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Modern architecture in Latin America: art, technology, and utopia

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Bibliographic Details
Main Authors:	Carranza, Luis E. 1968- (Author), Lara, Fernando Luiz 1970- (Author)
Format:	Book
Language:	English
Published:	Austin, Tex. University of Texas Press 2014
Edition:	First edition
Series:	Joe R. and Teresa Lozano long series in Latin American and Latino art und culture
Subjects:	Geschichte 1903-2002 Architecture / Latin America / History ARCHITECTURE / History / Modern (late 19th Century to 1945) ARCHITECTURE / History / Contemporary (1945-) HISTORY / Latin America / General Architecture Architektur Geschichte Latin America Lateinamerika
Links:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027677109&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Item Description:	Includes bibliographical references and index
Physical Description:	xvi, 406 Seiten Illustrationen
ISBN:	9780292758650 9780292762978

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MARC


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245	1	0	\|a Modern architecture in Latin America \|b art, technology, and utopia \|c Luis E. Carranza and Fernando Luiz Lara ; foreword by Jorge Francisco Liernur
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264		1	\|a Austin, Tex. \|b University of Texas Press \|c 2014
300			\|a xvi, 406 Seiten \|b Illustrationen
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490	0		\|a Joe R. and Teresa Lozano long series in Latin American and Latino art und culture
500			\|a Includes bibliographical references and index
520	1		\|a "Modern Architecture in Latin America: Art, Technology, and Utopia is an introductory text on the issues, polemics, and works that represent the complex processes of political, economic, and cultural modernization in the twentieth century. The number and types of projects varied greatly from country to country, but, as a whole, the region produced a significant body of architecture that has never before been presented in a single volume in any language. Modern Architecture in Latin America is the first comprehensive history of this important production. Designed as a survey and focused on key examples/paradigms arranged chronologically from 1903 to 2003, this volume covers a myriad of countries; historical, social, and political conditions; and projects/developments that range from small houses to urban plans to architectural movements. The book is structured so that it can be read in a variety of ways--as a historically developed narrative of modern architecture in Latin America, as a country-specific chronology, or as a treatment of traditions centered on issues of art, technology, or utopia. This structure allows readers to see the development of multiple and parallel branches/historical strands of architecture and, at times, their interconnections across countries. The authors provide a critical evaluation of the movements presented in relationship to their overall goals and architectural transformations. "--
