Kipling's art of fiction: 1884 - 1901
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2013
|
| Ausgabe: | 1. ed. |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026232477&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026232477&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | IX, 233 S. |
| ISBN: | 9780199684588 |
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Datensatz im Suchindex
| _version_ | 1819328868653203456 |
|---|---|
| adam_text | Titel: Kipling s art of fiction
Autor: Sergeant, David
Jahr: 2013
Contents
Dates andAbbreviations viii
1. Introduction 1
2. Fiction in India, 1884-1889 12
3. Return to Britain, 1889-1890 59
4. Moveto Fable, 1891-1900 98
5. Kim, 1901 152
6. Postscript: After Kim 206
Bibliography 209
Index 227
Kipling’s Art ofFiction 1884—1901 re-establishes Rudyard Kipling as a
major artist. Through extended close readings of individual works, and
unprecedentedly detailed attention to changes in location and readership,
it distinguishes between two kinds of Kipling fiction. The first is coercive and
concerned with the authoritarian control of meaning; the second relates less
directly to its immediate historical surroundings and is more aesthetically
complex. Misunderstandings have often resulted from confusing the two
kinds of work. Distinguishing between them allows for a newly coherent
account of Kipling’s career, both explaining his artistic achievement and
making clearer his identity as a political writer. Changes in Kipling’s
narrative practice are tracked as he moves from India to Britain and the
US, and engages with a succession of new audiences and political contexts;
detailed readings are provided of such key texts as Plain Tales from the Mills ^
The Jungle Booksy and Kim. As well as revealing the precise nature of Kiplings
artistry, this book shows how properties of narrative which have been
generally underrated—such as embodiment and externality—can be
used to make sophisticated fictions, and by linking these to Robert
Louis Stevenson’s discussion of the romance, suggests new ways in
which such work might be approached.
|
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| id | DE-604.BV041258602 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T16:34:24Z |
| institution | BVB |
| isbn | 9780199684588 |
| language | English |
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| physical | IX, 233 S. |
| publishDate | 2013 |
| publishDateSearch | 2013 |
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| publisher | Oxford Univ. Press |
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| spellingShingle | Sergeant, David 1979- Kipling's art of fiction 1884 - 1901 Kipling, Rudyard 1865-1936 (DE-588)118562290 gnd Prosa (DE-588)4047497-5 gnd |
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| title | Kipling's art of fiction 1884 - 1901 |
| title_auth | Kipling's art of fiction 1884 - 1901 |
| title_exact_search | Kipling's art of fiction 1884 - 1901 |
| title_full | Kipling's art of fiction 1884 - 1901 David Sergeant |
| title_fullStr | Kipling's art of fiction 1884 - 1901 David Sergeant |
| title_full_unstemmed | Kipling's art of fiction 1884 - 1901 David Sergeant |
| title_short | Kipling's art of fiction |
| title_sort | kipling s art of fiction 1884 1901 |
| title_sub | 1884 - 1901 |
| topic | Kipling, Rudyard 1865-1936 (DE-588)118562290 gnd Prosa (DE-588)4047497-5 gnd |
| topic_facet | Kipling, Rudyard 1865-1936 Prosa |
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