Modern architecture in Latin America: art, technology, and utopia
Gespeichert in:
Beteiligte Personen: | , |
---|---|
Format: | Buch |
Sprache: | Englisch |
Veröffentlicht: |
Austin, Tex.
University of Texas Press
2014
|
Ausgabe: | First edition |
Schriftenreihe: | Joe R. and Teresa Lozano long series in Latin American and Latino art und culture
|
Schlagwörter: | |
Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027677109&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
Beschreibung: | Includes bibliographical references and index |
Umfang: | xvi, 406 Seiten Illustrationen |
ISBN: | 9780292758650 9780292762978 |
Internformat
MARC
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245 | 1 | 0 | |a Modern architecture in Latin America |b art, technology, and utopia |c Luis E. Carranza and Fernando Luiz Lara ; foreword by Jorge Francisco Liernur |
250 | |a First edition | ||
264 | 1 | |a Austin, Tex. |b University of Texas Press |c 2014 | |
300 | |a xvi, 406 Seiten |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Joe R. and Teresa Lozano long series in Latin American and Latino art und culture | |
500 | |a Includes bibliographical references and index | ||
520 | 1 | |a "Modern Architecture in Latin America: Art, Technology, and Utopia is an introductory text on the issues, polemics, and works that represent the complex processes of political, economic, and cultural modernization in the twentieth century. The number and types of projects varied greatly from country to country, but, as a whole, the region produced a significant body of architecture that has never before been presented in a single volume in any language. Modern Architecture in Latin America is the first comprehensive history of this important production. Designed as a survey and focused on key examples/paradigms arranged chronologically from 1903 to 2003, this volume covers a myriad of countries; historical, social, and political conditions; and projects/developments that range from small houses to urban plans to architectural movements. The book is structured so that it can be read in a variety of ways--as a historically developed narrative of modern architecture in Latin America, as a country-specific chronology, or as a treatment of traditions centered on issues of art, technology, or utopia. This structure allows readers to see the development of multiple and parallel branches/historical strands of architecture and, at times, their interconnections across countries. The authors provide a critical evaluation of the movements presented in relationship to their overall goals and architectural transformations. "-- | |
648 | 7 | |a Geschichte 1903-2002 |2 gnd |9 rswk-swf | |
650 | 4 | |a Architecture / Latin America / History | |
650 | 7 | |a ARCHITECTURE / History / Modern (late 19th Century to 1945) |2 bisacsh | |
650 | 7 | |a ARCHITECTURE / History / Contemporary (1945-) |2 bisacsh | |
650 | 7 | |a HISTORY / Latin America / General |2 bisacsh | |
650 | 7 | |a Architecture |2 fast | |
650 | 4 | |a Architektur | |
650 | 4 | |a Geschichte | |
650 | 0 | 7 | |a Architektur |0 (DE-588)4002851-3 |2 gnd |9 rswk-swf |
651 | 7 | |a Latin America |2 fast | |
651 | 4 | |a Lateinamerika | |
651 | 7 | |a Lateinamerika |0 (DE-588)4074032-8 |2 gnd |9 rswk-swf | |
689 | 0 | 0 | |a Lateinamerika |0 (DE-588)4074032-8 |D g |
689 | 0 | 1 | |a Architektur |0 (DE-588)4002851-3 |D s |
689 | 0 | 2 | |a Geschichte 1903-2002 |A z |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Lara, Fernando Luiz |d 1970- |e Verfasser |0 (DE-588)137138644 |4 aut | |
700 | 1 | |a Liernur, Jorge Francisco |d 1946- |0 (DE-588)132291509 |4 wpr | |
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943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-027677109 |
Datensatz im Suchindex
_version_ | 1819376235750359040 |
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adam_text | CONTENTS
FOREWORD BY JORGE FRANCISCO LIERNUR XI
ACKNOWLEDGMENTS XV
(NOTES TOWARD AN) INTRODUCTION 1
1903
1904
1906
1914
1915
1922
FRANCISCO PEREIRA PASSOS BEGINS A PROJECT TO
CIVILIZE RIO DE JANEIRO BY APPLYING BARON
HAUSSMANN S IDEAS AS AN ANSWER TO THE
TROPICAL (LACK OF) URBANISM.
