAM 27
[D] BROADCASTING ORGANISATIONS 28
[E] DATABASE PRODUCERS 29
[1] THE PRODUCER OF A DATABASE 29
[2] FOREIGN DATABASE PRODUCERS 30
[F] PRODUCERS OF SPORTING EVENTS 31
CHAPTER 2
OWNERSHIP 33
§2.01 COPYRIGHT OWNERSHIP 33
[A] GENERAL RULES 33
[1] THE AUTHOR IS THE INITIAL OWNER 33
[2] WORKS OF COLLABORATION 34
[A] DEFINITION 34
[B] CO-OWNERSHIP 34
[C] ACTION IN COURT 35
[D] EXPLOITATION OF SEPARATE PARTS OF THE WORK 35
[E] RADIO WORKS ARE WORKS OF COLLABORATION (SPECIFIC
SYSTEM) 36
[3] COMPOSITE WORKS 36
[4] ORPHAN WORKS 37
[5] MARRIED AUTHORS 37
[B] AUTOMATIC ASSIGNMENTS 37
[1] COMPUTER PROGRAMS AND DOCUMENTATION DEVELOPED BY AN
EMPLOYEE OR BY A CIVIL SERVANT 37
VU
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[A] THE ECONOMIC RIGHTS ARE AUTOMATICALLY ASSIGNED
TO THE EMPLOYER OR TO THE STATE 37
[B] THE MORAL RIGHTS OF THE AUTHOR ARE LIMITED 39
[C] NO SPECIFIC REMUNERATION FOR THE AUTHOR, EXCEPT
FOR CIVIL SERVANTS 39
[2] WORKS COMMISSIONED UNDER AN ADVERTISING AGREEMENT 40
[3] AUDIOVISUAL WORKS 41
[A] AUDIOVISUAL WORKS ARE WORKS OF COLLABORATION 41
[B] PRESUMPTIONS OF AUTHORSHIP 42
[C] THE MORAL RIGHTS OF THE AUTHORS ARE LIMITED 43
[I] DURING THE CREATION OF THE AUDIOVISUAL WORK 43
[II] DURING THE EXPLOITATION OF THE WORK 44
[D] EXPLOITATION OF PARTS THAT CAN BE SEPARATED FROM THE
AUDIOVISUAL WORK 44
[4] WORKS MADE BY JOURNALISTS 44
FA] THE EXPLOITATION WITHIN THE PRESS PUBLICATION
AND DURING THE REFERENCE PERIOD : AUTOMATIC
ASSIGNMENT OF RIGHTS 45
[I] THE PRESS PUBLICATION AFFECTED BY THE
AUTOMATIC TRANSFER 45
[II] THE JOURNALISTS AFFECTED BY THE AUTOMATIC
TRANSFER 46
[III] NO ADDITIONAL REMUNERATION DURING THE
REFERENCE PERIOD 46
[IV] EXPLOITATION IN THE PRESS PUBLICATION AFTER THE
REFERENCE PERIOD : ADDITIONAL REMUNERATION
BUT NO INDIVIDUAL AGREEMENT 46
[V] THE AUTHOR KEEPS THE RIGHT TO EXPLOIT
HIS WORKS 47
[B] THE EXPLOITATION WITHIN THE PUBLICATIONS OF A GROUP 47
[C] THE TRANSFER OF THE WORK TO A THIRD PARTY 48
[5] WORKS CREATED BY CIVIL SERVANTS 48
[A] THE ECONOMIC RIGHTS OF CIVIL SERVANTS 49
[B] THE MORAL RIGHTS OF CIVIL SERVANTS 49
[6] THE DIGITAL EXPLOITATION OF UNAVAILABLE BOOKS 50
[A] THE COMPULSORY COLLECTIVE MANAGEMENT SYSTEM 50
[I] A SIX-MONTH OPT-OUT PERIOD FOR RIGHTHOLDERS 50
[II] AFTER THE OPT-OUT PERIOD: RIGHT OF PREFERENCE
AND RIGHT TO WITHDRAW FROM THE SYSTEM 51
[B] COMPLIANCE OF THE COLLECTIVE MANAGEMENT SYSTEM
WITH THE FRENCH CONSTITUTION 52
[C] PERMITTED USES FOR PUBLICLY ACCESSIBLE LIBRARIES 52