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700	1		\|a Lara, Fernando Luiz \|d 1970- \|e Verfasser \|0 (DE-588)137138644 \|4 aut
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Record in the Search Index

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adam_text	CONTENTS FOREWORD BY JORGE FRANCISCO LIERNUR XI ACKNOWLEDGMENTS XV (NOTES TOWARD AN) INTRODUCTION 1 1903 1904 1906 1914 1915 1922 FRANCISCO PEREIRA PASSOS BEGINS A PROJECT TO CIVILIZE RIO DE JANEIRO BY APPLYING BARON HAUSSMANN S IDEAS AS AN ANSWER TO THE TROPICAL (LACK OF) URBANISM. 7 BR 1923 VICTOR MEANO, FRANCISCO DE OLIVEIRA PASSOS, AND EMILE JEQUIER BUILD A LATIN AMERICAN CHARACTER WITH A CLASSICAL VOCABULARY, IO AR BR CL JULIAN GARCIA NUNEZ S HOSPITAL ESPANOL DEFINES A CHARACTERISTIC SEARCH FOR A NEW LANGUAGE: SECESSION/ART NOUVEAU. 14 AR BR MX )ESIIS T. ACEVEDO AND FEDERICO MARISCAL LECTURE IN MEXICO ON THE CHARACTER, IMPOR- TANCE, AND ROLE OF THE SPANISH COLONIAL LEGACY. 18 MX ANTONIN NECHODOMA INTRODUCES THE PRAIRIE STYLE TO PUERTO RICO. 21 IN AN ATTEMPT TO CREATE A BUILDING EXPRES- SIVE OF THE COSMIC RACE, JOSE VASCONCELOS INAUGURATES IN MEXICO CITY THE HEADQUARTERS OF THE SECRETARIA DE EDUCACION PUBLICA AND FORMALIZES THE MURALIST PROJECT. 23 MX MARIO PALANTI: PALACIO BAROLO AND PALACIO SALVO 28 1925 MODERN ARCHITECTURE BEGINS WITH GREGORI WARCHAVCHIK AND RINO LEVI PUBLISHING MANIFESTOS ON THE NEW ARCHITECTURE; CATCHING UP TO THE 1922 SEMANA DE ARTE MODERNA. 34 BR 1925-A ESTRIDENTOPOLIS EN 1975: LITERARY ARCHITECTURE AND THE AVANT-CARDE 38 1925-B JOSE VILLAGRAN GARCIA, INSTITUTO DE HIGIENE Y GRANJA SANITARIA 40 1928 THE COLUMBUS MEMORIAL LIGHTHOUSE COMPETITION SPARKS AN INVESTIGATION INTO WHAT ARCHITECTURE FOR LATIN AMERICA SHOULD BE LIKE. 42 C: DO 1929-A THE IBERO-AMERIEAN EXHIBITION OPENS IN SEVILLE, REVEALING THE COMPLEX AND CONTRADIC- TORY RELATIONS BETWEEN SPAIN AND ITS FORMER AMERICAN COLONIES. 47 MX 1929-B LE CORBUSIER S FIRST ENCOUNTERS WITH SOUTH AMERICA: LECTURES AND EARLY PROJECTS FOR ARGENTINA, BRAZIL, AND URUGUAY 51 AR BR UY 1929-C WITH THE HISTORY OF THE SKYSCRAPER, FRANCISCO MUJICA ARTICULATES THE SKYSCRAPER S LATIN AMERICAN DIMENSION. 55 AR C: CU MX 1924 MARTIN FIERRO PRESENTS ALBERTO PREBISCH AND ERNESTO VAUTIER S CIUDAD AZUCARERA EN TUCUMAN AND FORMALIZES THE CONNECTIONS AND INTERESTS IN ARCHITECTURE AMONG THE LITERARY AND ARTISTIC AVANT-GARDES. 30 AR BR MX 1929 SERGIO LARRAI N AND JORGE ARTEAGA S OBERPAUER BUILDING INITIATES A NEW DIRECTION IN CHILEAN ARCHITECTURE. 