Courtly visions: "The Ise stories" and the politics of cultural appropriation
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Leiden [u.a.]
Brill
2014
|
| Schriftenreihe: | Japanese visual culture
12 |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027545962&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | XII, 350 S. zahlr. Ill. |
| ISBN: | 9789004244856 |
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Datensatz im Suchindex
| _version_ | 1819304230579601408 |
|---|---|
| adam_text | Titel: Courtly visions
Autor: Mostow, Joshua S
Jahr: 2014
Contents
Acknowledgments ............................................................................................................................................................................................................................._ . _______________________________________________________________________________________x
introduction:
READING THE ISE STORIES ACROSS HISTORY, GENDER, AND CLASS . I
1 THE ROMANCE OF THE PICTURE:
SCREEN-PICTURES, SCREEN-POEMS, AND THE ISE MONOGATARI _________________________9
Narihira and Prince Koretaka s Salon................................................................ ..................................._ ..................................9
The Ise and Screen-Poems (byobu uta)......................................... ..................... ..........................................................................11
Ise Screens.................................................................................................................................. . ...................................................................................34
2 FEMALE READERS AND EARLY HEIAN ROMANCES:
THE HAKUBYÖ ISE STORIES ILLUSTRATED SCROLL FRAGMENTS 39
The Texts of the Ise monogatari.................................................................................................................................................. .....................................................................................................................40
Hakubyö Painting and Women s Autobiographical Writing in the Heian Period .................................................................................41
The Hakubyö Pictures.....................................................................................................................................................................................................................................42
Hakubyö Painting....................................................................................................... ...................... ............................. 47
Identifying the Hakubyö Ise monogatari Scenes 49
The Hakubyö Ise monogatari emaki and Female Readers ..................................................._............................62
The Feminine Re-Guard ................................................................................................................................................................. .............................................................................................................................64
Conclusion ....................................................................................................................................................................................................................................................................................75
3 ALLUSION AND AUTHORITY:
THE LOVE SONG OF LORD TAKAFUSA ...................................................................................................................................................................................................................................................77
Reception of the Ise monogatari in Imperial Anthologies through the Time of Teika _ 78
Narihira as Model Courtier ..................................................................................................................................................................................................................................................................................................79
The Love Song of Lord Takafusa............................................................................................................................................ ......................................................................81
The Love Song as Medieval Enlightenment Tale .............92
The Love Song and Lèse Majesté _ ..............................................................94
4 THE KUBO VERSION:
THE ISE STORIES AS CULTURAL CAPITAL 97
Identifying the Episodes ............................................................................................................................................................................................99
The Kubo Ise and Kyögoku Poetry .........................................................................................................................X23
The Kubo Ise and Lady Nijö ..................................................................................................................................................................................................................X24
vii
5 THE LOVE SONG OF LORD TAKAFUSA ILLUSTRATED SCROLL 129
From the Takafusa sha to the Tsuya-kotoba emaki 129
Emperor Fushimi and the Ise monogatari 13°
The Love Song of Lord Takafusa Illustrated Scroll 131
The Political Function of the Takafusa-kyö tsuya-kotoba emaki 141
6 TANTRIC COMMENTARIES AND POPULAR HUMOR:
THE VARIANT ISE STORIES ILLUSTRATED SCROLLS 145
The Introduction of the Ihon Ise monogatari emaki 146
Representations of Sumiyoshi Daimyöjin 160
Ise monogatari and the Noh Theater 161
Wit and Humor in the Ihon Illustrated Scrolls 167
KachöFügetsu 167
7 THE ESTABLISHMENT OF AN ICONOGRAPHY:
THE SAGA EDITION ISE STORIES 177
The Creation of the Saga-bon Ise monogatari: Part I 177
