Teatr operowy Petera Sellarsa: inscenizacje Händla i Mozarta z lat 80. XX wieku
Gespeichert in:
Beteilige Person: | |
---|---|
Format: | Buch |
Sprache: | Polnisch |
Veröffentlicht: |
Poznań
Wydawnictwo Poznańskiego Towarzystwa Przyjaciół Nauk
2012
|
Schriftenreihe: | Biblioteka Laboratorium Myśli Muzycznej
1 |
Schlagwörter: | |
Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027767693&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027767693&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
Beschreibung: | Zsfassung in engl. Sprache u.d.T.: Peter Sellars's staging of Händel and Mozart productions from the 1980s Bibliogr. s. 115-123. Indeks |
Umfang: | 131 s. 24 cm |
ISBN: | 9788376542645 |
Internformat
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500 | |a Bibliogr. s. 115-123. Indeks | ||
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Datensatz im Suchindex
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adam_text | SPIS TRE*CI
WST*P 11
ROZDZIA* I. HISTORIA RE*YSERII OPEROWEJ W XX WIEKU 23
ROZDZIA* II. SYLWETKA TWORCZA PETERA SELLARSA 33
ROZDZIA* III. HANDEL A POLITYKA ZAGRANICZNA STANOW ZJEDNOCZONYCH.
KRYTYKA NEOIMPERIALIZMU W GIULIO CESARE IN EGITTO 43
ROZDZIA* IV.
MOZART A POLITYKA WEWN*TRZNA STANOW ZJEDNOCZONYCH 61
MOZART A OPERA 61
WESELE FIGARA - NIEUDANA PROBA OPOWIEDZENIA O ROZWARSTWIENIU
SPO*ECZNYM? 66
MIT SPO*ECZE*STWA POSTRASOWEGO W DON GIOVANNIM 68
MIT UPADKU M*SKIEJ DOMINACJI W CO*I FAN TUTTE 93
ZAKO*CZENIE 111
BIBLIOGRAFIA, EDYCJE NUTOWE I DOKUMENTY AUDIOWIZUALNE 115
SUMMARY 125
INDEKS OSOBOWY 127
HTTP://D-NB.INFO/1045615579
Peter Sellars s
Staging of
Händel
and Mozart
Productions
from the
1
980s
Summary
This book is dedicated to Peter Sellars, noted as one of the most famous contempo¬
rary opera and theatre directors, connected with the Regitheater movement. The
main part of the book provides an analysis of his well-known opera productions of
the
1980s:
Handel s
Giulio Cesare in Egitto {HWV
17),
Mozart s Don Giovanni (KV
527)
and
Così
fan
tutte (KV
588).
Thanks to the up-to-date style of these produc¬
tions Sellars was able to present difficult problems that existed in contemporary
American society and politics: orientalism as a rule of foreign policy
[Giulio Cesare
in
Egitto),
racism and gender inequality [Don Giovanni and
Così fan tutte].
Each of them was presented without cuts, but their interpretation was modern
-
Sellars paid attention to the work in its historical context and „translated the
main elements of the piece (location, social position of characters, relations be¬
tween them) to the contemporary reality. It was not a mechanical process but a
conscious playing with the ideological message of the works, which articulates in
resonance between the words and music on the one hand and the staging on the
other. In
Giulio Cesare
this tension arose from the contrast between the musical
richness and the panegyric, highly formalised content of the piece, and an attempt
to relate these elements to contemporary American policy, at the same time using
distancing theatrical procedures. In Don Giovanni this tension originated from the
conflict situated in the title character
-
between the idea of absolute freedom,
which he embodies, and racial prejudice. In
Così fan tutte
Sellars balanced be¬
tween seriousness and humor when decoding the history of embodiment of male
domination, which
-
as he claimed
-
was the main theme of the opera.
The analytical part of the book uses an eclectic methodology, derived from
theatre studies (semiology), musicology, cultural studies and sociology (Edward
W. Said, George M. Fredrickson and Pierre Bourdieu may be treated as the most in¬
fluential scholars on this work) and tries to define the coherence of Sellars s work.
The context for these reflections is the history of opera directing in the 20th
century, the characteristics of Sellars s artistic portrait (his biography, view of the
world and approach to art) and thoughts about opera as an institution and social
fact.
The book provides a brand new interpretation of Peter Sellars s works. Its aim
■^
is to describe the peculiarity of his attitude to opera production
-
as art par excel¬
lence, but also showing the artistic integrity of these works and at the same time
introducing ideological up-to-dateness or even political involvement.
