Verfügbarkeit: An introduction to the psychology of hearing

An introduction to the psychology of hearing:

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Bibliographische Detailangaben
Beteilige Person:	Moore, Brian C. J. (VerfasserIn)
Format:	Buch
Sprache:	Englisch
Veröffentlicht:	Leiden ; Boston Brill 2013
Ausgabe:	Sixth edition
Schlagwörter:	Psychoakustik Lautwahrnehmung Psychologie Tonpsychologie Physiologie Hören Psychophysik
Links:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025953204&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025953204&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
Beschreibung:	Originally published by Emerald Group Publ. Ltd., Bingley, UK, in 2012 under ISBN 978-1-78052-038-4
Umfang:	xvi, 441 Seiten Illustrationen, Diagramme 24 cm
ISBN:	9789004252424

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Datensatz im Suchindex

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adam_text	CONTENTS Preface xv 1 The Nature of Sound and the Structure and Function 1 of the Auditory System 1 Introduction 1 2 The Physical Characteristics of Sounds 2 2A The Nature of Sound 2 2B Fourier Analysis and Spectral Representations 4 2C The Measurement of Sound Level 10 2D Beats 12 3 The Concept of Linearity 13 4 Filters and Their Properties 1 7 5 Headphones 22 6 Basic Structure and Function of the Auditory System 23 6A The Outer and Middle Ear 23 6B The Inner Ear and the Basilar Membrane 24 6C The Transduction Process and the Hair Cells 34 6D Otoacoustic Emissions 35 7 Neural Responses in the Auditory Nerve 38 vii viii Contents 7A Spontaneous Spike Rates and Thresholds 38 7B Tuning Curves and Iso-Rate Contours 38 7C Rate versus Level Functions 40 7D Neural Excitation Patterns 43 7E Phase Locking 44 7F Two-Tone Suppression 46 7G Phase Locking to Complex Sounds 48 7H Adaptation 50 8 Neural Responses at Higher Levels in the Auditory System 52 9 General Summary and Conclusions 53 Further Resources 55 2 Absolute Thresholds 57 1 Introduction 57 2 Absolute Thresholds for Long-Duration Tones 57 3 The Audiogram and Hearing Loss 62 4 Temporal Integration and Multiple Looks 64 5 General Conclusions 66 Further Reading 66 3 Frequency Selectivity, Masking, and the Critical Band 67 1 Introduction 67 2 The Critical Band Concept and the Power Spectrum Model 68 3 Estimating the Shape of the Auditory Filter 71 3A Psychophysical Tuning Curves 72 3B The Notched-Noise Method 74 4 Other Phenomena Reflecting Auditory Filtering 80 4A The Threshold of Complex Sounds 80 4B Two-Tone Masking 81 4C Sensitivity to Phase and the Critical Modulation Frequency 82 4D The Audibility of Partials in Complex Tones 86 4E Interim Summary 88 4F Some General Observations on Auditory Filters 88 5 Masking Patterns and Excitation Patterns 89 6 The Nature of the Auditory Filter and Mechanisms of Masking 94 6A The Origin of the Auditory Filter 94 6B Temporal Effects 94 6C The Mechanism of Masking—Swamping or Suppression? 99 6D The Neural Code Used for Signal Detection 2 00 Contents IX 7 Comodulation Masking Release: Spectrotemporal 102 Pattern Analysis in Hearing 7 A Initial Demonstrations of Comodulation Masking Release 103 7B The Role of Within-Channel Cues 105 7C Factors Influencing the Magnitude of CMR 105 7D Models to Explain CMR 106 7E Experimental Tests of the Models 106 7F General Implications of CMR 108 8 Profile Analysis 108 9 Nonsimultaneous Masking HO 10 Evidence for Suppression from Nonsimultaneous 116 Masking 11 Informational Masking 122 12 Frequency Selectivity in Impaired Hearing 123 13 General Conclusions 125 14 Appendix: Signal Detection Theory 127 14A Introduction 127 14B The Basic Idea of Signal Detection Theory 128 Further Resources 131 4 The