Byron and the Baroque:
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Frankfurt am Main [u.a.]
Lang
2013
|
| Series: | Gdansk transatlantic studies in British and North American culture
1 |
| Subjects: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025668142&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025668142&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Physical Description: | 174 S. Ill. |
| ISBN: | 9783631631317 |
Staff View
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Record in the Search Index
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|---|---|
| adam_text | IMAGE 1
CONTENTS
ACKNOWLEDGEMENTS 9
INTRODUCTION 11
CHAPTER 1 BYRON THE MANNERIST 21
CHAPTER 2 THEATRE O F DEATH: BYRON S ESCHATOLOGICAL DISCOURSE 41
CHAPTER 3 NARRATIVES O F THE FALL: CONCEPTUAL PLOT FORMATION 59
CHAPTER 4 STAT NOMINIS UMBRA : LATINIZATION AND THE ROLE O F THE IMPLIED
READER 79
CHAPTER 5 THE LANGUAGE O F NOTHINGNESS : MONSTROSITY AND THE GROTESQUE
95
CHAPTER 6 PARODY AND BURLESQUE: COMICALITY AS A METHOD O F LITERARY
SEDUCTION 111
CHAPTER 7 BYRON, BAROQUE AND ROMANTICISM 127
CONCLUDING NOTE 145
APPENDIX 151
BIBLIOGRAPHY 161
HTTP://D-NB.INFO/1029100160
Byrons
mannerist digressive style and his theatricality are a method of
literary and cultural discourse based on the concepts of irony, paradox and
reflectivity that were practised in seventeenth-century literature and cul¬
ture. This results in the discursive split in the poetic language, which prefers
to speak about the heavenly and the divine by reference to deformity and
monstrosity. It is marked in a Romantic manner by the presence of the lyri¬
cal persona with a deep consciousness of previous literary texts based on
the philosophy of this type of discourse, in which voices are echoed against
each other. If we accept the Baroque, and seventeenth-century literature
and culture, as sources of Byron s literary dialogue with cultural tradition,
we may cease to perceive the writer as an author suspended between two
mutually exclusive interpretational systems, either as the liberal satirist or
as the grandiose gothic seducer,
ι
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 821 - English poetry |
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| discipline | Anglistik / Amerikanistik |
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| isbn | 9783631631317 |
| language | English |
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| series | Gdansk transatlantic studies in British and North American culture |
| series2 | Gdansk transatlantic studies in British and North American culture |
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| subject_GND | (DE-588)118518208 (DE-588)4050491-8 (DE-588)4143413-4 |
| title | Byron and the Baroque |
| title_auth | Byron and the Baroque |
| title_exact_search | Byron and the Baroque |
| title_full | Byron and the Baroque Mirosława Modrzewska |
| title_fullStr | Byron and the Baroque Mirosława Modrzewska |
| title_full_unstemmed | Byron and the Baroque Mirosława Modrzewska |
| title_short | Byron and the Baroque |
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