7
BR
1923
VICTOR MEANO, FRANCISCO DE OLIVEIRA PASSOS,
AND EMILE JEQUIER BUILD A LATIN AMERICAN
CHARACTER WITH A CLASSICAL VOCABULARY, IO
AR BR CL
JULIAN GARCIA NUNEZ S HOSPITAL ESPANOL
DEFINES A CHARACTERISTIC SEARCH FOR A NEW
LANGUAGE: SECESSION/ART NOUVEAU. 14
AR BR MX
)ESIIS T. ACEVEDO AND FEDERICO MARISCAL
LECTURE IN MEXICO ON THE CHARACTER, IMPOR-
TANCE, AND ROLE OF THE SPANISH COLONIAL
LEGACY. 18
MX
ANTONIN NECHODOMA INTRODUCES THE PRAIRIE
STYLE TO PUERTO RICO. 21
IN AN ATTEMPT TO CREATE A BUILDING EXPRES-
SIVE OF THE COSMIC RACE, JOSE VASCONCELOS
INAUGURATES IN MEXICO CITY THE HEADQUARTERS
OF THE SECRETARIA DE EDUCACION PUBLICA AND
FORMALIZES THE MURALIST PROJECT. 23
MX
MARIO PALANTI: PALACIO BAROLO AND PALACIO
SALVO 28
1925 MODERN ARCHITECTURE BEGINS WITH GREGORI
WARCHAVCHIK AND RINO LEVI PUBLISHING
MANIFESTOS ON THE NEW ARCHITECTURE;
CATCHING UP TO THE 1922 SEMANA DE ARTE
MODERNA. 34
BR
1925-A ESTRIDENTOPOLIS EN 1975: LITERARY ARCHITECTURE AND
THE AVANT-CARDE 38
1925-B JOSE VILLAGRAN GARCIA, INSTITUTO DE HIGIENE Y
GRANJA SANITARIA 40
1928 THE COLUMBUS MEMORIAL LIGHTHOUSE
COMPETITION SPARKS AN INVESTIGATION INTO
WHAT ARCHITECTURE FOR LATIN AMERICA SHOULD
BE LIKE. 42
C: DO
1929-A THE IBERO-AMERIEAN EXHIBITION OPENS IN
SEVILLE, REVEALING THE COMPLEX AND CONTRADIC-
TORY RELATIONS BETWEEN SPAIN AND ITS FORMER
AMERICAN COLONIES. 47
MX
1929-B LE CORBUSIER S FIRST ENCOUNTERS WITH SOUTH
AMERICA: LECTURES AND EARLY PROJECTS FOR
ARGENTINA, BRAZIL, AND URUGUAY 51
AR BR UY
1929-C WITH THE HISTORY OF THE SKYSCRAPER, FRANCISCO
MUJICA ARTICULATES THE SKYSCRAPER S LATIN
AMERICAN DIMENSION. 55
AR C: CU MX
1924 MARTIN FIERRO PRESENTS ALBERTO PREBISCH
AND ERNESTO VAUTIER S CIUDAD AZUCARERA EN
TUCUMAN AND FORMALIZES THE CONNECTIONS
AND INTERESTS IN ARCHITECTURE AMONG THE
LITERARY AND ARTISTIC AVANT-GARDES. 30
AR BR MX
1929 SERGIO LARRAI N AND JORGE ARTEAGA S OBERPAUER
BUILDING INITIATES A NEW DIRECTION IN CHILEAN
ARCHITECTURE. 59
AR ARGENTINA BR BRA/LL. C: CU CARIBBEAN: CUBA C: DO CARIBBEAN: DOMINICAN
REPUB! IC
C: PR CARIBBEAN: PUERTO RICO CL CHILE CO COLOMBIA MX MEXICO PE PERU UY
URUGUAY VEVLNEZUEIA
1930-A GETULIO VARGAS TAKES POWER IN BRAZIL AND
APPOINTS TWENTY-EIGHT-YEAR-OLD LUCIO COSTA
AS DIRECTOR OF THE ESCOLA NATIONAL DE BELAS
ARTES (ENBA). 61
BR
1930-B COMMEMORATING THE CENTENARY OF ITS INDE-
PENDENCE, URUGUAY TAKES THE FIRST SOCCER
WORLD CUP AT HOME, AND MONTEVIDEO IS AT
THE CENTER OF ITS MODERN AMBITIONS. 64
UY
1930 FLAVIO DE CARVALHO, CITY OF THE NAKED
MAN 69
1931 )
UA
N O CORMAN, DIEGO RIVERA AND FRIDA KAHIO
HOUSES AND STUDIOS 71
193 3 IN HIS PLDTICAS SOB RE ARQUITECTURA LECTURE,
JUAN O GORMAN HIGHLIGHTS THE EXISTING
POLEMICS BETWEEN FUNCTIONALIST!! AND
ACADEMIC ARCHITECTURE. 73
MX
1936 LE CORBUSIER IS BACK IN RIO DE
JANEIRO. 77
BR
1936-A THE KAVANAGH BUILDING IS FINISHED, BECOMING