Perception of Loudness 133 1 Introduction 133 2 Loudness Level and Equal-Loudness Contours 134 3 The Scaling of Loudness 137 4 Models of Loudness 139 5 The Effect of Bandwidth on Loudness 140 6 Temporal Integration of Loudness 143 7 The Detection of Intensity Changes and the Coding of Loudness 143 7A The Dynamic Range of the Auditory System 145 7B Weber’s Law 150 7C The Near Miss to Weber’s Law 150 8 Loudness Adaptation, Fatigue, and Damage Risk 152 8A Post-Stimulatory Auditory Fatigue 153 8B Auditory Adaptation 157 9 Abnormalities of Loudness Perception in Impaired Hearing 158 9A Loudness Recruitment 158 9B Pathological Adaptation 163 10 General Conclusions 164 Further Resources 166 X Contents 5 Temporal Processing in the Auditory System 169 1 Introduction 169 2 Temporal Resolution Measured by the Discrimination 171 of Stimuli with Identical Magnitude Spectra: Broadband Sounds 2A The Detection of Gaps in Broadband Noise 171 2B The Discrimination of Time-Reversed Signals 171 2C Temporal Modulation Transfer Functions 1 72 3 Temporal Resolution Measured by the Discrimination 2 73 of Stimuli with Identical Magnitude Spectra: Effects of Center Frequency 4 Measurement of Temporal Resolution Using Narrowband 1 75 Sounds 4A Detection of Gaps in Bands of Noise 175 4B Detection of Gaps in Sinusoids 178 4C Temporal Modulation Transfer Functions for Sinusoidal Carriers 181 5 Modeling Temporal Resolution 183 5 A Bandpass Filtering 184 5B The Nonlinearity 284 5C The Sliding Temporal Integrator 184 5D The Decision Device 187 5E Characterizing the Nonlinear Device and the Sliding 187 Temporal Integrator 6 A Modulation Filter Bank? 189 6A Masking in the Modulation Domain with Broadband Carriers 189 6B Forward Masking in the Modulation Domain 191 6C The Ability to Hear Out Component AM 192 6D TMTFs Obtained Using Narrowband Noise Carriers 193 6E Modulation Detection Interference 293 6F Accounting for TMTFs with a Modulation Filter Bank 195 7 Duration Discrimination 196 8 Temporal Analysis Based on Across-Channel Processes 197 8A The Discrimination of Huffman Sequences 198 8B Detection of Onset and Offset Asynchrony in Multicomponent Complexes 198 8C Judgment of Temporal Order 199 9 General Conclusions 200 Further Reading 202 Contents xi 6 Pitch Perception 203 1 Introduction 203 2 Theories of Pitch Perception 203 3 The Perception of the Pitch of Pure Tones 204 3A The Frequency Discrimination of Pure Tones 205 3B The Perception of Musical Intervals 212 3C The Variation of Pitch with Level 213 3D The Stretched Octave 214 3E The Scaling of Pitch and the Mel Scale 215 3F General Conclusions on the Pitch Perception of Pure Tones 215 4 The Pitch Perception of Complex Tones 216 4A Pattern Recognition Models 217 4B Temporal Models 220 5 Experimental Evidence Relevant to the Pattern Recognition and Temporal Models 224 5A The “Existence Region” of the Tonal Residue 224 5B The Principle of Dominance 226 5C Evidence for the Role of Central Mechanisms in the Perception of Complex Tones 227 5D Is Resolvability Sufficient for Good Pitch Perception? 229 5E Pitches Based Purely upon Timing Information 230 6 A Schematic Model for the Pitch Perception of Complex Tones 232 7 The Perception of Pitch in Music 236 7 A Musical Intervals, Musical Scales, and Consonance 236 7B Absolute Pitch 238 7C The Pitch of Vibrato Tones 239 8 Pitch Discrimination Interference 240 9 General Summary 241 Further Resources 243 7 Space Perception 245 1 Introduction 245 2 The Localization and Lateralization of Pure Tones 247 2A Cues for Localization 247 2B Performance in Localization and Lateralization Tasks 250 2C Binaural Beats 252 3 The Lateralization of Complex Sounds 253 3A The Acuity of Lateralizing Transients 253 