Emulation on the Shakespearean stage:
The English Renaissance has long been considered a period with a particular focus on imitation; however, much related scholarship has misunderstood or simply marginalized the significance of emulative practices and theories in the period. This work uses the interactions of a range of English Renaiss...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Aldershot
Ashgate
2013
|
| Schriftenreihe: | Studies in performance and early modern drama
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026830152&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Zusammenfassung: | The English Renaissance has long been considered a period with a particular focus on imitation; however, much related scholarship has misunderstood or simply marginalized the significance of emulative practices and theories in the period. This work uses the interactions of a range of English Renaissance plays with ancient and Renaissance rhetorics to analyze the conflicted uses of emulation in the period (including the theory and praxis of rhetorical imitatio, humanist notions of exemplarity, and the stage's purported ability to move spectators to emulate depicted characters) |
| Umfang: | XX, 189 S. |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Emulation on the
Shakespearean Stage
VERNON GUY DICKSON
Florida International University, USA
ASHGATE
Contents
Acknowledgements ix
Preface xi
1 Emulation hath a thousand sons: Emulative Rhetorics in Renaissance
England 1
2 A pattern, precedent, and lively warrant: Emulation, Rhetoric,
and Cruel Propriety in Titus Andronicus 27
3 Suit the action to the word: Emulative Self-Fashioning, Decorum,
and the Roles of Rhetoric in Hamlet 53
4 I am what you should be: Emulation, Ambition, and Ciceronian
Self-Fashioning in Jonson s Catiline 99
5 Act[ing] an orators part: Emulation, Rhetoric, and the Limits
of Theater in Massinger s The Roman Actor 135
Afterword: Emulation s thousand sons and Roman Influence:
Conclusions and Implications 167
Bibliography 173
Index 187
|
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| author | Dickson, Vernon Guy |
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| author_variant | v g d vg vgd |
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| dewey-full | 822.3/3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.3/3 |
| dewey-search | 822.3/3 |
| dewey-sort | 3822.3 13 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1500-1600 gnd |
| era_facet | Geschichte 1500-1600 |
| format | Book |
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| spellingShingle | Dickson, Vernon Guy Emulation on the Shakespearean stage Shakespeare, William / 1564-1616 / Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd Imitation in literature English drama / Early modern and Elizabethan, 1500-1600 / History and criticism Nachahmung (DE-588)4170992-5 gnd Englisch (DE-588)4014777-0 gnd Drama (DE-588)4012899-4 gnd |
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| title | Emulation on the Shakespearean stage |
| title_auth | Emulation on the Shakespearean stage |
| title_exact_search | Emulation on the Shakespearean stage |
| title_full | Emulation on the Shakespearean stage Vernon Guy Dickson |
| title_fullStr | Emulation on the Shakespearean stage Vernon Guy Dickson |
| title_full_unstemmed | Emulation on the Shakespearean stage Vernon Guy Dickson |
| title_short | Emulation on the Shakespearean stage |
| title_sort | emulation on the shakespearean stage |
| topic | Shakespeare, William / 1564-1616 / Criticism and interpretation Shakespeare, William 1564-1616 (DE-588)118613723 gnd Imitation in literature English drama / Early modern and Elizabethan, 1500-1600 / History and criticism Nachahmung (DE-588)4170992-5 gnd Englisch (DE-588)4014777-0 gnd Drama (DE-588)4012899-4 gnd |
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