[C] PRESUMPTIONS OF OWNERSHIP 53
[1] COLLECTIVE WORKS 53
VIA
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[2] PRESUMPTIONS OF OWNERSHIP CREATED BY CASE LAW TO
FACILITATE INFRINGEMENT ACTIONS 54
[D] ISSUES RELATING TO EMPLOYEES 55
[1] RULES 55
[2] RECOMMENDATION 55
§2.02 OWNERSHIP OF NEIGHBOURING RIGHTS 55
[A] THE AGREEMENTS BETWEEN PERFORMING ARTISTS AND PRODUCERS 55
[1] GENERAL RULE: NO PRESUMPTION OR AUTOMATIC ASSIGNMENT 55
[2] PRESUMPTION OF ASSIGNMENT FOR AUDIOVISUAL AGREEMENTS 56
[B] PRESUMPTION OF OWNERSHIP CREATED BY CASE LAW TO FACILITATE
INFRINGEMENT ACTIONS 56
CHAPTER 3
MORAL RIGHTS 57
§3.01 MORAL RIGHTS IN COPYRIGHT 57
[A] THE RIGHT TO PATERNITY AND THE RIGHT TO INTEGRITY 58
[1] THE RIGHT TO PATERNITY 58
[A] THE GENERAL RULES 58
[B] RECOMMENDATIONS 58
[C] PSEUDONYMOUS AND ANONYMOUS WORKS 59
[2] THE RIGHT TO INTEGRITY 59
[A] PHYSICAL INTEGRITY 59
[B] INTELLECTUAL INTEGRITY 60
[3] CHARACTERISTICS OF THE RIGHTS TO PATERNITY AND TO INTEGRITY 60
[A] DURING THE AUTHOR S LIFETIME 60
[I] THE RIGHTS ARE ATTACHED TO THE AUTHOR 60
[II] THE RIGHTS ARE PERPETUAL AND IMPRESCRIPTIBLE 60
[III] THE RIGHTS MAY NOT BE TRANSFERRED OR WAIVED,
BUT THEY MAY BE ORGANISED 61
[B] AFTER THE AUTHOR S DEATH 61
[I] WHO EXERCISES THE RIGHTS TO PATERNITY AND TO
INTEGRITY? 61
[II] THE RIGHTS ARE PERPETUAL AND IMPRESCRIPTIBLE,
BUT THE RIGHT TO INTEGRITY WEAKENS WITH TIME 62
[C] FOREIGN WORKS AND AUTHORS IN FRANCE 62
[B] RIGHT TO DISCLOSE THE WORK 63
[1] THE RIGHT TO DISCLOSE 63
[2] THE RIGHT TO DISCLOSE POSTHUMOUS WORKS 63
[3] THE RIGHT TO DISCLOSE IS PERPETUAL 64
[C] THE RIGHT TO RECONSIDER OR TO WITHDRAW 64
§3.02 THE MORAL RIGHTS OF PERFORMERS 65
[A] RIGHT TO PATERNITY 66
[B] RIGHT TO INTEGRITY 66
[C] NO OTHER RIGHTS 67
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[D] THE CHARACTERISTICS OF THE MORAL RIGHTS OF PERFORMERS 67
CHAPTER 4
ECONOMIC RIGHTS 69
§4.01 ECONOMIC RIGHTS IN COPYRIGHT 69
[A] THE EXCLUSIVE RIGHTS: THE RIGHT OF REPRODUCTION AND THE
RIGHT OF COMMUNICATION TO THE PUBLIC (RIGHT OF PERFORMANCE) 69
[1] THE RIGHT OF REPRODUCTION 69
[A] GENERAL FEATURES OF THE RIGHT OF REPRODUCTION 69
[B] THE RIGHT OF REPRODUCTION OF THE AUTHOR OF A
COMPUTER PROGRAM 70
[I] CORRECTIONS, BACK COPIES AND ANALYSIS 71
[II] DECOMPILATION TO ENSURE INTEROPERABILITY 71
[III] THE INTERPRETATION OF THE LIMITATIONS TO THE
AUTHOR S RIGHTS 72
[IV] THE PLEDGE OF THE RIGHTS TO A COMPUTER
PROGRAM ( NANTISSEMENT ) 72
[C] DISTRIBUTION RIGHT AND THE EXHAUSTION OF RIGHTS