3B Acuity as a Function of Frequency and the Use of Envelopes 254 Contents xii 3C Onset Disparities versus Ongoing Disparities 256 3D Time-Intensity Trading 257 3E Binaural Adaptation 258 3F Binaural Interference 259 3G A cross-Frequency Integration and the Effect of Bandwidth 261 4 The Cone of Confusion and the Role of Head Movements 262 5 Monaural Localization, the Role of the Pinnae and HRTFs 263 6 The Precedence Effect 266 7 General Conclusions on Sound Localization 270 8 Binaural Masking Level Differences 271 9 The Sluggishness of the Binaural System 275 10 Models of Binaural Processing 277 11 The Influence of Vision on Auditory Localization 278 12 The Perception of Distance 279 13 General Conclusions 280 Further Resources 281 8 Auditory Pattern and Object Perception 283 1 Introduction 283 2 Timbre Perception and Object Identification 284 2A Time-invariant Patterns 284 2B Time-varying Patterns 285 3 Information Used to Separate Auditory Objects 287 3A Fundamental Frequency and Spectral Regularity 289 3B Onset Disparities 291 3C Contrast with Previous Sounds 293 3D Correlated Changes in Amplitude or Frequency 295 3E Sound Location 297 4 The Perception of Sequences of Sounds 300 4 A Stream Segregation 300 4B Judgment of Temporal Order 303 5 General Principles of Perceptual Organization 304 5A Similarity 304 5B Good Continuation 305 5C Common Fate 306 5D Disjoint Allocation 306 5E Closure 308 5F The Figure-ground Phenomenon and Attention 309 6 General Conclusions 311 Further Resources 312 Contents xiii 9 Speech Perception 325 1 Introduction 325 2 The Nature of Speech Sounds 316 2A Units of Speech 316 2B Speech Production and Speech Acoustics 317 3 Speech Perception—What is Special about Speech? 323 3A The Rate at Which Speech Sounds Occur 323 3B The Variable Nature of Acoustic Cues 324 3C Categorical Perception 326 3D Evidence for Brain Specialization 329 3E Evidence for a Speech Mode from Sine Wave Speech and Other Phenomena 329 3F Duplex Perception 332 3G Cue Trading 333 3H Audiovisual Integration 334 31 Interim Summary of Work on the Special Nature of Speech Perception 335 4 Models of Speech Perception 335 4A The Motor Theory 335 4B Invariant Feature or Cue-Based Approaches 336 4C The TRACE Model 337 5 The Search for Invariant Acoustic Cues and the Multiplicity of Cues ^38 6 Envelope Cues and Temporal Fine Structure Cues 340 7 The Resistance of Speech to Corrupting Influences 343 8 Informational Masking of Speech 345 9 General Conclusions 347 Further Reading 349 10 Practical Applications 351 1 Introduction 352 2 Applications of Psychoacoustic Research in the Alleviation of Hearing Loss 2A Hearing Aid Design 351 2B Hearing Aid Fitting 354 2C Cochlear Implants 355 3 The Psychoacoustics of Hi-Fi Sound Reproduction 358 3A The Interpretation of Specifications 358 3B Amplifiers 361 Contents 3C Loudspeakers 362 3D Compact Disc Players and Other Digital Systems 365 3E Perceptual Coders 367 3F Loudspeaker Cables and Optical Cables 369 4 The Evaluation of Concert Hall Acoustics 370 5 General Summary and Concluding Remarks 371 References 373 Glossary 423 Index 431 An Introduction to the Psychology of Hearing Sixth Edition Now available in a sixth edition, An Introduction to the Psychology of Hearing is the leading textbook in the field of auditory perception, also known as psychoacoustics. The textbook s longevity and loyal readership can be attributed to the accessible manner in which it describes the relationships between the characteristics of the sounds that enter the ear and the sensations that they produce. Wherever possible, the author has specified these relationships in terms of the underlying mechanisms. The intention is to impart an understanding of what