Class, crime and international film noir: globalizing America's dark art
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Basingstoke [u.a.]
Palgrave Macmillan
2014
|
| Ausgabe: | 1. publ. |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027286418&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Beschreibung: | Includes bibliographical references and index Introduction: Global fugitives: outside the law and the cold war "consensus" -- Une grève, sanglante et poétique (a strike, bloody and poetic): French film noir and the defeat of the Popular Front -- The revolution that wasn't: black markets, Ressentiment, and survival in postwar British film noir -- The wintering of the Italian spring: from neorealism to film noir via Verdi -- Occupy the Zaibatsu: postwar Japanese film noir from democracy to the (re)appearance of the (old) new order -- Conclusion: Mediterranean noir: sunlight gleaming off a battered .45 -- Appendix -- International film noir classic period (selected titles) |
| Umfang: | XVII, 233 S. Ill. 23 cm |
Internformat
MARC
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| 245 | 1 | 0 | |a Class, crime and international film noir |b globalizing America's dark art |c Dennis Broe |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a Basingstoke [u.a.] |b Palgrave Macmillan |c 2014 | |
| 300 | |a XVII, 233 S. |b Ill. |c 23 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 500 | |a Introduction: Global fugitives: outside the law and the cold war "consensus" -- Une grève, sanglante et poétique (a strike, bloody and poetic): French film noir and the defeat of the Popular Front -- The revolution that wasn't: black markets, Ressentiment, and survival in postwar British film noir -- The wintering of the Italian spring: from neorealism to film noir via Verdi -- Occupy the Zaibatsu: postwar Japanese film noir from democracy to the (re)appearance of the (old) new order -- Conclusion: Mediterranean noir: sunlight gleaming off a battered .45 -- Appendix -- International film noir classic period (selected titles) | ||
| 648 | 7 | |a Geschichte 1930-1949 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Film noir / History and criticism | |
| 650 | 0 | 7 | |a Film noir |0 (DE-588)4116435-0 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Film noir |0 (DE-588)4116435-0 |D s |
| 689 | 0 | 1 | |a Geschichte 1930-1949 |A z |
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Datensatz im Suchindex
| _version_ | 1819351263311036416 |
|---|---|
| adam_text | Contents
List of Figures x
Foreword by
Kees
van
der Pijl
xi
Preface: On Symbolic Misery and Its Attenuation
(and the Crime Film)
xiv
Acknowledgments
xvi
Introduction: Global Fugitives
-
Outside
the Law and the Cold War Consensus
1
Global war followed by global war: all they
were saying was don t give peace a chance
4
Post-war film industry: resisting the behemoth or
Jason and the Argonauts meet Cyclops
10
It
Fugitivo:
film
noir
and the International Popular*
14
Class and the crime film
19
Film
noir:
going global or (always, already) gone global
21
How to read a film
(noir)
25
1
Une grève, sanglante et poétique (A
Strike, Bloody
and Poetic): French Film
Noir
and the Defeat of
the Popular Front
31
1
It Is not necessary to know when to end a strike
32
2
The (peculiarly French) genius of the system
37
What is the crime of shooting a film compared to the
crime of financing one?
43
3
Mode of production begets (aesthetic) relations
of production,
от
les
temps
noir fait les films noir
(dark times call for dark films)
47
4
Le
plus
noir de la noir
(the darkest of the dark) S5
Le Quai des
brumes and
working-cìàss
tragedy
57
La Bête humaine
and the weight of the
Industrial Revolution
64
Le Jour se lève
and the introjection of defeat
73
vii
viii Contents
2
Тће
Revolution
that Wasn t: Black Markets,
Ressentiment,
and Survival in Post-War
British Film
Noir
83
1
Socialism deferred: actual labor versus Attlee s
Labour Government
84
2
Post-war British mode of production: the long night
of concentration, colonization, and censorship
90
3
Something dark this way comes: the sordid underbelly
of aristocratic socialism
93
4
Fractured class fairy tales: film
noir
and the dawning of
(British cinematic) class consciousness
98
It Always Rains on Sunday/Good-Time Girl:
working-class rebellion tamed
98
The Third Man: Labour foreign policy laid bare
102
Hell Drivers and the moment of working-class
noir
108
3
The Wintering of the Italian Spring: From
Neorealism
to Film
Noir
via Verdi
115
1
From revolution to rollback: democracy
contained and subordinated to (US) capital
116
2
Runaway realism: how Italian films learned to stop
worrying and love the box office
119
3
Classic Italian film
noir:
the dark side of
neorealism
124
4
Strands of Italian
noir
129
Noir
and fascism:
Ossessione
129
Noir
and the Italian Spring: Tragic Pursuit/Bitter Rice
133
Noir
and the economic miracle : Story of a Love Affair/
The Challenge
139
4
Occupy the Zaibatsuz Post« War Japanese
Film
Noir
from Democracy to the (Re)Appearance
of the (Old) New Order
146
1
Not going gently into that good night:
Japanese workers of the (post-war) world unite
147
2
We re not in Kansas anymore,
Toho:
Japanese studio production in the classic
noir
era
152
3
Japanese film
noir
and post-war critique: the Owl of
Minerva flies a little after dusk
157
4
Establishing the
noir
tradition
162
Kurosawa s one-man band: Drunken Angel and Stray Dog
162
Contents ix
Mizoguchi s criminalizing of the patriarchy:
Women of the Night and Street of Shame
167
Something s rotten in Nippon: The Bad Sleep Well
and the victory of corporate power
171
Conclusion: Mediterranean
Noir
-
Sunlight Gleaming
Off a Battered
.45 176
A sea like all the others
181
Eastern Mediterranean
noir:
sunlight gleaming off
a battered Beretta
186
Appendix: International Film
Noir
Classic Period
(Selected Titles)
190
Notes
197
Bibliography
214
Index
224
|
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| id | DE-604.BV041841762 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T16:56:16Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027286418 |
| oclc_num | 881615808 |
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| owner_facet | DE-12 DE-M472 DE-355 DE-BY-UBR DE-11 |
| physical | XVII, 233 S. Ill. 23 cm |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Palgrave Macmillan |
| record_format | marc |
| spellingShingle | Broe, Dennis Class, crime and international film noir globalizing America's dark art Film noir / History and criticism Film noir (DE-588)4116435-0 gnd |
| subject_GND | (DE-588)4116435-0 |
| title | Class, crime and international film noir globalizing America's dark art |
| title_auth | Class, crime and international film noir globalizing America's dark art |
| title_exact_search | Class, crime and international film noir globalizing America's dark art |
| title_full | Class, crime and international film noir globalizing America's dark art Dennis Broe |
| title_fullStr | Class, crime and international film noir globalizing America's dark art Dennis Broe |
| title_full_unstemmed | Class, crime and international film noir globalizing America's dark art Dennis Broe |
| title_short | Class, crime and international film noir |
| title_sort | class crime and international film noir globalizing america s dark art |
| title_sub | globalizing America's dark art |
| topic | Film noir / History and criticism Film noir (DE-588)4116435-0 gnd |
| topic_facet | Film noir / History and criticism Film noir |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=027286418&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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