THE TALLEST SKYSCRAPER IN LATIN AMERICA. 83
1936-B FRANCISCO SALAMONE: FASCISM AND MONUMENTAL
ARCHITECTURE IN THE PAMPA 84
1936-C JULIO VILAMAJO, SCHOOL OF ENGINEERING 86
1937 WLADIMIRO ACOSTA S VIVIENDA Y CIUDAD HIGH-
LIGHTS THE RELATIONSHIP BETWEEN ECOLOGY, NEW
FORMS OF LEISURE, THE HOUSE, AND THE CITY. 88
AR
1937 CINE GRAN REX AND ARGENTINE CLASSICIST
MODERNISM 92
1938 CHARACTERISTIC OF THE GROWING REACH OF
SURREALISM INTO ARCHITECTURE AND LATIN
AMERICA, THE CHILEAN ARCHITECT-TRAINED ARTIST
MATTA PUBLISHES SENSITIVE MATHEMATICS*
ARCHITECTURE OF TIME IN MINOTAURE. 94
AR CL MX
1938 JOAQUI N TORRES-CARCLA, MONUMENTO CDSMICO,
MONTEVIDEO, URUGUAY 99
1939 THE EUROPEAN DIASPORA BRINGS
ARCHITECTURAL TALENTS TO LATIN AMERICA ON AN
UNPRECEDENTED SCALE. 100
AR BR MX
1939 THE BRAZILIAN PAVILION AT NEW YORK WORLD S
FAIR 105
1941 PAMPULHA REPRESENTS AN ENCOUNTER THAT
WOULD CHANGE THE FUTURE OF BRAZIL. 108
BR
1942 AMANCIO WILLIAMS, CASA SOBRE EL ARROYO 113
1943-A THE BRAZIL BUILDS EXHIBITION AT THE MUSEUM
OF MODERN ART IN NEW YORK HIGHLIGHTS THE
ARCHITECTURAL AND POLITICAL INTERESTS OF U.S.
RELATIONS WITH BRAZIL. 115
BR
1943-B TOWN PLANNING ASSOCIATES (TPA) IS COM-
MISSIONED TO DESIGN A NEW BRAZILIAN TOWN
AROUND AN AIRPLANE FACTORY, CIDADE DOS MO-
TORES. THIS WILL BE THE BEGINNING OF TPA S
INVOLVEMENT WITH LATIN AMERICA THAT WILL IN-
CLUDE NOT ONLY PLANS FOR CHIMBOTE, PERU, BUT
ALSO MASTER PLANS FOR MEDELLIN AND BOGOTA,
COLOMBIA, AND HAVANA, CUBA. 118
BR C: CU CO PE
1944 HENRY KLUNIB MOVES TO PUERTO RICO AND FOR-
MALIZES INVESTIGATIONS OF MODERN ARCHITEC-
TURE IN THE TROPICS. 123
C: PR
1945 ANTONI BONET, PUNTA BALLENA, URUGUAY 129
1946 AFFONSO REIDY S POPULAR HOUSING
BLOCKS 131
1947-A LUIS BARRAGAN AND MAX CCTTO, THE EMIGRE
GERMAN ARCHITECT, BEGIN WORKING ON THE
DESIGN OF THE FIRST HOUSES IN MEXICO CITY S
JARDINES DEL PEDREGAL SUBDIVISION. 134
MX
1947-B SEEKING TO SYMBOLIZE POSTWAR EFFICIENCY
AND ORGANIZATION, LATIN AMERICAN CITIES EM-
BRACE THE NORTH AMERICAN ARCHITECTURE OF
BUREAUCRACY. 140
AR CO MX VE
1947-A OSCAR NIEMEYER SKETCHES THE UN BUILDING IN
NEW YORK BUT TAKES NO CREDIT. 144
1947-B MARIO PAM*MULTIFAMILIAREI 147
1947-C AGRUPACION ESPACIO 749
1949 LA CIUDAD/RENTE AL NO IS RELEASED, SHOWING THE
TRANSFORMATIONS OF LE CORBUSIER S PLAN FOR BUE-
NOS AIRES. 151
1950 PUBLIC HOUSING REACHES A MONUMENTAL SCALE:
MARIO PANI, CARLOS RAUL VILLANUEVA, AFFONSO
REIDY, OSCAR NIEMEYER. 153
BR MX VE
1951-A CARLOS RAUL VILLANUEVA, VILLANUEVA
RESIDENCE 158
1951-B PROA MAGAZINE PUBLISHES ARQUITECTURA EN CO-
LOMBIA, ARTICULATING AN IDENTITY THAT SURVIVED THE
SECOND HALF OF THE CENTURY. 159
1951-C LINA BO BARDI INAUGURATES HER CASA DE
VIDRO. 160
1952 THE DEBATES OF PLASTIC INTEGRATION, MODERN
ARCHITECTURE, AND THE DEVELOPMENT OF NEW
CITY FORMS COME TO THE FOREFRONT IN TWO MA-