the auditory system does and how it works: research results are not just described, but are interpreted and evaluated; knowledge is not assumed, but deduced from basic principles. Topics covered include the physics of sound, the physiology of the auditory system, frequency selectivity and masking, loudness perception, temporal analysis, pitch perception, sound localization, timbre perception, the perceptual organization of complex auditory scenes , speech perception, and practical applications such as hearing aids, cochlear implants, and high-fidelity sound reproduction. The book also includes extensive references to recent research so that those interested in a specific area can readily obtain more detailed information. What s new? The new edition of An Introduction to the Psychology of Hearing has been thoroughly updated. New sections have been added covering perceptual methods of estimating basilar-membrane compression, informational masking of non-speech and speech sounds, experiments and theories concerning pitch perception, and the perception of speech in complex auditory environments. Readers The textbook is designed for advanced undergraduate and graduate level courses in psychology, speech and hearing sciences, and audiology. It will appeal to researchers and professionals involved in sound and hearing, such as audio engineers, otologists, hearing- aid designers, audiologists, and hearing aid dispensers. It provides emphasis on the mechanisms underlying auditory perception with key concepts clearly explained.
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id	DE-604.BV040975092
illustrated	Illustrated
indexdate	2024-12-20T16:28:28Z
institution	BVB
isbn	9789004252424
language	English
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-025953204
oclc_num	844087680
open_access_boolean
owner	DE-91 DE-BY-TUM DE-11 DE-92 DE-29T DE-739 DE-83 DE-1102
owner_facet	DE-91 DE-BY-TUM DE-11 DE-92 DE-29T DE-739 DE-83 DE-1102
physical	xvi, 441 Seiten Illustrationen, Diagramme 24 cm
publishDate	2013
publishDateSearch	2013
publishDateSort	2013
publisher	Brill
record_format	marc
spellingShingle	Moore, Brian C. J. An introduction to the psychology of hearing Psychoakustik (DE-588)4176198-4 gnd Lautwahrnehmung (DE-588)4125741-8 gnd Psychologie (DE-588)4047704-6 gnd Tonpsychologie (DE-588)4185692-2 gnd Physiologie (DE-588)4045981-0 gnd Hören (DE-588)4025405-7 gnd Psychophysik (DE-588)4176251-4 gnd
subject_GND	(DE-588)4176198-4 (DE-588)4125741-8 (DE-588)4047704-6 (DE-588)4185692-2 (DE-588)4045981-0 (DE-588)4025405-7 (DE-588)4176251-4
title	An introduction to the psychology of hearing
title_auth	An introduction to the psychology of hearing
title_exact_search	An introduction to the psychology of hearing
title_full	An introduction to the psychology of hearing Brian C. J. Moore
title_fullStr	An introduction to the psychology of hearing Brian C. J. Moore
title_full_unstemmed	An introduction to the psychology of hearing Brian C. J. Moore
title_short	An introduction to the psychology of hearing
title_sort	an introduction to the psychology of hearing
topic	Psychoakustik (DE-588)4176198-4 gnd Lautwahrnehmung (DE-588)4125741-8 gnd Psychologie (DE-588)4047704-6 gnd Tonpsychologie (DE-588)4185692-2 gnd Physiologie (DE-588)4045981-0 gnd Hören (DE-588)4025405-7 gnd Psychophysik (DE-588)4176251-4 gnd
topic_facet	Psychoakustik Lautwahrnehmung Psychologie Tonpsychologie Physiologie Hören Psychophysik
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025953204&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025953204&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT moorebriancj anintroductiontothepsychologyofhearing

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