Due to its wide range of themes and methodological inspirations this book sho¬
uld be of interest not only to musicologists and those dealing with theatre and
opera but also to scholars from other areas of the humanities.
|
any_adam_object | 1 |
author | Bogucki, Marcin |
author_facet | Bogucki, Marcin |
author_role | aut |
author_sort | Bogucki, Marcin |
author_variant | m b mb |
building | Verbundindex |
bvnumber | BV042330943 |
ctrlnum | (OCoLC)881357771 (DE-599)BVBBV042330943 |
era | Geschichte 1985-1989 gnd |
era_facet | Geschichte 1985-1989 |
format | Book |
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illustrated | Not Illustrated |
indexdate | 2024-12-20T17:08:14Z |
institution | BVB |
isbn | 9788376542645 |
language | Polish |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027767693 |
oclc_num | 881357771 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | 131 s. 24 cm |
publishDate | 2012 |
publishDateSearch | 2012 |
publishDateSort | 2012 |
publisher | Wydawnictwo Poznańskiego Towarzystwa Przyjaciół Nauk |
record_format | marc |
series | Biblioteka Laboratorium Myśli Muzycznej |
series2 | Biblioteka Laboratorium Myśli Muzycznej |
spellingShingle | Bogucki, Marcin Teatr operowy Petera Sellarsa inscenizacje Händla i Mozarta z lat 80. XX wieku Biblioteka Laboratorium Myśli Muzycznej Händel, Georg Friedrich / (1685-1759) / Opery jhpk Mozart, Wolfgang Amadeus / (1756-1791) / Opery jhpk Händel, Georg Friedrich / (1685-1759) / inscenizacje Mozart, Wolfgang Amadeus / (1756-1791) / inscenizacje Sellars, Peter / (1957- ) Sellars, Peter 1957- (DE-588)119325276 gnd Mozart, Wolfgang Amadeus 1756-1791 Don Giovanni (DE-588)30010782X gnd Händel, Georg Friedrich 1685-1759 Giulio Cesare in Egitto (DE-588)300064624 gnd Mozart, Wolfgang Amadeus 1756-1791 Così fan tutte (DE-588)300107331 gnd Teatr jhpk Inscenizacja / historia / Stany Zjednoczone / od 1945 r Teatr operowy amerykański / historia / od 1945 r Inszenierung (DE-588)4027223-0 gnd |
subject_GND | (DE-588)119325276 (DE-588)30010782X (DE-588)300064624 (DE-588)300107331 (DE-588)4027223-0 |
title | Teatr operowy Petera Sellarsa inscenizacje Händla i Mozarta z lat 80. XX wieku |
title_auth | Teatr operowy Petera Sellarsa inscenizacje Händla i Mozarta z lat 80. XX wieku |
title_exact_search | Teatr operowy Petera Sellarsa inscenizacje Händla i Mozarta z lat 80. XX wieku |
title_full | Teatr operowy Petera Sellarsa inscenizacje Händla i Mozarta z lat 80. XX wieku Marcin Bogucki |
title_fullStr | Teatr operowy Petera Sellarsa inscenizacje Händla i Mozarta z lat 80. XX wieku Marcin Bogucki |
title_full_unstemmed | Teatr operowy Petera Sellarsa inscenizacje Händla i Mozarta z lat 80. XX wieku Marcin Bogucki |
title_short | Teatr operowy Petera Sellarsa |
title_sort | teatr operowy petera sellarsa inscenizacje handla i mozarta z lat 80 xx wieku |
title_sub | inscenizacje Händla i Mozarta z lat 80. XX wieku |
topic | Händel, Georg Friedrich / (1685-1759) / Opery jhpk Mozart, Wolfgang Amadeus / (1756-1791) / Opery jhpk Händel, Georg Friedrich / (1685-1759) / inscenizacje Mozart, Wolfgang Amadeus / (1756-1791) / inscenizacje Sellars, Peter / (1957- ) Sellars, Peter 1957- (DE-588)119325276 gnd Mozart, Wolfgang Amadeus 1756-1791 Don Giovanni (DE-588)30010782X gnd Händel, Georg Friedrich 1685-1759 Giulio Cesare in Egitto (DE-588)300064624 gnd Mozart, Wolfgang Amadeus 1756-1791 Così fan tutte (DE-588)300107331 gnd Teatr jhpk Inscenizacja / historia / Stany Zjednoczone / od 1945 r Teatr operowy amerykański / historia / od 1945 r Inszenierung (DE-588)4027223-0 gnd |
topic_facet | Händel, Georg Friedrich / (1685-1759) / Opery Mozart, Wolfgang Amadeus / (1756-1791) / Opery Händel, Georg Friedrich / (1685-1759) / inscenizacje Mozart, Wolfgang Amadeus / (1756-1791) / inscenizacje Sellars, Peter / (1957- ) Sellars, Peter 1957- Mozart, Wolfgang Amadeus 1756-1791 Don Giovanni Händel, Georg Friedrich 1685-1759 Giulio Cesare in Egitto Mozart, Wolfgang Amadeus 1756-1791 Così fan tutte Teatr Inscenizacja / historia / Stany Zjednoczone / od 1945 r Teatr operowy amerykański / historia / od 1945 r Inszenierung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027767693&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027767693&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV042330942 |
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