59 AR ARGENTINA BR BRA/LL. C: CU CARIBBEAN: CUBA C: DO CARIBBEAN: DOMINICAN REPUB! IC C: PR CARIBBEAN: PUERTO RICO CL CHILE CO COLOMBIA MX MEXICO PE PERU UY URUGUAY VEVLNEZUEIA 1930-A GETULIO VARGAS TAKES POWER IN BRAZIL AND APPOINTS TWENTY-EIGHT-YEAR-OLD LUCIO COSTA AS DIRECTOR OF THE ESCOLA NATIONAL DE BELAS ARTES (ENBA). 61 BR 1930-B COMMEMORATING THE CENTENARY OF ITS INDE- PENDENCE, URUGUAY TAKES THE FIRST SOCCER WORLD CUP AT HOME, AND MONTEVIDEO IS AT THE CENTER OF ITS MODERN AMBITIONS. 64 UY 1930 FLAVIO DE CARVALHO, CITY OF THE NAKED MAN 69 1931 ) UA N O CORMAN, DIEGO RIVERA AND FRIDA KAHIO HOUSES AND STUDIOS 71 193 3 IN HIS PLDTICAS SOB RE ARQUITECTURA LECTURE, JUAN O GORMAN HIGHLIGHTS THE EXISTING POLEMICS BETWEEN FUNCTIONALIST!! AND ACADEMIC ARCHITECTURE. 73 MX 1936 LE CORBUSIER IS BACK IN RIO DE JANEIRO. 77 BR 1936-A THE KAVANAGH BUILDING IS FINISHED, BECOMING THE TALLEST SKYSCRAPER IN LATIN AMERICA. 83 1936-B FRANCISCO SALAMONE: FASCISM AND MONUMENTAL ARCHITECTURE IN THE PAMPA 84 1936-C JULIO VILAMAJO, SCHOOL OF ENGINEERING 86 1937 WLADIMIRO ACOSTA S VIVIENDA Y CIUDAD HIGH- LIGHTS THE RELATIONSHIP BETWEEN ECOLOGY, NEW FORMS OF LEISURE, THE HOUSE, AND THE CITY. 88 AR 1937 CINE GRAN REX AND ARGENTINE CLASSICIST MODERNISM 92 1938 CHARACTERISTIC OF THE GROWING REACH OF SURREALISM INTO ARCHITECTURE AND LATIN AMERICA, THE CHILEAN ARCHITECT-TRAINED ARTIST MATTA PUBLISHES SENSITIVE MATHEMATICS* ARCHITECTURE OF TIME IN MINOTAURE. 94 AR CL MX 1938 JOAQUI N TORRES-CARCLA, MONUMENTO CDSMICO, MONTEVIDEO, URUGUAY 99 1939 THE EUROPEAN DIASPORA BRINGS ARCHITECTURAL TALENTS TO LATIN AMERICA ON AN UNPRECEDENTED SCALE. 100 AR BR MX 1939 THE BRAZILIAN PAVILION AT NEW YORK WORLD S FAIR 105 1941 PAMPULHA REPRESENTS AN ENCOUNTER THAT WOULD CHANGE THE FUTURE OF BRAZIL. 108 BR 1942 AMANCIO WILLIAMS, CASA SOBRE EL ARROYO 113 1943-A THE BRAZIL BUILDS EXHIBITION AT THE MUSEUM OF MODERN ART IN NEW YORK HIGHLIGHTS THE ARCHITECTURAL AND POLITICAL INTERESTS OF U.S. RELATIONS WITH BRAZIL. 115 BR 1943-B TOWN PLANNING ASSOCIATES (TPA) IS COM- MISSIONED TO DESIGN A NEW BRAZILIAN TOWN AROUND AN AIRPLANE FACTORY, CIDADE DOS MO- TORES. THIS WILL BE THE BEGINNING OF TPA S INVOLVEMENT WITH LATIN AMERICA THAT WILL IN- CLUDE NOT ONLY PLANS FOR CHIMBOTE, PERU, BUT ALSO MASTER PLANS FOR MEDELLIN AND BOGOTA, COLOMBIA, AND HAVANA, CUBA. 118 BR C: CU CO PE 1944 HENRY KLUNIB MOVES TO PUERTO RICO AND FOR- MALIZES INVESTIGATIONS OF MODERN ARCHITEC- TURE IN THE TROPICS. 123 C: PR 1945 ANTONI BONET, PUNTA BALLENA, URUGUAY 129 1946 AFFONSO REIDY S POPULAR HOUSING BLOCKS 131 1947-A LUIS BARRAGAN AND MAX CCTTO, THE EMIGRE GERMAN ARCHITECT, BEGIN WORKING ON THE DESIGN OF THE FIRST HOUSES IN MEXICO CITY S JARDINES DEL PEDREGAL SUBDIVISION. 134 MX 1947-B SEEKING TO SYMBOLIZE POSTWAR EFFICIENCY AND ORGANIZATION, LATIN AMERICAN CITIES EM- BRACE THE NORTH AMERICAN ARCHITECTURE OF BUREAUCRACY. 140 AR CO MX VE 1947-A OSCAR NIEMEYER SKETCHES THE UN BUILDING IN NEW YORK BUT TAKES NO CREDIT. 