(FIRST SALE DOCTRINE) 73
[D] RENTAL AND LENDING RIGHTS 74
[I] THE RENTAL RIGHT 74
[II] THE PUBLIC LENDING RIGHT 74
[2] THE RIGHT OF PERFORMANCE (RIGHT OF COMMUNICATION
TO THE PUBLIC) 75
[A] THE RIGHT OF PERFORMANCE 75
[I] DEFINITION 75
[II] THE PUBLIC IN QUESTION 76
[III] HYPERLINKS 78
[B] THE RIGHT OF COMMUNICATION TO THE PUBLIC OF A WORK
BROADCAST BY SATELLITE 78
[C] THE RIGHT OF COMMUNICATION TO THE PUBLIC OF A WORK
BROADCAST BY CABLE 79
[B] THE RESALE RIGHT ( LE DROIT DE SUITE ) 79
[1] DEFINITION AND SCOPE OF THE RESALE RIGHT 80
[2] THE BENEFICIARIES OF THE RESALE RIGHT 80
[3] THE WORKS SUBJECT TO PAYMENT 81
[4] THE CALCULATION OF THE FEES 81
[5] THE PERSONS SUBJECT TO PAYMENT 82
[6] INFORMATION AND PAYMENT 83
[C] REMUNERATION FOR PRIVATE COPYING (ALSO CONCERNS
NEIGHBOURING RIGHTS) 83
[1] THE BENEFICIARIES 84
[2] THE AMOUNT AND DISTRIBUTION OF THE COMPENSATION 84
[3] THE PERSONS SUBJECT TO PAYMENT 85
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[4] EXCEPTIONS 86
[D] REMUNERATION FOR PHOTOCOPYING 86
§4.02 ECONOMIC RIGHTS IN NEIGHBOURING RIGHTS 87
[A] EU EXHAUSTION OF RIGHTS 87
[B] THE RIGHTS OF PERFORMERS 88
[C] THE RIGHTS OF PHONOGRAM PRODUCERS 88
[D] COMPULSORY LICENCE FOR PERFORMERS AND PHONOGRAM PRODUCERS 89
[1] THE SCOPE OF THE LICENCE 89
[2] THE REMUNERATION 89
[3] INTERNATIONAL ISSUES 90
[E] THE REMUNERATION FOR PRIVATE COPYING 91
[F] THE RIGHTS OF VIDEOGRAM PRODUCERS 91
[G] THE RIGHTS OF BROADCASTING ORGANISATIONS 91
[H] SATELLITE BROADCASTING AND CABLE RETRANSMISSION 91
[1] SATELLITE BROADCASTING 91
[2] CABLE RETRANSMISSION 92
[I] THE SUI GENERIS RIGHTS OF DATABASE PRODUCERS 92
[1] EXTRACTION AND RE-UTILISATION 93
[2] A SUBSTANTIAL PART 94
[3] META SEARCH ENGINES 94
[4] PROHIBITION OF EXCESSIVE ROYALTIES IN LICENCE AGREEMENTS 94
[J] THE RIGHTS OF PRODUCERS OF SPORTING EVENTS 95
§4.03 PROTECTION OF TECHNICAL MEASURES AND RIGHTS-MANAGEMENT INFORMATION
95
[A] THE PROTECTION OF EFFECTIVE TECHNICAL MEASURES 96
[1] PROHIBITED ACTS AND SANCTIONS 96
[2] TECHNICAL MEASURES AND EXCEPTIONS 97
[A] THE PROTECTION OF CERTAIN EXCEPTIONS 97
[B] PROTECTION AFFORDED TO THE EXCEPTIONS 98
[C] THE ROLE OF THE HAUTE AUTORITE (HADOPI) 99
[3] TECHNICAL MEASURES AND INTEROPERABILITY 99
[B] RIGHTS-MANAGEMENT INFORMATION 101
§4.04 DURATION OF ECONOMIC RIGHTS 101
[A] DURATION OF COPYRIGHT 101
[1] GENERAL RULES 101
[A] DURATION OF SEVENTY YEARS POST-MORTEM 101
[B] COPYRIGHT RESTORATION 102
[2] WORKS OF COLLABORATION 103