JOR UNIVERSITIES: THE UNAM IN MEXICO CITY
AND THE UNIVERSIDAD CENTRAL IN CARACAS,
VENEZUELA. THE FIRST EXEMPLIFIES FIGURATIVE,
LEGIBLE, AND SOCIALLY CONSCIOUS ART; THE SEC-
OND, ABSTRACTION. 162
MX VE
1952 ELADIO DIESTE, IGLESIA DE CRISTO OBRERO, ATLAN-
TIDA, URUGUAY 170
1953-A AFFONSO REIDY. HALFWAY BETWEEN THE
CARIOCA SCHOOL AND THE PAULISTA
SCHOOL 172
, BR
1953-B EL ECO EXPERIMENTAL MUSEUM IN MEXICO
CITY OPENS ITS DOORS, ADVOCATING FOR AN
EMOTIONAL ARCHITECTURE. 176
MX
1953-C MAX BILL S CRITIQUE OF THE SAO PAULO BIENNIAL
HAS A SIGNIFICANT IMPACT IN BRAZIL: OSCAR
NIEMEYER WRITES A MEA CULPA, SERGIO BER-
NARDES INVESTS IN DESIGNING A TECHNOLOGICAL
UTOPIA, AND JOAO FILGUEIRAS LIMA DEVOTES HIS
LIFE TO PREFABRICATION. 180
BR
1953-A FELIX CANDELA, CHURCH OF OUR LADY OF THE MI-
RACULOUS MEDAL, MEXICO CITY 184
1953-B MARIO ROBERTO ALVAREZ, TEATRO GENERAL SAN
MARTIN, BUENOS AIRES 186
1954 LE CORBUSIER, CURUTCHET HOUSE, LA PLATA,
ARGENTINA 188
1955 T LADIO DIESTE*TECTONICS DRIVING THE ACCI-
DENTAL ARCHITECT 190
UY
1955-A FRUTO VIVAS, CLUB TACHIRA 193
1955-B THE HELICOIDE IN CARACAS: 1 HE ULTIMATE PARKING
AND SHOPPING CENTER 195
1955-C GIO PONTI, VILLA PLANCHART 197
CONTENTS
1956
BRASILIA: A MODERNIST UTOPIA? 199
BR
1957-A MIES VAN DER ROHE, BACARDI BUILDINGS FOR
HAVANA, CUBA, AND MEXICO CITY 206
1957-B LINY BO BARDI, SAO PAULO MUSEUM OF ART 208
1959 THE APPEAL OF CORBUSIAN MONUMENTALITY
AND HETON BRUT: CLORINDO TESTA S GOVERNMENT
BUILDING IN LA PAMPA AND, WITH SEPRA, THE
BANK OF LONDON AND SOUTH AMERICA IN BUE-
NOS AIRES 210
AR
1961-A FIDEL CASTRO, IN CONVERSATION WITH ERNESTO
CHE GUEVARA, DECIDES TO CONVERT A GOLF
COURSE INTO ART SCHOOLS IN CUBA. 214
C: CU
1961-B JOAO BATISTA VILANOVA ARTIGAS AND PAULO
MENDCS DA ROCHA ARTICULATE THE PAULISTA
SCHOOL: FREE GROUND PLAN, GENEROUS SOCIAL
SPACES, AND OPAQUE ENVELOPES. 218
BR
19
61 JOAO BATISTA VILANOVA ARTIGAS, SCHOOL OF ARCHITEC-
TURE AND PLANNING, UNIVERSITY OF SAO PAULO 221
1962 NELSON BAYARDO, COLUMBARIUM,
MONTEVIDEO 223
1963 IN BOGOTA, ROGELIO SALMONA TAKES OLD BRICKS TO
A NEW DIMENSION IN TORRES DEL PARQUE. 225
1964-A THE MILITARY DICTATORSHIP ENDS DELFIM AMONM
AND ACACIO GIL BORSOI S INVESTIGATIONS INTO AN
ARCHITECTURE FOR THE BRAZILIAN NORTHEAST. 227
1964-B PEDRO RAMIREZ VAZQUEZ, MUSEO NACIONAL DE
ANTROPOLOGIA, MEXICO CITY 229
1964-C MARTIN CORREA AND GABRIEL CUARDA, LAS CONDES
BENEDICTINE MONASTERY CHAPEL 231
1965-A PARQUE DO FLAMENGO: ROBERTO BURIE MARX RE-
DEFINES THE BRAZILIAN LANDSCAPE BY REDISCOV-
ERING THE COUNTRY S OWN LOCAL SPECIES. 233
BR
1965-B THE (RE)INVENTION OF CURITIBA: FROM THE PLAN
OF JORGE WILHEIM TO THE IMPLEMENTATION BY
JAIME LERNER 237
BR
1965 JUAN BORCHERS, COOPERATIVA ELECTRICA DE CHILIAN,
CHILE 240
1966 UNITED NATIONS AS CLIENT AND ADVOCATE: LMILIO
DUHART S CEPAL BUILDING IN SANTIAGO 242
CL
1967 (LELIO OITICICA BUILDS TROPICDLIA, CHALLENG-
