The legacy of opera: reading music theatre as experience and performance
The Legacy of Opera: Reading Music Theatre as Experience and Performance is the first volume in a series of books compiled by the Music Theatre Working Group of the International Federation for Theatre Research. The series explores the widening of the meaning of the term "music theatre" to...
Gespeichert in:
| Weitere beteiligte Personen: | , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Amsterdam ; New York, NY
Rodopi
2013
|
| Schriftenreihe: | Themes in theatre
7 |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026223091&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Zusammenfassung: | The Legacy of Opera: Reading Music Theatre as Experience and Performance is the first volume in a series of books compiled by the Music Theatre Working Group of the International Federation for Theatre Research. The series explores the widening of the meaning of the term "music theatre" to reflect new ways of thinking about this creative practice beyond the genres circumscribed by discourses of theatre studies and musicology. Specifically it interrogates the experience of music theatre and its performance energies for contemporary audiences who engage with the emergence of new expressive idioms, new performative paradigms, new technologies and new ways of thinking. The Legacy of Opera considers some of the ways in which opera's influence has informed our understanding of and approach to the musical stage, from the multiple perspectives of the ideological, historical, corporeal and artistic. With contributions from international scholars in music theatre, its chapters explore both canonic and experimental examples of music theatre, spanning a period from the seventeenth century to the present day. |
| Umfang: | 269 Seiten Illustrationen |
| ISBN: | 9789042036918 |
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Datensatz im Suchindex
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| adam_text | TABLE
OF
CONTENTS
Acknowledgments
7
List of illustrations
Empty houses, booming voices
11
DOMINIC SYMONDSAND PAMELA KARANTONIS
1.
Is this still opera?
Media operas as productive provocations
25
BIANCA
MICHAELS
2.
A new glimmer of light:
Opera, metaphysics and mimesis
39
NICHOLAS TILL
3.
The singing body in the
Tragédie Lyrique
of
seventeenth- and eighteenth-century France:
Voice, theatre, speech, pleasure
65
SARAH NANCY
4.
Performing affect in seventeenth-century opera:
Process, reception, transgression
79
CLEMENS
RISI
5.
The
Violettas
of
Patti, Muzio
and
Callas:
Style, interpretation and the question of legacy
103
MA GNUS TESSING SCHNEIDER
6.
The tenor in decline?
Narratives of nostalgia and the performativity of the
operatic tenor
119
PAMELA KARANTONIS
7.
The Threepenny Opera .
Performativity and the Brechtian presence between
music and theatre
131
MICHAEL EIGTVED
8.
The aeons metre on stage and screen:
The power of the bodiless voice
149
JEONGWONJOE
9.
Dancing in the twilight:
On the borders of music and the scenic
165
DA VID ROESNER
10.
Turkish post-migrant opera in Europe:
A socio-historical perspective on aurality
1 85
PIETER
VERSTRAETE
11.
Powerful spirit :
Notes on some practice as research
209
DOMINIC SYMONDS
Abstracts
229
Notes on contributors
239
Bibliography
245
Index
261
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| title | The legacy of opera reading music theatre as experience and performance |
| title_auth | The legacy of opera reading music theatre as experience and performance |
| title_exact_search | The legacy of opera reading music theatre as experience and performance |
| title_full | The legacy of opera reading music theatre as experience and performance edited by Dominic Symonds and Pamela Karantonis |
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| title_full_unstemmed | The legacy of opera reading music theatre as experience and performance edited by Dominic Symonds and Pamela Karantonis |
| title_short | The legacy of opera |
| title_sort | the legacy of opera reading music theatre as experience and performance |
| title_sub | reading music theatre as experience and performance |
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