Hugo van der Goes's Adoration of the Shepherds: between ascetic idealism and urban networks in late medieval Flanders
Gespeichert in:
Beteilige Person: | |
---|---|
Format: | Elektronisch Paper |
Sprache: | Englisch |
Veröffentlicht: |
2014
|
Schlagwörter: | |
Links: | http://www.jhna.org/index.php/vol-61-2014/250-buskirk-hugo-van-der-goess-adoration-of-the-shepherds https://doi.org/10.5092/jhna.2014.6.1.1 |
Beschreibung: | Recent interpretations of Hugo van der Goes's Adoration of the Shepherds altarpiece have taken the painter's withdrawal to a monastery associated with the Devotio Moderna movement as a departure point, describing the painting as a rejection of the sensual world and the techniques of illusionism used to represent it. The painting's muted coloring seemed to support this reading, but restoration of the Adoration has provided new visual evidence, revealing the image to be bright and exuberantly illusionistic. Likewise, historical evidence indicates that the spiritual lives of Hugo's elite, urban clientele were far more complicated than the spiritual poverty prescribed in New Devotional sermons and treatises. I suggest that there may be no normative text underlying the painting's eccentric form. Instead, I turn to an equivalent artistic form to better understand the painting's aesthetic and spiritual strategies, offering a side-by-side reading with a piece of contemporary poetry produced in the same milieu |
Umfang: | 1 Online-Ressource |
DOI: | 10.5092/jhna.2014.6.1.1 |
Internformat
MARC
LEADER | 00000naa a2200000 c 4500 | ||
---|---|---|---|
001 | BV041766612 | ||
003 | DE-604 | ||
005 | 20201112 | ||
007 | cr|uuu---uuuuu | ||
008 | 140331s2014 xx o|||| 00||| eng d | ||
024 | 7 | |a 10.5092/jhna.2014.6.1.1 |2 doi | |
035 | |a (OCoLC)888731106 | ||
035 | |a (DE-599)BVBBV041766612 | ||
040 | |a DE-604 |b ger |e rakwb | ||
041 | 0 | |a eng | |
049 | |a DE-Y3 |a DE-255 |a DE-Y7 |a DE-Y2 | ||
100 | 1 | |a Buskirk, Jessica |e Verfasser |0 (DE-588)1023847574 |4 aut | |
245 | 1 | 0 | |a Hugo van der Goes's Adoration of the Shepherds |b between ascetic idealism and urban networks in late medieval Flanders |c Jessica Buskirk |
264 | 1 | |c 2014 | |
300 | |a 1 Online-Ressource | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a Recent interpretations of Hugo van der Goes's Adoration of the Shepherds altarpiece have taken the painter's withdrawal to a monastery associated with the Devotio Moderna movement as a departure point, describing the painting as a rejection of the sensual world and the techniques of illusionism used to represent it. The painting's muted coloring seemed to support this reading, but restoration of the Adoration has provided new visual evidence, revealing the image to be bright and exuberantly illusionistic. Likewise, historical evidence indicates that the spiritual lives of Hugo's elite, urban clientele were far more complicated than the spiritual poverty prescribed in New Devotional sermons and treatises. I suggest that there may be no normative text underlying the painting's eccentric form. Instead, I turn to an equivalent artistic form to better understand the painting's aesthetic and spiritual strategies, offering a side-by-side reading with a piece of contemporary poetry produced in the same milieu | ||
600 | 1 | 7 | |a Goes, Hugo van der |d 1440-1482 |t Geburt Christi mit den anbetenden Hirten |0 (DE-588)4814249-9 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kunstsoziologie |0 (DE-588)4033673-6 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Devotio moderna |0 (DE-588)4135464-3 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Christliche Kunst |0 (DE-588)4010109-5 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Ikonographie |0 (DE-588)4026535-3 |2 gnd |9 rswk-swf |
651 | 7 | |a Niederlande |0 (DE-588)4042203-3 |2 gnd |9 rswk-swf | |
689 | 0 | 0 | |a Goes, Hugo van der |d 1440-1482 |t Geburt Christi mit den anbetenden Hirten |0 (DE-588)4814249-9 |D u |
689 | 0 | 1 | |a Niederlande |0 (DE-588)4042203-3 |D g |
689 | 0 | 2 | |a Devotio moderna |0 (DE-588)4135464-3 |D s |
689 | 0 | 3 | |a Christliche Kunst |0 (DE-588)4010109-5 |D s |
689 | 0 | 4 | |a Ikonographie |0 (DE-588)4026535-3 |D s |
689 | 0 | 5 | |a Kunstsoziologie |0 (DE-588)4033673-6 |D s |
689 | 0 | |5 DE-604 | |
773 | 1 | 8 | |g volume:6 |g year:2014 |g pages:1 |
773 | 0 | 8 | |t Journal of Historians of Netherlandish Art |d [Highland Park, NJ], 2014 |g 6.2014,1 |w (DE-604)BV035619250 |o (DE-600)2504242-7 |
856 | 4 | 0 | |q text/html |u http://www.jhna.org/index.php/vol-61-2014/250-buskirk-hugo-van-der-goess-adoration-of-the-shepherds |x Verlag |z kostenfrei |3 Volltext |
856 | 4 | 0 | |u https://doi.org/10.5092/jhna.2014.6.1.1 |x Resolving-System |z kostenfrei |3 Volltext |
941 | |b 6 |j 2014 |s 1 | ||
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-027212679 |
Datensatz im Suchindex
_version_ | 1818979127921737728 |
---|---|
any_adam_object | |
article_link | (DE-604)BV035619250 |
author | Buskirk, Jessica |
author_GND | (DE-588)1023847574 |