[3] PSEUDONYMOUS, ANONYMOUS AND COLLECTIVE WORKS 103
[4] POSTHUMOUS WORKS 103
[5] EXTENSIONS OF COPYRIGHT IN ORDER TO TAKE INTO
ACCOUNT WARS 104
[6] THE DURATION OF THE RESALE RIGHT 105
[7] FOREIGN WORKS 105
[8] THE PUBLIC DOMAIN 105
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TABLE OF CONTENTS
[B] DURATION OF NEIGHBOURING RIGHTS 105
§4.05 EXCEPTIONS TO COPYRIGHT AND NEIGHBOURING RIGHTS 106
[A] GENERAL RULES 106
[1] EXCEPTIONS MUST BE CONSTRUED RESTRICTIVELY 106
[2] THE THREE-STEP TEST 107
[3] MORAL RIGHTS 107
[4] EXCEPTIONS AND TECHNICAL MEASURES 108
[B] THE EXCEPTIONS TO COPYRIGHT AND NEIGHBOURING RIGHTS 108
[I] PERFORMANCES WITHIN THE FAMILY CIRCLE 108
[2] THE PRIVATE COPYING EXCEPTION 108
[3] TEMPORARY ACTS OF REPRODUCTION 109
[4] ANALYSES AND QUOTATIONS 110
[A] THE QUOTATION MUST BE SHORT 110
[B] THE PURPOSE AND CHARACTER OF THE QUOTATION 111
[5] INCIDENTAL USES 111
[6] USE OF EXCERPTS OF SPORTING EVENTS 112
[7] PRESS REVIEWS 112
[8] SPEECHES 112
[9] WORK INTENDED TO BE REPRODUCED IN THE CATALOGUE OF
A JUDICIAL SALE 113
[10] EXCEPTION FOR EDUCATIONAL PURPOSES 113
[II] PARODY, PASTICHE AND CARICATURE 114
[A] FREEDOM TO PARODY IN ACCORDANCE WITH THE
RULES OF THE GENRE 114
[B] THE SECOND WORK MUST RESPECT THE PARODIED
WORK OR SUBJECT-MATTER 114
[I] IDENTIFICATION OF THE PARODIED WORK OR
SUBJECT-MATTER 114
[II] ABSENCE OF ANY DENIGRATION OF THE FIRST
WORK OR SUBJECT-MATTER OR ITS AUTHOR 115
[III] THE SECOND WORK OR SUBJECT-MATTER MUST BE
SEPARATE FROM THE FIRST WORK OR SUBJECT-MATTER 115
[12] ACCESS TO THE CONTENTS OF AN ELECTRONIC DATABASE 116
[13] EXCEPTION FOR THE BENEFIT OF PEOPLE WITH A DISABILITY 116
[14] CONSERVATION AND CONSULTATION 116
[15] INFORMATION OF THE PUBLIC 116
[16] WORKS USED FOR JUDICIAL AND ADMINISTRATIVE PROCEDURES,
PATENTS, PARLIAMENTARY SPEECHES, ETC. 117
CHAPTER 5
EXPLOITATION AND CONTRACTS 119
§5.01 CONTRACTS AND COLLECTIVE MANAGEMENT: APPLICABLE RULES 119
[A] CONTRACTS 119
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[1] GENERAL CONTRACT LAW APPLICABLE TO COPYRIGHT AND
NEIGHBOURING RIGHTS AGREEMENTS 119
[A] REQUISITES FOR THE VALIDITY OF AGREEMENTS 119
[I] CONSENT 119
[II] DECEPTION 120
[III] FORMAL REQUIREMENTS 120
[B] TRANSFER OF ACQUIRED RIGHTS TO THIRD PARTIES 121
[C] DAMAGES FOR NON-PERFORMANCE 121
[D] UNFORESEEN CIRCUMSTANCES 121
[E] BANKRUPTCY OF THE ASSIGNEE 122
[F] TERMINATION FOR BREACH OF CONTRACT 123
[2] SPECIFIC RULES APPLICABLE TO COPYRIGHT AGREEMENTS 123
