Composing for the cinema: the theory and praxis of music in film
Gespeichert in:
| Beteiligte Personen: | , |
|---|---|
| Weitere beteiligte Personen: | |
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Lanham, Md. [u.a.]
Scarecrow Press
2013
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| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026230030&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Beschreibung: | Introduction : the composer in the cinema -- Audiovisual analysis, part I -- Production procedures -- Audiovisual analysis, part II -- The recording and sound design -- Compositional elements -- Questions and answers |
| Umfang: | XIV, 295 S. Ill. |
| ISBN: | 9780810892408 9780810892415 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Composing for the Cinema
The Theory and Praxis of Music in Film
Ennio Morricone and Sergio Miceli
Translated by Gillian B Anderson
Lessons transcribed by Rita Pagani and edited by Laura Gallenga
THE SCARECROW PRESS, INC
Lanham • Boulder • New York • Toronto • Plymouth, UK
Contents
Translator s Note vii
Gillian B Anderson
Editor s Note ix
Laura Gallenga
Acknowledgments xi
Abbreviations xiii
1 Introduction: The Composer in the Cinema 1
2 Audiovisual Analysis—Part 1 11
3 Production Procedures 53
4 Audiovisual Analysis—Part 2: Elements for the Definition of a
Film-Musical Dramaturgy 73
5 Premix and Final Mix: The Recording and Sound Design 129
6 Compositional Elements: Timbre, Use of Themes,
Characteristic Stylistic Features, and Combinations of Styles 163
7 Questions and Answers 217
Appendix 1: Composing for the Cinema: A Manifesto 249
Appendix 2: Writing for the Cinema: Aspects and Problems of a
Compositional Activity of Our Time 253
V
vi Contents
Filmography 261
Bibliography [to 1999] 271
Index 277
About the Authors and Translator 295
|
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| author2 | Anderson, Gillian B. 1943- |
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| id | DE-604.BV041256093 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T16:34:20Z |
| institution | BVB |
| isbn | 9780810892408 9780810892415 |
| language | English |
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| physical | XIV, 295 S. Ill. |
| publishDate | 2013 |
| publishDateSearch | 2013 |
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| publisher | Scarecrow Press |
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| spellingShingle | Morricone, Ennio 1928-2020 Miceli, Sergio 1944- Composing for the cinema the theory and praxis of music in film Filmmusik (DE-588)4017129-2 gnd |
| subject_GND | (DE-588)4017129-2 |
| title | Composing for the cinema the theory and praxis of music in film |
| title_alt | Comporre per il cinema |
| title_auth | Composing for the cinema the theory and praxis of music in film |
| title_exact_search | Composing for the cinema the theory and praxis of music in film |
| title_full | Composing for the cinema the theory and praxis of music in film Ennio Morricone and Sergio Miceli. Transl. by Gillian B. Anderson |
| title_fullStr | Composing for the cinema the theory and praxis of music in film Ennio Morricone and Sergio Miceli. Transl. by Gillian B. Anderson |
| title_full_unstemmed | Composing for the cinema the theory and praxis of music in film Ennio Morricone and Sergio Miceli. Transl. by Gillian B. Anderson |
| title_short | Composing for the cinema |
| title_sort | composing for the cinema the theory and praxis of music in film |
| title_sub | the theory and praxis of music in film |
| topic | Filmmusik (DE-588)4017129-2 gnd |
| topic_facet | Filmmusik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026230030&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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