A philosophy of the screenplay:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
New York [u.a.]
Routledge
2013
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Routledge studies in contemporary philosophy
49 |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025895200&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Beschreibung: | Includes bibliographical references and index |
| Umfang: | XIII, 270 S. |
| ISBN: | 9780415521444 |
Internformat
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| 245 | 1 | 0 | |a A philosophy of the screenplay |c Ted Nannicelli |
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Datensatz im Suchindex
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|---|---|
| adam_text | IMAGE 1
A PHILOSOPHY OF THE SCREENPLAY
TED NANNICELLI
I~ ~~O~~~~N~~UP NEW YORK AND LONDON
IMAGE 2
CONTENTS
ACKNOWLEDGEMENTS XL
IN TROD UCTION
PART I DEFINITION
1 WHAT IS A SCREENPLAY? AN INTENTIONAL-HISTORICAL FORMALIST DEFINITION
11
2 DEFENDING THE DEFINITION: INTENTIONALITY, HISTORY, AND ARTIFACT
CONCEPTS 34
PART II ART STATUS
3 THE HISTORICAL NARRATIVE APPROACH TO IDENTIFYING ART: EXEGESIS AND
DEFENSE 61
4 FROM PLAYWRITING TO SCREEN WRITING: THE HISTORICAL NARRATIVE 79
PART III ONTOLOGY
5 OBJECTIONS AND ONTOLOGY I: IS THE SCREENPLAY AN AUTONOMOUS WORK OF
ART? 111
6 INSTRUCTIONS AND ARTWORKS: MUSICAL SCORES, THEATRICAL SCRIPTS,
ARCHITECTURAL PLANS, AND SCREENPLAYS 124
IMAGE 3
X CONTENTS
7 OBJECTIONS AND ONTOLOGY II: IS THE SCREENPLAY LITERATURE? 139
8 TOWARD AN ONTOLOGY OF THE SCREENPLAY 162
PART IV APPRECIATION
9 THE APPRECIATION OF THE SCREENPLAY AS LITERATURE 191
NOTES BIBLIOGRAPHY INDEX
219 251 263
|
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| dewey-full | 808.2/3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
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| discipline | Philosophie Literaturwissenschaft |
| edition | 1. publ. |
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| id | DE-604.BV040915968 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T16:27:06Z |
| institution | BVB |
| isbn | 9780415521444 |
| language | English |
| lccn | 2012030879 |
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| physical | XIII, 270 S. |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Routledge |
| record_format | marc |
| series | Routledge studies in contemporary philosophy |
| series2 | Routledge studies in contemporary philosophy |
| spellingShingle | Nannicelli, Ted A philosophy of the screenplay Routledge studies in contemporary philosophy Motion picture authorship Motion picture plays History and criticism Drehbuchautor (DE-588)4294338-3 gnd Drehbuch (DE-588)4127976-1 gnd Philosophie (DE-588)4045791-6 gnd Filmtheorie (DE-588)4071216-3 gnd |
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| title | A philosophy of the screenplay |
| title_auth | A philosophy of the screenplay |
| title_exact_search | A philosophy of the screenplay |
| title_full | A philosophy of the screenplay Ted Nannicelli |
| title_fullStr | A philosophy of the screenplay Ted Nannicelli |
| title_full_unstemmed | A philosophy of the screenplay Ted Nannicelli |
| title_short | A philosophy of the screenplay |
| title_sort | a philosophy of the screenplay |
| topic | Motion picture authorship Motion picture plays History and criticism Drehbuchautor (DE-588)4294338-3 gnd Drehbuch (DE-588)4127976-1 gnd Philosophie (DE-588)4045791-6 gnd Filmtheorie (DE-588)4071216-3 gnd |
| topic_facet | Motion picture authorship Motion picture plays History and criticism Drehbuchautor Drehbuch Philosophie Filmtheorie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025895200&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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