[A] THE PROHIBITION OF A GENERAL ASSIGNMENT OF FUTURE
WORKS 123
[B] SITUATIONS IN WHICH THE AGREEMENTS HAVE TO BE IN
WRITING 124
[C] THE RIGHTS ASSIGNED MUST BE DEFINED PRECISELY 124
[I] THE ASSIGNED RIGHTS 125
[II] DURATION OF THE ASSIGNMENT AND FRENCH-STYLE
PERPETUITY 125
[III] THE TERRITORY OF THE ASSIGNMENT 126
[D] REMUNERATION 126
[I] ASSIGNMENTS FREE OF CHARGE 126
[II] GENERAL RULE: ROYALTIES BASED ON THE
EXPLOITATION OF THE WORK 127
[III] THE BASIS OF CALCULATION 127
[IV] THE PERCENTAGE 128
[V] EXCEPTION TO THE GENERAL RULE: FIXED
ROYALTIES IN THE FORM OF A LUMP SUM 128
[E] VAT PAYABLE ON ROYALTIES PAID TO AUTHORS 130
[I] WITHHOLDING TAX SYSTEM ON ROYALTIES 130
[II] HOW THE SYSTEM WORKS 130
[III] THE AUTHORS MAY WAIVE THE SYSTEM 131
[IV] CONTRACTUAL CLAUSE 132
[F] UNFORESEEN FORMS OF EXPLOITATION AT THE DATE
OF THE AGREEMENT 132
[G] THE ASSIGNEE MUST EXPLOIT THE WORK 132
[H] INFORMATION ON THE TECHNICAL MEASURES LIKELY TO
BE IMPLEMENTED 133
[I] APPLICABLE LAW 133
[J] INTERPRETATION OF COPYRIGHT AGREEMENTS 134
[3] PUBLISHING AGREEMENTS 134
[A] DEFINITION 134
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[B] PARTIES TO THE AGREEMENT AND ASSIGNMENT OF THE
PUBLISHING AGREEMENT 135
[C] REMUNERATION 135
[D] OBLIGATIONS OF THE AUTHOR 135
[E] OBLIGATIONS OF THE PUBLISHER 136
[I] EXPLOITATION 136
[II] QUANTITY OF COPIES TO BE MANUFACTURED 136
[III] MORAL RIGHTS 137
[IV] STATEMENTS AND ACCOUNTS 137
[V] AUDIT AND JUSTIFICATIONS 137
[F] PRIORITY RIGHT ON FUTURE WORKS { PACTES DE
PREFERENCE ) 138
[I] SPECIFIED GENRES 138
[II] THE WORKS COVERED BY THE PRIORITY RIGHT 138
[III] EXERCISING THE OPTION 139
[IV] AGREEMENT MODEL: EXAMPLE OF AN EXCLUSIVE
SONGWRITER S AGREEMENT (WITH A BAND) 139
[G] ASSIGNMENT OF THE PUBLISHING AGREEMENT TO THIRD
PARTIES 142
[H] TERMINATION OF THE PUBLISHING AGREEMENT: SELL-OFF
PERIOD 143
[I] BANKRUPTCY OF THE PUBLISHER 143
[4] CONTRACTS FOR THE PUBLIC PERFORMANCE OF WORKS 143
[5] CONTRACTS BETWEEN PRODUCERS AND PERFORMERS 144
[A] FORMAL REQUIREMENTS, NATURE OF CONTRACTS AND
APPLICABLE LAW 144
[B] REMUNERATION 145
[I] GENERAL RULES 145
[II] AUDIOVISUAL SECTOR 146
[III] MUSIC SECTOR 147
[B] COLLECTIVE MANAGEMENT 148
[1] GENERAL RULES 148
[A] COLLECTING SOCIETIES IN FRANCE ARE OF A CIVIL NATURE 148
[B] THE COLLECTION OF ROYALTIES 148
[I] CONTRACTS WITH THE USERS 148
[II] LEGAL ACTION 149
[C] OBLIGATIONS OF THE COLLECTING SOCIETIES 150
[I] COMPLIANCE WITH COMPETITION LAW 150
[II] REDUCED FEES FOR ASSOCIATIONS OF GENERAL