144 1947-B MARIO PAMMULTIFAMILIAREI 147 1947-C AGRUPACION ESPACIO 749 1949 LA CIUDAD/RENTE AL NO IS RELEASED, SHOWING THE TRANSFORMATIONS OF LE CORBUSIER S PLAN FOR BUE- NOS AIRES. 151 1950 PUBLIC HOUSING REACHES A MONUMENTAL SCALE: MARIO PANI, CARLOS RAUL VILLANUEVA, AFFONSO REIDY, OSCAR NIEMEYER. 153 BR MX VE 1951-A CARLOS RAUL VILLANUEVA, VILLANUEVA RESIDENCE 158 1951-B PROA MAGAZINE PUBLISHES ARQUITECTURA EN CO- LOMBIA, ARTICULATING AN IDENTITY THAT SURVIVED THE SECOND HALF OF THE CENTURY. 159 1951-C LINA BO BARDI INAUGURATES HER CASA DE VIDRO. 160 1952 THE DEBATES OF PLASTIC INTEGRATION, MODERN ARCHITECTURE, AND THE DEVELOPMENT OF NEW CITY FORMS COME TO THE FOREFRONT IN TWO MA- JOR UNIVERSITIES: THE UNAM IN MEXICO CITY AND THE UNIVERSIDAD CENTRAL IN CARACAS, VENEZUELA. THE FIRST EXEMPLIFIES FIGURATIVE, LEGIBLE, AND SOCIALLY CONSCIOUS ART; THE SEC- OND, ABSTRACTION. 162 MX VE 1952 ELADIO DIESTE, IGLESIA DE CRISTO OBRERO, ATLAN- TIDA, URUGUAY 170 1953-A AFFONSO REIDY. HALFWAY BETWEEN THE CARIOCA SCHOOL AND THE PAULISTA SCHOOL 172 , BR 1953-B EL ECO EXPERIMENTAL MUSEUM IN MEXICO CITY OPENS ITS DOORS, ADVOCATING FOR AN EMOTIONAL ARCHITECTURE. 176 MX 1953-C MAX BILL S CRITIQUE OF THE SAO PAULO BIENNIAL HAS A SIGNIFICANT IMPACT IN BRAZIL: OSCAR NIEMEYER WRITES A MEA CULPA, SERGIO BER- NARDES INVESTS IN DESIGNING A TECHNOLOGICAL UTOPIA, AND JOAO FILGUEIRAS LIMA DEVOTES HIS LIFE TO PREFABRICATION. 180 BR 1953-A FELIX CANDELA, CHURCH OF OUR LADY OF THE MI- RACULOUS MEDAL, MEXICO CITY 184 1953-B MARIO ROBERTO ALVAREZ, TEATRO GENERAL SAN MARTIN, BUENOS AIRES 186 1954 LE CORBUSIER, CURUTCHET HOUSE, LA PLATA, ARGENTINA 188 1955 T LADIO DIESTETECTONICS DRIVING THE ACCI- DENTAL ARCHITECT 190 UY 1955-A FRUTO VIVAS, CLUB TACHIRA 193 1955-B THE HELICOIDE IN CARACAS: 1 HE ULTIMATE PARKING AND SHOPPING CENTER 195 1955-C GIO PONTI, VILLA PLANCHART 197 CONTENTS 1956 BRASILIA: A MODERNIST UTOPIA? 199 BR 1957-A MIES VAN DER ROHE, BACARDI BUILDINGS FOR HAVANA, CUBA, AND MEXICO CITY 206 1957-B LINY BO BARDI, SAO PAULO MUSEUM OF ART 208 1959 THE APPEAL OF CORBUSIAN MONUMENTALITY AND HETON BRUT: CLORINDO TESTA S GOVERNMENT BUILDING IN LA PAMPA AND, WITH SEPRA, THE BANK OF LONDON AND SOUTH AMERICA IN BUE- NOS AIRES 210 AR 1961-A FIDEL CASTRO, IN CONVERSATION WITH ERNESTO CHE GUEVARA, DECIDES TO CONVERT A GOLF COURSE INTO ART SCHOOLS IN CUBA. 214 C: CU 1961-B JOAO BATISTA VILANOVA ARTIGAS AND PAULO MENDCS DA ROCHA ARTICULATE THE PAULISTA SCHOOL: FREE GROUND PLAN, GENEROUS SOCIAL SPACES, AND OPAQUE ENVELOPES. 218 BR 19 61 JOAO BATISTA VILANOVA ARTIGAS, SCHOOL OF ARCHITEC- TURE AND PLANNING, UNIVERSITY OF SAO PAULO 221 1962 NELSON BAYARDO, COLUMBARIUM, MONTEVIDEO 223 1963 IN BOGOTA, ROGELIO SALMONA TAKES OLD BRICKS TO A NEW DIMENSION IN TORRES DEL PARQUE. 