author_facet | Buskirk, Jessica |
author_role | aut |
author_sort | Buskirk, Jessica |
author_variant | j b jb |
building | Verbundindex |
bvnumber | BV041766612 |
ctrlnum | (OCoLC)888731106 (DE-599)BVBBV041766612 |
doi_str_mv | 10.5092/jhna.2014.6.1.1 |
format | Electronic Article |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03153naa a2200481 c 4500</leader><controlfield tag="001">BV041766612</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20201112 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">140331s2014 xx o|||| 00||| eng d</controlfield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.5092/jhna.2014.6.1.1</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)888731106</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV041766612</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-Y7</subfield><subfield code="a">DE-Y2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Buskirk, Jessica</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1023847574</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Hugo van der Goes's Adoration of the Shepherds</subfield><subfield code="b">between ascetic idealism and urban networks in late medieval Flanders</subfield><subfield code="c">Jessica Buskirk</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2014</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Recent interpretations of Hugo van der Goes's Adoration of the Shepherds altarpiece have taken the painter's withdrawal to a monastery associated with the Devotio Moderna movement as a departure point, describing the painting as a rejection of the sensual world and the techniques of illusionism used to represent it. The painting's muted coloring seemed to support this reading, but restoration of the Adoration has provided new visual evidence, revealing the image to be bright and exuberantly illusionistic. Likewise, historical evidence indicates that the spiritual lives of Hugo's elite, urban clientele were far more complicated than the spiritual poverty prescribed in New Devotional sermons and treatises. I suggest that there may be no normative text underlying the painting's eccentric form. Instead, I turn to an equivalent artistic form to better understand the painting's aesthetic and spiritual strategies, offering a side-by-side reading with a piece of contemporary poetry produced in the same milieu</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Goes, Hugo van der</subfield><subfield code="d">1440-1482</subfield><subfield code="t">Geburt Christi mit den anbetenden Hirten</subfield><subfield code="0">(DE-588)4814249-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstsoziologie</subfield><subfield code="0">(DE-588)4033673-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Devotio moderna</subfield><subfield code="0">(DE-588)4135464-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Christliche Kunst</subfield><subfield code="0">(DE-588)4010109-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ikonographie</subfield><subfield code="0">(DE-588)4026535-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Niederlande</subfield><subfield code="0">(DE-588)4042203-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Goes, Hugo van der</subfield><subfield code="d">1440-1482</subfield><subfield code="t">Geburt Christi mit den anbetenden Hirten</subfield><subfield code="0">(DE-588)4814249-9</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Niederlande</subfield><subfield code="0">(DE-588)4042203-3</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Devotio moderna</subfield><subfield code="0">(DE-588)4135464-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Christliche Kunst</subfield><subfield code="0">(DE-588)4010109-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Ikonographie</subfield><subfield code="0">(DE-588)4026535-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Kunstsoziologie</subfield><subfield code="0">(DE-588)4033673-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">volume:6</subfield><subfield code="g">year:2014</subfield><subfield code="g">pages:1</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Journal of Historians of Netherlandish Art</subfield><subfield code="d">[Highland Park, NJ], 2014</subfield><subfield code="g">6.2014,1</subfield><subfield code="w">(DE-604)BV035619250</subfield><subfield code="o">(DE-600)2504242-7</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="q">text/html</subfield><subfield code="u">http://www.jhna.org/index.php/vol-61-2014/250-buskirk-hugo-van-der-goess-adoration-of-the-shepherds</subfield><subfield code="x">Verlag</subfield><subfield code="z">kostenfrei</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.5092/jhna.2014.6.1.1</subfield><subfield code="x">Resolving-System</subfield><subfield code="z">kostenfrei</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="b">6</subfield><subfield code="j">2014</subfield><subfield code="s">1</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-027212679</subfield></datafield></record></collection> |
geographic | Niederlande (DE-588)4042203-3 gnd |