ING THE TRADITIONAL BOUNDARIES BETWEEN
ART, POPULAR CULTURE, CONSTRUCTION, AND
ARCHITECTURE. 246
BR VE
1967 JESUS TENREIRO-DEGWITZ*VENEZUELAN
POSTMODERNISM 250
1968 THE OLYMPIC GAMES PROVIDE MEXICO CITY
WITH OPPORTUNITIES FOR NEW FORMS OF NATIONAL
REPRESENTATION THROUGH ARCHITECTURE; DEADLY
STUDENT PROTESTS HIGHLIGHT THE CONTESTED USE
OF PUBLIC SPACE. 252
MX
1969-A INVENTING NEW EDUCATIONAL PARADIGMS,
ALBERTO CRUZ COVARRUBIAS AND GODOFREDO
LORNMI (POETICALLY) FOUND THE CIUDAD ABIERTA
IN CHILE. 257
CL
1969-B PREVI: TWO OPPOSING GOVERNMENTS IN PERU
BRING IN THE BEST ARCHITECTS IN THE WORLD TO
ADDRESS SQUATTER SETTLEMENTS. 262
PE
1969 FRANCISCO BULLRICH PUBLISHES ON LATIN AMERICAN
AICHITECTURE. 265
1971 FORMALIZING THE LEGACY OF THE MADI (MO-
VIMIENTO DE ARTE DE INVENCION) AND UTOPIAN
URBAN PROJECTS, GYULA KOSICE PROPOSES A
HYDROSPATIAL CITY. 267
AR BR MX
1971 NATIONAL THEATER, GUATEMALA 272
CONTENTS
1974
1975
1976
TEACHING UNDER DURESS: LA ESCUELITA, DICTATOR- 1988
SHIP, AND POSTMODERNISM IN ARGENTINA 274
AR 1990
FILGUEIRAS LIMA, CAPELA DO CONTRO ADMINISTRATIVE)
DA BAHIA 278
MEXICAN POSTMODERNISM: TEODORO GONZALEZ
DE LEON S COLEGIO DE MEXICO EXPRESSES
MODERN ARCHITECTURE S NEW HISTORICIZING
SENSIBILITIES. 281
MX
1991
BRAZILIAN MUSEUM OF SCULPTURE 315
CHILEAN POSTMODERNISM IS CHALLENGED BY JOSE
CRUZ AND GERMAN DEL SOL. 318
CL
ANGELO BUCCI AND ALVARO PUNTONI WIN THE
COMPETITION FOR THE BRAZILIAN PAVILION AT
SEVILLE EXPO 1992, MARKING THE END OF THE
POSTMODERN REIGN AND THE BEGINNING OF
NEOMODERNISM. 322
BR
1977-A EOLO MAIA, CAPELA DE SANTANA AO PE DO
MORRO 287
1977-B BRUNO STAGNO HOUSE, COSTA RICA 289
1979
1980
1983
PAMPULHA MAGAZINE IS LAUNCHED IN MINAS
GERAIS, MARKING THE BEGINNING OF BRAZILIAN
POSTMODERNISM. 291
BR
THE PRITZKER ARCHITECTURE PRIZE IS AWARDED TO
LUIS BARRAGAN, AND PHOTOGRAPHY IS AT THE CEN-
TER OF THE MYTH. 295
MX
NIERAEYER RETURNS TO RIO DE JANEIRO TO DESIGN
THE SAMBODROMO AND THE CIEPS: ARCHITECTURE
GETS CLOSER TO POPULAR NEEDS. 300
BR
1993 PABLO BEITIA, XUL SOLAR MUSEUM (PAN KLUB
FOUNDATION) 326
1994-A
QUAE SERA TAMEN: ARCHITECTURE FOR THE
FAVELAS 329
BR
1994-B AS A MODEL FOR INTERNATIONALIZATION, NAFTA
BECOMES EMBLEMATIC OF THE NEW CHARACTER
OF LATE-TWENTIETH-CENTURY MEXICAN
ARCHITECTURE. 333
MX
1997 SMILJAN RADIC, CHARCOAL BURNER S HUT 338
2000 COLOMBIAN RENAISSANCE: IN BOGOTA AND
MEDELLIN, MAYORS AND ARCHITECTS WORK
TOGETHER TO CREATE BETTER CITIES. 339
CO
1983-A RAMON GUTIERREZ PUBLISHES ARQUITECTURA Y
URBANISMO EN IBEROAMERICA. 305
1983-B SEVERIANO PORTO, BALBINA ENVIRONMENTAL
PROTECTION CENTER, BRAZIL 306
1985-A IN THE MIDST OF A NOT-SO-LOST DECADE . . .
308
AR BR CL MX
1985-B LINA BO BARDI AND THE SESC POMPEIA IN-
AUGURATE AN INTEREST IN ADAPTING EXISTING
STRUCTURES. 311
BR
2000 ALBERTO KALACH, GGC HOUSE, MEXICO CITY 343