INTEREST 151
[III] MEASURES TO ASSIST CREATION, LIVE
PERFORMANCES AND THE TRAINING OF
ARTISTS 151
[D] THE CONTROL OF THE COLLECTING SOCIETIES 151
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[2] THE ROLE OF THE COLLECTING SOCIETIES IN THE MUSIC AND
AUDIOVISUAL SECTORS 152
[A] IN THE MUSIC SECTOR 152
[I] COPYRIGHT 152
[II] NEIGHBOURING RIGHTS 153
[B] IN THE AUDIOVISUAL SECTOR 154
[I] AUTHORS 154
[II] PERFORMERS 154
§5.02 CONTRACTUAL PRACTICE 154
[A] MUSIC PUBLISHING 155
[1] PUBLISHING AGREEMENTS 155
[A] GENERAL ASSIGNMENT CLAUSES 155
[B] ASSIGNMENT OF THE REPRODUCTION RIGHT 157
[C] EXPLOITATION BY THE PUBLISHER 158
[D] ASSIGNMENT OF THE PERFORMANCE RIGHT 159
[E] EXPLOITATION ABROAD / SUB-PUBLISHING 161
[F] REMUNERATION OF THE AUTHOR FOR DIRECT EXPLOITATION
BY THE PUBLISHER 161
[G] ACCOUNTS 163
[2] AUDIOVISUAL ADAPTATION: A SEPARATE AGREEMENT FROM THE
PUBLISHING AGREEMENT 164
[B] AUDIOVISUAL WORKS: COPYRIGHT ASSIGNMENT AGREEMENTS 165
[1] TELEVISION WORKS 166
[A] THE AGREEMENT FOR THE ASSIGNMENT OF COPYRIGHT 166
[I] ASSIGNMENT OF RIGHTS 166
[II] DURATION OF THE ASSIGNMENT 169
[III] PROPORTIONAL REMUNERATION 169
[IV] EXPLOITATION THROUGH TV BROADCASTING
(INCLUDING VOD) 169
[V] SECONDARY EXPLOITATIONS 170
[VI] MERCHANDISING 171
[VII] A FIXED REMUNERATION AND/OR AN ADVANCE 171
[VIII] OTHER REMUNERATIONS 172
[IX] THE DEFINITION OF THE PRODUCER S NET RECEIPTS 173
[X] ARBITRATION CLAUSE 175
[B] THE LABOUR LAW AGREEMENT 175
[2] CINEMA 177
[A] EXPLOITATION IN THE MOVIE THEATRES 177
[B] VIDEOGRAMS 178
[I] THE DETERMINATION OF THE PRODUCER S NET
RECEIPTS 178
[II] ADDITIONAL ROYALTIES AFTER AMORTISATION OF
THE COST OF THE FILM 178
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CHAPTER 6
LITIGATION 179
§6.01 CIVIL PROCEDURE APPLICABLE IN ALL CASES 179
[A] BURDEN OF PROOF 179
[1] GENERAL RULE: THE PARTIES HAVE TO PROVE THEIR CLAIM 179
[2] ACCESS TO EVIDENCE AND INFORMATION 180
[A] THE EVIDENCE MUST BE DISCLOSED DURING THE PRE-TRIAL
PHASE 180
[B] INVESTIGATIONS BEFORE THE COMMENCEMENT OF LEGAL
PROCEEDINGS 181
[C] INVESTIGATIONS DURING THE PROCEEDINGS 182
[I] EVIDENCE HELD BY THE PARTIES 182
[II] EVIDENCE HELD BY THIRD PARTIES 183
[D] INQUIRY MEASURES 184
[E] AFFIDAVITS 185
[B] FIGHTING THE CASES IN COURT 185
[1] URGENCY PROCEEDINGS 186
[A] SUMMARY PROCEEDINGS 186
[I] SITUATIONS IN WHICH THE PLAINTIFF MAY
CLAIM AN INTERIM INJUNCTION 186
[II] URGENT MEASURES 186
[HI] PROTECTIVE MEASURES AND MEASURES TO RESTORE 186