geographic_facet | Niederlande |
id | DE-604.BV041766612 |
illustrated | Not Illustrated |
indexdate | 2024-12-20T16:54:36Z |
institution | BVB |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-027212679 |
oclc_num | 888731106 |
open_access_boolean | 1 |
owner | DE-Y3 DE-255 DE-Y7 DE-Y2 |
owner_facet | DE-Y3 DE-255 DE-Y7 DE-Y2 |
physical | 1 Online-Ressource |
publishDate | 2014 |
publishDateSearch | 2014 |
publishDateSort | 2014 |
record_format | marc |
spelling | Buskirk, Jessica Verfasser (DE-588)1023847574 aut Hugo van der Goes's Adoration of the Shepherds between ascetic idealism and urban networks in late medieval Flanders Jessica Buskirk 2014 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Recent interpretations of Hugo van der Goes's Adoration of the Shepherds altarpiece have taken the painter's withdrawal to a monastery associated with the Devotio Moderna movement as a departure point, describing the painting as a rejection of the sensual world and the techniques of illusionism used to represent it. The painting's muted coloring seemed to support this reading, but restoration of the Adoration has provided new visual evidence, revealing the image to be bright and exuberantly illusionistic. Likewise, historical evidence indicates that the spiritual lives of Hugo's elite, urban clientele were far more complicated than the spiritual poverty prescribed in New Devotional sermons and treatises. I suggest that there may be no normative text underlying the painting's eccentric form. Instead, I turn to an equivalent artistic form to better understand the painting's aesthetic and spiritual strategies, offering a side-by-side reading with a piece of contemporary poetry produced in the same milieu Goes, Hugo van der 1440-1482 Geburt Christi mit den anbetenden Hirten (DE-588)4814249-9 gnd rswk-swf Kunstsoziologie (DE-588)4033673-6 gnd rswk-swf Devotio moderna (DE-588)4135464-3 gnd rswk-swf Christliche Kunst (DE-588)4010109-5 gnd rswk-swf Ikonographie (DE-588)4026535-3 gnd rswk-swf Niederlande (DE-588)4042203-3 gnd rswk-swf Goes, Hugo van der 1440-1482 Geburt Christi mit den anbetenden Hirten (DE-588)4814249-9 u Niederlande (DE-588)4042203-3 g Devotio moderna (DE-588)4135464-3 s Christliche Kunst (DE-588)4010109-5 s Ikonographie (DE-588)4026535-3 s Kunstsoziologie (DE-588)4033673-6 s DE-604 volume:6 year:2014 pages:1 Journal of Historians of Netherlandish Art [Highland Park, NJ], 2014 6.2014,1 (DE-604)BV035619250 (DE-600)2504242-7 text/html http://www.jhna.org/index.php/vol-61-2014/250-buskirk-hugo-van-der-goess-adoration-of-the-shepherds Verlag kostenfrei Volltext https://doi.org/10.5092/jhna.2014.6.1.1 Resolving-System kostenfrei Volltext |
spellingShingle | Buskirk, Jessica Hugo van der Goes's Adoration of the Shepherds between ascetic idealism and urban networks in late medieval Flanders Goes, Hugo van der 1440-1482 Geburt Christi mit den anbetenden Hirten (DE-588)4814249-9 gnd Kunstsoziologie (DE-588)4033673-6 gnd Devotio moderna (DE-588)4135464-3 gnd Christliche Kunst (DE-588)4010109-5 gnd Ikonographie (DE-588)4026535-3 gnd |
subject_GND | (DE-588)4814249-9 (DE-588)4033673-6 (DE-588)4135464-3 (DE-588)4010109-5 (DE-588)4026535-3 (DE-588)4042203-3 |
title | Hugo van der Goes's Adoration of the Shepherds between ascetic idealism and urban networks in late medieval Flanders |
title_auth | Hugo van der Goes's Adoration of the Shepherds between ascetic idealism and urban networks in late medieval Flanders |
title_exact_search | Hugo van der Goes's Adoration of the Shepherds between ascetic idealism and urban networks in late medieval Flanders |
title_full | Hugo van der Goes's Adoration of the Shepherds between ascetic idealism and urban networks in late medieval Flanders Jessica Buskirk |
title_fullStr | Hugo van der Goes's Adoration of the Shepherds between ascetic idealism and urban networks in late medieval Flanders Jessica Buskirk |
title_full_unstemmed | Hugo van der Goes's Adoration of the Shepherds between ascetic idealism and urban networks in late medieval Flanders Jessica Buskirk |
title_short | Hugo van der Goes's Adoration of the Shepherds |
title_sort | hugo van der goes s adoration of the shepherds between ascetic idealism and urban networks in late medieval flanders |
title_sub | between ascetic idealism and urban networks in late medieval Flanders |
topic | Goes, Hugo van der 1440-1482 Geburt Christi mit den anbetenden Hirten (DE-588)4814249-9 gnd Kunstsoziologie (DE-588)4033673-6 gnd Devotio moderna (DE-588)4135464-3 gnd Christliche Kunst (DE-588)4010109-5 gnd Ikonographie (DE-588)4026535-3 gnd |
topic_facet | Goes, Hugo van der 1440-1482 Geburt Christi mit den anbetenden Hirten Kunstsoziologie Devotio moderna Christliche Kunst Ikonographie Niederlande |
url | http://www.jhna.org/index.php/vol-61-2014/250-buskirk-hugo-van-der-goess-adoration-of-the-shepherds https://doi.org/10.5092/jhna.2014.6.1.1 |
work_keys_str_mv | AT buskirkjessica hugovandergoessadorationoftheshepherdsbetweenasceticidealismandurbannetworksinlatemedievalflanders |