Verfügbarkeit: Feature filmmaking at used-car prices

Feature filmmaking at used-car prices: how to write, produce, direct, shoot, edit, and promote a feature-length movie for less than $ 15,000

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Bibliographische Detailangaben
Beteilige Person:	Schmidt, Rick (VerfasserIn)
Format:	Buch
Sprache:	Englisch
Veröffentlicht:	New York, NY [u.a.] Penguin Books 2000
Ausgabe:	3. ed.
Schlagwörter:	Filmproduktion Low-Budget-Film
Links:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027288631&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027288631&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
Umfang:	LII, 412 S. Ill.
ISBN:	0140291849

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Datensatz im Suchindex

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adam_text	Contents A Preamble for the 2000 Edition ix Foreword: How (and How Not) to Do It: An Open Letter to the Next Generation of American Filmmakers, by Ray Carney XXI Preface xxxv Acknowledgments xlvii Introduction to Low-Budget Feature Filmmaking і 1. Story Concept 7 Where Do Ideas Come From? 8 Selecting the Right Concept 11 Eleven Essential Qualities of a No-Budget Movie 12 Writing Your Concept in One Sentence 14 Expanding Your Idea into a One-Page Treatment 16 Improving a Treatment Through Detailed Characterization 19 Registering Your Treatment 24 2. Scriptwriting for No-Budget Features 26 Writing Scenes on Index Cards 29 1 Expanding Cards into Scripted Scenes 30 Scripting by Collaboration 33 Scripting with Software 36 Finalizing Your Script 41 The Shooting Script 43 Contents 3. Beginning 45 Defining Your Production Limitations 46 Profit Sharing 48 Deferred Payment 49 The Contract 50 Contract Checklist 51 Budget 53 Filming Costs 53 16-mm Shooting Budget (Film Edit) 54 Shooting Budget <for Computer Edit) 56 16-mm Shooting Budget (for Computer Edit) 56 Editing Costs 57 Editing Budget (16-mm) 58 Build an Editing Bench 59 List of Materials (Editing Bench) 62 Totat Used-Car Budget (Film Edit) 63 Shooting/Editing Budget (16-mm) 64 16-mm Shooting/Editing Budget (Computer Cut) 66 Raising Money for Your Feature 67 Grants 70 Emergency Self-Funding 71 4. Preproduction: Preparing to Shoot 73 People 75 Casting the Crew 76 Casting Real Actors 77 Casting Nonactors 79 Places 80 Storyboarding 82 Long-Distance Locations 83 Things 84 Camera Equipment 85 Which Lenses? 87 Sound Gear 88 Lighting Kits 91 Examples of Lighting on Rick Schmidt Features 92 Contents Selecting Your Lighting 93 Hollywood Lighting 94 Lighting for Low Budgets 96 Natural Lighting with ASA 800 Filmstock 96 Soft Lights 97 Saving Money on Filmstock and Sound Track 98 Renting Equipment 99 Support Equipment 100 Equipment Checklist 101 Paperwork/Errands/Lists 103 Preproduction Checklist 104 5. Production: Filming and Directing 106 Fifteen Rules for Shooting No-Budget Features 107 Picking Up Rental Equipment 109 Morning of the Shoot no Loading Equipment, Picking Up Actors and Crew no Organization on Location 113 Loading the Camera 114 Focusing the Eyepiece 115 Shooting Wide-Screen 16:9 115 Camera Maintenance 116 Placing the Camera for Your First Shot 117 Tips for Lighting on Location 118 Using a Light Meter 120 What to Shoot? How to Shoot? 121 Supporting Your Story with Images 122 The Long Take 124 Freeze Method of Shooting for Cuts 124 Cutaways and Pauses for Transitions 125 Shooting Without Sound 126 High-Budget Effects 127 Directing Actors on Location 128 Directing from Behind the Camera 130 Feeding Cast and Crew on a Budget 131 Continuity 132 Contenis Shooting Titles on Location 133 Location Miracles 134 Saving Film on Each Sync Take 135 Benefits of a Tight Shooting Schedule 136 Movie Stills/Videos of Work-in-Progress 137 Developing and Work Printing at the Lab 138 Processing Without a Work Print 140 Video Versus Film Work Print 141 Money and the Lab 141 Checking Your First Footage 142 Checking Your Recorded Sync Sound 144 Screening Footage for Cast and Crew 146 Completing the Shoot 147 6. Postproduction: Editing Your Feature 149 Making the First Splice 150 Syncing It Up 156 Rick Schmidt s Secrets of Editing 158 Edge Numbering 161 Filing Your Outs 161 Viewing Your Footage as a Movie 162 Placing Scenes in Order of Your Story 163 Cutting for Structure 164 Testing Your Edit 166 Beginning a Rough Cut 167 Discarding Your Favorite Scene 168 Sound Effects and Music 169 The Breakthrough Cut 170 The Missing Pieces 171 Adding Narrations 172 Photos as Transitions 173 Shooting Additional Footage 174 Final Tightening and Pacing 175 Finalizing the Structure 176 Preparing Sound Rolls for the Mix 178 The Sound Mix 182 Contents Screening Your Sound Mix 182 Conforming Original for Printing 183 AB Rolling from a Work Print 184 AB Rolling Without a Work Print 191 Cue Sheet for Printing 191 Lab Procedures for Printing 193 Screening Your Answer Print 195 Assembling Your Print 197 Screening Your Print for Cast and Crew 198 7. promotion 199 Preparing Your Promotional Package 201 Video Copies for Promotion 201 Promotional Graphics 203 The Pressbook 203 The Still 204 The Poster 205 Film Festivals 208 The New York Premiere 210 Promotion by Letters, E-Mail, and Phone 212 Indie Fests 212 WWW Digital Fests 217 American Showcases 219 Television Premiere 221 The Film Market 224 Distributors 226 Agents 