225 1964-A THE MILITARY DICTATORSHIP ENDS DELFIM AMONM AND ACACIO GIL BORSOI S INVESTIGATIONS INTO AN ARCHITECTURE FOR THE BRAZILIAN NORTHEAST. 227 1964-B PEDRO RAMIREZ VAZQUEZ, MUSEO NACIONAL DE ANTROPOLOGIA, MEXICO CITY 229 1964-C MARTIN CORREA AND GABRIEL CUARDA, LAS CONDES BENEDICTINE MONASTERY CHAPEL 231 1965-A PARQUE DO FLAMENGO: ROBERTO BURIE MARX RE- DEFINES THE BRAZILIAN LANDSCAPE BY REDISCOV- ERING THE COUNTRY S OWN LOCAL SPECIES. 233 BR 1965-B THE (RE)INVENTION OF CURITIBA: FROM THE PLAN OF JORGE WILHEIM TO THE IMPLEMENTATION BY JAIME LERNER 237 BR 1965 JUAN BORCHERS, COOPERATIVA ELECTRICA DE CHILIAN, CHILE 240 1966 UNITED NATIONS AS CLIENT AND ADVOCATE: LMILIO DUHART S CEPAL BUILDING IN SANTIAGO 242 CL 1967 (LELIO OITICICA BUILDS TROPICDLIA, CHALLENG- ING THE TRADITIONAL BOUNDARIES BETWEEN ART, POPULAR CULTURE, CONSTRUCTION, AND ARCHITECTURE. 246 BR VE 1967 JESUS TENREIRO-DEGWITZ*VENEZUELAN POSTMODERNISM 250 1968 THE OLYMPIC GAMES PROVIDE MEXICO CITY WITH OPPORTUNITIES FOR NEW FORMS OF NATIONAL REPRESENTATION THROUGH ARCHITECTURE; DEADLY STUDENT PROTESTS HIGHLIGHT THE CONTESTED USE OF PUBLIC SPACE. 252 MX 1969-A INVENTING NEW EDUCATIONAL PARADIGMS, ALBERTO CRUZ COVARRUBIAS AND GODOFREDO LORNMI (POETICALLY) FOUND THE CIUDAD ABIERTA IN CHILE. 257 CL 1969-B PREVI: TWO OPPOSING GOVERNMENTS IN PERU BRING IN THE BEST ARCHITECTS IN THE WORLD TO ADDRESS SQUATTER SETTLEMENTS. 262 PE 1969 FRANCISCO BULLRICH PUBLISHES ON LATIN AMERICAN AICHITECTURE. 265 1971 FORMALIZING THE LEGACY OF THE MADI (MO- VIMIENTO DE ARTE DE INVENCION) AND UTOPIAN URBAN PROJECTS, GYULA KOSICE PROPOSES A HYDROSPATIAL CITY. 267 AR BR MX 1971 NATIONAL THEATER, GUATEMALA 272 CONTENTS 1974 1975 1976 TEACHING UNDER DURESS: LA ESCUELITA, DICTATOR- 1988 SHIP, AND POSTMODERNISM IN ARGENTINA 274 AR 1990 FILGUEIRAS LIMA, CAPELA DO CONTRO ADMINISTRATIVE) DA BAHIA 278 MEXICAN POSTMODERNISM: TEODORO GONZALEZ DE LEON S COLEGIO DE MEXICO EXPRESSES MODERN ARCHITECTURE S NEW HISTORICIZING SENSIBILITIES. 281 MX 1991 BRAZILIAN MUSEUM OF SCULPTURE 315 CHILEAN POSTMODERNISM IS CHALLENGED BY JOSE CRUZ AND GERMAN DEL SOL. 318 CL ANGELO BUCCI AND ALVARO PUNTONI WIN THE COMPETITION FOR THE BRAZILIAN PAVILION AT SEVILLE EXPO 1992, MARKING THE END OF THE POSTMODERN REIGN AND THE BEGINNING OF NEOMODERNISM. 322 BR 1977-A EOLO MAIA, CAPELA DE SANTANA AO PE DO MORRO 287 1977-B BRUNO STAGNO HOUSE, COSTA RICA 289 1979 1980 1983 PAMPULHA MAGAZINE IS LAUNCHED IN MINAS GERAIS, MARKING THE BEGINNING OF BRAZILIAN POSTMODERNISM. 291 BR THE PRITZKER ARCHITECTURE PRIZE IS AWARDED TO LUIS BARRAGAN, AND PHOTOGRAPHY IS AT THE CEN- TER OF THE MYTH. 295 MX NIERAEYER RETURNS TO RIO DE JANEIRO TO DESIGN THE SAMBODROMO AND THE CIEPS: ARCHITECTURE GETS CLOSER TO POPULAR NEEDS. 300 BR 1993 PABLO BEITIA, XUL SOLAR MUSEUM (PAN KLUB FOUNDATION) 326 1994-A QUAE SERA TAMEN: ARCHITECTURE FOR THE FAVELAS 329 BR 1994-B AS A MODEL FOR INTERNATIONALIZATION, NAFTA BECOMES EMBLEMATIC OF THE NEW CHARACTER OF LATE-TWENTIETH-CENTURY MEXICAN ARCHITECTURE. 