2001 SOLANO BENFTEZ S TOMB FOR HIS FATHER,
PARAGUAY 346
2002 RAFAEL IGLESIA, PAVILIONS AT PARQUE
INDEPENDENCIA 348
PROVOCATIONS FOR A CONCLUSION:
I S LAN DS NO MORE 351
NOTES 361
BIBLIOGRAPHY 371
ILLUSTRATION CREDITS 385
INDEX 39I
CONTENTS
|
any_adam_object | 1 |
author | Carranza, Luis E. 1968- Lara, Fernando Luiz 1970- |
author_GND | (DE-588)142605492 (DE-588)137138644 (DE-588)132291509 |
author_facet | Carranza, Luis E. 1968- Lara, Fernando Luiz 1970- |
author_role | aut aut |
author_sort | Carranza, Luis E. 1968- |
author_variant | l e c le lec f l l fl fll |
building | Verbundindex |
bvnumber | BV042238937 |
classification_rvk | LO 98900 |
ctrlnum | (OCoLC)901353345 (DE-599)BVBBV042238937 |
dewey-full | 720.98/0904 |
dewey-hundreds | 700 - The arts |
dewey-ones | 720 - Architecture |
dewey-raw | 720.98/0904 |
dewey-search | 720.98/0904 |
dewey-sort | 3720.98 3904 |
dewey-tens | 720 - Architecture |
discipline | Kunstgeschichte Architektur |
edition | First edition |
era | Geschichte 1903-2002 gnd |
era_facet | Geschichte 1903-2002 |
format | Book |
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Carranza and Fernando Luiz Lara ; foreword by Jorge Francisco Liernur</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Austin, Tex.</subfield><subfield code="b">University of Texas Press</subfield><subfield code="c">2014</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xvi, 406 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Joe R. and Teresa Lozano long series in Latin American and Latino art und culture</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="520" ind1="1" ind2=" "><subfield code="a">"Modern Architecture in Latin America: Art, Technology, and Utopia is an introductory text on the issues, polemics, and works that represent the complex processes of political, economic, and cultural modernization in the twentieth century. The number and types of projects varied greatly from country to country, but, as a whole, the region produced a significant body of architecture that has never before been presented in a single volume in any language. Modern Architecture in Latin America is the first comprehensive history of this important production. Designed as a survey and focused on key examples/paradigms arranged chronologically from 1903 to 2003, this volume covers a myriad of countries; historical, social, and political conditions; and projects/developments that range from small houses to urban plans to architectural movements. The book is structured so that it can be read in a variety of ways--as a historically developed narrative of modern architecture in Latin America, as a country-specific chronology, or as a treatment of traditions centered on issues of art, technology, or utopia. 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geographic | Latin America fast Lateinamerika Lateinamerika (DE-588)4074032-8 gnd |