Ogi no söshi and Ise iconography 178
The British Library Line of Texts 183
The Creation of the Saga-bon Ise monogatari: Part II 187
Reprise as Conclusion: The Saga-bon Lineage 203
A. The HonokuniBunko-bonlse monogatari emaki 204
B. The Tosa-ha and the Suntory Ise monogatari Screens 206
C. The Mitsumochi-bon 209
D. The Saga-bon ise monogatari and Saigyö monogatari emaki 211
8 ISE ICONOGRAPHY AS VISUAL SECRET TRANSMISSION (HIDEN):
THE CREATION OF THE ISE ICONOGRAPHY OF THE SÖTATSU ATELIER 213
The Sötatsu Ise monogatari Album Leaves (shikishi) 217
Sötatsu Screens of the Ise monogatari 225
The British Museum Ise monogatari screen _ 231
The Ise Stories Two Iconographies 241
viii
epilogue: the ise stories and their imagery
IN THE LATER EDO AND MODERN PERIODS ........... . ________ ______________________243
Other Developments in the Seventeenth Century...................................... .........................243
Ise on Stage......................................................................................................................................................................................... .............................248
Further Eighteenth-Century Developments ................................................................................. ......................253
Narihira and Genji in the Nineteenth Century.................................................................... _................................................................................................256
Mitate Series.................................................................................................................................................__ .................................................................__....................................................257
Chiryu, and Ise in the Geographic Imagination .................................................................... ........................................................... ................. 257
Ise monogatari in the Meiji Period ..................................................................................................................._........................................................................264
Ise monogatari to the Beginning of the Twenty-First Century ............................................ ____________________________________________________268
Endnotes....................................................................................................................................................................................................................................................................................................................... 274
Appendix A. Translation of The Love Song of Lord Takafusa Illustrated Scroll
(Takafusa-kyö tsuya-kotoba emaki)..........................................................................._.............................................................................................................................................................. 304
Appendix B. Introduction and Translation of Kachö Fügetsu, by R. Keller Kimbrough _. ............................. _ 311
Bibliography..................................................................................................................................................................................................................................................................................................................._........ 324
Index of First Lines of Poems.......................................................................................................... ................................................................................................................................. 338
Subject Index ..................................................................................................................................................................-..............-....................................................__........-................................................ 340
ix
|
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| era | Geschichte 1100-2001 gnd Geschichte 1100-1872 gnd |
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| series | Japanese visual culture |
| series2 | Japanese visual culture |
| spellingShingle | Mostow, Joshua S. 1957- Courtly visions "The Ise stories" and the politics of cultural appropriation Japanese visual culture Ise monogatari (DE-588)4505047-8 gnd Rezeption (DE-588)4049716-1 gnd Japanisch (DE-588)4114069-2 gnd Kunst (DE-588)4114333-4 gnd Literatur (DE-588)4035964-5 gnd Illustration (DE-588)4123412-1 gnd |
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| title | Courtly visions "The Ise stories" and the politics of cultural appropriation |
| title_auth | Courtly visions "The Ise stories" and the politics of cultural appropriation |
| title_exact_search | Courtly visions "The Ise stories" and the politics of cultural appropriation |
| title_full | Courtly visions "The Ise stories" and the politics of cultural appropriation by Joshua S. Mostow |
| title_fullStr | Courtly visions "The Ise stories" and the politics of cultural appropriation by Joshua S. Mostow |
| title_full_unstemmed | Courtly visions "The Ise stories" and the politics of cultural appropriation by Joshua S. Mostow |
| title_short | Courtly visions |
| title_sort | courtly visions the ise stories and the politics of cultural appropriation |
| title_sub | "The Ise stories" and the politics of cultural appropriation |
| topic | Ise monogatari (DE-588)4505047-8 gnd Rezeption (DE-588)4049716-1 gnd Japanisch (DE-588)4114069-2 gnd Kunst (DE-588)4114333-4 gnd Literatur (DE-588)4035964-5 gnd Illustration (DE-588)4123412-1 gnd |
| topic_facet | Ise monogatari Rezeption Japanisch Kunst Literatur Illustration Japan |
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