[IV] PROVISIONAL DAMAGES OR PAYMENT 187
[V] THE PROCEDURE 187
[B] URGENCY PROCEEDINGS ON THE MERITS 187
[2] PROCEEDINGS ON THE MERITS 188
[A] PROCEEDINGS BEFORE THE COURT OF FIRST INSTANCE 188
[I] PROCEDURE BEFORE THE HIGH COURT OF FIRST
INSTANCE 188
[II] PROCEDURE BEFORE THE COMMERCIAL COURT 189
[III] LACK OF JURISDICTION AND PROCEDURAL
ARGUMENTS RAISED BY THE PARTIES 190
[IV] PLEAS OF NON-ADMISSIBILITY 190
[B] APPEAL 191
[3] THE SUPREME COURT 192
[C] COSTS OF ACTIONS 193
[1] LEGAL COSTS (TAXABLE CHARGES] 193
[2] CHARGES NOT INCLUDED IN THE LEGAL COSTS 194
[3] CONTINGENCY FEES: PROHIBITION OF QUOTA LITIS AGREEMENTS 195
§6.02 PROCEDURES SPECIFIC TO INFRINGEMENT CASES 195
[A] EVIDENCE GATHERING 195
[1] INFRINGEMENT SEIZURE { SAISIE-CONTREFAQON } 196
[A] THE PRESIDENT S ORDER 196
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[I] WORKS AND SUBJECT-MATTERS PROTECTED BY
NEIGHBOURING RIGHTS 196
[II] COMPUTER PROGRAMS AND DATABASES 197
[III] THE PROCEDURE IN PRACTICE 197
[B] RIGHTS AND GUARANTEES OF THE DISTRAINEE 198
[I] FINANCIAL GUARANTEE 198
[II] LIFTING THE SEIZURE 198
[III] TIME LIMIT FOR TAKING ACTION 198
[2] CUSTOMS AUTHORITIES 199
[A] CUSTOMS DETENTION OF GOODS AT THE REQUEST OF THE
RIGHTHOLDERS 199
[B] CUSTOMS DETENTION OF GOODS IN THE ABSENCE OF A
REQUEST FROM THE RIGHTHOLDER 201
[3] EVIDENCE-SECURING ON THE INTERNET 201
[A] BAILIFF S REPORT 201
[B] SWORN AGENTS 203
FC] INFORMATION FROM INTERNET INTERMEDIARIES 203
[4] INVESTIGATIONS DURING THE PROCEEDINGS 204
[B] CIVIL PROCEDURE IN INFRINGEMENT CASES 205
[1] THE INFRINGEMENT ACTS 205
[A] COPYRIGHT AND NEIGHBOURING RIGHTS 205
[IJ THE INFRINGING ACTS 205
[II] INTENTION 206
[B] UNFAIR COMPETITION (TORT) 206
[2] LOCUS STANDI 207
[A] THE RIGHTHOLDERS 207
[I] AUTHORS, PERFORMERS AND PRODUCERS 207
[II] LICENCEES AND DISTRIBUTORS 208
[III] FOREIGN RIGHTHOLDERS 208
[B] COLLECTING SOCIETIES AND TRADE UNIONS 209
[3] JURISDICTION 209
[A] SPECIALISED COURTS 209
[B] GENERAL JURISDICTION RULES 210
[C] INTERNET SITES ABROAD ACCESSIBLE IN FRANCE 211
[4] APPLICABLE LAW 211
[A] CONTRACTS 211
[B] INTERNATIONAL INFRINGEMENT CASES 211
[5] TIME LIMITATION IN INFRINGEMENT CASES 213
[6] REMEDIES 213
[A] DAMAGES 213
[I] PROTECTIVE MEASURES 213
[II] THE EVALUATION OF THE DAMAGES 214
[III] ALTERNATIVE TO THE ASSESSMENT OF DAMAGES:
LUMP SUM 214
XVU
TABLE OF CONTENTS
[IV] ADDITIONAL DAMAGES: THE PROCEEDS OF THE
INFRINGEMENT 215
[B] ADDITIONAL REMEDIES: CONFISCATION AND PUBLICITY 215
[C] PENAL PROVISIONS 215