geographic_facet | Latin America Lateinamerika |
id | DE-604.BV042238937 |
illustrated | Illustrated |
indexdate | 2024-12-20T17:05:34Z |
institution | BVB |
isbn | 9780292758650 9780292762978 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027677109 |
oclc_num | 901353345 |
open_access_boolean | |
owner | DE-29 DE-255 DE-83 DE-634 DE-19 DE-BY-UBM |
owner_facet | DE-29 DE-255 DE-83 DE-634 DE-19 DE-BY-UBM |
physical | xvi, 406 Seiten Illustrationen |
publishDate | 2014 |
publishDateSearch | 2014 |
publishDateSort | 2014 |
publisher | University of Texas Press |
record_format | marc |
series2 | Joe R. and Teresa Lozano long series in Latin American and Latino art und culture |
spellingShingle | Carranza, Luis E. 1968- Lara, Fernando Luiz 1970- Modern architecture in Latin America art, technology, and utopia Architecture / Latin America / History ARCHITECTURE / History / Modern (late 19th Century to 1945) bisacsh ARCHITECTURE / History / Contemporary (1945-) bisacsh HISTORY / Latin America / General bisacsh Architecture fast Architektur Geschichte Architektur (DE-588)4002851-3 gnd |
subject_GND | (DE-588)4002851-3 (DE-588)4074032-8 |
title | Modern architecture in Latin America art, technology, and utopia |
title_auth | Modern architecture in Latin America art, technology, and utopia |
title_exact_search | Modern architecture in Latin America art, technology, and utopia |
title_full | Modern architecture in Latin America art, technology, and utopia Luis E. Carranza and Fernando Luiz Lara ; foreword by Jorge Francisco Liernur |
title_fullStr | Modern architecture in Latin America art, technology, and utopia Luis E. Carranza and Fernando Luiz Lara ; foreword by Jorge Francisco Liernur |
title_full_unstemmed | Modern architecture in Latin America art, technology, and utopia Luis E. Carranza and Fernando Luiz Lara ; foreword by Jorge Francisco Liernur |
title_short | Modern architecture in Latin America |
title_sort | modern architecture in latin america art technology and utopia |
title_sub | art, technology, and utopia |
topic | Architecture / Latin America / History ARCHITECTURE / History / Modern (late 19th Century to 1945) bisacsh ARCHITECTURE / History / Contemporary (1945-) bisacsh HISTORY / Latin America / General bisacsh Architecture fast Architektur Geschichte Architektur (DE-588)4002851-3 gnd |
topic_facet | Architecture / Latin America / History ARCHITECTURE / History / Modern (late 19th Century to 1945) ARCHITECTURE / History / Contemporary (1945-) HISTORY / Latin America / General Architecture Architektur Geschichte Latin America Lateinamerika |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027677109&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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