231 Indie Cinemas 233 Other Forms of Distribution 234 Advertising for Alternative Distribution 235 Setting Prices 237 The Long Haul 237 8. Reality Check 239 9. Feature Workshops 243 Rick s Feature Workshops 244 10-Day Feature Workshop Budget (16-mm with Avid Cut) Collaborating in 35-mm 249 35-mm Collaborative Budget (5-Day Shoot/2-Week Edit) DVCAM Movies by Collaboration 251 Ten-Way Collaborative Features 252 Collaborative Budget 255 Film School Budget (16-mm) 256 Ten Short Stories Versus Ten Segments 257 Quality Control Agreement 258 Writing/Directing en Masse 260 Auteur Theory Debris 262 Editing by Segments/Cinematic Jazz 263 Consensus (or Not)/Final Cut 264 Promotion Power/Pulling Strings 265 1 О. Shooting in Analog Video 268 Selecting the Right Video Format 269 Lighting for Video 271 Shooting and Directing in Video 272 Saving Costs on Video Editing 273 Promoting and SeiUng Your Video Feature 274 1 1. Digital Video Workstations 275 DV Websites 277 Dogme 95 279 The Vow of Chastity 279 DVCAM Cameras 283 Canon 283 Sony 284 Panasonic 286 DV On-Location Sound 287 Portable Lights for DV 288 Editing by Computer 289 νυϋ! Т#- .. . Content Щ Workstation Platform and Setup 290 Becoming Computer Literate 291 $10,000 Digital Movie Studio 293 DV Editing Software 294 Avid 295 Avid Cinema 297 Adobe Premiere 299 EditDV, MotoDV, PhotoDV, and RotoDV 301 Media 100 303 Sony ES-7 EditStation 305 Discreet 306 Play s Trinity 306 Apple s Final Cut Pro 307 The Casablanca (Nonlinear Editing Without Computer) 311 Website-Based Online Editing 314 Digital Postproduction 316 The Digital Sound Mix 316 Digital Music for Movies 317 Digital Printing at the Lab 320 FilmLook: Video That Looks Like Film 321 Video-to-Film Transfers 323 Swiss Effects 324 Film Craft Lab 324 Four Media Company 326 1 2. HDTV and the Future 329 HDTV 330 SDTV 332 3-D Video and Camera s Perspective Software 333 Twenty-four-Frames-per-Second Video 335 PCMCIA Card Technology 336 Univisium 337 Wrap Up 338 Contents Appendices 341 Appendix A: Collaboration Agreement 341 Appendix B: Sample Contract for Deferred Payment and Profit Sharing 342 Appendix C: Deal Memorandum 346 Appendix D: Sample Investment Agreement 348 Appendix E: Release 349 Appendix F: Location Agreement 350 Appendix G: Music Rights Agreement 352 Appendix H: California Limited Partnership Agreement 354 Appendix I: Purchase Offer (Limited Partnership) 386 Appendix 1: Collaborative Agreement (Feature Workshops) 39* Index 398 I read recently that Americans are buying used cars for an average of S 12,000, and I thought. Why dont they take the bus to work and make a feature film instead? For the price oí a used ear-about $12,000— you can make a feature film ii you have the right know-how. In Featuie Filmmaking at used- Cai Prices, award-winning independent filmmaker Rick Schmidt provides that know-how. He shows you: How to select and write a story that can be produced on a tight budget How to rally a filmmaking team through creative contracts How to shoot and edit with an original style Where to find markets for your finished film How to deal with agents How to make a collaborative feature This fully updated edition also contains extensive new material on: Digital video (DV) technology and what it offers low-budget and no-budget filmmakers Making the most of the Internet as an information resource With step-by-step instructions and summary checklists, and without the complicated technical details that only add to the cost, Feature Filmmaking at Used-Car Prices will support you spiritually, psycholop ically, factually, and technically as you take the bus ana make your film. Without Rick s book, Clerks would have been an idea that never made it past this page. -kevin smith, writer-director of Clerks, Chasing Amy, and Dogma
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dewey-ones	791 - Public performances
dewey-raw	791.43023
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subject_GND	(DE-588)4124971-9 (DE-588)4629696-7
title	Feature filmmaking at used-car prices how to write, produce, direct, shoot, edit, and promote a feature-length movie for less than $ 15,000
title_auth	Feature filmmaking at used-car prices how to write, produce, direct, shoot, edit, and promote a feature-length movie for less than $ 15,000
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title_full	Feature filmmaking at used-car prices how to write, produce, direct, shoot, edit, and promote a feature-length movie for less than $ 15,000 Rick Schmidt
title_fullStr	Feature filmmaking at used-car prices how to write, produce, direct, shoot, edit, and promote a feature-length movie for less than $ 15,000 Rick Schmidt
title_full_unstemmed	Feature filmmaking at used-car prices how to write, produce, direct, shoot, edit, and promote a feature-length movie for less than $ 15,000 Rick Schmidt
title_short	Feature filmmaking at used-car prices
title_sort	feature filmmaking at used car prices how to write produce direct shoot edit and promote a feature length movie for less than 15 000
title_sub	how to write, produce, direct, shoot, edit, and promote a feature-length movie for less than $ 15,000
topic	Filmproduktion (DE-588)4124971-9 gnd Low-Budget-Film (DE-588)4629696-7 gnd
topic_facet	Filmproduktion Low-Budget-Film
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