[1] THE INFRINGEMENT ACTS AND SANCTIONS 215
[A] INFRINGEMENT OF COPYRIGHT AND NEIGHBOURING RIGHTS 216
[B] COMPUTER PROGRAMS MANIFESTLY INTENDED TO
COMMUNICATE UNAUTHORISED WORKS TO THE PUBLIC 217
[C] PROTECTION OF TECHNICAL MEASURES 217
[D] ADDITIONAL SANCTIONS 217
[I] CLOSURE OF THE ESTABLISHMENT 217
[II] CONFISCATION, DESTRUCTION AND PUBLICITY 218
[III] SUSPENSION OF INTERNET ACCESS 218
[IV] THE EXISTENCE OF AN AGREEMENT BETWEEN
THE VICTIM AND THE INFRINGER 218
[E] SANCTIONS SPECIFIC TO LEGAL ENTITIES 218
[2] THE INTENTION 219
[3] PRESCRIPTION 219
[D] THE PREVENTION OF INFRINGEMENT ON THE INTERNET 220
F 1] THE PREVENTION OF UNLAWFUL DOWNLOADING AND
COMMUNICATION TO THE PUBLIC 220
[A] COMPUTER PROGRAMS USED FOR INFRINGEMENT ACTS 220
[B] INTERNET SERVICES USED FOR INFRINGEMENT ACTS 221
[2] LIABILITY OF INTERNET USERS 222
[3] LIABILITY OF INTERMEDIARY SERVICE PROVIDERS 223
[A] ISPS 224
[B] HOSTING PROVIDERS 224
[I] LIMITATION OF LIABILITY 224
[II] NOTICE TO TAKE DOWN 225
[III] NO STAY DOWN OBLIGATION 226
BIBLIOGRAPHY 227
INDEX 229
XVM
|
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| id | DE-604.BV042377097 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T17:09:34Z |
| institution | BVB |
| isbn | 9789041152879 9041152873 |
| language | English |
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| physical | XXXVIII, 233 S. |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Kluwer Law International |
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| spellingShingle | Spitz, Brad Guide to copyright in France business internet and litigation |
| title | Guide to copyright in France business internet and litigation |
| title_auth | Guide to copyright in France business internet and litigation |
| title_exact_search | Guide to copyright in France business internet and litigation |
| title_full | Guide to copyright in France business internet and litigation Brad Spitz |
| title_fullStr | Guide to copyright in France business internet and litigation Brad Spitz |
| title_full_unstemmed | Guide to copyright in France business internet and litigation Brad Spitz |
| title_short | Guide to copyright in France |
| title_sort | guide to copyright in france business internet and litigation |
| title_sub | business internet and litigation |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027813257&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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