333 MX 1997 SMILJAN RADIC, CHARCOAL BURNER S HUT 338 2000 COLOMBIAN RENAISSANCE: IN BOGOTA AND MEDELLIN, MAYORS AND ARCHITECTS WORK TOGETHER TO CREATE BETTER CITIES. 339 CO 1983-A RAMON GUTIERREZ PUBLISHES ARQUITECTURA Y URBANISMO EN IBEROAMERICA. 305 1983-B SEVERIANO PORTO, BALBINA ENVIRONMENTAL PROTECTION CENTER, BRAZIL 306 1985-A IN THE MIDST OF A NOT-SO-LOST DECADE . . . 308 AR BR CL MX 1985-B LINA BO BARDI AND THE SESC POMPEIA IN- AUGURATE AN INTEREST IN ADAPTING EXISTING STRUCTURES. 311 BR 2000 ALBERTO KALACH, GGC HOUSE, MEXICO CITY 343 2001 SOLANO BENFTEZ S TOMB FOR HIS FATHER, PARAGUAY 346 2002 RAFAEL IGLESIA, PAVILIONS AT PARQUE INDEPENDENCIA 348 PROVOCATIONS FOR A CONCLUSION: I S LAN DS NO MORE 351 NOTES 361 BIBLIOGRAPHY 371 ILLUSTRATION CREDITS 385 INDEX 39I CONTENTS
any_adam_object	1
author	Carranza, Luis E. 1968- Lara, Fernando Luiz 1970-
author_GND	(DE-588)142605492 (DE-588)137138644 (DE-588)132291509
author_facet	Carranza, Luis E. 1968- Lara, Fernando Luiz 1970-
author_role	aut aut
author_sort	Carranza, Luis E. 1968-
author_variant	l e c le lec f l l fl fll
building	Verbundindex
bvnumber	BV042238937
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ctrlnum	(OCoLC)901353345 (DE-599)BVBBV042238937
dewey-full	720.98/0904
dewey-hundreds	700 - The arts
dewey-ones	720 - Architecture
dewey-raw	720.98/0904
dewey-search	720.98/0904
dewey-sort	3720.98 3904
dewey-tens	720 - Architecture
discipline	Kunstgeschichte Architektur
edition	First edition
era	Geschichte 1903-2002 gnd
era_facet	Geschichte 1903-2002
format	Book
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The number and types of projects varied greatly from country to country, but, as a whole, the region produced a significant body of architecture that has never before been presented in a single volume in any language. Modern Architecture in Latin America is the first comprehensive history of this important production. Designed as a survey and focused on key examples/paradigms arranged chronologically from 1903 to 2003, this volume covers a myriad of countries; historical, social, and political conditions; and projects/developments that range from small houses to urban plans to architectural movements. The book is structured so that it can be read in a variety of ways--as a historically developed narrative of modern architecture in Latin America, as a country-specific chronology, or as a treatment of traditions centered on issues of art, technology, or utopia. This structure allows readers to see the development of multiple and parallel branches/historical strands of architecture and, at times, their interconnections across countries. The authors provide a critical evaluation of the movements presented in relationship to their overall goals and architectural transformations. 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geographic	Latin America fast Lateinamerika Lateinamerika (DE-588)4074032-8 gnd
geographic_facet	Latin America Lateinamerika
id	DE-604.BV042238937
illustrated	Illustrated
indexdate	2024-12-20T17:05:34Z
institution	BVB
isbn	9780292758650 9780292762978
language	English
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-027677109
oclc_num	901353345
open_access_boolean
owner	DE-29 DE-255 DE-83 DE-634 DE-19 DE-BY-UBM
owner_facet	DE-29 DE-255 DE-83 DE-634 DE-19 DE-BY-UBM
physical	xvi, 406 Seiten Illustrationen
publishDate	2014
publishDateSearch	2014
publishDateSort	2014
publisher	University of Texas Press
record_format	marc
series2	Joe R. and Teresa Lozano long series in Latin American and Latino art und culture
spellingShingle	Carranza, Luis E. 1968- Lara, Fernando Luiz 1970- Modern architecture in Latin America art, technology, and utopia Architecture / Latin America / History ARCHITECTURE / History / Modern (late 19th Century to 1945) bisacsh ARCHITECTURE / History / Contemporary (1945-) bisacsh HISTORY / Latin America / General bisacsh Architecture fast Architektur Geschichte Architektur (DE-588)4002851-3 gnd
subject_GND	(DE-588)4002851-3 (DE-588)4074032-8
title	Modern architecture in Latin America art, technology, and utopia
title_auth	Modern architecture in Latin America art, technology, and utopia
title_exact_search	Modern architecture in Latin America art, technology, and utopia
title_full	Modern architecture in Latin America art, technology, and utopia Luis E. Carranza and Fernando Luiz Lara ; foreword by Jorge Francisco Liernur
title_fullStr	Modern architecture in Latin America art, technology, and utopia Luis E. Carranza and Fernando Luiz Lara ; foreword by Jorge Francisco Liernur
title_full_unstemmed	Modern architecture in Latin America art, technology, and utopia Luis E. Carranza and Fernando Luiz Lara ; foreword by Jorge Francisco Liernur
title_short	Modern architecture in Latin America
title_sort	modern architecture in latin america art technology and utopia
title_sub	art, technology, and utopia
topic	Architecture / Latin America / History ARCHITECTURE / History / Modern (late 19th Century to 1945) bisacsh ARCHITECTURE / History / Contemporary (1945-) bisacsh HISTORY / Latin America / General bisacsh Architecture fast Architektur Geschichte Architektur (DE-588)4002851-3 gnd
topic_facet	Architecture / Latin America / History ARCHITECTURE / History / Modern (late 19th Century to 1945) ARCHITECTURE / History / Contemporary (1945-) HISTORY / Latin America / General Architecture Architektur Geschichte Latin America Lateinamerika
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027677109&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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